XIII
Prince Wiguniewski wrote to Cornelius Ermelang at Vaucluse in the South of France:
“In your Petrarchan solitude you seem to have lost all touch with the world, since you inquire so insistently after our diva. I thought you were still in Paris and that you had seen Eva Sorel. For she returned from there only a few weeks ago—returned like a general after a victorious campaign of three weeks, full of fame and booty. Didn’t you learn from the newspapers at least of the feverish enthusiasm which she has recently created in international society?
“In your inquiry there is an undertone of anxiety. I understand the reason for it, even though you are reserved on that point. Brief as your visit to her during your stay in Petrograd may have been, your eyes, which are so practised in reading the souls of men, must have perceived the change that has come over her. I hesitate to call that change one that should cause us anxiety, for doubtless it conforms somehow to the law of her being. Yet to behold it means pain to us who witnessed her beginnings and her rise—to those ten or twelve people in Europe, the fairest experience of whose youth was her sweetness and radiance and starry freedom from earth’s heaviness. She was timeless; she was at each moment that very moment’s gift. I need not describe to you what she was; you knew her. But is it for us to quarrel or mourn because a given development does not correspond to our expectations? However we may strive and cry, that which has become and now is unquestionably holds the wiser and the deeper sense of life. We always want too much, and so end by seeing and understanding too little. We need more humility.
“It is a fact that she employs and stirs public opinion in our country as scarcely any other human being does. Every one knows at all times who is in her favour and who has fallen from grace. The luxury that surrounds her generates the wildest fables, and does, indeed, surpass anything ever known. Her monthly income runs into the hundreds of thousands, and her fortune is estimated at between twenty and thirty millions of rubles. Twice a week she receives a carload of flowers from the Riviera, and twice from the Crimea.
“Concerning the castle which she is building at Yalta on the sea, details are told that remind one of the Arabian Nights. It is to be finished in a month, and magnificent festivities are planned for the house-warming. I am among the guests invited. Every one is talking about this castle. The park is said to cover an area of five square miles. Only by a most extravagant expenditure of money and labour could the whole thing have been completed within a year. I am told that the central building has a tower from which one has a magnificent view of the sea, and that this tower is a copy of the tower of the Signoria at Florence. A gilded spiral staircase with a balustrade of costly enamel leads upward within, and each window affords a carefully selected view of the southern landscape. To adorn the walls of one of her great rooms she desired the remaining paintings which the British had still left in El Hira, the celebrated ruin in the Arabian desert. To obtain them, extensive commercial and diplomatic negotiations were necessary. Further large sums were spent and difficulties surmounted to fit out an expedition which was in the desert for three months and has but just returned. Its task was as dangerous as it was romantic, and seven of its members lost their lives. When Eva was told of this, she seemed to be frightened and to regret the boldness of her desires. But then she saw the pictures, and was so entranced that her smile seemed almost to express a satisfaction at the sacrifices they had cost.
“There is no exaggeration in this account. Such is her nature now. Those inconceivably beautiful hands treat the world as though it were possessed by slaves and meant and destined for her alone. I myself beheld her one day crouching before the paintings of a strange, far age, and I was shaken by the expression with which she regarded the gestures of those archaic figures. It was an expression of estrangedness and cruelty.
“It is quite by chance that I drifted to the subject of the ancient paintings and how they were procured. But I see now that I could have chosen no shorter path to the kernel of what I should like to tell you. The events of the past few days actually start from that incident. Few men, of course, can raise the veil that hides these events to-day and will probably always hide them. Any one who has not, like myself, gained some insight through a series of lucky accidents, is simply groping in the dark. I must beg you, too, to observe the strictest secrecy. This letter, which is being sent with especial precautions and which a courier of the embassy is taking across the frontier, may serve as a document entrusted to your care. By its help a later age will be able to track the genesis of certain happenings to their most distant roots.
“Scarcely had the paintings of El Hira arrived, than reclamations on the ground of violated property rights were made by France. The arrangements with England were asserted to have omitted all consideration of the legal rights of a Parisian stock-company, and the French government overwhelmed our ministry with notes and protests. The leader of the expedition, a courageous and witty scholar named Andrei Gabrilovitch Yaminsky, was accused of open robbery. The whole matter was unpleasant and the consternation great, and the noise intimidated even the old foxes of diplomacy. They feared that they had committed a bad blunder, and thus promenaded into the trap set for them. Since this affair, amusingly enough, actually threatened to darken the political sky, the important thing, above all, was to keep it from the knowledge of the Grand Duke Cyril, who holds the threads of foreign affairs in his hands like a spider in the midst of its web, and who feels the gentlest vibration. All efforts were directed to this end. Terror of the Grand Duke’s rage created the most grotesque situations in the responsible ministerial offices.
“The minister in person went to Eva Sorel. She declared proudly that she would assume full responsibility and guard everyone concerned from unpleasant consequences. But there were grave doubts as to that. Similar cases were recalled, in which later on a malicious punishment had, after all, been the portion of the subordinates. So Eva was earnestly begged to give up the mural paintings. She resisted steadily, asserted her right to them, and grew defiant. When the officials were foolish enough to have Andrei Yaminsky, to whom she had taken a great liking, arrested, she threatened to inform the Grand Duke, who happened to be staying at Tsarskoye Selo. Thus terror rose to its utmost height. And now the original instigators of the whole intrigue held their fit time to have come. Suddenly there was calm and the storm had passed. But what had been the hidden and ultimate occasion of it all?
“The initiated whispered of an unholy bargain; but their knowledge, it seems to me, reaches no farther than mine. I sit near enough to the loom to see the shuttles flying to and fro. But I can assert that it is weaving an evil web. In what age have not the arts of a courtesan served to drag nations into slaughter? Perhaps you think the twentieth century too advanced for cabals in the style of Mazarin? I am not so sure of it. And perhaps you also think that the great catastrophes and revolutions use the wills and the actions of trivial mortals only in appearance, and that both accusation and guilt lose their validity when we become aware of the impersonal march of fate? But we do not grasp that march. We are human and we must judge, even as we must suffer, just because we must suffer.
“The unholy bargain involved in this instance concerns the building of fortresses on our Polish and Volhynian frontiers. For unknown reasons the Grand Duke opposed this plan until now. But during the past few days there has been talk of a new government loan. Well, there is one human being and only one capable of having inclined his rigid will toward this project. Why say more? One shudders at the thought of a connection between mural paintings five thousand years old and the springs of modern diplomatic trickery; between the bought complaisance of that incomparable body, that true adornment of the world, and the erection of fortress walls and casemates. The comedy rends one’s heart.
“But that is not all my story. Connected with these events is the death of Andrei Gabrilovitch Yaminsky. I have indicated the fact that Eva was markedly attracted toward him. The courage and energy he had shown in that expedition to the desert, his mind, and not least of all his physical advantages dazzled her. She distinguished him in every way. Since she admits the existence of no barriers and gives her impulses complete expression in action, she did not hesitate in this instance, and Yaminsky was granted a happiness of which he had not dared to dream, and which seems to have robbed him of all moral equilibrium. It filled him to overflowing; it crazed him. Among his friends one evening, over the wine, of course, he began to chatter and boasted of his conquest. He realized his frightful error too late. What would have been contemptible weakness in any instance was sheer crime here. Too late he besought his witnesses to forget his words, to be silent, to consider him a liar and a boaster. Nor did it help him to seek them out singly and persuade them to secrecy. The rumour was started. A discreet and suspected affair would not have caused more than silent or whispered curiosity. The thing openly acknowledged became a topic of general talk. Punishment did not delay long, and Fyodor Szilaghin was the executioner.
“It is not easy to define the rôle which Szilaghin plays in Eva’s present life. Now he seems to be her warder, now her seducer. No one knows whether he desires to please and win her, or whether he is but the servant and Argus of his sombre lord and friend. I believe that Eva herself is in the dark on this point. His enigmatic character, his masterly subtlety and impenetrable faithlessness seemed to me like the visible symbols of the darkening and disquietude of Eva’s soul. There is no doubt that he acted with her knowledge and consent when he undertook to punish Yaminsky. But I dare not decide whether they ever actually spoke of the matter, whether it was done at his or her demand, whether her disappointment made her yield to him or her anger made her revengeful for herself, whether he acted in defence of her honour or that of his master. At all events, the punishment was accomplished.
“The deed itself is hidden in mystery and twilight, and is described with rather repulsive details. Last Wednesday evening Yaminsky was dining with friends in a side room at Cubat’s on the great Morskaia. Shortly before midnight the door was torn open, and four young men, muffled in furs to their eyes, made their way in. Three of them surrounded Yaminsky, and one turned out the lights. Immediately a shot resounded, and before Yaminsky’s friends had recovered from their amazement, the strangers were gone. Yaminsky lay on the floor, soaking in his blood. Szilaghin was definitely recognized as one of the four.
“The boldest stroke came later. In the tumult that arose among the guests of the restaurant, the body of the murdered man had been forgotten. People called for the police and ran and shoved and asked questions. In the meantime a cab stopped at the door. Two men made their way through the crowd to where the dead man lay, and carried him past the staring bystanders into the cab. No one prevented them. The cab raced down the Nevski to the Palace Bridge and stopped. The two dragged the body to the shore, and flung it down among the ice floes of the wintry Neva.
“That same evening I was at Eva’s, together with Caille, Lord Elmster, and some Russian artists. She was entrancing, and of a sparkling gaiety that made one feel loth to lose a breath of it. I no longer remember how the conversation happened to turn to sidereal phenomena and solar systems. For a while in the usual light way, the question was considered whether other planets might not be inhabited by men or man-like beings. And Eva said: ‘I have read, and wise men have told me, that Saturn has ten moons and also a ring of glowing fire that surrounds the great star with purple and violet flame. The planet itself, I am told, is still composed of red-hot lava. But on the ten moons there might be life and creatures like ourselves. Imagine the night in those regions—the dark glow of the great mother star, the purple rainbow forever spanning the whole firmament, and the ten moons circling beside and above one another, so near perhaps that those beings can speak and communicate from world to world. What possibilities! What visions of happiness and beauty!’ Such, or nearly such were her words. One of us replied that it was quite as easy to conceive of moon at war with moon, even as here land wars with land, despite the glory of the heavens, and that experience made us fear that nowhere in the universe would the wonders of a sky save restless creatures like ourselves from robbery and violence. But she said: ‘Do not destroy my faith; leave me my Saturnian Paradise.’
“And she knew, she could not but have known, that in that very hour Yaminsky, whom she had loved, was dying an ugly and a murderous death.
“It is difficult to have humility.”