The English Novel in the Time of Shakespeare

by J. J. Jusserand

INDEX.

A.

Acolastus, [316]
Actors, Nash on, [316];
as playwrights, [156-158]
Addison, [25], [381], [396], [412]
"Adventures of Covent Garden," [404-408];
[412]
"Alcida," Greene's, [112], [155]
Alexander, poem imitated from the French romance, [39]
Alfarache, Guzman d', [292], [293], [294]
Alfred, literature under, [33]
"Almahide," [370]
"Almanzor and Almahide," [392]
Amadis of Gaul, Munday's translation of, [349]
Amourists, The, [245]
"Anatomie of Absurditie," Nash's, [169] [note], [279]
Andrews, Dr., Sermons by, [382]
"Andromaque," Racine's, English translation of, [395], [396]
Angennes, Julie d', [352]
Anglo-Saxons, songs and legends of the, [32];
gloom of the literature of the, [33], [34]
"Apologie for Poetrie," Sidney's, [229-233]; [235], [254], [255], [301]
Apulæus, [86]
"Arbasto," [155]; [175-178]
"Arcadia," Sidney's, [226], [229];
account and criticism of, [234-262];
popularity, imitations and translations of, [262-283];
criticised in the eighteenth century by Addison, Cowper and Young, [270-272];
Milton's and Horace Walpole's criticism of, [272];
Niceron on, [283];
drawings from editions of, [16], [17], [273], [275], [277]
"Arcadianism," Dekker and Ben Jonson on, [261]
Arcady, land of, [218], [219]
Architecture, Elizabethan, [12], [99], [100], [101], [102]
Aretino, [298], [348]
"Argalus and Parthenia," Quarles', [16], [264], [267];
as a chap-book, [271-275]
D'Argenson's opinion of England, [24]
"Ariosto," [43], [173], [237], [363];
Harington's translation of, [13], [76], [77], [79], [80], [366]
"Arisbas," Dickenson's, [146]
Arthur, the Celtic hero, [39];
and his knights, [35]
Arundel, Earl of, [159]
Ascham, Roger, denounces foreign travel and literature, [71], [72], [73], [74], [75], [79] [note], [85], [318];
condemns Morte d'Arthur, [63], [74];
on the study of Greek and Latin, [87], [88];
his views on the old romances endorsed by Nash, [307], [308]
"Astrée," d'Urfé's, [205], [247], [364], [365]
"Astrophel and Stella," [229], [233], [234]
D'Aubigné, [398]
"Aucassin and Nicolete," [36], [37], [59], [60], [353]
B.
Bacon, Francis, [24], [43];
"New Atlantis," [50];
and English prose, [52];
essay on Gardens, [241]; [300], [403], [413]
Bacon, Friar, stories about, [28]
Bandello, [81] [note], [86], [147]
"Baron de Foeneste," [398]
Baudoin, translation of Sidney's "Arcadia" into French, [276-280]
Baxter's "Sir Philip Sidney's Ourania," [262]
Beattie, [26]
Beckett, engraver, [19]
Behn, Mrs., [414-417]
Bell's "Theatre," engraving from, [14], [97]
Belleforest's tales translated and imitated by Paynter, [86];
"Histoires tragiques," [147]
"Bentivolio and Urania," Ingelow's, [413]
"Beowulf," the oldest English romance, [11];
fac-simile of the beginning of the MS., [31]; [33], [34];
want of tenderness in, [35]
"Bérénice," Racine's, translated by Otway, [397]
"Berger extravagant," [21], [280], [398], [401]
Bergerac, Cyrano de, his "Etats et empires de la lune et du soleil," [50];
his "Pédant joué," [128] [note];
style of, [258];
humour of, [289], [290]
Berners, Lord, [106-107]
Bestiaries, [108], [111], [112], [115], [116], [119]
Blount, Charles, Lord Mountjoy, Earl of Devonshire, [227]
Blount, Edward, publisher of Lyly's comedies, [137], [138]
Boccaccio, [43];
"Filocopo," "Amorous Fiammetta," "Decameron," English translations of, [75], [76]; [86]
Boileau, [258], [356] [note], [363], [390]
Borde, Dr. Andrew, [288], [289], [326]
Bossuet, [387]
Bovon of Hanstone, poem imitated from a French romance, [39]
Boyle, Roger, Lord Broghill, [384-389]
Bozon, Nicole, [111]
Breton, Nicholas, [192], [198-202]
Brunne, Robert Manning de, [38], [39]
Bullen, [22]
Bunyan, John, [159], [413]
Burghley House, [12], [101], [102]
Byron's "Don Juan," [409], [410]
C.
Cæsarius, [48], [49]
Callot, [317], [337]
Camden Society, [18]
"Campaspe," Lyly's, [138]
Carey, [412]
"Carte du Tendre," [19], [359], [361]
"Cassandra," [396], [403], [412];
"Cassandre," [362], [364], [382], [383]
Castiglione's "Courtier," [76]
Caxton's woodcut of Chaucer's pilgrims, [12], [45];
his editions of Chaucer and work as a printer, [52-55]; [60]
"Cent Nouvelles," [47], [48]
Cervantes, [43], [88], [399]
Chappelain, Mdlle. G., translator of Sidney's "Arcadia," [277-280]
Chapelain, Jean, author of "La Pucelle," [294], [350], [357]
Characters, books of, [201-2] [note]
Charlemagne, poem imitated from French romance of, [39]
Charles I., [84]; [250], [252]; [366], [382]
Charles II., [381]
Charles IX., [220]
Chartley, [223]
Chateaubriand, [231], [283]
Chateaumorand, Diane de, [276]
Chatterton, [26]
Chaucer, Caxton's engraving of his pilgrims, [12], [45];
a story-teller, but with small influence on the Elizabethan novel, [43], [44];
homage of Pope and Dryden to, [44];
faculty of observation in, [49];
and mediæval story-tellers, [89];
"Cooke's Tale," [204];
read by Nash, [296]
Chesterfield, Lord, [414]
Chettle's edition of "Groats-worth of Wit," [165] [note], [321];
"Piers Plain," [328], [330], [331]
"Chrononotontologos," [412]
Cibber, Theophilus, [381]
"Civile Conversation," Guazzo's, [72], [73], [76]
"Clarissa Harlowe," [25], [26], [31]
"Clélie," [361], [364], [370]; frontispiece of "La Fausse," [20], [375]
"Cleopatra," [412]; Queen, as represented on the English stage, [14], [97];
"Cléopatre," [364], [369];
frontispiece of, [20], [371]
Clovis, [354]
Colet, Dean of St. Paul's, [87]
Comte, Auguste, [416]
Condé, [352], [357]
"Contes Moralisés," Bozon's, [111]
Cooper, Fenimore, [415]
Copland, [12]
Corneille, [278], [282], [343], [355], [363], [373]
Coryat, [302] [note]
Cotterel, Sir Charles, translator of "Cassandre," [373]
"Cour Bergère," play derived by Mareschal from Sidney's "Arcadia," [282]
"Court Secret," [413]
Cowper, on Sidney's "Arcadia," [271]
Coxon (or Cockson), Thomas, engraver, portraits by, [13]
Crébillon fils, [414]
Cromwell, [84], [363], [381]
Crowne's "Pandion and Amphigenia," [19], [389-391]; [392], [395]
D.
Davenport, [173]
Davies, John, drawing from his translation of Sorel's "Berger extravagant," [21]
Day, John, "Ile of Guls," [263];
collaborator of Dekker, [331]
"Débat de folie et d'amour," [173]
Dedekind, [339]
Defoe, [25], [26];
protest against the abbreviation of "Robinson Crusoe," [123], [124]; [199], [260], [270], [294], [313], [320], [335], [345], [348], [390], [404], [417]
Dekker, portrait of, [333];
on Arcadianism and Euphuism, [261];
on Nash in the Elysian fields, [327];
plays and pamphlets by, [330-346];
love of literature, [332];
gaiety, [333];
Lamb on, [332];
Nash and, [334];
"Wonderfull Yeare," 335-[338];
advice on behaviour at a play-house, [340-343]
Desperriers, Bonaventure, [86]
Devereux, Penelope, afterwards Lady Rich, Sidney's "Stella," [223], [224], [225], [227], [228]
Dickens, Charles, [124]
Dickenson, imitator of Lyly, [145], [146], [161] [note]
Disguises, fondness for, in Elizabethan times, [237-239]
"Don Simonides," Rich's, [146], [147]
Drayton, [331]
Dryden, [354], [363], [389], [392], [396], [404], [417]
Du Bartas, [271]
Du Bellay, [70]
Dupleix, Scipion, historiographer royal, [354]
Dyce, reprint by, [18]
E.
"Ecclesiastical Polity," Hooker's, [382]
Eliot, George, [36], [124]
Elizabeth, Queen, portrait by Rogers, [11], [96], [256];
by Zucchero, [14];
in pastoral romance, [218];
manners of, [91-96];
learning of, [92];
toilettes of, [92];
Hentzner on, [96]
Elizabethan houses, [101], [102];
dress, [128];
literary men, [161];
amusements, [18], [287], [298]
"Emile," Rousseau's, [415]
"Empress of Morocco," Settle's, [393], [395]
"Endimion," Lyly's, [138], [139];
Gombauld's, [19], [367], [369]
English, ancestry of the, [40], [41], [42];
effect of the French conquest on the literature of the, [43]
"English Adventures," Boyle's, [388], [389]
"English Rogue," Head's, [413]
Erasmus, [51], [87], [88], [348]
Essex, Earl of, [159]
"Euphues," Lyly's, [103-142];
written for women, [104], [105];
on women in, [127-130], [133];
natural history in, [107], [108-120];
moral teaching in, [123], [124], [127];
bringing up of children in, [130-132];
popularity of, [137-142];
Nash on, [139], [140];
abbreviation of, [141]
"Euphues his censure to Philautus," Greene's, [146], [168]
Euphuism, Lyly and, [105];
acclimatization of, in England, [106], [107];
Shakespeare on, [140];
Dekker and, [261]
Exeter, Joseph of, [38]
Exeter, Marquis of, seat of the, [12]
F.
Fayette, Mme. de la, [397]
Fénelon's, "Télémaque," [50];
"Lettre à l'Académie," [229]
Fenton's, "Tragicall Discourses," [80], [81]
Fielding, [25], [124], [270], [313], [317], [406], [412], [417]
Floire and Blanchefleur, [36]
Florio's Montaigne, [227]
Ford, Emanuel, disciple of Lyly, [192];
"Parismus," [193-198];
collaborator of Dekker, [331]
Fortescue's, "Foreste," [81]
Fouquet, [281]
Fournival, Richard de, [107], [108]
Fox, George, the Quaker, [158]
"Francesco's Fortunes," drawings from, [11]
"Francion," [293], [398]
French, gaiety of the literature of the, [33], [34]
Froissart, [43], [47], [86]
Furetière, [398], [399], [404], [405]
Furnivall, F. J., [39], [90], [102], [140], [162], [223]
G.
Gaedertz, of Berlin, [17]
"Gallathea," Lyly's, [139]
"Gamelyne," tale of, [204]
Gargantua and Pantagruel, story of, [50]
Gascoigne, "Adventures passed by Master F. T.," [81]
Gawain, a metrical romance imitated from the French, [89]
"Généreuse Allemande," Mareschal's, [282]
Gheeraedts, [16]
Gil Bias, [24]
Godwin, F., [413]
"Golden boke of Marcus Aurelius," translated by Lord Berners and Sir Thomas North, [106], [107]
Gomberville, [356]
Gosse, [373]
Gower, [296]
"Grand Cyrus," romance of, [364], [383], [396]
Green Knight, metrical romance from the French, [39]
Greene, Robert, illustrations to his work, [11], [15];
stories of, translated into French, [27];
denounces foreign travel, [73] [note];
natural history of, [112];

imitator of Lyly, [145], [146], [170], [171] [note];
Warner on, [149], [150];
character, birth, and education, [152], [153], [154];
travels, [74], [154];
writings, [151], [155];
"Groats-worth of Wit," [156], [157], [158];
"Repentances," [158], [159], [162];
marriage, [159], [160], [166], [167];
Nash on, [160], [161];
complaint against plagiarists, [163];
abuse of Shakespeare, [164], [165];
illness and death, [162], [163], [165], [166], [167];
Ben Jonson on, [166];
contributions to the novel literature of Elizabethan times, [167-192];
Euphuism of, [170-173];
"Penelope," [174];
imitated by Breton, [198], [199], [201];
by Lodge, [202];
style of his novels, [290]; [295], [296], [300], [418]
Greville Fulke, Lord Brooke, [220], [226], [245]
Grimestone's translation of tales by Goulart, [81]
"Groats-worth of Wit," [156], [157], [165] [note], [328]
Grobianism, [339], [344], [345], [346]
"Grobianus," [338], [339]
Guazzo's "Civile Conversation," translation of, [76]
Guevara, [86], [106]
"Gulliver's Travels," [50], [51]
"Guls Horne-booke," Dekker's, [28], [261], [339], [340], [341], [342], [343]
"Gwydonius," Greene's, [155]
H.
Hall, Joseph, bishop of Norwich, [73] [note], [413]
Hampole, Rolle de, story of a scholar of Paris, [48], [49]
Harington's translation of "Ariosto," [13], [76], [77], [79], [80], [366]
Harrington's "Oceana," [413]
Harrison's "Description of Britaine," [101]
Hartley, Mrs., as Cleopatra, [14], [97]
Harvey, Gabriel, Nash and, [297], [298]
Hastings, battle of, results of, [33]
Hathaway, [331]
Haughton, [331]
Havelock the Dane, a metrical romance, [39]
Head, Richard, writer of a picaresque novel, [294], [412], [413]
Henri IV., [352]
Henrietta of England, Duchess of Orleans, [386], [387]
Henry VIII., learning of, [87]
Henslowe, [328], [331]
Hentzner on Elizabeth, [96]
"Heptameron," Reine de Navarre's, [398]
Herbert, William, Shakespeare's friend, [234]
"Hercules of Greece," romance, [349]
Heroical novels and plays in England and France, [347-397];
reaction against, [397-412]
Heywood, T., [331]
"History of the Ladye Lucres," [81];
drawing from German edition of, [14], [82]
Hood, Robin, stories about, [28]
Hooker, Richard, [382]
Hurst, Richard, drawing from his version of Gombauld's "Endimion," [19]
"Hystorie of Hamblet," [81]
I.
"Ibrahim ou l'illustre Bassa," [364]
"Ile of Guls," Day's, [263]
Ingelow's "Bentivolio and Urania," [413]
"Isle of Dogs," Nash's, [297], [298] [note]
J.
"Jack Wilton," Nash's novel of, [297];
account of, [308-321]
Jessopp, Dr., [218]
Johnson, Dr., [151], [413]
Jones, Inigo, sketches by, [14], [100];
architecture of, [100], [101]
Jonson, Ben, [151], [261], [270], [331], [341] [note], [348], [404], [407]
K.
Keats, [418]
Kemp, the actor, [18], [287], [298]
Kenilworth, festivities at, [223];
park of, [241], [242]
King Horn, a metrical romance, [39]
"Knight of the Swanne," frontispiece of, [12], [61], [64]
L.
Labé, Louise, "Débat de Folie et d'Amour," [173]
La Calprenède, [356], [369], [384], [398], [408];
Mme. de Sévigné on, [353]
"Lady of May," Sidney's masque of, [229], [289]
La Fontaine, [232]
Landmann, Dr., [106], [123] [note]
Laneham, Robert, account of the Kenilworth Festivities, [85]
Languet, Hubert, the French Huguenot and friend of Sidney, on English manners, [136], [137];
correspondence with Sidney, [221], [223], [288];
poem on, in the "Arcadia," [222]
"La Pucelle," [294], [350]
Layamon, [39], [40]
Lee, [392], [397]
Leicester, Earl of, [91], [96], [159], [223]
"Lenten Stuff," Nash's, [324], [325]
Le Sage, style of, [47]; "Gil Blas," [294]
"Le Sopha," [24]
"Lettre à l'Académie," Fénelon's, [229]
"Life and Death of Ned Browne," Greene's, [187], [188]
Lindsey, Earl of, [382]
Lodge, Thomas, imitator of Lyly, [145], [150], [151];
birth, education, travels, [202];
novels, [203];
"Rosalynde," [144], [204], [205], [206], [207-215]; [290], [403]
Longueville, Mme. de, [352], [357]
"Looking Glasse for London and England," by Greene and Lodge, [215]
Louis XIII., [354]
Louis XIV., [352]
Loveday, Robert, translator of La Calprenède's "Cléopatre," [369];
frontispiece of, [20], [369], [371]
Ludlow Castle, [219], [220]
Lyly, John, editions of "Euphues," [27];
denounces foreign travel, [73] [note];
writes for women, [104], [105];
his style, [107];
knowledge of plants and animals, [119], [120];
the moral teaching of Lyly's "Euphues," [126-135];
comedies by, [137-139];
imitators of, [145-215];
Sidney's style compared with, [255];
kind of novel, [290];
and the Martin Marprelate Controversy, [297];
an ancestor of Richardson, [317];
anticipates Rousseau, [131], [415]
M.
Malory's "Morte d'Arthur," [54-57], [60-63]
"Mamillia," Greene's, [154], [155], [168]
Mandeville, [296]
Map, Walter, [38];
his faculty of observation, [49]
Mareschal, Antoine, [282]
"Margarite of America," Lodge's, [202], [203]
"Marianne," [24]
Marlowe, heroes and heroines of, [247], [249];
dies young, [295];
Nash's criticisms of, [299], [306], [307]
Mary, Queen of Scots, [92]
Massinger, [331]
Master Reynard, [292]
"Matchless Orinda," The, [384], [391]
Medicis, Marie de, [276]
Melbancke, imitator of Lyly, [145]
Melville, Sir James, ambassador of Mary Queen of Scots to the English court, on the manners of the English, [91-95];
on the liking of the Elizabethans for disguises, [239]
"Menaphon," Greene's, [146], [155], [160], [185-187]
Meres, Francis, [198] [note], [254] [note], [300]
Mérimée's style, [305]
"Midas" comedy by Lyly, [139]
Middleton, [331]
Milton's "Comus," [220], [221];
opinion of Sidney's "Arcadia," [250], [251]
Molière, his love for old songs, [232];
his denunciation of the behaviour of gallants at the playhouse, [343], [344];
the "Précieuses ridicules," [373];
English translations of, [397];
the "Critique de l'Ecole des Femmes," [405]
Monmouth, Geoffrey of, [38], [41]
Montaigne, [43]
Montausier, [352], [388], [391]
Montchrestien, Antoine de, [354], [355]
Montemayor's "Diane," [76];
translation of, [227];
style of, [229];
imitated by Sidney, [236]
Montesquieu's "Lettres persanes," [132]
More, Sir Thomas, writes in Latin; the "Utopia," [50], [51];
Erasmus' opinion of, [87];
hero in Nash's novel, [348];
his "Utopia," a political novel, [413]
Morris, William, [63]
"Morte d'Arthur," Malory's, [54-59];
Ascham on, [63]
Munday, Anthony, imitator of Lyly, [145], [193], [331], [349]
Mürger's "Scènes de la vie de Bohème," [150], [151]
"Myrrour of Modesty," Greene's, [155], [168], [349]
N.
Nash, Thomas, portrait of, [18];
his stories translated into French, [27];
initiator of the picaresque novel, [294];
birth, education, studies, and travels, [295], [296];
works of, [297];
love of poetry, [299], [300];
style and vocabulary of, [302-307];
Dekker on, [327], [334];
begins the novel of real life, [347], [348];
[406], [412], [418]
Navarre, Queen of, [86]
Newcastle, Duchess of, drawing from "Nature's Pictures," [20], [379];
literary works of the, [374-381]
Newton, [24]
North, Sir Thomas, [106], [107]
Novels, in Tudor times, [80-102];
as sermons, [123], [124], [127];
pastoral, [235-283];
picaresque, [291-346];
heroical, [348-414];
philosophical, [414-416]
Nucius, Nicander, on the study of Italian and French in England, [87];
on the manners of English women, [91]
O.
"Oceana," Harrington's, [413]
Octavian, romance imitated from the French, [39]
Oliver, Isaac, miniature of Sir Philip Sidney, [15], [221], [243];
drawing by, [69]
"Oroonoko," Mrs. Behn's, [414-417]
"Orlando Furioso," Ariosto's, [76], [77], [79], [80]
Osborne, Dorothy, letters to Sir William Temple, [382-384], [387], [388]
Otway, [389] [note], [397], [404]
Owen, Miss, [373]
P.
Padua, John of, architect, [12], [101]
"Pamela," Richardson's, [127], [249], [250], [414]
"Pandion and Amphigenia," Crowne's heroical novel of, [389], [390], [391]
"Pandosto," Greene's, [155], [168], [169], [175], [178-185]
"Parismus," Ford's, [193];
compared with "Romeo and Juliet," [194-198]
"Parthenissa," Lord Broghill's, [384], [385];
Dorothy Osborne on, [386], [387]
Pas, C. de, drawings by, [19], [369]
Paynter, translations of tales by, [28];
"Palace of Pleasure," [80];
tales by, [86]
Peele, [295]
"Penelopes Web," Greene's, [155]
Penshurst, Sidney's birthplace, Ben Jonson's description of, [16];
drawing of, [217]
Pepys, Mr., [383]
Percival, romance imitated from the French, [39]
Percy, [26]
"Perimedes," Greene's, [155]
"Perplexed Prince," [413]
"Petit Jehan de Saintré," [47]
Petrarca, [43]
Pettie, George, on English prose, [72], [73];
"Pettie Pallace," [81]
Philips, Catherine, "matchless Orinda," [19]; [370-373]
Philips, Mr., husband of "matchless Orinda," [373]
"Philomela," Greene's, [171-173]
"Philotimus," Melbancke's, [148]
"Pierce Penilesse," Nash's, [322-324]
"Piers Plain," Chettle's, [328-330]
"Pilgrimage to Parnassus," [140]
Pinturicchio, [174]
Pius II., [83]
"Planetomachia," Greene's, [155]
"Polexandre," [364]
Pope, Alexander, [218], [237], [381]
Porro, Girolamo, engraver, [13]
Poussin, Gaspard, [237]
"Princesse de Clèves," [24], [397]
Prose, little cultivated in England, [50]
Prynne, [382]
Puritans, and Charles I., [250];
manners of, [364], [366];
and Cromwell, [381]
Pytheas, an old traveller, [33]
Q.
Quarles, Francis, drawings from his "Argalus and Parthenia," [16];
"Emblemes," [264], [267]
"Quinze joyes de Mariage," [338], [345], [346]
"Quip for an upstart Courtier," Greene's, frontispiece of, [15], [265];
description of, [189-192]
R.
Rabelais, [43];
and the "Utopia," [51], [52]; [88], [128], [289], [297], [304], [305], [399]
Racine, [355], [363], [395], [396], [397]
Racine, Louis, [123]
"Railleur ou la Satyre du Temps," Mareschal's, [282]
Raleigh, [218]
Rambouillet, Hôtel de, [352], [356], [357], [370-373];
Mme. de, [381]
Renaissance, tentative, of the fourteenth century, [43];
short stories, outcome of, [47];
period of the, [60], [68];
effects of the, [69], [70];
art of the, [79];
women at the time of the, [133];
costumes and furniture in Sidney's "Arcadia" pure, [244];
characteristics of, [303]
"Returne from Parnassus," [140] [note], [316] [note], [326]
Rich, "Farewell to militarie profession," [81];

imitator of Lyly, [145];
works of, [146], [147]
Rich, Lord, husband of Sidney's "Stella," [223], [227]
Richardson, [25], [26], [123], [124], [127], [131];
"Pamela" and "Clarissa Harlowe," [169], [202];
borrows from Sidney, [249], [250];
[270], [317], [378], [417]
Richelieu, [352]
Rivers, Lord, [134]
Robert the Devil, drawing of, [57]
"Robinson Crusoe," [123], [124], [159]
Robinson, Ralph, translator of More's "Utopia," [50], [51]
Rogers, William, engraving by, [11], [256]
"Roland," poem imitated from a French romance, [34], [39]
"Roman bourgeois," [398]
"Roman comique," [398]
Romances, end of chivalrous, [25];
pastoral, [217-283];
heroical, reaction against, [397], [398], [411];
French, translated and read in
England, [363-384]
Ronsard, [43], [88]
"Rosalynde," Lodge's, compared with "As you like it," [202-213]
Rousseau's "Emile," [130], [131];
"Social contract," [221];
and Mrs. Behn, [414-416]
Rowley, [331]
S.
Sainte More, Benoit de, poems by, [34], [35]
Saint Dunstan, literature under, [33]
Salisbury, John of, [38]
"Sapho and Phao," Lyly's, [138]
Sarasin, [350]
Scarron, [398], [400] [note], [404]
"Scipion," [365]
Scott, Sir Walter, [26], [36]
Scudéry, George de, [278], [348], [355], [356];
preface to "Ibrahim," [358], [408], [409], [415];
Madeleine de, "Clélie," [20]; [355-357];
[361], [384], [388], [396]
Settle's "Empress of Morocco," [20], [21], [293];
[392-395]
Sévigné, Mme. de, admirer of heroism in romances and plays, [352], [353], [357], [381]
Shakespeare, interior view of a theatre in time of, [17], [18], [286];
[24];
glory of, [26];
editions of the plays of, [27]; [43];
his daily reading, [85];
outcome of his age, [88];
Cleopatra, [97], [99], [156];
source of "Twelfth Night," [147];
of "Winter's Tale," [155], [178-185];
"Parismus" compared with "Romeo and Juliet," [194-198];
of "As you like it," [202-213];
source of part of "Lear," [262];
source of "Two Gentlemen of Verona," [149], [150], [236] [note];
little known in France, [279];
a copy of, in Louis XIV.'s library, [281];
earliest French criticism on, [282];
humour of, [289];
beginning of career of, [299], [300];
on music, [300], [301];
interposes himself in his plays, [314], [315];
and Molière, [343];
style of, [403], [404]
Shirley, [288]
Sidney, Mary, Countess of Pembroke, portrait of, [16];
fame of, [234], [235];
works dedicated to, [263]
Sidney, Sir Philip, [217-283];
miniature and portraits of, [221], [222];
"Arcadia," [16], [17], [226], [229], [234-283];
stories of, translated, [27];
birth, [219];
education and travels, [74], [220], [221];
love for "Stella," [222-225];
"Shepheardes Calender," dedicated to, [225];
at Wilton, [226];
Marriage and death, [226], [227];
literary work and style, [228-263];
"Apologie," [229-233], [235], [254], [255], [301];
Du Bartas on, [274];
known to Florian, [283];
humour of, [288-290];
Nash on, [299];
ancestor of Richardson, [317];
prose of, [403];
analysis of feeling by, [414]
"Sir Charles Grandison," [31]
Smith, Wentworth, [331]
Smollett, [294]
Smyth's "Straunge and tragicall histories," [81]
"Sociable letters," Duchess of Newcastle's, [378]
"Sopha," [414]
Sorel, Charles, [280], [298]
Spenser, Edmund, [43];
Nash on, [298], [299], [300]
Steele, Richard, [25], [381]
"Stella," books dedicated to, [227], [228]
Sterne, [313]
"Strange Fortunes," Breton's, [199], [200]
Suckling, Sir John, [388]
Surrey, Earl of, [74], [245];
Nash on, [300]; [348]
Swift, [345], [384], [413]
Swinburne, [63]
Sylvius, Æneas (Piccolomini), [81]
T.
Tacitus' opinion of the English, [123]
Tarleton, [298]
Tasso, [43];
translations in English of, [76]
"Télémaque," [50]
Temple, Sir William, [382], [384], [387], [388]
"Tendre" country, Map of, [19], [20], [359], [361]
Teniers, [317]
Tennyson, [63]
Thackeray, [124];
"Vanity Fair," [291]
Thorpe, John, architect, [12], [101]
"Til Eulenspiegel," [292]
Tintoretto, [244]
Titian, [244]
"Tom Thumb," Fielding's, [412]
Tom-a-Lincoln, stories of, [28]
"Tom Jones," [26]
Topsell's Natural History, [14], [15], [103], [109], [111-113]; [115-117]; [119], [121], [125], [145], [171], [417]
Tormes, Lazarillo de, [292-294]
"Tragicall Discourses," [80], [81]
Tristan, tales of, [25]
"Trojan War," romance imitated from the French, [39]
Turberville, drawings from his "Booke of Faulconrie," and "Noble Art of Venerie," [15]
Turenne, [352]
U.
Universities, Lyly's experience of, [153]
D'Urfé, [247]
"Utopia," More's, [50], [51]
V.
Villemain's lectures on the eighteenth century, [31], [32]
Vinci, [231]
Virgil, [363], [398]
Voiture, [409]
Voltaire's prose tales, [47], [51]
W.
Wace, [39]
Walpole, Horace, [272]
Walsingham, Sir Francis, [220], [226]
Warner, imitator of Lyly, [145];
"Pan his Syrinx," and "Albion's England," [148], [149]
Warwick, Guy of, metrical romance from the French, [19], [39], [67], [349-351]
Watson, Thomas, [139], [245]
Webster, heroines of, [249]; [331]
Wentworth, [331]
Whetstone, collections of tales translated by, [28];
"Heptameron," [81]
William the Silent, [226]
Wilson, [331]
Wilt, John O., drawing by, [17]
Wireker, Nigel, [38], [49]
Women, their learning and manners in Tudor times, [89], [90], [91];
Ascham and Harrison on, [90], [91];
Caxton on, [133], [134];
English and Italian compared, [133], [134];
Rich's stories for, [147];
excluded from the stage, [301], [302]
"Wonderfull Yeare," [335-338]
Worde, Wynkyn de, [12], [64]
Wroth, Lady Mary, "Urania," [268-270];
Ben Jonson on, [270]
Wyatt, Sir Thomas, [74], [245]
Wycherley, [404]
Wyle, Nicolaus von, [82]
X.
Xenophon, [86]
Y.
Young, on the "Arcadia," [271], [272]
Z.
"Zelauto, the Fountain of Fame," Munday's, [146], [147], [148]
"Zelinda," adaptation of Voiture's, [408-412]
Zucchero's portrait of Elizabeth, [14], [329]

UNWIN BROTHERS, THE GRESHAM PRESS, CHILWORTH AND LONDON.

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BOOKS FOR
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And STUDY

PUBLISHED BY
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T. FISHER UNWIN, Publisher.