Coasting Bohemia

by J. Comyns Carr

INDEX

Alma-Tadema, Sir Lawrence, [26]-[41]
Barnard, Fred, [217], [218]
Barry, James, [119]
Beauty Stone, the, [251]
Bell, Professor: Mrs. Siddons as Lady Macbeth, [167]
Bernhardt, Sarah, [233], [237], [238]
Black, William, [264]
Blake, William, [120]
Bleheris: story of the Holy Grail, [148]
Boaden, James: Mrs. Siddons as Lady Macbeth, [167]
Bohemia Past and Present, [1]-[11]
Bough, Sam, [131]
Bret Harte, [215]
Brough, Robert Barnabas, [119]
Brown, Ford Madox, [126]
Brown, Oliver Madox, [52]
Browning, Robert, [12]
Burne-Jones, Edward, [56]-[88];
friendship with Alma-Tadema, [31];
appreciation of Rossetti, [49], [56], [86];
paintings referred to, [60];
friendship with William Morris, [86];
paintings at Roman Exhibition, [127];
Du Maurier’s opinion of, [217]
Caldecott, Randolph, [216]
Clayden, P. W., [164]
Clint, George, [109]
Collins, Henn, [255]
Constable, John, [130]
Coquelin, B. C., [233], [234], [240]
Cotman, John Sell, [131]
Cox, David, [131]
Craven, Hawes, [207]
Crestien de Troyes—story of the Holy Grail, [148]
Crome, John, [131]
Crompton, Charles, [253]
De Hoogh, [33]
Desclée, Mme., [237]
Dickens, Charles, [215]
Du Maurier, George, [216]
Duse, Eleanora, [238]
Dyce, William, [125]
English School of Painting at the Roman Exhibition, [101]-[133]
Etty, William, [120]
Faulkner, Charles, [86]
Faust, Irving’s preparations for, [206]
Fletcher, Charles, [232]
Fletcher, Mr., [164]
Frith, William Powell, [107]
Froude, James Anthony, [264]
Furse, [119]
Fuseli, Johann Caspar, [119]
Gainsborough, Thomas, [113], [114], [115], [129]
Geddes, Andrew, [118]
George Eliot, [142]
Gilbert, Sir William, [247]-[250]
Gregory, E. J., [109]
Haydon, B. R., [119]
Herschel, Sir F., [255]
Hogarth, William, [104]-[106]
Holker, Sir John, [255]-[257]
Holl, Frank, [119]
Hook, [131]
Hoppner, John, [113], [118]
Humour, A Sense of, [213]-[226]
Hunt, Holman, [44], [124];
pre-Raphaelite movement, [43], [50], [121]
Irving, Sir Henry, [199]-[212], [233], [235], [240]
Junior of the Circuit, the, [253]-[263]
Keene, Charles, [216]
Kemble, Mrs., [163]
Kennedy, Mr. Justice, [253], [255]
King Arthur, Mr. Carr’s version of, for Henry Irving, [210];
music for, written by Sir Arthur Sullivan, [247]
Kingsley, Charles, [264]
Lang, Andrew, [264]
Lawrence, Sir Thomas, [118]
Lawson, Cecil, [131]
Leech, John, [216], [217]
Leighton, Sir Frederick, [19], [35], [128], [234];
paintings at Roman Exhibition, [129]
Lewis, John Frederick, [109]
Leyland, Fred, referred to, [52]
Lorraine, Claude, [131]
Macbeth, [162]-[198];
Irving’s reading of, [205]
Maclise, Daniel, [108]
M‘Connell, W. R., [262]
Malory, Sir Thomas, [147]
Mason, [131]
May, Phil, [217]
Meredith, George, [134]-[146]
Mersey, Lord, [255]
Millais, Sir John Everett, [13]-[25], [65];
pre-Raphaelite movement, [43], [50], [121];
paintings referred to, [23], [44], [123];
Rossetti’s praise of, [51];
portrait painting, [119];
paintings at Roman Exhibition, [123];
Du Maurier’s praise of, [217]
Montgomery, Walter, [231]
Morris, William, [86]
Nutt, Alfred: story of the Holy Grail, [150], [160]
Opie, John, [119]
Orchardson, Sir William, [106]
“Parsifal”: origin of legend, etc., [147]-[161]
Pettie, John, [110]
Phelps, Edmund (jun.), [231]
Phelps, Samuel, [230]
Pope, Sam, [255]
Pre-Raphaelite Brotherhood—aims and achievements of, etc., [5], [42], [50], [55], [120], [125]
Rae, Mr., [45]
Raeburn, Sir Henry, [113], [118]
Ramsay, Allan, [118]
Reynolds, Sir Joshua, [110], [114], [116]
Ristori, Mme., [234]
Roman Exhibition, English school of painting at, [101]-[133]
Romney, George, [113], [117]
Rossetti, Dante Gabriel, [42]-[55];
paintings referred to, [46], [122];
praise of Millais, [51];
encouragement and appreciation of Burne-Jones, [56], [57];
pre-Raphaelite movement, [43], [50], [55], [121];
paintings at Roman Exhibition, [122];
Du Maurier’s opinion of, [217]
Ruskin, John, [125]
Russell of Killowen, Lord, [255], [256], [258]
Salvini, Tomaso, [234]
Sandys, Frederick, [119], [126]
Selby, Lord (Mr. Gully), [255]
Sex in Tragedy—Macbeth, [162]-[198], [205]
Shield, Hugh, [262]
Siddons, Mrs.: personation of Lady Macbeth, [166]-[170], [205]
Sitting at a Play, [227]-[241]
Sullivan, Sir Arthur, [242]-[252]
Terriss, William, [202]
Terry, Ellen, [201], [210], [239]
Terry, Kate, [232]
Tissot, Amédée Angelot, referred to, [31]
Toole, J. L., [220]-[226]
Tristram and Iseult, [147]
Trout-fishing, [264]-[277]
Turner, Joseph Mallord William, [131]-[132];
paintings at Roman Exhibition, [131]
Walker, Frederick, [131]
Watts, G. F., [119], [128]
Wauchier: story of the Holy Grail, [148]
Weston, Miss Jessie: story of the Holy Grail, [150], [156]
Whistler, James McNeill, [89]-[100]
Wilkie, Sir David, [106]
Wills, W. G., [206], [210]
Wilson, Richard, [130], [131]
Wolfram von Eschenbach: story of the Holy Grail, [149]
Zoffany, Johann, [109]

THE END

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FOOTNOTE:

[1] This essay, which served as introduction to the Catalogue of the English Section of the Exhibition of Fine Arts at Rome, is reprinted by the courtesy of the Exhibition Branch of the Board of Trade.

TRANSCRIBER’S NOTES:

Obvious typographical errors have been corrected.

Inconsistencies in hyphenation have been standardized.

The cover image for this eBook was created by the transcriber and is entered into the public domain.