THE ITALIAN JOURNEY.
Gibbon reached Paris on the 28th January, 1763; thirty-six days, as he tells us, after the disbanding of the militia. He remained a little over three months in the French capital, which on the whole pleased him so well that he thinks that if he had been independent and rich, he might have been tempted to make it his permanent residence.
On the other hand he seems to have been little if at all aware of the extraordinary character of the society of which he became a spectator and for a time a member. He does not seem to have been conscious that he was witnessing one of the most singular social phases which have yet been presented in the history of man. And no blame attaches to him for this. No one of his contemporaries saw deeper in this direction than he did. It is a remarkable instance of the way in which the widest and deepest social movements are veiled to the eyes of those who see them, precisely because of their width and depth. Foreigners, especially Englishmen, visited Paris in the latter half of the eighteenth century and reported variously of their experience and impressions. Some, like Hume and Sterne, are delighted; some, like Gibbon, are quietly, but thoroughly pleased; some, like Walpole—though he perhaps is a class by himself—are half pleased and half disgusted. They all feel that there is something peculiar in what they witness, but never seem to suspect that nothing like it was ever seen before in the world. One is tempted to wish that they could have seen with our eyes, or, much more, that we could have had the privilege of enjoying their experience, of spending a few months in that singular epoch when "society," properly so called, the assembling of men and women in drawing-rooms for the purpose of conversation, was the most serious as well as the most delightful business of life. Talk and discussion in the senate, the market-place, and the schools are cheap; even barbarians are not wholly without them. But their refinement and concentration in the salon—of which the president is a woman of tact and culture—this is a phenomenon which never appeared but in Paris in the eighteenth century. And yet scholars, men of the world, men of business passed through this wonderland with eyes blindfolded. They are free to enter, they go, they come, without a sign that they have realised the marvellous scene that they were permitted to traverse. One does not wonder that they did not perceive that in those graceful drawing-rooms, filled with stately company of elaborate manners, ideas and sentiments were discussed and evolved which would soon be more explosive than gunpowder. One does not wonder that they did not see ahead of them—men never do. One does rather wonder that they did not see what was before their eyes. But wonder is useless and a mistake. People who have never seen a volcano cannot be expected to fear the burning lava, or even to see that a volcano differs from any other mountain.
Gibbon had brought good introductions from London, but he admits that they were useless, or rather superfluous. His nationality and his Essai were his best recommendations. It was the day of Anglomania, and, as he says, "every Englishman was supposed to be a patriot and a philosopher." "I had rather be," said Mdlle. de Lespinasse to Lord Shelburne, "the least member of the House of Commons than even the King of Prussia." Similar things must have been said to Gibbon, but he has not recorded them; and generally it may be said that he is disappointingly dull and indifferent to Paris, though he liked it well enough when there. He never caught the Paris fever as Hume did, and Sterne, or even as Walpole did, for all the hard things he says of the underbred and overbearing manners of the philosophers. Gibbon had ready access to the well-known houses of Madame Geoffrin, Madame Helvétius and the Baron d'Holbach; and his perfect mastery of the language must have removed every obstacle in the way of complete social intercourse. But no word in his Memoirs or Letters shows that he really saw with the eyes of the mind the singularities of that strange epoch. And yet he was there at an exciting and important moment. The Order of the Jesuits was tottering to its fall; the latter volumes of the Encyclopedia were being printed, and it was no secret; the coruscating wit and audacity of the salons were at their height. He is not unjust or prejudiced, but somewhat cold. He dines with Baron d'Holbach, and says his dinners were excellent, but nothing of the guests. He goes to Madame Geoffrin, and pronounces her house an excellent one. Such faint and commonplace praise reflects on the eulogist. The only man of letters of whom he speaks with warmth is Helvétius. He does not appear in this first visit to have known Madame du Deffand, who was still keeping her salon with the help of the pale deep-eyed L'Espinasse, though the final rupture was imminent. Louis Racine died, and so did Marivaux, while he was in Paris. The old Opera-house in the Palais Royal was burnt down when he had been there a little over a month, and the representations were transferred to the Salle des Machines, in the Tuileries. The equestrian statue of Louis XV. was set up in the Place to which it gave its name (where the Luxor column now stands, in the Place de la Concorde) amidst the jeers and insults of the mob, who declared it would never be got to pass the hotel of Madame de Pompadour. How much or how little of all this touched Gibbon, we do not know. We do know one thing, that his English clothes were unfashionable and looked very foreign, the French being "excessively long-waisted." Doubtless his scanty purse could not afford a new outfit, such as Walpole two years afterwards, under the direction of Lady Hertford, promptly procured. On the 8th of May he hurried off to Lausanne.[5]