XII
Martin spent his last two terms without effort and without emotion. The fact that he was a scholar elect of King's College, Oxford, caused him to feel in some strange way that his career was made and that there was nothing more to be done. So he chattered to Finney on Sunday afternoons, read poetry (condescendingly now) at Mrs Berney's Saturday soirees, and enjoyed the modern novelists when he should have been doing his prep. He had found a copy of Butler's Way of All Flesh in his uncle's study: this he read with joy and lent to the more worthy members of the Upper Sixth. A book with an appeal so universal naturally made an effect: it seemed to crystallise the religious experience of all. Martin was eager to discover whether Foskett had read it and consequently alluded to it at some length in an essay on 'Recent Aspects of Evolution,' in which he courageously let himself go. Foskett made no allusion to Butler and merely wrote on the last sheet: 'Good, but lacks balance. Don't dogmatise on subjects of this kind. Many of your ideas, though well put, are crude.' Martin groaned as he read the criticism. If Foskett had been a bigoted parson and had lectured him on the perils of free thought, he could have looked on himself as a martyr and enjoyed the nursing of a grievance: if, on the other hand, the strength and sincerity of the essay had been genuinely praised, Martin's vanity would have been gratified. But this kindly tolerance, so well meant, was infuriating; it was typical Foskettism. Perhaps what contributed most to Martin's disgust was the lurking suspicion that his ideas were, after all, a trifle crude.
With Foskett, Martin was never in sympathy. He was out of touch with all the causes for which Foskett stood, and it was among the small set of desperately serious and religious boys that the headmaster found his champions. The very fact that he had not taken orders seemed to them, perhaps justly, proof of the deepest faith: in after life they would all have signed photographs in their studies and point him out to their sons. 'That's old Foskett,' they would say. 'Fine character. Great influence.' But the popular verdict was against Foskett. The really strong man can get his way without criticism: he says 'Do' and people just crumple up and do it. When Foskett said 'Do,' things were done as a rule, but the doer had a habit of saying, as he went grudgingly to his work: 'Silly ass, thinks he's a Blood-and-ironer.' Martin said of him to his uncle: 'He's quite efficient and all that, and he's bound to get on. As crushers go, he might be a lot worse.'
And that was the common view.
Foskett took the Upper Sixth in composition and Greek plays. Martin could not help admiring Foskett's fair copies which showed undoubted feeling for the classical languages, but he could never quite endure his enthusiasm for the Greek drama. When Foskett enjoyed literature in public, it always seemed as though he was saying sternly to himself: 'This is good stuff and we've got to like it.' He would stride up and down the room with the text of a play, chanting the iambics or the choruses as though they were everything in the world to him, and all the time Martin felt that it couldn't mean so much to him, just because he sought beauty with a fervour so literary and so incessant. With Martin, appreciation was a thing of moods, coming swiftly and as swiftly departing: he could not understand how Foskett's enjoyment remained always at high pressure: it must, he thought, be artificial. Foskett's affection for Euripides was the most unconvincing of enthusiasms: how could a man so far removed from Euripides in taste and temperament really appreciate that passionate rebel of genius? Martin could have tolerated an open enemy, a thorough conservative who called Euripides a botcher, and a dirty-minded botcher at that: but Foskett's liberal attitude, sweetly reasonable to the extent of being nauseous, was harder to endure. It was not so much that Foskett had set out to like Euripides because Euripides was fashionable once again, though that of course was possible: but it was his determination to be fair at all costs that was fatal. Foskett was so pertinaciously fair, so eager to do justice to both sides of the literary problem that Martin considered that he didn't in the end properly understand or sympathise with either side. It occurred to him that compromise is always necessary in human affairs and usually fatal. And so while Foskett declaimed the Electra and gave out the points to be noticed for and against such treatment of the tragic theme, Martin shuddered and sometimes sulked. Intellectual isolation is not good for the manners, and Foskett found Martin difficult: the two remained always at a distance, never openly hostile, and never sympathetic.
Few Public School boys are critical of the institutions amid which they are brought up, but it was natural for Martin to ponder, as he idled through his last two terms, on the value of the things he had learnt and of the habits in which he had been trained. He had been interested in H. G. Wells' pungent comments on the way we manage education, and he was fascinated by the sweeping schemes of reconstruction. Was all this classical business, he asked himself, just a waste of time and effort? Was he just groping at the door of a treasure-house whose contents had long ago been rifled? He resolved to consult Finney.
Though Finney was now always charitably treated by the Upper Sixth, his warfare with the Upper Fourth was telling on him. Even in a few months he had lost vivacity and ambition, for he was beginning to suffer from the spiritual blight that attacks every unsuccessful schoolmaster in his time. In a year or two he would be shrivelled up into an irritable bunch of nerves, his ability wasted, his hopes stifled. Martin could foresee no escape for Finney, unless by some lucky chance he could get back to Oxford: but that was impossible, for those who leave Oxford rarely return.
Finney was willing enough to talk, but Martin was disappointed with the conversation. He was a Liberal both in politics and disposition, and as a result he had no point of view: he was angry about things and could suggest little reform, but there was no comprehensive unity or vitality in his ideas. He was the kind of man who makes great play with the word 'efficiency.'
"We aren't clear enough," he used to say, "about what we want. We chatter airily at congresses about education, but we never really formulate our wants and bully people into doing things. We don't train our teachers or tell them what is needed ... we just plug them down. Besides the schools aren't to blame: we've got to keep in touch with the two big varsities, and if they insist on everybody mugging up just enough Greek to be a nuisance, we've got to see about the mugging.
"And on the other side there are the parents. We don't get the boys till they are thirteen or fourteen, fashioned all ready in many ways. I don't know what the parents do want, but they certainly don't want education. Ask any housemaster about the letters they write: they're nearly always economic. Why does this cost extra and why doesn't Harry get that free?"
"I suppose that's fairly natural," said Martin.
"Of course. But it shouldn't be all. It's typical of the British attitude. You buy your son an education costing so much, as you would buy him a suit of clothes. They don't care twopence about the teaching or the curriculum, except in so far as it concerns passing exams and leads to money. Parents write about Tom's chances for Sandhurst, but who ever writes about his classics? It's all taken for granted, even its sickening narrowness. No one ever heard of a parent slanging the headmaster because his son didn't know who wrote The Alchemist or because he thought Chopin was a music hall comedian."
"Do you suppose," asked Martin, "that fifty per cent of the Elfreyan parents know there is a play called The Alchemist?"
"Well, I wouldn't bet on it," said Finney. "Still there it all is. Ignorance and muddle. We've got so horribly linked up. Union may be strength, but strength may be tyranny. Capital is all knotted together. Labour soon will be, and Education is in the same way. We can't change without the others changing, the others can't change without the varsities——"
"And the varsities won't change till public opinion blows them to bits," added Martin. "So it all comes back to the dear old vox populi."
"I suppose so," said Finney wearily. "Come and have some tea."
Although he found Finney's suggestions disappointing, Martin continued to ponder occasionally on the phenomena of school life, and when he went to Devonshire for the Easter holidays he took the opportunity of questioning his uncle, for whose views he had a great respect. John Berrisford was always willing to talk after his third glass of port and he welcomed Martin's questions.
"Of course you know," he said, "that though I'm a revolutionary in politics and economics, I'm a sound Tory about institutions and the things that matter, like beef and beer. So I believe in the Public Schools and the Universities, not because they're good, but because they are. Everything that is, must be an expression of human nature, and, being rather an optimist, I think it has some good in it. Anyhow, we can't take human nature and twist it about, as social reformers want to do. The people who cry out for Censors of Art seem to imagine that Art makes public opinion. It may do so now and then, but it's much more important to realise that public opinion makes current art. Art is the emergence of what people are feeling and thinking, and our schools, like our art, must be an expression of the national self."
"But the national self," said Martin, "is pretty stiff."
"That is true, but it doesn't matter. My idea is that, being Englishmen, we ought to make the best of it. Smash international capitalism, which is hellish, and stick to any good things England can give. Of course if you like to turn your destructive criticism on our school system you can knock it to pieces in a minute, just as you can knock out Socialism, or the Co-operative Commonwealth, or any other sensible proposition. A half-educated person can criticise anything; it takes a man to appreciate.
"No, it's no use battering the Public Schools. They are there, so let's make the best of them. They may not teach very much, but men learn to behave reasonably and not to get on one another's nerves. Tell me: if you had to live on a desert island for six months with one other man, would you take a chap with ideas who had been co-educated or privately educated and generally fad-educated or an unintellectual but reasonable man from Elfrey, a person you could always rely on, if it was only to be dull?"
Martin wanted the Elfreyan.
"Well, that says a lot for the schools. You can't smash them until you have smashed the British Character: of course that would be a capital thing to do, but it's a stiff proposal, and while we are waiting let's make the best of it. I quite expect that at times you must have been sick to death of Elfrey, but didn't you like it on the whole?"
"I think I did," answered Martin reflectively.
"Exactly. You liked the chaps, because, with all their intellectual limitations, they're reliable. You know they won't play dirty tricks behind your back. You liked your study and you liked cooking enormous and hideously indigestible meals and gorging until all was blue. You liked shutting the window on a cold night and collecting a crowd and raising such a frowst that the air was solid and the windows steamed. You liked smoking your secret cigarette and discussing who was going to be the school wicket-keeper three years hence and who was the worst bat in first-class cricket. Am I right?"
"Absolutely."
Mr Berrisford started a new cigar with satisfaction. "Good. Then the system hasn't altered altogether. Oh yes, and you liked some of your classics?"
"Most of them, when I could escape the notes and grammarian's drivel."
"The classics are worth sticking to. It's no good these scientists talking about translations being as good. They aren't and there's an end of it. Good translations have their uses, but they aren't the real thing. We don't read Homer to find out what happened. So let's thank God for Homer and philosophy and leave psychology and applied mechanics to the Life Force."
Mr Berrisford had certainly a definite point of view, and he did not fall between the two stools of acceptance and sweeping reconstruction as Finney seemed to. So Martin was not only amused but influenced and on his return to Elfrey for the summer term gave up worrying about the pros and cons of Public School education. He determined to enjoy himself, and he knew that in order to enjoy himself he must have an interest. It couldn't be concerned with art, because in that case he would have to keep it to himself. It must be a common interest, a part of school life. Ultimately, he fixed upon the bowling of googlies.
His batting had always been respectable and had won him a place in his house team for two summers, and now, as Rayner was likely to be engaged in school matches, or practice games, Martin became house captain on most afternoons. Ever since the day when, as a small boy being tried in 'firsts,' he had shivered with terror in the field and dreaded more than death itself the agony of the fumbled catch, he had always envied house captains. Now was his chance: he could become a slow bowler. He believed that most things in this world can be achieved by bluff and a little hard work, and it seemed a simple thing to get wickets if you had unlimited power of keeping yourself on and had terrorised your fielders into holding on to anything. And so, weary of the Upper Sixth and Foskett and even Finney, and wearier far of wondering whether the Public Schools were right, and how and when the Trade Unions would take them over, he found comfort in the googly.
During the holidays he had put up a stump on the Berrisfords' lawn, and practised leg-breaks, waiting patiently for the desired freak which should turn from the off. Sometimes it had come, but Martin never had the least notion why it came: still the essential and undeniable fact was that it had come. On the second night of term he put it to Rayner that he was intending to bowl googlies.
"My hat!" said Rayner. "And you'll be house captain usually!"
"Exactly," answered Martin. "That is the point."
Rayner smiled grimly. "Think of the house, old man!" he exclaimed.
"I shall. Really I do break both ways."
"And how often do you bounce?"
"That depends. Anyhow it's the googly man's privilege to pitch one ball in six on his own toss. Have you ever seen young Jack Hearne?"
Rayner neglected the question. "Look here!" he said, "are you really going to bowl?"
"Rather! But I'll make you an offer. If I don't take ten wickets in the first fortnight with an average under eighteen, I'll never do it again."
"Done!" said Rayner confidently.
Martin triumphantly kept his side of the agreement. The ordinary house pitches were rough and ready, the ordinary house player a slogger. Martin's ordinary ball was well pitched up and apparently simple. But he had had his eye on two or three small boys in the junior team who, though poor bats, could run like hares in 'the country' and hold on to anything they touched. These he translated to the first, to the vast indignation of several clumsy hitters who were moved down in their stead. The policy was a success. Martin used to go on first before the other side were set and occasionally got a victim in the slips or enticed a steady man in front of his wicket. Then he made way for orthodox 'fast rights,' but after the fall of five or six wickets he would polish off the tail with atrocious slow stuff. His small boys were scattered far away and interfered considerably with an adjacent game: they had plenty to do and were given an ice for every catch they held. Martin soon found it an expensive amusement and became extremely unpopular with the tenants of the neighbouring pitch.
He never sulked if he were 'knocked off,' an unusual trait in a house captain and a cause of popularity with his team. And the fielders knew that he only pretended to mind when catches were dropped: Martin was incapable of being ruffled by a mere game. As a result the eleven played keenly and with efficiency. Though Berney's had only one man, Rayner, in the school eleven they succeeded in reaching the final of the Cock House matches. They were to play, just before the end of term, their old enemy, Randall's.
Martin now became thoroughly engrossed in cricket. He neglected to work for one or two school prizes, but he knew that he could get a leaving scholarship without difficulty. Thus he became a more prominent figure in the house and was, on the whole, much happier than in the days of reading and thinking. He abandoned Wells the social theorist for Wells the fantastic romancer and combined Wisden's Almanac with Arnold Bennett for his literature in prep-time. He knew now that he couldn't bowl googlies at all: on the house pitches it depended on the lie of the land which way the ball broke. But he kept up the fraud for his own amusement, and continued to take the wickets to which his confidence entitled him.
The school were laying five to one on Randall's, who had far the better record and were as usual a hard-hitting, level, ugly lot. Berney's won the toss and only made a hundred and thirty on a good wicket. Martin's first ball bumped a little and he poked it into slip's hands: Rayner made twelve and was run out. The runs were made by Martin's small protégés, who scored by fluky shots over and through the slips. It was a disgraceful display. Randall's knocked up two hundred and fifty. Martin was bowling unusually well and consequently never looked like taking a wicket. The batsmen played forward correctly and stayed for hours. Even when in despair he tossed up the most tempting half-volleys, they were content to play him along the ground for one. Randall's never risked anything when a cup was at stake.
In the second innings Rayner put up a fine century and Martin made a pleasing thirty: had he resisted the temptation to cut "the uncuttable," he would have stayed in and served his house better. But Martin could not play cricket in that spirit. The rest did little this time and Randall's was left with only eighty to make.
The score stood at fifty for two when Rayner, who was, of course, captain when he played for the house, put on Martin to bowl. Spectators were moving to the tuck-shop to drown grief or express elation. Martin knew that it was all over and sent down, by way of a change, a fast, straight ball. Randall's captain was expecting something very different, mistimed it, and was bowled: his successor scraped nervously at a leg-break and was caught at the wicket. The next man survived three balls: the last delivery of the over was monstrous. It was pitched very short and went slowly away to leg: the batsman hit under it and was taken far out. A gift indeed. The score was now fifty for five wickets and the tuck-shop began to empty again.
Randall's were not the sort of people one suspected of having nerves. But to lose three wickets in one over of the last innings is startling, and Randall's were rattled, despite their stodginess. Martin's second over was weak in direction and pitiable in length, but he might have been Barnes for the respect he received. It was another maiden. Martin knew well enough that if one batsman had the sense to go for his bowling and treat it according to its merits the match was finished. He took another wicket with a slow leg-break and then a brawny youth named Coxwell came in. He had been warned by his frantic housemaster 'to lash at 'em.' He did so and scored three fours in succession.
During Martin's next over Coxwell was at his end. He saw now that the secret was discovered and that Randall's would knock off their runs with impunity: he could imagine the gloating joy of Randall's, all the greater because victory had been in doubt: Berney's would be in the position of the mouse set free and recaptured. In his anger Martin bowled an amazing ball. He had really meant to send up a "googly," but it pitched half-way to the wicket and scarcely left the ground. The batsman drove it back and Martin, stooping quickly, just touched it with his left hand: the ball crashed into the wickets. Coxwell, who was backing-up, was a yard outside the crease. The batsman who might have won the match had been run out by a gross fluke. "The stars in their courses," said Martin to Rayner, as they waited for the next man. The score was sixty-five for seven.
Martin took all three remaining wickets, or rather the batsmen handed him their lives. They came in half dead with fear (was not a cup at stake?) and demanded their own extinction. The first played forward to a slow half-volley and was caught and bowled, the next put his leg in front of the straight ball on the leg stump, the last was caught off a slow full toss. That was how Berney's won the cup.
Rayner walked home silently with Martin. "You great man!" was all he could say.
"It was the great god Funk," answered Martin. "They just asked to get out."
"You certainly bowled muck," admitted Rayner. "But it was all sheer joy."
And though they pretended to treat the matter as a great jest, they both felt a very genuine pleasure because they had won the cup for Berney's.
That evening the captain of the School Eleven, who had heard that Martin had taken seven wickets for twelve and thereby rendered Berney's cock house, gave him his Second Eleven colours. He had not seen Martin bowl.
Martin took the news to Rayner. "Well that," said Rayner, "fairly puts the lid on it."
Together they shook the walls with laughter. Life is occasionally dramatic, and the finale of Martin's school career had certainly a touch of comedy.
It is commonly believed that boys undergo regrets and deep emotions when they leave school. But Martin noticed that only a few Elfreyans were moved at the thought of saying good-bye: some were charmed by the prospect of entering a world of unlimited smokes and drinks and girls and motor bicycles, others by the prospect of intellectual as well as practical freedom. There were some who really regretted the end of life's first act, boys who had enjoyed the games and the friendships and were now passing to office work without the freedom of three or four years' residence at the university. But those who were more fortunate were eager as a rule to be up and off. Martin had been amused by his last term with its athletic adventures and he had come to appreciate to the full his uncle's advice about making the best of existing institutions. Rayner, too, was a good sort and an excellent friend. But the prospect of Oxford, notwithstanding his gloomy foretaste of the place, attracted him undeniably—no, he could not be moved.
On the last Sunday night Foskett delivered an address and ended with a special appeal to those who were leaving to remember the honour and welfare of their house and their school as well as their king and country. But Martin was wondering all the time whether it were more satisfactory to have won colours for good, solid cricket or to have extorted a cup by mere bluff. There was something pleasant indeed in the thought that a real cricketer would go on with his career, whereas Martin would never dare to call himself a bowler at Oxford: on the other hand, there was an exquisite piquancy in the consideration that he had set out to 'do' cricket and had very successfully done it. Also he had 'done' Randall's, and he was still boy enough to hate the rival house with a fervent loathing. As the organ thundered out the farewell hymn, he decided that to succeed in a fraud which does no real harm is a very gratifying process. Then he pulled himself together and sang dutifully.