| CHAPTER | | PAGE |
|---|
| PART I—MARY GARDEN |
| [I.] | Superwoman | [3] |
| [II.] | Intimate | [15] |
| [III.] | The Baby, the Critic, and the Guitar | [21] |
| [IV.] | Interpreter | [30] |
| [V.] | Mélisande and Debussy | [45] |
| [VI.] | The Artistic Temperament | [53] |
| [VII.] | The Passing of Octave Mirbeau | [64] |
| [VIII.] | Anarchs and Ecstasy | [73] |
| [IX.] | Painted Music | [81] |
| [X.] | Poe and His Polish Contemporary | [94] |
| [XI.] | George Luks | [106] |
| [XII.] | Concerning Calico Cats | [118] |
| [XIII.] | Chopin or the Circus? | [125] |
| [XIV.] | Caruso on Wheels | [134] |
| [XV.] | Sing and Grow Voiceless | [144] |
| [XVI.] | Anatole France: The Last Phase | [154] |
| [XVII.] | A Masque of Music | [164] |
| PART II—IDOLS AND AMBERGRIS |
| [I.] | The Supreme Sin | [177] |
| [II.] | Brothers-in-Law | [201] |
| [III.] | Grindstones | [216] |
| [IV.] | Venus or Valkyr? | [225] |
| [V.] | The Cardinal’s Fiddle | [247] |
| [VI.] | Renunciation | [256] |
| [VII.] | The Vision Malefic | [261] |