Machine Teaching

"Nun, passen Sie mal auf! I abominate machine teaching. A certain amount of it may be necessary, but I hate it. It seems so brutal—so inartistic. Instead of leading the pupil to seek results for himself, they lay down laws and see that these laws are obeyed, like gendarmes. It is possible, of course, by means of systematic training, to educate a boy so that he could play a concerto which he could not possibly comprehend intelligently until he became at least twenty years older; but please tell, what is the use of such a training? Is it artistic? Is it musical? Would it not be better to train him to play a piece which he could comprehend and which he could express in his own way?

"Of course I am not speaking now of the boy Mozarts, the boy Liszts or other freaks of nature, but of the children who by machine-made methods are made to do things which nature never intended that they should do. This forcing method to which some conservatories seem addicted reminds one of those men who in bygone ages made a specialty of disfiguring the forms and faces of children, to make dwarfs, jesters and freaks out of them. Bah!