Great Pianists on Piano Playing / Study Talks with Foremost Virtuosos. A Series of Personal Educational Conferences with Renowned Masters of the Keyboard, Presenting the Most Modern Ideas upon the Subjects of Technic, Interpretation, Style and Expression

by James Francis Cooke

Formal Divisions

"Many works have formal divisions, such as those of the sonata, the suite, etc. Even the Liszt 'Rhapsodies' have movements of marked differences in tempo and style. Here the secret is to study each division in its relation to the whole. There must be an internal harmony between all the parts. Otherwise the interpretation will mar the great masterpiece. The difficulty is to find the bearing of one movement upon another. Even the themes of subjects of the conventional sonata have a definite interrelation. How to interpret these themes and yet at the same time produce contrast and unity is difficult. It is this difference of interpretation that adds charm to the piano recitals of different virtuosos. There is no one right way and no one best way, but rather an indefinite margin for personal opinion and the exhibition of artistic taste. If there was one best way, there are now machines which could record that way and there the whole matter would end. But we want to hear all the ways and consequently we go to the recitals of different pianists. How can I express more emphatically the necessity for the pianist being a man of culture, artistic sensibilities and of creative tendencies? The student must be taught to think about his interpretations and if this point is missed and he is permitted to give conventional, uninspired performances he need never hope to play artistically.