FOOTNOTES
[1]. Joseph D. C. Young, the architect-in-charge during the later period of construction, wrote as follows in answer to an inquiry of the author in January, 1912; "Questions as to the style of architecture embodied in the great Temple have been asked time and time again. Some prominent architects have classed it as Round Gothic; others have said that it is practically unclassifiable, it being 'all material and not at all design.' In my judgment it might be called the Romanesque modified by the Castellated style."
[3]. Rev. 14:6, 7.
[6]. See Rev. 1:8, 11; 21:6; 22:13
[7]. Rev. 1:8.
[8]. For a number of years the niches at the east end of the Temple were occupied by bronze figures of Joseph Smith the prophet and Hyrum Smith the patriarch. These figures have since been removed to the open grounds within the Temple Block enclosure.
CHAPTER VIII
THE GREAT TEMPLE AT SALT LAKE CITY—INTERIOR
The Temple Annex: While there are four doorways leading into the Temple directly from the outside, the usual entrance is through the detached building known as the Annex. Under ordinary conditions only Church authorities who assemble in council meetings enter by the outer doors, though on the rare occasions of special convocations of the Priesthood many pass those portals.
The Annex is entered on the ground-level through a spacious vestibule, eighteen by twenty-one feet, with wave-glass on three of its sides. The floor is of mosaic tiling, bordered with marble blocks. This ante-room is supplied with steam heat and serves the incidental purposes of a cloak room. At the Annex door stand two large columns of marble mosaic, and in contact with the adjoining walls are two other columns, of the same material and of corresponding design. Within the Annex on this floor there are well-equipped office rooms, with desk facilities for the extensive routine work of registration and record.
The main apartment, however, is the Annex Assembly Room. This occupies the central part of the building, and has seating capacity for three hundred persons. The room consists of a central area thirty-six feet square, with a semi-circular alcove of nine feet radius at both north and south sides. The north alcove is occupied by a platform or stand, raised ten inches above the floor, and is furnished with a small lectern. The central body of the room has an imposing column of Corinthian design in each of its four corners; these columns rest upon massive pedestals and extend to the ceiling. Small columns of similar design support the arches which divide the alcoves from the main auditorium. Over the arches at the north end appear portraits of the living First Presidency; and around the walls are portraits of the present Council of the Twelve Apostles, arranged in the order of seniority of ordination. Within the alcoves hang the portraits of the dead,—at the north those of past members of the First Presidency, and in the south recess, those of Apostles now deceased. On the west wall is a full-size reproduction of Munkacsy's famous canvas, "Christ before Pilate"; this copy is the work of Dan Weggeland, one of Utah's veteran artists. The ceiling is formed by the intersection of four arches, producing a quadruple groin structure. Each of the four lunettes is occupied by triple series of arched windows consisting of colored glass in simple design.
On the west side of the building is a small refectory where a noon-day lunch is served to recorders and other officials on duty for the day. A stairway leads to the basement, which is occupied by storage rooms and lavatories.
The Annex Passage: The foot of the stairway marks the beginning of a semi-subterranean passage, which runs south ninety feet to the Temple wall. This passage receives air and natural light through side windows in three large ventilator cupolas which rise six feet above the ground. Artificial illumination is supplied by three electroliers, each holding twelve globes. Near the south end is the entrance to a side corridor leading to machine rooms in which is installed a very efficient apparatus for vacuum cleaning; this is connected with every room in the Temple.[[1]] The passage terminates at the foot of a short flight of granite steps—at the centre of the north wall of the main structure. The top of these steps marks the threshold of the Temple. Heavy doors divide the Annex from the Temple.
The Lower Corridor: The doorway from the annex passage opens directly into the lower corridor of the Temple. This extends entirely across the building, from north to south, and is a little over twelve feet in width. The floor is richly carpeted, the walls are finely finished, and the corridor as a whole presents an imposing contrast with the exceedingly plain passage without. The walls are embellished with large paintings, the chief of which is a canvas fifteen by thirteen feet, showing Joseph Smith preaching to the Indian tribes of the east. At the north end is a drinking fountain of Utah onyx—one of many of this unique design distributed throughout the building.
The Baptistry: West from the lower corridor, and occupying the central third of the entire floor on that side, is the baptismal room, in which stands the great font. This apartment is thirty-two by forty-five feet, and is floored with white marble. A ten-inch wainscot of the same material extends along each wall, with grained wood-work above. The walls are virtually a succession of double doors, of which the lower half is of paneled wood, and the upper of pebbled glass. Each doorway is arched, and carries a large semi-circular transom with a central aperture occupied by an open grill of metal. Of these doors there are six pairs on both north and south sides, and two pairs on both east and west. There are twenty-six fluted pilasters around the walls, each extending from floor to ceiling. The only natural light the room receives is borrowed from windows without; but abundant artificial light is supplied by a large central electrolier and numerous side lamps.
The baptismal font is, of course, the most prominent feature of the room. To provide for the font, a depression or well has been excavated to a depth of three feet below the floor level. This well, tiled with marble, is circular, twenty-one feet in diameter, and is surrounded by an ornamental iron railing two feet high. In this depression stand twelve, life-sized oxen, of cast iron, with bronzed bodies and silvered horns. The oxen face outward in groups of three and support the massive font.[[2]] The font is of cast iron enameled in white, elliptical in form, of ten and six feet in its longer and shorter axes respectively, and four feet deep; its capacity is over four hundred gallons. The rim is reached by a flight of seven steps at either end, with balustrade and top-rail of iron; five inside steps at either end provide for descent into the font. Facilities for quickly replenishing and renewing hot and cold water in the font are adequate and efficient, and due attention has been given to ventilation and sanitary requirements throughout.
The landing at the top of the steps on the west end of the font expands into two small platforms, one at either side; these are enclosed by extensions of the balustrades. On the south side is a small table for the use of the recorder, and on the north are seats for the witnesses whose presence is essential at every baptism performed in behalf of the dead[[3]]
The placing of the baptistry on the lower or basement floor was not a matter of mere convenience. Most of the baptisms performed within the Temple are in behalf of the dead, and the symbolism of the font location is set forth by authority:
"The baptismal font was instituted as a simile of the grave, and was commanded to be in a place underneath where the living are wont to assemble, to show forth the living and the dead."[[4]]
On the north side of the baptistry is a large room divided into a number of apartments used as dressing rooms and in which are performed certain ordinances of anointing, for men. A similar arrangement for women exists on the south side. In these ceremonies only women administer to women, and men to men.
The Lower Lecture Room: On the east of the lower corridor are two assembly rooms. The first of these is about forty by forty-five feet, and is finished and furnished in great plainness. Its walls are without ornament; and, except for the six electroliers, the only approach to decorative embellishment is a drinking fountain of variegated marble and onyx on the south side. The room is comfortably carpeted but in marked simplicity,—without a suggestion of bright color. The seats are folding lecture chairs, of plain design, and provision is made for two hundred and fifty persons. This room is used for preliminary instruction purposes, and may be called for convenience the Lower Lecture Room.
The Garden Room: In striking contrast with the room last described is the apartment on the south, entered from the lecture room by an arched doorway hung with portieres. While of about the same size as the room described, and seated to accommodate the same number of persons, in all its appointments it is of more elaborate design. Ceiling and walls are embellished with oil paintings—the former to represent clouds and sky, with sun and moon and stars; the latter showing landscape scenes of rare beauty. There are sylvan grottoes and mossy dells, lakelets and brooks, waterfalls and rivulets, trees, vines and flowers, insects, birds and beasts, in short, the earth beautiful,—as it was before the Fall. It may be called the Garden of Eden Room, for in every part and appurtenance it speaks of sweet content and blessed repose. There is no suggestion of disturbance, enmity or hostility; the beasts are at peace and the birds live in amity. In the centre of the south wall, is a platform and an altar of prayer, reached by three steps. The altar is upholstered in velvet, and on it rests the Holy Bible. On the sides of the altar are large doorways opening directly into a conservatory of living plants.
The Grand Stairway starts near the south end of the lower corridor already described. It is provided with a stately newel post and a massive balustrade, both of solid cherry. This stairway comprises thirty-five steps with three landings, and at its top is the upper corridor, running forty feet north and south. A large canvas depicting the resurrected Christ instructing the Nephites on the western continent occupies twenty feet of wall space on the east of this corridor; and smaller paintings adorn the other walls.
The World Room: Leading off to the west from the first landing below the top of the grand stairway is a side corridor nine feet wide and fifteen feet long. This contains an art window in rich colors, elliptical in form, about ten feet in height, depicting the expulsion from Eden. It is of special significance in the journey from the Garden Room below to the symbolical apartment into which this side passage leads. At either end the corridor terminates in an arch way; between these the ceiling is of fine panel work. The room is of equal size with those below, forty-five by forty feet. It is carpeted in rich brown, and is seated in the usual way. At the west end is an upholstered prayer altar, on which are placed in readiness for use the Holy Scriptures. Near the altar is a stairway leading to a small waiting room adjoining the elevator landing.
The walls are entirely covered with scenic paintings and the ceiling is pictured to represent sky and cloud. The earth scenes are in strong contrast with those in the Garden Room below. Here the rocks are rent and riven; the earth-story is that of mountain uplift and seismic disruption. Beasts are contending in deadly strife, or engaged in murderous attack, or already rending their prey. The more timorous creatures are fleeing from their ravenous foes or cowering in half-concealed retreats. There are lions in combat, a tiger gloating over a fallen deer, wolves and foxes in hungry search. Birds of prey are slaying or being slain. On the summit of a rugged cliff is an eagle's eyrie, the mother and her brood watching the approach of the male bird holding a lambkin in his claws. All the forest folk and the wild things of the mountain are living under the ever-present menace of death, and it is by death they live. The trees are gnarled, misshapen, and blasted; shrubs maintain a precarious root-hold in rocky clefts; thorns, thistles, cacti, and noxious weeds abound; and in one quarter a destructive storm is raging.
The scenes are typical of the world's condition under the curse of God. Nevertheless there is a certain weird attractiveness in the scenes and in their suggestiveness. The story is that of struggle and strife; of victory and triumph or of defeat and death. From Eden man has been driven out to meet contention, to struggle with difficulties, to live by strife and sweat. This chamber may well be known as the room of the fallen world, or more briefly, the World Room.
The Terrestrial Room: From the north-west corner of the room last described is a large door-way leading into another apartment, lofty, spacious, and beautiful. Its general effect is that of combined richness and simplicity. Following the elaborate decoration of the World Room, this is restful in its soft coloring and air of comfort. The carpet is of lavender velvet woven with simple figures. The walls are of pale blue, the ceiling and woodwork of white with trimmings in gold. At the west end is a large mirror framed in white and gold. The chairs are upholstered to harmonize with the floor-covering. From the paneled ceiling hang three electroliers, massive, yet simple, holding opaline globes. Two sets of conical shades enclosing incandescent bulbs occupy circular recesses in the ceiling, and torch-shaped brackets supporting additional lamps are affixed to the wall pilasters. A few framed canvases hang from the walls, the largest of which is the original painting by Girard—Joseph interpreting the dreams of the butler and baker. Other pictures are delineations of incidents in the life of Christ and scenes in Bible lands.
An upholstered altar stands near the east end of the room, with copies of sacred writ in place. In this room, lectures are given pertaining to the endowments and emphasizing the practical duties of a religious life. It is therefore commonly known as the upper lecture room, but in view of its relation to the room that follows, we may for convenience designate it the Terrestrial Room. At the east end is a raised floor reached by three steps, across which springs an arch of thirty feet span. The arch is supported by five columns between which hangs a silken portiere in four sections. This is the Veil of the Temple.
The Celestial Room: From the room last described to the one now under consideration the passage leads through the Veil. This is a large and lofty apartment about sixty by forty-five feet in area and thirty-four feet in height, occupying the northeast section of the building on this floor. In finish and furnishings it is the grandest of all the large rooms within the walls. If the last room described could be considered typical of the terrestrial state, this is suggestive of conditions yet more exalted; and it may appropriately be called the Celestial Room. The west end is occupied wholly by the Veil. The east wall is in part taken up by two triple mirrors, thirteen feet high; the central section of each is three feet eight inches wide, and the side sections each three feet in width. Along the walls are twenty-two columns in pairs, with Corinthian caps; these support entablatures from which spring ten arches, four on either side and one at each end. Within the recesses formed by these arches and suspended from the wall-columns, are paintings and busts of past and living leaders of the Church, and canvases depicting scenes in Bible lands and incidents of interest in Church history. Prominent among these are paintings by Lambourne, showing the Hill Cumorah[[5]] and Adam-ondi-Ahman.[[6]] Choice canvases illustrative of scenes in the life of Christ and small statuary are disposed with excellent effect about the room. The ceiling is a combination of vault and panel construction elaborately finished. Massive cornices and beams separating the ceiling panels are richly embellished with clusters of fruit and flowers. The color scheme of the walls is soft brown relieved by the light blue of the fluted columns and by abundant trimmings in gold. Eight electroliers with shades of richly finished glass depend from the ceiling, and each of the twenty-two columns holds a bracket of lights in corresponding design. A newel-post at the east bears a flower-cluster of colored globes with an artistic support in bronze. The floor is covered by a heavy carpet and the movable furniture is all of rich yet appropriate design. Palms and other living plants are held in shapely jardinieres of finest ware. At the east is a short flight of stairs leading into an office reserved for the president of the Temple.
Each of the four arched-window recesses in the north is framed by draped curtains of silk, which in material and design match the Veil. On the south side are four pairs of double doors in position and size symmetrically corresponding with the windows on the north. The portal at the south-west, which is fitted with swinging doors, opens directly into the upper corridor at the head of the grand stairway already described; each of the three other portals is fitted with sliding doors, and opens into a separate apartment slightly raised above the floor of the large room, and reserved for special ceremonial work, more specifically described beyond.
Sealing Room for the Dead: The first of these three small rooms is about ten by thirteen feet in the square with a semi-circular recess five feet deep on the south side. This room is raised two steps above the main floor. In the wall of this recess is a bay art window of stained glass, representing with effective and impressing detail the resurrected prophet Moroni delivering the plates of the Book of Mormon to the youthful seer, Joseph Smith. It is a fitting symbol of the actuality of communication between the dead and the living; and it is to ordinances pertaining to this relationship the room is devoted; this is the Sealing Room for the Dead. The west wall is occupied by a large mirror. In the center stands a richly upholstered altar finished in old-rose velvet and gold. The altar is six by three feet six inches at its base and two feet six inches in height. Here kneel in humble service the living proxies representing deceased husbands and wives, parents and children. The only other furniture consists of chairs for the officiating elder, the witnesses, and persons awaiting the ordinances at the altar.
Sealing Room for the Living: The easterly room of the three is in size and shape a counterpart of the last described. Its finishing, however, is in brighter tone; the altar and chairs are upholstered in crimson velvet, and the walls are of light tint. A mirror extends from floor to ceiling on the east wall. This is the Sealing Room for the Living. Here is solemnized the sacred ordinance of marriage between parties who come to plight their vows of marital fidelity for time and eternity, and to receive the seal of the eternal Priesthood upon their union. Here also are performed the ordinances of sealing or adoption of living children by their parents who were not at first united in the order of celestial marriage.[[7]] On the south side of this room is a door with transom and side panels of jeweled glass in floral design, leading into a reception room which is provided for the accommodation of parties awaiting the sealing ordinance. This room connects on the west by a short passage with a smaller apartment,—another waiting room, and this in turn opens upon the upper corridor at the head of the grand stairway.
The Holy of Holies: The central of the three small apartments connected with the Celestial Room,—situated therefore between the Sealing Room for the Living and Sealing Room for the Dead,—is of all the smaller apartments within the Temple walls by far the most beautiful. Yet its excellence is that of splendid simplicity rather than of sumptuous splendor. It is raised above the other two rooms and is reached by an additional flight of six steps inside the sliding doors. The short staircase is bordered by hand-carved balustrades, which terminate in a pair of newel-posts bearing bronze figures symbolical of innocent childhood; these support flower clusters, each jeweled blossom enclosing an electric bulb. On the landing at the head of the steps is another archway, beneath which are sliding doors; these doors mark the threshold of the inner room or Holy of Holies of the Temple, and correspond to the inner curtain or veil that shielded from public view the most sacred precincts of Tabernacle and Temple in the earlier dispensations.
The floor is of native hard-wood blocks, each an inch in cross-section. The room is of circular outline, eighteen feet in diameter, with paneled walls, the panels separated by carved pillars supporting arches; it is decorated in blue and gold. The entrance doorway and the panels are framed in red velvet with an outer border finished in gold. Four wall niches, bordered in crimson and gold, have a deep blue background, and within these are tall vases holding flowers. The room is practically without natural light, but it is brilliantly illumined by a large electrolier and eight side clusters of lamps. The ceiling is a dome in which are set circular and semicircular windows of jeweled glass, and on the outer side of these, therefore above the ceiling, are electric globes whose light penetrates into the room in countless hues of subdued intensity.
On the south side of this room, opposite the entrance doorway, and corresponding in size therewith, is a window of colored glass depicting the appearance of the Eternal Father and His Son Jesus Christ to the boy Joseph Smith. The event here delineated marked the ushering-in of the dispensation of the fulness of times. The scene is laid in a grove; the celestial Personages are clothed in white, and appear in the attitude of instructing the boy prophet, who kneels with uplifted face and outstretched arms. Beneath is inscribed the scriptures through which Joseph was led to seek Divine instruction:
"If any of you lack wisdom, let him ask of God, that giveth to all men liberally, and upbraideth not; and it shall be given him."
And Below:
"This is my beloved Son, hear Him."
This room is reserved for the higher ordinances in the Priesthood relating to the exaltation of both living and dead.
Dome Room: Near the landing of the granite stairway in the southeast tower on the third floor, is the entrance to the large Dome Room, thirty-nine by forty-four feet. On the south side are three oval windows, and opposite these on the north are semi-discs of pebbled glass looking down into the Celestial Room and set in the arches thereof. In the center appears a large dome, fifty-one feet in circumference at its base and seven feet high. This is set with seventeen jeweled windows and may be readily recognized as the ceiling of the Holy of Holies already described as a prominent feature of the second floor. In each of these windows electric bulbs are placed, and it is from these the room below derives its beauty of ceiling illumination and coloring. The walls are hung with portraits of Church authorities. No specific ordinance work belongs to this apartment. At the northwest corner this room opens into a hall or corridor seventy-five feet long, eight feet wide throughout the first fifteen feet of its extent, and ten feet wide for the rest of its course. From the corridor rooms open on either side.
The Elders' Room is the first apartment on the south side of the corridor, west from the Dome Room. It is thirty-one by thirteen feet and is lighted by one oval window. The furniture consists of an altar for prayer, chairs and a table. The room is reserved for council and prayer by the several quorums of elders within the Salt Lake City stakes, each body having the right of occupancy within specified times.
The Council Room of the Twelve Apostles lies to the west from the last, on the south side of the corridor. This is twenty-eight by twenty-nine feet, and has two oval windows on the south. It is furnished with twelve chairs of oak upholstered in leather, other chairs for recorders or clerks, desks, table, and altar. On the walls are seen portraits of latter-day Apostles now living. Adjoining this chamber is an ante-room fourteen by twenty-one feet.
The Council Room of the Seventy is entered from the corridor near its westerly termination. The room is twenty-eight by fourteen feet, and has one oval window on the south side. This chamber is reserved for the use of the First Seven Presidents of the Seventies, or more accurately stated, the First Council of the Seventy. It is furnished for its purpose with seven chairs of a kind, an extra chair for the recorder or clerk, a table and a prayer altar.
The Council Room of the First Presidency and the Twelve Apostles is situated on the north side of the corridor, and with its ante-room occupies the greater part of that side. The main apartment is forty by twenty-eight feet. In the center is a prayer altar of white wood upholstered in crimson velvet. Twelve large upholstered chairs of oak are arranged in three quadrants of a circle around the altar. The other quadrant is occupied by a table, behind which are three chairs of a kind for the three presiding high priests who constitute the First Presidency of the Church, and another chair for the Presiding Patriarch. These pieces, with desk, table, and chair for the use of the recorder, constitute the essential furniture of the room; all additional pieces are decorative. The walls support several fine paintings, among which are two canvases depicting the descent from the cross, one of the burial of the crucified Christ, and others of scenes in the life of the Savior. Beside these there are original canvases showing landscape scenes of interest in the history of the restored Church.
The ante-room to this chamber is sixteen by fourteen feet. On the north side is seen a commemorative window of colored glass, presenting in the central panel a splendid picture of the finished Temple, above which appears the sacred inscription, "Holiness to the Lord." Each of the side panels presents an escutcheon with scroll and inscriptions.[[8]]
The High Council Room: Immediately north from the ante-room to the chamber reserved for the First Presidency and the Twelve Apostles, is a room twenty-five by sixteen feet, allotted to the use of the Presidency and High Council of each of the stakes of Zion included within this district. The occupancy of this room is regulated by rule, and the presiding bodies of each of the stakes concerned have access thereto at appointed times, specifically for devotional service. In business session these organizations meet elsewhere, not in the Temple. The room is furnished with the requisite number of chairs, a table, a desk, and an altar.
The Main Assembly Room, which with its vestries and the end corridors occupies the whole of the fourth floor, is one hundred and twenty by eighty feet in area, and thirty-six feet in height. A commodious gallery extends along both sides, and but for the space occupied by the stands, includes the ends. At either end of this great auditorium is a spacious stand,—a terraced platform,—a multiple series of pulpits. The two are alike as to finish and furniture; a description of one will serve for both.
The stand comprises four terraces, the lowest of which is one foot above the floor, while each of the other three has a rise of two feet. On each of the lower three terraces is a settee or dais eighteen feet long; the upper terrace is furnished with a settee eight feet long for the seating of the president and his two counselors. On each terrace is a central lectern, with a smaller desk of corresponding design on either side. All the woodwork on these terraced platforms is hand carved, and is finished in white and gold.
The upper stand at either end of the room is covered by a canopy, supported by columns, and bearing on its front the designation of the order of Priesthood to which the end is devoted. The stand at the west end is inscribed "Aaronic Priesthood," and the one at the east, "Melchisedek Priesthood." It will be remembered in connection with the description of the Temple exterior that the towers at the east rise to a greater height than do those at the west. It is now seen that this difference is in accordance with the graded orders of Priesthood, stationed within, the Higher at the east and the Lesser at the west.
Flanking the official stands at either end of this auditorium are seats for officials in the Priesthood not directly called to officiate in the services of the day. The gallery and the wings of the stands are furnished with folding chairs; the seats belonging to the body of the auditorium are of reversible construction, so that the auditors may face the stand in which the Priesthood officiating on the occasion belongs.
This great room is finished in white and gold. From the paneled ceiling large electroliers depend, and these with the cornice lights present a total of three hundred and four electric globes. In the rear of each stand are commodious vestries with entrances on either side. In each corner of this imposing auditorium, is a spiral stairway leading to the gallery; the stairway is of graceful design with hand-carved embellishments.
The Upper floors: Above the level of the main assembly room with its accessories, there are no rooms. The next floor has an elevator landing at the west and a cross-corridor connecting the two corner towers at both the east and west ends of the Temple, but these are all. The next landing is on a level with the roof of the Temple, above which are only spires and finials.
The Four Granite Stairways: In each of the four corner towers is a stairway leading from basement to roof, each and every step of solid granite. The stairs are attached to a central column of granite four feet in diameter, and every step is set and anchored to withstand for ages any and all ordinary loosening by time. In each of these four corner stairways there are one hundred and seventy-seven steps, a total of seven hundred and eight in all. Each step is six feet long with an insert of three inches at either end; at the narrow end each step is five inches wide, and at the other end twenty inches; the steps present a projecting tread of one inch and a half. There are broad landings at convenient intervals in the long spiral. Each complete step weighs over seventeen hundred pounds, and the aggregate weight of the granite in the four stairways is over one and a quarter million pounds. On each floor is a cross corridor ten feet in width, running north and south, connecting the tower stairways. At the west end of the structure are two commodious elevators running in separate shafts of granite from basement to roof. At first hydraulic elevators were installed, but these have been replaced by automatic electric lifts.
Be it remembered that the Temple has been built not for the present alone. In structure it is stable and of the best construction skill and devotion could achieve. In the interior its appearance is strictly in keeping with the stability of the walls and in harmony with the impressive and imposing appearance presented without. In no part is there evidence of hurried plan or careless execution. Even the attic rooms and muniments—but seldom used—are well and fully furnished.
However, the Temple is not beautified throughout with equal elaboration. There has been no lavish nor unnecessary expenditure in embellishment. The predominating intent has been that of appropriateness. There are many rooms of plain design, furnished in but simple style; there are others in which no effort has been spared nor cost considered to secure the essentials of grandeur and sublimity. In no part is there a hint of incompleteness; nowhere is there a suggestion of the excessively ornate. Every room has been planned and constructed for a definite purpose, and both finished and furnished in strict accordance therewith. Within this, the greatest Temple of the present dispensation, there is no mere display, no wasting of material, no over-ornamentation. The Temple has been planned and built as was believed to be most appropriate to
The House of the Lord.