| PAGE |
| Introduction | [5] |
| The Technic of Operatic Production | [21] |
| What the American Girl Should Know About an Operatic Career | [Frances Alda] | [31] |
| Modern Vocal Methods in Italy | [Pasquale Amato] | [38] |
| The Main Elements of Interpretation | [David Bispham] | [45] |
| Success in Concert Singing | [Dame Clara Butt] | [58] |
| The Value of Self-Study in Voice Training | [Giuseppe Campanari] | [68] |
| Italy, the Home of Song | [Enrico Caruso] | [79] |
| Modern Roads To Vocal Success | [Julia Claussen] | [90] |
| Self-Help in Voice Study | [Charles Dalmores] | [100] |
| If My Daughter Should Study for Grand Opera | [Andreas Dippel] | [110] |
| How a Great Master Coached Opera Singers | [Emma Eames] | [121] |
| The Open Door To Opera | [Florence Easton] | [133] |
| What Must I Go Through to Become a Prima Donna? | [Geraldine Farrar] | [144] |
| The Master Songs of Robert Schumann | [Johanna Gadski] | [154] |
| Teaching Yourself to Sing | [Amelita Galli-Curci] | [166] |
| The Know How in the Art of Singing | [Mary Garden] | [176] |
| Building a Vocal Repertoire | [Alma Gluck] | [185] |
| Opportunities for Young Concert Singers | [Emilio de Gogorza] | [191] |
| Thoroughness in Vocal Preparation | [Frieda Hempel] | [200] |
| Common Sense in Training and Preserving the Voice | [Dame Nellie Melba] | [207] |
| Secrets of Bel Canto | [Bernice de Pasquali] | [217] |
| How Fortunes Are Wasted in Vocal Education | [Marcella Sembrich] | [227] |
| Keeping the Voice in Prime Condition | [Ernestine Schumann-Heink] | [235] |
| Italian Opera in America | [Antonio Scotti] | [251] |
| The Singer's Larger Musical Public | [Henri Scott] | [260] |
| Singing in Concert and What It Means | [Emma Thursby] | [269] |
| New Aspects of the Art of Singing in America | [Reinald Werrenrath] | [283] |
| How I Regained a Lost Voice | [Evan Williams] | [292] |