THE SEWING GIRLS.
There are two classes of sewing girls in New York. Those who work at home, and those who go out to work at places provided by their employers. Those who work at home are comparatively few. They stay there not from choice, but from necessity. Bodily deformity, or infirmity, or sickness, or invalid parents, or relatives, whom they are unable to leave, keeps them there.
The writer in Putnam, to whose deeply interesting statement we refer the reader for further information on this point, found a poor girl of this class, who was kept at home by the sickness of her consumptive father, living and working in a miserable tenement house in the upper part of Mulberry street. After a brief conversation with her, he asked:
'What rent do you pay for this room, Mary?'
'Four dollars a month, sir.'
"That," he continues, "is little more than thirteen cents a day, you will observe."
'What do you get for making such a shirt as that?'
'Six cents, sir.'
'What! You make a shirt for six cents?'
'Yes, sir, and furnish the thread.'
If my reader is incredulous, I can assure him that Mary does not tell a falsehood; for I know that this price is paid by some of the most 'respectable' firms in New York. 'Can't you get work to do at higher prices?'
'Sometimes, sir. But these folks are better than many others; they pay regularly. Some who offer better prices will cheat, or they won't pay when the work is carried home These folks give me plenty of work, and I never have to wait; so I don't look around for better. I can't afford to take the risk, sir; so many will cheat us.'
Respectability is a good thing, you see. Let me whisper a few other prices to you, which respectability pays its poor girls. Fifteen or twenty cents for making a linen coat, complete; sixty-two cents per dozen for making men's heavy overalls; one dollar a dozen for making flannel shirts. Figures are usually very humdrum affairs, but what a story they tell here! These last prices I did not get from Mary. I got them in the first place, from a benevolent lady who works with heart and hand, day after day, all her time, in endeavoring to better the condition of the poor girls of New York. But I got them, in the second place, from the employers themselves. By going to them, pencil in hand, and desiring the cheerful little particulars for publication? Hardly! I sent my office-boy out in search of work for an imaginary 'sister,' and to inquire what would be paid her. Having inquired, and got his answer, it is needless to say that James concluded his sister could live without taking in sewing.
So, you see, that in order merely to pay her rent, Mary must make two shirts a day. That being done, she must make more to meet her other expenses. She has fuel to buy—and a pail of coal costs her fifteen cents. She has food to buy—but she eats very little, her father still less. She has not tasted meat of any kind for over a year, she tells us. What then does she eat? Bread and potatoes, principally; she drinks a cup of cheap tea, without milk or sugar, at night—provided she has any, which she frequently has not. She has also to buy (I am not painting fancy pictures, I am stating facts, which are not regulated by any rules known to our experience) 'a trifle of whiskey.' Mary's father was not reared a teetotaller, and though I was, and have no taste for liquor, I am able to see how a little whiskey may be the last physical solace possible to this miserable man, whose feet press the edge of a consumptive's grave.
"Perhaps you think it cannot be any of our first and wealthiest firms that pay poor girls starvation prices for their work. But you are mistaken. If my publishers did not deem it unwise to do so, I should give the names of some of our best Broadway houses as among the offenders against the poor girls."