Temples.
Till recently no temples had been discovered which could with certainty be ascribed to the age of the pyramid builders; one, however, was excavated in 1853, from the sand close beside the great Sphinx, with which it was thought at one time to have been connected. Mr. Petrie, however, found the remains of a causeway 15 ft. wide and over a quarter of a mile long, leading to a second temple in front of the pyramid of Khafra; as also the traces of other temples in front of the Great Pyramid and of that of Menkaura. Further temples have been discovered at Abouseer, Dahshur and other pyramids, so that, as Mr. Petrie says, p. 209, “to understand the purpose of the erection of the Pyramids it should be observed that each has a temple on the eastern side of it. Of the temples of the second and third Pyramids the ruins still remain; and of the temple of the Great Pyramid the basalt pavement and numerous blocks of granite show its site.” “The worship of the deified king was carried on in the temple, looking toward the Pyramid which stood on the west of it; just as private individuals worshipped their ancestors in the family tombs” (already referred to) “looking towards the false doors[[40]] which are placed in the west side of the tomb, and which represent the entrances to the hidden sepulchres.”
13. Plan of Temple near the Sphinx.
The temple of the Sphinx,[[41]] (or, as it is now called, the granite temple,) though at present almost buried, was apparently a free-standing building, a mass of masonry, the outer surfaces of which were built in limestone, and carved with long grooves, horizontal and vertical, skilfully crossed, resembling therefore the carved fronts of many tombs at Sakkara and Gizeh and the sarcophagus of Mycerinus (Woodcut No. [12]). The temple measured 140 ft. in each direction, and the walls were 40 ft. high. It was arranged in two storeys, the upper one being an open court. In the lower storey were: A, a hall 55 ft. long by 33 ft. wide and 18 ft. 6 in. high, with two rows of massive granite piers supporting beams of the same material to carry the stone roof: B, a second hall into which the first hall opened, and at right angles to it, measuring 81 ft. long by 22 ft. wide and 19 ft. high, with one row of granite piers down the centre; both of these being lighted by narrow slits just below the granite roof:[[42]] C, a side chamber with six loculi, in two levels, each 19 ft. long: D, a sloping passage lined with granite and oriental alabaster, leading to the causeway which placed it in communication with the Second Pyramid, and: E, a hall 60 ft. long by 12 ft. wide and 30 ft. high (rising therefore above the pavement of the upper court), with a large recess at each end containing a statue. These recesses were high above doors which led to smaller chambers also containing statues.
The internal walls were lined with immense blocks of granite from Syene and of alabaster beautifully polished, but with sloping joints and uneven beds, a form of masonry not unknown in that age. No sculpture or inscription of any sort is found on the walls of the temple,[[43]] or ornament or symbol in the sanctuary. Statues and tablets of Khafra, the builder of the Second Pyramid, were found in the well, and this, and the fact that the causeway extended to the temple in front of his pyramid, shows clearly that it belonged to his time.[[44]]
In the present transitional state of our knowledge of the architectural art of the pyramid builders, it is difficult to form any distinct judgment as to its merits. The early Egyptians built neither for beauty nor for use, but for eternity, and to this last they sacrificed every other feeling. In itself nothing can be less artistic than a pyramid. A tower, either round or square, or of any other form, and of the same dimensions, would have been far more imposing, and if of sufficient height—the mass being the same—might almost have attained sublimity; but a pyramid never looks so large as it is, and not till you almost touch it can you realise its vast dimensions. This is owing principally to all its parts sloping away from the eye instead of boldly challenging observation; but, on the other hand, no form is so stable, none so capable of resisting the injuries of time or force, and none, consequently, so well calculated to attain the object for which the pyramids were erected. As examples of technic art, they are unrivalled among the works of men, but they rank low if judged by the æsthetic rules of architectural art.
The same may be said of the tombs around them: they are low and solid, but possess neither beauty of form nor any architectural feature worthy of attention or admiration, but they have lasted nearly uninjured from the remotest antiquity, and thus have attained the object their builders had principally in view in designing them.
Their temple architecture, on the other hand, may induce us to modify considerably these opinions. The one described above—which is the only one I personally have any knowledge of—is perhaps the simplest and least adorned temple in the world. All its parts are plain—straight and square, without a single moulding of any sort, but they are perfectly proportioned to the work they have to do. They are pleasingly and effectively arranged, and they have all that lithic grandeur which is inherent in large masses of precious materials.
Such a temple as that near the Sphinx cannot compete either in richness or magnificence with the great temples of Thebes, with their sculptured capitals and storied walls, but there is a beauty of repose and an elegance of simplicity about the older example which goes far to redeem its other deficiencies, and when we have more examples before us they may rise still higher in our estimation.
Whatever opinion we may ultimately form regarding their architecture, there can be little doubt as to the rank to be assigned to their painting and sculpture. In these two arts the Egyptians early attained a mastery which they never surpassed. Judged by the rules of classic or of modern art, it appears formal and conventional to such an extent as to render it difficult for us now to appreciate its merits. But as a purely Phonetic form of art—as used merely to enunciate those ideas which we now so much more easily express by alphabetic writings—it is clear and precise beyond any picture-writings the world has since seen. Judged by its own rules, it is marvellous to what perfection the Egyptians had attained at that early period, and if we look on their minor edifices as mere vehicles for the display of this pictorial expression, we must modify to some extent the judgment we would pass on them as mere objects of architectural art.
CHAPTER III.
FIRST THEBAN KINGDOM.
XIth and XIIth DYNASTY OF MANETHO.
| B.C. 2528? | |
| Sankhkara | reigned 46 years. |
| Amenemhat | reigned 38 years. |
| Osirtasen | reigned 48 years. |
| Amenemhat III. (Lampares) | reigned 8 years. |
| (Builder of Labyrinth.) | |
| His successors | reigned 42 years. |
| B.C. 2340? |
The great culminating period of the old kingdom of Egypt is that belonging to the 4th and 5th dynasties. Nine-tenths of the monuments of the pyramid-builders which have come down to our time belong to the five centuries during which these two dynasties ruled over Egypt (B.C. 3500-3000).
The 6th dynasty was of a southern and more purely African origin. On the tablets of Apap[[45]] (Apophis), its most famous monarch, we find the worship of Khem and other deities of the Theban period wholly unknown to the pyramid kings. The next four dynasties are of fainéant kings, of whom we know little, not “Carent quia vate sacro,” but because they were not builders, and their memory is lost. The 11th and 12th usher in a new state of affairs. The old Memphite pyramid-building kingdom had passed, with its peaceful contentment, and had given place to a warlike idolatrous race of Theban kings, far more purely African, the prototypes of the great monarchy of the 18th and 19th dynasties, and having no affinity with anything we know of as existing in Asia in those times.
Their empire lasted apparently for more than 300 years in Upper Egypt; but for the latter portion of that period they do not seem to have reigned over the whole country, having been superseded in Lower Egypt by the invasion of the hated Hyksos, or Shepherd kings, about the year 2300 B.C., and by whom they also were finally totally overthrown.
When we turn from the contemplation of the pyramids, and the monuments contemporary with them, to examine those of the 12th dynasty, we become at once aware of the change which has taken place. Instead of the pyramids, all of which are situated on the western side of the Nile, we have obelisks, which, without a single exception, are found on its eastern side towards the rising sun, apparently in contradistinction to the valley of the dead, which was towards the side on which he set. The earliest and one of the finest of these obelisks is that still standing at Heliopolis, inscribed with the name of Osirtasen, one of the first and greatest kings of this dynasty. It is 67 ft. 4 in. in height, without the pyramidion which crowns it, and is a splendid block of granite, weighing 217 tons. It must have required immense skill to quarry it, to transport it from Syene, and finally, after finishing it, to erect it where it now stands and has stood for 4500 years.
We find the sculptures of the same king at Wady Halfah, near the second cataract, in Nubia; and at Sarabout el Kadem, in the Sinaitic Peninsula. He also commenced the great temple of Karnac at Thebes, which in the hands of his successors became the most splendid in Egypt, and perhaps it is not too much to say the greatest architectural monument in the whole world.
As might be expected, from our knowledge of the fact that the Hyksos invasion took place so soon after his reign, none of his structural buildings now remain entire in which we might read the story of his conquests, and learn to which gods of the Pantheon he especially devoted himself. We must therefore fall back on Manetho for an account of his “conquering all Asia in the space of nine years, and Europe as far as Thrace.”[[46]] While there is nothing to contradict this statement, there is much that renders it extremely probable.