THE FIRE OF LONDON.

[FROM "ANNUS MIRABILIS.">[

Such was the rise of this prodigious fire,[1]
Which, in mean buildings first obscurely bred,
From thence did soon to open streets aspire,
And straight to palaces and temples spread.

The diligence of trades, and noiseful gain,
And luxury, more late, asleep were laid;
All was the Night's, and in her silent reign
No sound the rest of Nature did invade.

In this deep quiet, from what source unknown,[2]
Those seeds of fire their fatal birth disclose;
And first few scattering sparks about were blown,
Big with the flames that to our ruin rose.

Then in some close-pent room it crept along,
And, smouldering as it went, in silence fed;
Till the infant monster, with devouring strong,
Walk'd boldly upright with exalted head.

Now, like some rich or mighty murderer,
Too great for prison which he breaks with gold,
Who fresher for new mischiefs does appear,
And dares the world to tax him with the old,

So scapes the insulting fire his narrow jail,
And makes small outlets into open air;
There the fierce winds his tender force assail,
And beat him downward to his first repair.

The winds, like crafty courtesans, withheld
His flames from burning but to blow them more:
And, every fresh attempt, he is repell'd
With faint denials, weaker than before.

And now, no longer letted[3] of his prey,
He leaps up at it with enraged desire,
O'erlooks the neighbors with a wide survey,
And nods at every house his threatening fire.

The ghosts of traitors from the Bridge[4] descend,
With bold fanatic spectres to rejoice;
About the fire into a dance they bend,
And sing their sabbath notes with feeble voice.

Our guardian angel saw them where they sate,
Above the palace of our slumbering King;
He sighed, abandoning his charge to Fate,
And drooping oft look'd back upon the wing.

At length the crackling noise and dreadful blaze
Call'd up some waking lover to the sight;
And long it was ere he the rest could raise,
Whose heavy eyelids yet were full of night.

The next to danger, hot pursued by fate,
Half-clothed, half-naked, hastily retire;
And frighted mothers strike their breasts too late
For helpless infants left amidst the fire.

Their cries soon waken all the dwellers near;
Now murmuring noises rise in every street;
The more remote run stumbling with their fear,
And in the dark men justle as they meet.

So weary bees in little cells repose;
But if night-robbers lift the well-stored hive,
An humming through their waxen city grows,
And out upon each other's wings they drive.[5]

Now streets grow throng'd and busy as by day;
Some run for buckets to the hallow'd quire;
Some cut the pipes, and some the engines play,
And some more bold mount ladders to the fire.

In vain; for from the east a Belgian wind
His hostile breath through the dry rafters sent;
The flames impell'd soon left their foes behind,
And forward with a wanton fury went.

A key[6] of fire ran all along the shore,
And lighten'd all the river with a blaze;
The waken'd tides began again to roar,
And wondering fish in shining waters gaze.

Old Father Thames rais'd up his reverend head,
But fear'd the fate of Simois[7] would return;
Deep in his ooze he sought his sedgy bed,
And shrank his waters back into his urn.

The fire meantime walks in a broader gross;[8]
To either hand his wings he opens wide;
He wades the streets, and straight he reaches cross,
And plays his longing flames on the other side.

At first they warm, then scorch, and then they take;
Now with long necks from side to side they feed;
At length, grown strong, their mother-fire forsake,
And a new colony of flames succeed.

To every nobler portion of the town
The curling billows roll their restless tide;
In parties now they straggle up and down,
As armies unopposed for prey divide.

One mighty squadron, with a sidewind sped,
Through narrow lanes his cumber'd fire does haste,
By powerful charms of gold and silver led
The Lombard bankers and the Change to waste.

Another backward to the Tower would go,
And slowly eats his way against the wind;
But the main body of the marching foe
Against the imperial palace is design'd.

Now day appears; and with the day the King,
Whose early care had robb'd him of his rest;
Far off the cracks of falling houses ring,
And shrieks of subjects pierce his tender breast.

Near as he draws, thick harbingers of smoke
With gloomy pillars cover all the place;
Whose little intervals of night are broke
By sparks that drive against his sacred face.

More than his guards his sorrows made him known,
And pious tears which down his cheeks did shower;
The wretched in his grief forgot their own;
So much the pity of a king has power.

He wept the flames of what he lov'd so well,
And what so well had merited his love;
For never prince in grace did more excel,
Or royal city more in duty strove.

NOTES.

This selection from Dryden's long and very tedious poem, "Annus Mirabilis, the year of Wonders, 1666," is given here as a specimen of that kind of mechanical versification so popular in the latter half of the seventeenth century. "That part of my poem which describes the Fire," says Dryden, "I owe first to the piety and fatherly affection of our monarch to his suffering subjects; and, in the second place, to the courage, loyalty, and magnanimity of the city; both of which were so conspicuous that I have wanted words to celebrate them as they deserve. And I have chosen to write my poem in quatrains or stanzas of four in alternate rhyme, because I have ever judged them more noble, and of greater dignity, both for the sound and number, than any other verse in use amongst us." This opinion, however, was certainly not long maintained by the poet, for he never afterward practised that form of versification which he has here praised.

[1.] this prodigious fire. A half sheet published immediately after the Great Fire contains this account of the catastrophe which Dryden describes in his verses:

"On Sunday, the second of September, this present year 1666, about one o'clock in the morning, there happened a sad and deplorable fire in Pudding-lane near New Fish-street; which, falling out in a part of the city so close built with wooden houses . . . in a short time became too big to be mastered by any engines or working near it. . . . It continued all Monday and Tuesday with such impetuosity, that it consumed houses and churches all the way to St. Dunstan's Church, in Fleet-street; at which time, by the favour of God, the wind slackened; and that night, by the vigilancy, industry, and indefatigable pains of his Majesty and his Royal Highness, calling upon all people, and encouraging them by their personal assistances, a stop was put to the fire in Fleet-street, etc. But on Wednesday night it suddenly broke out afresh in the Inner Temple. His Royal Highness in person fortunately watching there that night, by his care, diligence, great labour, and seasonable commands for the blowing up, with gunpowder, some of the said buildings, it was most happily before day extinguished."

[2.] source unknown. "It was ascribed by the rage of the people either to the Republicans or the Catholics, especially the latter. An inscription on the monument, intended to perpetuate this groundless suspicion, was erased by James II., but restored at the Revolution."—Warton.

[3.] letted. Hindered. This use of the word let is now obsolete, except in the phrase, "Without let or hindrance." It was frequently employed by the older writers.

"What lets but one may enter?"—Shakespeare.

[4.] the Bridge. The heads of traitors were displayed on London Bridge. "How inferior is this passage," says Dr. Dodd, "to Milton's animated description of the wild ceremonies of Moloch, which Dryden, however, seems to have here had in mind." See "Ode on the Nativity," stanza xxiii.

[5.] The simile in this stanza was doubtless intended to be very effective.

[6.] key. Quay. A bank, or ledge.

[7.] Simois. See Homer's "Iliad," Bk. XXI.

[8.] gross. Bulk.