XIV
At dinner-time she came into the dining-room, and was very quiet and affectionate; she still complained, however, of weariness. But there was no agitation about her now, none of her former constant bewilderment and secret dread; and when, the day after Muzzio’s departure, Fabio set to work again on her portrait, he found in her features the pure expression, the momentary eclipse of which had so troubled him ... and his brush moved lightly and faithfully over the canvas.
The husband and wife took up their old life again. Muzzio vanished for them as though he had never existed. Fabio and Valeria were agreed, as it seemed, not to utter a syllable referring to him, not to learn anything of his later days; his fate remained, however, a mystery for all. Muzzio did actually disappear, as though he had sunk into the earth. Fabio one day thought it his duty to tell Valeria exactly what had taken place on that fatal night ... but she probably divined his intention, and she held her breath, half-shutting her eyes, as though she were expecting a blow.... And Fabio understood her; he did not inflict that blow upon her.
One fine autumn day, Fabio was putting the last touches to his picture of his Cecilia; Valeria sat at the organ, her fingers straying at random over the keys.... Suddenly, without her knowing it, from under her hands came the first notes of that song of triumphant love which Muzzio had once played; and at the same instant, for the first time since her marriage, she felt within her the throb of a new palpitating life.... Valeria started, stopped....
What did it mean? Could it be....
At this word the manuscript ended.