Serapeum and Apis Mausoleum.
The remains of the Serapeum and the burial-places of the sacred bulls (who, when alive, were worshipped at Memphis), were discovered by M. Mariette in 1860-61. Of the former, sufficient traces were found to show that it resembled in its arrangement the ordinary Egyptian temple, viz., with pylons, preceded by an avenue of sphinxes, and an enclosed space behind, with halls and chambers, in one of which was the opening to the inclined passage leading to the subterranean galleries. The earlier tombs of the 18th, 19th, and 20th dynasties were hewn in the rocky platform. From the 22nd to the 25th dynasty the bulls were buried in a subterranean gallery. The same system was adopted from the 26th dynasty till the time of the later Ptolemies (circa 50 B.C.), but the galleries were of greater size and magnificence, having an extent of 400 yards, and the bulls were interred in immense granite sarcophagi placed in niches, on both sides of the galleries, but never opposite to one another. The chief historical value of the discovery rests in the steles, or inscribed tablets, some 500 in number, placed there as ex-votos by pious visitors, the principal examples of which are now in the Gizeh Museum or in the Louvre.
CHAPTER VI.
ETHIOPIA.
CONTENTS.
Kingdom of Meroë—Pyramids.
It was long a question with the learned whether civilisation ascended or descended the Nile—whether it was a fact, as the Greeks evidently believed, that Meroë was the parent State whence the Egyptians had migrated to the north, bringing with them the religion and the arts which afterwards flourished at Thebes and Memphis—or whether these had been elaborated in the fertile plains of Egypt, and only in later times had extended to the Upper Nile.
Recent discoveries have rendered it nearly certain that the latter is the correct statement of the facts—within historic times at least—that the fertile and easily cultivated Delta was first occupied and civilised; then Thebes, and afterwards Meroë. At the same time it is by no means improbable that the Ethiopians were of the same stock as the Thebans, though differing essentially from the Memphites, and that the former may have regarded these remote kindred with respect, perhaps even with a degree of half-superstitious reverence due to their remote situation in the centre of a thinly-peopled continent, and have in consequence invented those fables which the Greeks interpreted too literally.
If any such earlier civilisation existed in these lands, its records and its monuments have perished. No building is now found in Meroë whose date extends beyond the time of the great king Tirhakah, of the 25th Egyptian dynasty, B.C. 724 to 680, unless it be those bearing the name of one king, Amoum Gori, who was connected with the intruding race of sun-worshippers, which broke in upon the continuous succession of the kings of the 18th dynasty. Their monuments were all purposely destroyed by their successors; and almost the only records we have of them are the grottoes of Tel el Amarna, covered with their sculptures, which bear, it must be confessed, considerable resemblance in style to those found in Ethiopia. Even this indication is too slight to be of much value; and we must wait for some further confirmation before founding any reasoning upon it.
The principal monuments of Tirhakah are two temples at Gibel Barkal, a singular isolated mount near the great southern bend of the river. One is a large first-class temple, of purely Egyptian form and design, about 500 ft. in length by 120 or 140 in width, consisting of two great courts, with their propylons, and with internal halls and sanctuaries arranged much like those of the Rameseum at Thebes (Woodcut No. [19]), and so nearly also on the same scale as to make it probable that the one is a copy of the other.
The other temple placed near this, but as usual unsymmetrically, consists of an outer hall, internally about 50 ft. by 60, the roof of which is supported by four ranges of columns, all with capitals representing figures of Typhon or busts of Isis. This leads to an inner cell or sanctuary, cut in the rock.[[60]]
46. Pyramids at Meroë. (From Hoskins’s ‘Travels in Ethiopia.’)
Fig. 1.—Plan of Principal Group. Scale 100 ft. to 1 in.
Fig. 2.—Section and Elevation of that marked A. Scale 50 ft. to 1 in.
There are smaller remains strewed about, indicating the existence of a city on the spot, but nothing of architectural importance.
The most remarkable monuments of the Ethiopian kingdom are the pyramids, of which three great groups have been discovered and described. The principal group is at a place called Dankelah, the assumed site of the ancient Meroë, in latitude 17° north. Another is at Gibel Barkal; the third at Nourri, a few miles lower down than the last named, but probably only another necropolis of the same city.
Compared with the great Memphite examples, these pyramids are most insignificant in size—the largest at Nourri being only 110 ft. by 100; at Gibel Barkal the largest is only 88 ft. square; at Meroë none exceed 60 ft. each way. They differ also in form from those of Egypt, being much steeper, as their height is generally equal to the width of the base. They also all possess the roll-moulding on their angles, and all have a little porch or pronaos attached to one side, generally ornamented with sculpture, and forming either a chapel, or more probably the place where the coffin of the deceased was placed. We know from the Greeks that, so far from concealing the bodies of their dead, the Ethiopians had a manner of preserving them in some transparent substance, which rendered them permanently visible after death.[[61]]
To those familiar with the rigid orientation of those of Lower Egypt, perhaps the most striking peculiarity of the pyramids is the more than Theban irregularity with which they were arranged, no two being ever placed, except by accident, at the same angle to the meridian, but the whole being grouped with the most picturesque diversity, as chance appears to have dictated.
Among their constructive peculiarities it may be mentioned that they seem all to have been first built in successive terraces, each less in dimensions than that below it, something like the great pyramid at Sakkara (Woodcut No. [9]), these being afterwards smoothed over by the external straight-lined coating.
Like the temples of Gibel Barkal, all these buildings appear to belong to the Tirhakah epoch of the Ethiopian kingdom. It is extremely improbable that any of them are as old as the time of Solomon, or that any are later than the age of Cambyses, every indication seeming to point to a date between these two great epochs, and to the connection of African history with that of Asia.
The ruins at Wady-el-Ooatib, a little further up the Nile than Meroë, should perhaps be also mentioned here, if only from the importance given to them by Heeren, who thought he had discovered in them the ruins of the temple of Jupiter Ammon. They are, however, all in the debased style of the worst age of Ptolemaic or Roman art in that country. They are wholly devoid of hieroglyphics, or any indication of sanctity or importance, and there can be little doubt that they are the remains of a caravansera on the great commercial route between Egypt and Axum, along which the greater part of the trade of the East arrived at Alexandria in the days of its magnificence.
Although widely differing in date from the monuments just described—except the last—this may be the place to mention a group of the most exceptional monuments of the world—the obelisks of Axum. It is said they were originally 55 in number, four of them equal to that shown in the annexed woodcut, which represents the only one now standing; but there are fragments of several of these lying about, and some of the smaller ones still standing, all of the same class and very similar in design to the large one. Its height, according to Lord Valentia, is 60 ft., its width at base nearly 10, and it is of one stone. The idea is evidently Egyptian, but the details are Indian. It is, in fact, an Indian nine-storeyed pagoda, translated in Egyptian in the first century of the Christian era!
47. Obelisks at Axum. (From Lord Valentia’s ‘Travels.’)
The temple most like it in India is probably that at Budh Gya. That, in its present form, is undoubtedly more modern, but probably retains many of its original features. It also resembles the tower at Chittore,[[62]] but towers are from their form such frail structures, that certainly nine-tenths of those that once existed have perished; and it is only because they are so frequent still in China and other Buddhist countries that we are sure that the accounts are true which represent them as once as frequent as in the country of their birth. Be this as it may, this exceptional monolith exactly represents that curious marriage of Indian with Egyptian art which we would expect to find in the spot where the two people came in contact, and enlisted architecture to symbolise their commercial union.