Great Pianists on Piano Playing / Study Talks with Foremost Virtuosos. A Series of Personal Educational Conferences with Renowned Masters of the Keyboard, Presenting the Most Modern Ideas upon the Subjects of Technic, Interpretation, Style and Expression

by James Francis Cooke

XII

PROGRESS IN PIANO STUDY

josef hofmann

The question of progress in pianoforte playing is one that admits of the widest possible discussion. One is frequently asked whether the manner of playing the pianoforte has undergone any change since the time of Hummel, and, if it has advanced, of what nature are the advances, and to what particular condition are the advances due. Johann Nepomuk Hummel, it will be remembered, was contemporary with Beethoven, and was, in fact, a kind of bridge between the old and the new. He made his début at a concert given by Mozart at Dresden. For a time he was a kind of assistant kapellmeister to Haydn, and indeed many at that time thought his works were quite on a par with those of the great master, Beethoven. Hummel was a really great virtuoso, and was noted for his remarkable improvisations. His style of playing was taken as a model in his time, and consequently we may safely start with this epoch by way of example.