CHAPTER IV.
THE TYCOON, DAIMIOS, AND ARISTOCRACY.
The Government of Japan consists of an oligarchy of feudal princes, called Daimios, wielding absolute authority in their respective provinces, but subject to the general control of one of their number, (selected from one of three great families), called the 'Tycoon,' who, assisted by a 'Gorogio,' or 'Great Council,' presides over the affairs of the state in the name of the 'Mikado,' or 'Spiritual Emperor,' its supreme head.
The office of Mikado is apparently the cause of most of the disturbances which agitate the country. Its temporal importance lies in possessing the power of issuing decrees, bestowing titles, and delegating authority to others; and princes discontented with the Tycoon are constantly intriguing against his legitimate influence with the Mikado. For instance: an attempt was made in 1864 by a powerful coalition, headed by Choisiu, prince of Nangato, to obtain possession of the Mikado's person. This was only prevented after a severe struggle by the bravery of the Tycoon's guard, to whose care the palace and its inmates were entrusted. During the conflict a large portion of the sacred city of Miako was burnt.
A DAIMIO PAYING A STATE VISIT
The Tycoon only leaves Yeddo when affairs of state require his presence elsewhere. His palace is situated in the heart of the city, and is surrounded by grounds several miles in circumference, and enclosed by a deep moat. It is there that he receives the compulsory visits of the grandees of the empire, one of whom, on the point of being ushered into the audience-chamber, is shown opposite, in his robes of ceremony, and attended by a sword-bearer, in token of his high rank. The bonze, or priest, who precedes him, does not impart any religious signification to the visit, as priests commonly act in the double capacity of spy and master of the ceremonies. The screen, which forms the background of the illustration is worthy of attention, as its subject is taken from the Japanese mythology, and represents the great sun-god from whom Ten-zio-dai-zin, the patron goddess of the empire, sprang.
In public, these oligarchical princes are invariably surrounded by all the pomp of feudal state, and when they travel are escorted by large bodies of retainers. At Kanagawa, which adjoins the settlement of Yokohama, the foreigner has frequent opportunities of witnessing their processions as they pass to and fro along the 'tokaido,' or 'great public road,' when they are going on their compulsory visits to Yeddo from their own country palaces. Nor is much danger attached to this, as the passing of Daimios whom it would be dangerous to meet on the tokaido, is always notified by the authorities to the consul. On witnessing a Daimio's procession for the first time, it is hard to realise that it is not a scene from some gorgeous pantomime, ao brilliant and varied are the costumes of the retainers, and so totally different is it from anything which European eyes are accustomed to gaze upon. But should anything excite the risible faculties of the observer, his hallucinations are likely to be quickly scattered by the scowls of the resolute-looking fellows passing by with 'hand on sword,' needing but little encouragement to 'set a glory' to it, 'by giving it the worship of revenge,' as they are extremely jealous of the honour of their prince, and regard the presence of foreigners on the tokaido at such times as an insult. This circumstance is also rendered more galling by foreigners sitting coolly on their horses by the road-side as the great man passes, generally in a low norimon, on which they must necessarily look down—in contradiction to Japanese etiquette, which permits no inferior to look down upon a superior—while the people of the country are either abjectly kowtowing to him or patiently waiting in their closed houses until his passing shall set them once more at liberty.
A review given the by two ministers for foreign affairs to Sir Rutherford Alcock, shortly before his departure, was a very imposing spectacle. The approach of the ministers was announced by the beating of drums (which are sometimes carried on the shoulder and struck by the palm of the hand) and the blowing of conch-shells, each instrument being sounded three times in succession, at short intervals. Men in armour carrying banners, bearing the Tycoon's crest, headed the procession. They were followed by a large drum in a square case, carried by two men, and the conch-blowers; then came a number of spearmen in armour; officers on horseback immediately preceding the ministers. On arriving at the ground they dismounted, and were received by Sir Rutherford Alcock, the remainder of their retinue passing on and forming in rear of the others, to the left of the English garrison, consisting of the second battalion of the 20th Regiment, the Royal Marine battalion, and detachments of Royal Artillery, of the 67th Regiment, and Beloochees, who were drawn up in brigade in honour of the occasion. At the request of the ministers the garrison marched past and performed a few manoeuvres, concluding with discharging blank cartridge in squares and in skirmishing order. The rapidity of the fire appeared to make a great impression on them. This over, the Japanese performance commenced; which was a representation of their ancient order of battle, the retainers dividing and forming in lines opposite one another, and about one hundred yards apart. The proceedings were conducted by two marshals on foot; they began by forming the spearmen in line, with emphatic guttural commands, stamping of the feet, and flourishing of gilt batons, to the end of which wisps of paper were attached. All were habited in magnificent armour: some wore complete suits of mail; others chain armour, lined with gorgeous silks. Broad lacquered hats were here and there substituted for helmets; or both were dispensed with, and the temples of the combatants bound with linen cloth, which is their usual headdress in action. Presently a signal was given, on which the opposing lines commenced simultaneously to 'mark line double.' At a second signal they faced into Indian file, and the marshals, placing themselves at their head, led them off at a swinging trot, the whole party flinging up their heels like boys playing at 'follow my leader,' until startling guttural shouts from the marshals caused the glittering lines to halt and face each other. The horsemen, who had hitherto taken no part in the pageant, were now stationed in rear of the centre of the respective lines, and added greatly to the effect by their crested helmets, their richly gilt armour, and the heraldic banners, which were attached to the back of the cuirass and floated about two feet over their heads. As soon as the horsemen were stationed the exciting part of the sham-fight began, by the lines being wheeled backwards and forwards in wings from the centre, and into zigzag formations from central points, with a slow 'stamp-and-go' march, the spears being flourished with each motion and pointed high and low, and right and left, as in our bayonet exercise. The marshals regulated the movements of their respective lines with great accuracy, the one being retired directly the other advanced, so that the relative distance was never altered. After a time both parties suddenly assumed a sitting posture and exchanged howls of defiance, which grew fiercer and fiercer, until a simultaneous rush, as if to engage, finished the performance from which the representatives of barbaric warfare retired amid the hearty cheers of the representatives of the bayonet and rifle.
A Daimio Retainer. [Native Drawing.]
Though most of the Daimios have enormous revenues, and are surrounded by men devotedly attached to them, the policy of the country so trammels their actions with formalities and espionage as to keep them in considerable subjection to the Tycoon; nor is even the privacy of their houses respected, for their families are retained in Yeddo, as hostages for their good behaviour, while they are absent in their principalities. As an occasional relaxation from the cares attendant on their high position, they avail themselves of a privilege called 'naiboen,' which enables them to share incognito in the pleasures and amusements of their countrymen. Those drawings and coloured representations of scenes connected with the higher classes which so largely engross the attention of Japanese artists, generally depict naiboen intrigues and adventures: these convey, however, a very exaggerated idea of the manner in which the Daimios conduct themselves on these occasions.
Coolies carrying Norimon. [From Native Drawing.]
The family in the house-boat witnessing a pyrotechnic display in the bay of Yeddo, may be regarded as a faithful representation of a Daimio's party enjoying the naiboen. The great man in his light summer robe has apparently cast aside the cares of office, and seems thoroughly to enjoy the cool evening breeze and the society of his wives, only one of whom has a legal claim to that title, by right of which she takes precedence of the others. Of the two bonzes, or priests, in the stem of the boat, one, probably, is a member of the family, and the other its spy, for even naiboen excursions are not exempted from espionage: indeed the Japanese are so habituated to this custom that they generally regard it as a necessary check upon themselves. Naiboen excursions to the tea-houses are very frequent, notice being sent previously in order to insure proper accommodation and privacy: the latter precaution being principally taken on account of the ladies of the family, who never go beyond the palace except in a norimon guarded by armed retainers.
A DAIMIO AND FAMILY WITNESSING FIREWORKS
In their homes, the aristocracy are as simple in their habits as the rest of the people. They are much given to study, the favourite subjects being poetry,[3] history, astronomy, and logic. The children are usually taught the rudiments of education by their mothers, and as they advance in years, are either privately instructed by masters or sent to the great schools at Miako, which are said to be attended by upwards of four thousand scholars.