Inspiring the Student

"Exercises for the mechanical side of pianoforte playing abound. Czerny alone wrote over one thousand opus numbers. There have also been valuable attempts to provide books to assist the student in his technical work, but it should always be remembered that this depends first of all upon understanding and then upon the ability to translate that understanding to the instrument.

"There can never be any exercises in the emotional side of the student's work other than the entire literature of the instrument. One may as well try to capture the perfume of the flower as define the requirements of the emotional in pianoforte playing. A great deal may be done to inspire the student and suggest ideas which may bring him to the proper artistic appreciation of a passage, but it is this very indefinability which makes the emotional phase one of the most important of all. Attendance at the recitals of artistic pianists is of great help in this connection.

"The student, however, may learn a vast amount about real piano technic and apply his knowledge to his playing through the medium of the proper studies. For instance, in the subject of touch alone, there is a vast store of valuable information which can be gained from a review of the progressive steps through which this significant phase of the subject has passed during the last century. The art of piano playing, considered apart from that of the similar instruments which preceded the piano, is very little over one hundred years old.