V
The castle of the Wahnschaffes, built for delight and splendour, lay desolate. The great reception halls and the guest-rooms were empty. Some American friends had announced their arrival; but Frau Wahnschaffe had begged to be excused.
Her husband sent her delicacies and flowers from the hothouses. She cared for neither. In a lethargy she sat in an armchair or lay in her bed of state. The curtains were drawn even by day. The electric lamps were veiled.
Memories of Christian’s childhood were her refuge. She lived them over in imagination: how Christian as a child of five had lain in bed with her. Early in the morning the nurse had brought him in his loud delight, still with the rosy warmth of sleep upon him. She recalled the bird-like voice, the golden locks, the flexible hands, the radiant, deep-blue eyes. He had stretched out his little hands after her ropes of pearls, when she had come in evening dress into the nursery. Once little maidens had placed a wreath of sweet peas on his head and danced about him in innocent homage. He had raced through the park with two dogs, and stopped with an admirable gesture of astonishment before a statue of bronze. Later, when he was a youth, at the carnival in Mainz he had stood amid lovely women in a flowery chariot and raised a silver goblet toward the beholders.
Unforgettable to her were his gestures, his glances, his resilient walk, the dark tones of his voice. Equally unforgettable were the expectation of his coming, the delight of his presence, the admiration that met him from the eyes of men. The world contained him only.
She read the few letters that he had written her. She guarded them like relics in a little ebony box. They were sober, dry notes, but to her they were magical. There were ten or twelve lines from Paris or San Sebastian, Rome, Viareggio, Corfu, or the Isle of Wight. Once she had drunk all the beauty of earth from these places. Now that he was no longer there, they faded and died to her.
She had loved her womb because it had borne him; she hated it now because she had lost him. But how or why she had lost him—that was a thing unfathomable. She brooded over it by day and night.
No one could guide her. No thought revealed a gleam of light. She stood before a wall and stared at it in despair. She listened, but no voice reached her ear from the other side. All that people told her seemed absurd and false.
In her bedroom hung a portrait of Christian painted in his twentieth year. It had been done three years before by a Swedish painter. It was very like him, and she adored it. One night she took it from the wall and placed it on a table and lifted the shade from a lamp nearby. She crouched in a chair, rested her head upon her hands, and gazed at the picture steadily and with a questioning passion.
She asked the picture, but it gave no answer. She thrilled with a desire to take that head into her hands. But the face on the canvas smiled its equivocal and remote smile. If only she could have wept! But tears were denied her: too hard and unmoved had she passed through life.
When morning came her maid found her still sitting before Christian’s picture. The painted face beside the burning lamp still smiled its alien smile.