THE MODERN COLLEGE.
Ampelopsis veitchii.
The most distinguishing characteristic, from a material point of view, of Trinity College as it now stands in the heart of the City of Dublin, is perhaps that of spaciousness. It is the College of magnificent distances; for a space of over twenty-eight acres is enclosed by the outermost walls—twenty-eight acres of granite and of green sward, of park and plantation, of shrubbery and wilderness, of noble buildings and of uninteresting enclosures. Like most people and many places, Trinity College has what the French call les défauts de ses qualités. With abundant elbow-room, yet not without a touch of dreariness; with a site unsurpassed in any modern city, and needing nothing but variety in elevation, and running water, to make it unrivalled in the world—its very vastness makes it somewhat bare, its very dignity makes it somewhat cold, its very spaciousness makes it somewhat scattered. The granite of its buildings is grey; the limestone and freestone are grey; the slated roofs are grey. It would require a regiment of scarlet Lancers to give colour to the quadrangle.[144] To compare is usually idle, and is often impertinent; but it is obviously impossible to find, in an enceinte of hard upon thirty acres, the warmth and wealth of treatment, the perfection of finish, the fulness and richness of detail, that are so happily realised when the tender care of half-a-dozen centuries has been devoted to the adornment of a single quadrangle, to the artistic treatment of two or three acres of ground. And it must be remembered that all that we now see in Trinity College is the work of little over a century of most diligent and most faithful care. For some hundred and fifty years after the foundation of the University,
the buildings of the new College seemed to have sufficed for the accommodation of the students; but in October, 1751, a petition of the Provost, Fellows, and Scholars of the College of Dublin to the Irish Parliament set forth “That the said College does not contain chambers sufficient for lodging the number of young gentlemen who, for several years past, have been sent thither for education, and that many of the buildings of the said College are, from length of time, become ruinous, and are not capable of being restored; that by the Statutes of the College no provision is made for new buildings, or for any other than the annual repairs of the buildings originally provided, notwithstanding which the petitioners have expended several large sums, which by great care they have saved out of the ordinary expenses of the College, on necessary public buildings, and to increase the number of chambers for the reception of students.” Five thousand pounds were granted by Parliament in response to this petition, and the money was expended on the necessary buildings. Two years afterwards (1753) we find a further sum of ten thousand pounds placed at the disposal of the College authorities by the Irish Government. The money was spent, and well spent, on building. And a further petition, on the 1st of November, 1755, was presented to George II., and a further grant of twenty thousand pounds made to the College to enable them to rebuild the West Front. In 1757, the College authorities appear once more as petitioners to Parliament, stating that they have, with all possible expedition and care, finished the said north side for which former grants had been made, and are now rebuilding the front, for which further funds were needed; and a further and final sum of ten thousand pounds was then placed at their disposal by His Majesty’s Government. And the College accounts show that between 1752 and 1763 a gross sum of £48,820 had been expended on the work of construction.
Ampelopsis veitchii.
The most distinguishing characteristic, from a material point of view, of Trinity College as it now stands in the heart of the City of Dublin, is perhaps that of spaciousness. It is the College of magnificent distances; for a space of over twenty-eight acres is enclosed by the outermost walls—twenty-eight acres of granite and of green sward, of park and plantation, of shrubbery and wilderness, of noble buildings and of uninteresting enclosures. Like most people and many places, Trinity College has what the French call les défauts de ses qualités. With abundant elbow-room, yet not without a touch of dreariness; with a site unsurpassed in any modern city, and needing nothing but variety in elevation, and running water, to make it unrivalled in the world—its very vastness makes it somewhat bare, its very dignity makes it somewhat cold, its very spaciousness makes it somewhat scattered. The granite of its buildings is grey; the limestone and freestone are grey; the slated roofs are grey. It would require a regiment of scarlet Lancers to give colour to the quadrangle.[144] To compare is usually idle, and is often impertinent; but it is obviously impossible to find, in an enceinte of hard upon thirty acres, the warmth and wealth of treatment, the perfection of finish, the fulness and richness of detail, that are so happily realised when the tender care of half-a-dozen centuries has been devoted to the adornment of a single quadrangle, to the artistic treatment of two or three acres of ground. And it must be remembered that all that we now see in Trinity College is the work of little over a century of most diligent and most faithful care. For some hundred and fifty years after the foundation of the University, the buildings of the new College seemed to have sufficed for the accommodation of the students; but in October, 1751, a petition of the Provost, Fellows, and Scholars of the College of Dublin to the Irish Parliament set forth “That the said College does not contain chambers sufficient for lodging the number of young gentlemen who, for several years past, have been sent thither for education, and that many of the buildings of the said College are, from length of time, become ruinous, and are not capable of being restored; that by the Statutes of the College no provision is made for new buildings, or for any other than the annual repairs of the buildings originally provided, notwithstanding which the petitioners have expended several large sums, which by great care they have saved out of the ordinary expenses of the College, on necessary public buildings, and to increase the number of chambers for the reception of students.” Five thousand pounds were granted by Parliament in response to this petition, and the money was expended on the necessary buildings. Two years afterwards (1753) we find a further sum of ten thousand pounds placed at the disposal of the College authorities by the Irish Government. The money was spent, and well spent, on building. And a further petition, on the 1st of November, 1755, was presented to George II., and a further grant of twenty thousand pounds made to the College to enable them to rebuild the West Front. In 1757, the College authorities appear once more as petitioners to Parliament, stating that they have, with all possible expedition and care, finished the said north side for which former grants had been made, and are now rebuilding the front, for which further funds were needed; and a further and final sum of ten thousand pounds was then placed at their disposal by His Majesty’s Government. And the College accounts show that between 1752 and 1763 a gross sum of £48,820 had been expended on the work of construction.
Of the buildings that were erected in Trinity College at the end of the sixteenth century, we have neither roof nor foundation now remaining. Of the still older buildings that stood on Hoggen Green in 1583, we have neither trace nor exact record, beyond that they contained a church, a steeple, a building with a vault under it, and the spytor already alluded to.
TRINITY COLLEGE—WEST FRONT.
In a curious old print, however, of the beginning of the eighteenth century, some buildings are figured abutting upon the Library, and running westwards in the direction of the present Theatre, which were probably a portion of the old buildings erected in 1594. The lines of the Cistercian Monastery are supposed by Mr. Drew, the accomplished architect of the University, to have been a square, of which the south side occupied the site now partially covered by the Theatre, and extending to the north about half way across the present main quadrangle of Parliament Square. That a sixteenth-century College should retain no stone of sixteenth-century masonry is certainly regrettable. But what is far more remarkable is, that of the presumably more appropriate and substantial structures which were in existence when William of Orange landed at Torbay, not a vestige is standing at the present time. And of the noble buildings which now compose the College, by far the greater part is no older than the reign of King George III.
The University has ever been, as it is, one of the few entirely satisfactory and successful institutions planted by England in the sister isle, and it has ever promoted sound learning and religious education; but architecture, or even good building, was for the first century and a-half of its existence most certainly not its strong point. Nor has Irish artistic feeling at any time been commonly expressed in Architecture. Ireland has given to the Empire soldiers and statesmen, poets and orators, philosophers and divines, men of science and men of action, governors, ministers, judges, in numbers and in eminence quite out of proportion to her population and her advantages. But of architects of the first or even of the second class, no Irishman has inscribed his name on the roll of honour as a designer of great works at home or abroad. The domestic architecture and the national ecclesiastical style of building is poor, mean, and uninteresting; and although Dublin to-day is adorned with many handsome structures, none of them can be said to have any peculiarly national characteristics, and of the most important now existing, none are the work of native architects. Gandon, who built the Custom House and part of the Houses of Parliament, was a Frenchman; Cooly, who designed the Exchange and the Four Courts, was an Englishman;[145] Cassels, who did some of the best eighteenth-century work in Trinity College, was a German; Sir William Chambers, who designed the Theatre and the Chapel in Parliament Square, and who was perhaps the greatest British architect of the eighteenth century, was a Scotchman.[146] Nor does the architect, native or foreign, appear to have been held in honour at the University a hundred and fifty years ago. The very name of the designer of the admirable west front of the College is forgotten, unrecorded even in the College accounts; and the architect of the Provost’s House, who bore the very Saxon name of Smith, is stated to have received a fee of £22 15s. for his services. The art could scarcely flourish on such very slender patronage! But whoever the designers may have been, and however remunerated, the College builders of the seventeenth century must have been grossly incompetent. For though work of various kinds seems to have been in constant progress from 1592 to the beginning of the eighteenth century, we find in 1751 that many of the buildings had, from length of time, become ruinous, and were not even capable of being restored. Nor does any great improvement appear even in the eighteenth century. The new Dining Hall, put up in 1740, had to be taken down to prevent its tumbling about the students’ ears in 1750; and the Bell Tower, completed only in 1746, at a cost of nearly £4,000, was “removed” in 1791, as already, after a life of only five-and-forty years, it was “entirely unsafe.” But in the last half-century very different work has been done. The noble Campanile, erected in 1853, is at once admirable in design and most solid in construction, and, above all, most appropriately placed. The New Square, which covers a part of what was once suggestively termed the Wilderness, is irreproachable, if not very interesting in design and workmanship; and the Venetian Palace that forms its southern side affords some of that colour and variety which is so sadly wanting in other parts of the College, and is in itself a structure that would command admiration in any town or country. And the new buildings of the Medical School, if plain and unpretentious, are simple and appropriate and dignified in design, and their cut granite looks well fitted to last for a thousand years.
THE PROVOST’S HOUSE, FROM GRAFTON STREET.