Franz Liszt

by James Huneker

INSTEAD OF A PREFACE

This book, projected in 1902, was at that time announced as a biography of Liszt. However, a few tentative attacks upon the vast amount of raw material soon convinced me that to write the ideal life of the Hungarian a man must be plentifully endowed with time and patience. I preferred, therefore, to study certain aspects of Liszt's art and character; and as I never heard him play I have summoned here many competent witnesses to my aid. Hence the numerous contradictions and repetitions, arguments for and against Liszt in the foregoing volume, frankly sought for, rather than avoided. The personality, or, strictly speaking, the various personalities of Liszt are so mystifying that they would require the professional services of a half-dozen psychologists to untangle their complex web. As to his art, I have quoted from many conflicting authorities, hoping that the reader will evolve from the perhaps confusing pattern an authentic image of the man and his music. And all the biographies I have seen—Lina Ramann's, despite its violent parti pris, is the most complete (an urquell for its successors)—read like glorified time-tables. Now, no man is a hero to his biographer, but the practice of jotting down unimportant happenings makes your hero very small potatoes indeed. An appalling number of pages are devoted to the arrival and departure of the master at or from Weimar, Rome, or Budapest. "Liszt left Rome for Budapest at 8.30 A. M., accompanied by his favourite pupil Herr Fingers," etc.; or, "Liszt returned to Weimar at 9 P. M., and was met at the station by the Baroness W. and Professor Handgelenk." A more condensed method is better, though it may lack interest for the passionate Liszt admirers. As for the chronicling of small-beer, I hope I have provided sufficient anecdotes to satisfy the most inveterate of scandal-mongers. I may add that for over a quarter of a century I have been collecting Lisztiana; not to mention the almost innumerable conversations and interviews I have enjoyed with friends and pupils of Liszt.

I wish to acknowledge the help and sympathy of: Camille Saint-Saëns, Frederick Niecks, Rafael Joseffy, the late Anton Seidl, Felix Weingartner, Arthur Friedheim, Richard Burmeister, Henry T. Finck, Philip Hale, W. F. Apthorp, the late Edward Dannreuther, Frank Van der Stucken, August Spanuth, Emil Sauer, Moritz Rosenthal, Eugen d'Albert, Amy Fay, Rosa Newmarch, Jaroslaw de Zielinski, the late Edward A. MacDowell, John Kautz, of Albany (who first suggested to me the magnitude of Liszt's contribution to the art of rhythms), Charles A. Ellis, of the Boston Symphony Orchestra, and Edward E. Ziegler. I am also particularly indebted to the following publications for their courtesy in the matter of reproduction of various articles: Scribner's Magazine, New York Sun, Evening Post, Herald, Times, The Etude, Everybody's Magazine, and The Musical Courier.

An exhaustive list of the compositions has yet to be made, though Göllerich in his Franz Liszt consumes fifty-five pages in enumerating the works—compiled from Lina Ramann, Breitkopf and Härtel, and Busoni—some of which never saw the light of publication; such as the opera Don Sancho, the Revolutionary Symphony, etcetera; when Breitkopf and Härtel finish their cataloguing no doubt the result will be more satisfactory. The fact is that out of the known 1,300 compositions, only 400 are original and of these latter how many are worth remembering? Liszt wrote too much and too often for money. His best efforts will survive, of course; but I do not see the use of making a record of ephemeral pot-boilers. It is the same with the bibliography. I give the sources whenever I can of my information; impossible, however, is it to credit the authorship of all the flotsam and jetsam. Kapp in his ponderous biography actually devotes twenty-seven pages to the books, magazines, and newspapers which have dealt with the theme, though even his Teutonic industry has not rendered flawless his drag-net.

Liszt was the most caricatured man in Europe save Wagner and Louis Napoleon, and he was painted, sculptured, and photographed oftener than any operatic or circus celebrity who ever sang or swung in the break-neck trapeze. Naturally the choice of illustrations for this study was narrowed down to a few types, with here and there a novelty (dug up from some ancient album); yet sufficient to reveal Liszt as boy, youth, man; fascinating, dazzling, enigmatic artist, comedian, abbé, rhapsodist, but ever the great-souled Franz Liszt.

J. H.

[INDEX]

Acton, Lord, [14].
Adam, Madame Edmond. (See [Juliette Lamber].)
Adelaide (Beethoven's), [216].
Albano, [79].
Aldega, Professor, [381].
Aldrich, Richard, [195].
Alkan, [63], [408].
Allegri, [84].
Allmers, W., [79].
Altenburg, The (Liszt's house at Weimar), [21], [24], [47], [48], [53], [261], [362], [389].
Amalia, Anna, [328].
Amalie Caroline, Princess of Hesse, [198].
Amiel, [64].
Andersen, Hans Christian, account of a Liszt concert, [230]-[234].
Anfossi, [80].
Ansorge, Conrad (pupil), [98], [332], [425].
Antonelli, Cardinal, [22], [49], [50].
Apel, Frau Pauline (Liszt's housekeeper), [327].
"Après une lecture de Dante" (Hugo), [152].
Apthorp, W. F., [172], [173];
analysis of the Concerto in A major, [173], [174].
Arnim, Countess Bettina von, [42], [43], [261];
Graf von, [89], [261].
Auber, [172], [204], [281].
Auerbach, Berthold, [139].
Aufforderung zum Tanz (Weber), [93], [205], [207], [253].
Augener & Company, [181].
August, Karl, [328].
"Aus der Glanzzeit der Weimaren Altenburg" (La Mara), [44].
Aus der Ohe, Adèle (pupil), [24], [436].
Austen, Jane, [436].
Ave Maria (Schubert's), [216].
Bach, [32], [62], [185], [375], [381], [425], [435];
Chevalier Leonard E., [312].
Bache, Walter (pupil), [196], [312], [384]-[386].
Bachez, [226].
Baerman, [425].
Bagby, Albert Morris (pupil), [370].
Baillot, [204], [209].
Bakounine, [38].
Ballads (Chopin), [186], [399], [424].
Ballanche, [78].
Balzac, [26], [39].
Barber of Bagdad (Cornelius), [48].
Barcarolle (Chopin), [424], [431].
Barna, Michael, [198], [199].
Barnett, J. F., [385].
Barry, C. A., [127], [139].
Bartolini, [416].
Baudelaire, [19].
Bauer, Caroline, Reminiscences of, [241]-[244];
Harold, [174], [435].
Beale, Frederick, [308];
Willert, [308].
"Béatrix" (Balzac), [39].
Beato, Fra, [84].
Beethoven, [4], [5], [6], [10], [13], [30], [31], [32], [52], [54], [55], [62], [67], [84], [105], [115], [120], [160], [171], [179], [185], [186], [202], [204], [210], [217], [281], [375], [381], [408], [409], [411], [413], [420], [432];
festival at Bonn, [225], [376];
his piano, [262], [339];
statue of, unveiled, [226].
"Beethoven et Ses Trois Styles" (von Lenz), [201].
Belgiojoso, Princess Cristina, [8], [14], [16], [42], [82], [286].
Belloni, [213], [237].
Bendix, Max, [66].
Benedict, Julius, [283], [284].
Berceuse (Chopin), [186], [424].
Bergerat, Emile, [320].
Beringer, Oscar, [376], [377].
Berlioz, [5], [6], [8], [10], [17], [19], [20], [26], [28], [29], [30], [31], [36], [47], [53], [55], [64], [67], [82], [85], [105], [145], [155], [157], [158], [169], [171], [183], [186], [193], [200], [204], [258], [259], [282], [300], [337], [411], [415];
account of his friendship with Liszt, [210]-[217];
letter to Liszt, [215]-[217].
Berne, [81].
Berta, [91].
Bethmann, Simon Maritz, [15].
Bie, Oscar, [433].
Bielgorsky, Count, [294], [296], [297].
Birmingham Musical Festival, [195].
Bishop, Sir Henry, [307].
Bismarck, [179].
Bizet, [378]-[380].
Blackwood's Magazine, [304].
Blaze de Bury, Baron, article on Liszt, [218], [219].
Blessington, Countess of, [252].
Bocella, [165].
Bock, Anna, [276].
Borodin, [24], [27].
Boscovitz, [425].
Bösendorfer, [171].
Bossuet, [26].
Bourget, Paul, [141].
Bovary, Emma, [16].
Brahm, Otto, [332].
Brahms, [9], [19], [53], [57], [153], [185], [187], [375], [405], [408], [421], [424], [425], [433].
Brandes, Georg, [5].
Breidenstein, Professor, [226].
Breithaupt, Rudolf, [402].
Breitkopf and Härtel, [94], [197], [408].
Brendel, Franz (pupil), [194].
Breughel, [28].
"Briefe und Schriften" (von Bülow), [179].
Bright, John, [11].
Broadwood piano, [339].
Bronsart, Hans von (pupil), [172];
Ingeborg von, [401], [436].
Bulgarin, [124].
Bülow, Daniela von, [279];
Hans von (Liszt's favorite pupil), [15], [19], [21], [45], [93], [96], [101], [136]-[138], [168], [176], [177], [179], [228], [229], [362], [402], [420], [422], [423];
Appreciation of Die Ideale, [136];
Criticism of, [398], [400].
Bunsen, Von, [83].
Burmeister, Richard (pupil), [24], [52], [177], [178], [340], [359], [425].
Burne-Jones, [18].
Busoni, Ferrucio, [402], [408], [425], [428], [435].
Byron, [11], [16], [34], [115], [124], [398].
Cabaner, [29].
Callot, [28].
Calvocoressi, [56].
Campo Santo of Pisa, [175].
Canterbury, Lord, [252].
Carolsfield, J. Schnorr von, [79].
Carreño, Teresa, [402], [436], [437].
Casanova, [34].
Catarani, Cardinal, [49].
Catel, [89].
Cezano, Marquise. (See [Olga Janina].)
Chamber music, [195].
Chaminade, Cécile, [436].
Chantavoine, Jean, [56].
Charpentier, [10].
Chateaubriand, [11], [26], [29], [43], [64].
Chelard, [226].
Cherubini, [204].
Chopin, Frédéric François, [4], [5], [6], [7], [12], [14], [15], [17], [19], [26], [29], [38], [39], [40], [43], [59], [60], [63], [73]-[77], [145], [186], [201], [204], [238], [282], [287], [288], [300], [308], [328], [367], [372], [375], [381], [405], [408], [415], [416], [418], [419].
Chorley, [225], [228], [252].
Christophe, Jean; description of Liszt, [2].
Church music, [187], [188], [190], [193], [194].
Cimarosa, [80].
Circourt, Madame de, [319], [320].
Clementi, [62], [302].
Coblentz, Tribute from citizens of, [244].
Cognetti, Mademoiselle, [98].
Collin, Von, [115].
Cologne, cathedral at, [248].
Colpach (Munkaçzy's castle in Luxemburg), [25], [44], [280].
Commettant, Oscar, satirical sketch of, [219], [220].
Concerto (Bach), [293].
Concerto (Beethoven), [202].
Concerto (Chopin), [396], [424], [426], [428], [430].
Concerto (Tschaikowsky), [422].
Concertstück (Weber's), [212], [219], [288], [293].
Consalvi, Cardinal, [79].
Constant, Benjamin, [11].
"Conversation on Music" (Rubinstein), [156].
Coriolanus (Beethoven's), [115].
Cornelius, Peter (pupil), [19], [22], [27], [28], [83], [89], [139], [165], [260], [362], [419].
Correggio, [28].
Correspondent, The, [210].
Cosima von Bülow Wagner, [15], [20], [23], [25], [44], [49], [58], [93], [96], [101], [141], [228].
Cottlow, Augusta, [436].
Coutts, Baroness Burdett, [312].
Craig, Gordon, [332].
Cramer, J. B., [62], [184], [225], [302].
Crux Fidelis (choral), [133].
Crystal Palace, London, [139].
Cymbal effects in piano-playing, [161].
Czaky, Archbishop of, [200].
Czerny, Carl, [13], [72], [73], [182], [184], [302], [308], [317], [406].
Czinka, Pauna, a gypsy girl, [199].
D'Agoult, Comte Charles, [15];
Countess (Marie Sophie de Flarigny), [3], [14], [15], [25], [37], [39]-[41], [43], [80], [85], [86], [87], [246], [247], [259], [391].
D'Albert, Eugen (pupil), [24], [174], [359], [370], [372], [402], [428], [432].
Damnation de Faust (Berlioz), [199].
Damrosch, Leopold (pupil), [118], [138], [139], [174], [197].
D'Angers, David, [416].
Dannreuther, [20], [152], [181], [191], [193].
Dante, [8], [147]-[152], [155];
gallery (Rome), [382].
Danton, [220], [221].
Danube flood, [81].
Danzinger-Rosebault, Laura, [436].
Davies, Fannie, [436].
Da Vinci, [28].
Debats, The, [211].
De Beriot, [283].
Debussy, [10], [31].
Dehmel, Richard, [332].
Delacroix, [5].
Delaroche, [16], [28].
De Musset, [39].
De Pachmann, Vladimir, [24], [61], [423], [427], [429]-[431], [432].
De Quincy, [27].
Devrient, Ludwig, [139].
Dictionary of Musicians, [385].
Dietrichstein, Prince, [359].
Dilke, Wentworth, [228].
Dinglested, [48].
Diorama, The, [152].
Dobrjan (Liszt's birthplace). (See [Raiding].)
Doehler, [17].
Dohnanyi, [425].
Don Carlos, [241].
Donizetti, [63], [86].
Doppler, Franz, [158].
Doré, Gustave, [28].
D'Ortigue on Liszt, [217], [218].
Douste sisters, [436].
Draeseke, [21].
Dukas, [10].

Du Plessis, Marie, [19].
Dupré, Jules, [11].
Dwight, John S. (Boston musical critic), interview with Liszt, [228], [229].
Eckermann, [64].
Edict of Louis XII, [80].
"L'Education Sentimentale" (Flaubert), [26].
Ehlert, Louis, [17], [363].
El Greco, [28].
Eliot, George, [43], [47], [53], [436];
Weimar recollections of, [258].
Ellet, Mrs., account of a Liszt concert in Cologne, [248], [249].
Ellis, Havelock, [12]
Enfantin, Père Prosper, [14].
Eperjes, [198].
Erard piano, [59], [301], [318], [323].
Ernani, [258].
Ernst, Paul, [332].
Escudier, Leon, description of Danton's statuette of Liszt, [220], [221];
incident at one of Henri Herz's concerts, [221], [222].
Essipoff, Annette, [436], [437].
Essler, Fanny, [235].
Esterhazy, Prince, [304];
estates, [12].
Etruscan Museum, [83].
Etude, The, [381].
Etudes (Chopin), [75].
Euryanthe, Overture to, [181].
Faelten, [425].
Fallersleben, Hoffmann von (lyric poet), [165], [260].
Fantasia (Bach), [383].
Fantasia (Schumann), [57].
Faure, [281].
Faust (Lenau's), [71].
Faust Ouverture, Eine (Wagner's), [143].
Fay, Amy, [38], [436].
Feodorovna, Empress Alexandra, [295].
Fétis and Moscheles, [185].
Feuerbach, [89].
Fichtner, Pauline, [24].
Field, [368].
Figaro, The (London), [384].
Finck, Henry T., [165], [179], [194], [196], [314].
Fischer, Signor, [345];
Wilhelm, [147].
Fischof, [226].
Flaubert, Gustave, [16], [26].
Flavigny, Vicomte de, [15].
Foyatier, [18].
Francia, [84].
Francis Joseph, king of Hungary, [96].
Franck, Caesar, [435].
Franz, Robert, [19], [66], [229], [411].
Frederic (piano tuner), [287].
"Frederick Chopin" (Niecks), [74].
Freemason's Journal, The, [389].
Freischütz (Weber's), [205], [214].
Friedheim, Arthur (pupil), [24], [70], [359], [368]-[373], [425].
Mrs. Arthur, [436].
Gabrilowitsch, Ossip, [425], [433].
Galitsin, Prince (governor-general of Moscow), [294].
Galleria Dantesca, [102].
Garcia, Viardot, [388].
Garibaldi, [89].
Gaul, Cecilia, [276], [436].
Gautier, Judith, [17];
Marguerite, [40];
Théophile, [5], [11].
Gauz, Rudolph, [425], [435].
Gazette Musicale (Paris), [77], [179], [193], [287], [288].
Geneva, [15], [81].
Genoa, [81].
George IV, [304].
Gericke (conductor), [147], [151].
Gervais, [359].
Gille, [21].
Gillet, [281].
Giocati-Buonaventi, A., [390].
Giorgione, [28].
Glinka, [297], [298].
Gluck, [30], [84].
Goddard, Arabella, [436].
Godowsky, Leopold, [402], [425], [435], [437].
Goethe, [9], [11], [15], [19], [22], [34], [43], [47], [64], [78], [84], [85], [88], [89], [113], [145], [146], [155], [165], [167], [196], [211], [223], [279], [328], [329], [330], [436];
foundation, [48].
Goethe-Schiller monument, unveiling of, [133].
Göllerich, August (pupil and biographer), [44], [49], [55], [57], [58], [98], [118], [359].
Goncourt, [26].
Gott, Joseph, [381].
Gottschalg, A. W. (pupil), [21], [56];
"Franz Liszt in Weimar," [358].
Gounod, [217].
Gradus (Clementi), [59].
Gräfe, [280].
Gran (Hungary), Basilica at, [188].
Gregorovius, [78], [79], [88], [89], [91], [93], [98], [102].
Gregory VII, [56];
XIV, [83].
Grieg, Eduard, [24], [425];
piano concerto, [313]-[316].
Grove, Sir George, [385].
Grünfeld, Alfred, [425].
Grünwald, Matthew, [28].
Guido of Arezzo, [73].
Gumprecht, [29].
Habeneck (conductor), [204].
Hackett, Francis, [14].
Hagn, Charlotte von, [42].
Hahn, Arthur, [112].
Hähnel, Professor, [226].
Hale, Philip, [5], [66], [127], [135], [151], [171], [174], [320].
Halévy, [204], [378].
Hall, Walter (conductor), [192].
Hambourg, Mark, [425], [434].
Handel, [31], [120], [304], [381].
Handley, Mrs., [319].
Hanslick, Eduard, [53], [139], [171].
Harold, [106].
Harmonic system, [419].
Hauptmann, [385].
Hayden, [10].
Haydn, Joseph, [12], [31], [84], [105], [142], [160], [172], [409].
Healey, [417].
Hegel, [233].
Hegner, Otto, [425].
Heine, [9], [11], [17], [124], [165];
reminiscences of Liszt, [234]-[241].
Helbig, Madame Nadine (Princess Nadine Schakovskoy) (pupil), [42], [102].
Henderson, W. J., [192];
on the St. Elisabeth Legend, [192], [193].
Henselt, [209].
Herder, Jonathan Gottfried, [130], [328].
Hermann, Carl (pupil), [276].
Herwegh, George, [235].
Herz, Henry, [17], [65], [221], [222], [308].
Herz-Parisian school, [59].
Hill, Edward Burlingame, [381].
Hiller, Ferdinand, [3], [35], [53], [293], [320].
History of Charles XII (Voltaire), [124];
of the French Revolution (François Mignet), [14].
Hoffman, Richard, [425];
recollections of Liszt, [316]-[318].
Hofgärtnerei, The (Liszt's residence in Weimar), [23], [58], [389].
Hofmann, Josef, [425], [434].
Hohenlohe, Cardinal Prince, [22], [93], [94], [97].
Hohenlohe-Schillingsfürst, Prince, [48].
Hopekirk, Helen, [436].
Hotel d'Alibert (Liszt's residence in Rome), [98], [340].
"Hour Passed with Liszt, An" (By B. W. H.), [275]-[279].
Hueffer, Dr., [166].
Hugo, Victor, [5], [108], [124], [152], [165], [204].
Huguenots (Meyerbeer's), [145].
Humboldt, [48], [78].
Hummel, J. N., [12], [13], [73], [202], [224];
concerto, [304], [317].
Hundt, Aline, [436].
Hungarian Diet, debate in, [200];
Museum (Budapest), [338].
Hyllested, [425].
Ideale, Die (Schiller), [133], [134].
Idealism, [59].
Ibsen, [71].
"Inchape Bell" (Parry), [310].
Ingres, Jean Auguste Dominique, [83], [84], [416], [417].
Irving, Henry, [32].
Ivanowski, Peter von (father of the Princess Sayn-Wittgenstein), [45].
James, Henry, [27], [141].
Janin, Jules, [40], [228].
Janina, Olga (pupil), [41].
Janko keyboard, [437].
Janotha, Nathalie, [436].
Jarvis, [425].
Jensen, Adolf, [363].
Joachim, Joseph (pupil), [3], [19], [53], [57], [358].
Joseffy, Rafael (pupil), [24], [57], [63], [66], [374]-[376], [418], [421], [425], [427], [431].
Jonkovsky, Baron, [417].
Kahrer, Laura, [24].
Kalkbrenner, [17], [65], [201], [202], [204], [205]-[207], [302].
Kapellmeister, [21].
Kapp, Julius, [55], [56], [57].
Karlsruhe (music festival at), [93].
Kaulbach, Wilhelm von, [9], [28], [84], [132], [416].
Kemble, Fanny, [244];
impression of Liszt, [245].
Kennedy, Mgr., [343], [344].
Kessler, Count, [332].
Kieff, [45].
Kindworth, Karl (pupil), [362], [403].
Kirkenbuhl, Karl, extracts from his "Federzeichnungen aus Rom," [267]-[275].
Kissingen, [280].
Kistner (Leipsic publisher), [414].
Klahre, Edwin (pupil), [425].
Kleinmichael's piano score, [142].
Klindworth, Agnes Street, [42].
Klinger, Max, [331], [334].
Klinkerfuss, Johanna, [24].
Kloss, George, [389].
Kohler, Louis (pupil), [138].
Kovacs, [338].
Kovalensky, Sonia, [437].
Kraftmayr (Von Wolzogen), [57].
Krebs, Marie, [436].
Krehbiel, H. E., [10].
Kremlin, [29].
Kriehuber, [417].
Krockow, Countess, [363].
Kullak, [383].
La Mara (Marie Lipsius) (pupil), [35], [39], [41], [44], [49].
Lamartine, [9], [204], [398].
Lamb, Charles, [30].
Lamber, Juliette, criticism of George Sand, [39].
Lambert, Alexander (pupil), [174], [425].
Lamenais, [14], [79].
Lamond, Frederick, [312], [425].
Landes Musikakademie, [97].
Lanyi, Joann von, [199].
Laprunarède, Adèle (Duchesse de Fleury) (pupil), [37].
Lassen, [19].
Laussot, Jessie Hillebrand, [42].
Lavenu, [309], [310].
Legouvé, Ernest, [214];
comparison of Liszt and Thalberg's playing, [281]-[291], [416].
Lehmann, [259].
Leipsic school, [52].
Lenau, [71], [398].
Lenbach, [416], [417].
Lenz, Von (pupil), account of his acquaintance with Liszt, [201]-[210].
Leonora Overture (Beethoven's), [153].
Leo XII, [80];
XIII, [345], [390].
Leopold I, Emperor, [198].
Leschetitzky, [436].
"Lettres d'un Voyageur" (George Sand), [322].
Leyrand, [416].
Lewald, Fanny, [79].
Lewes, George Henry 43, [48].
Lhévinne, [425], [435];
Madame, [436].
Lichnowsky, Prince Felix, [241]-[243].
Liedertafel, Rhenish, [248], [249].
Lie, Erika, [313].
Liliencron, Baron Detlev von, [331].
Lind, Jenny, [403].
Lindemann-Frommel, [89].
Liondmilla, [298].
Lipsius, Marie. (See [La Mara].)
Listemann (conductor), [147].
Liszt, Adam, [12], [317];
Anna Lager, [12];
Blandine, [15], [90], [97];
Cosima (see [Cosima von Bülow Wagner]);
Daniel, [15], [16], [97];
Edward, [169].
Liszt, Franz, abuse of, in Germany, [3];
affectation in his work, [157];
alters harmonic minor scale, [163];
amiability of, [21];
amusing story of conversion, [320]-[326];
anecdotes, [57], [58], [101], [142], [180], [221], [237], [243], [254], [255], [378];
appreciation of Saint-Saëns, [104], [105];
as a teacher, [14], [23];
as Abbé, [18], [50], [97], [267], [275];
biographers of, [51], [55], [56], [101];

birth of, [11], [12];
birthplace of, [13];
boyhood of, [13], [14], [300]-[305];
in Budapest, [97];
character of his music, [29], [30], [78];
children of, [15], [16], [86], [359];
chivalry of, [11], [34], [56];
Chopin's obligation to, [6], [73]-[77];
comment on his 13th Psalm, [194], [195];
comparison of established symphonic form with that devised by Liszt, [140];
compared with Wagner, [108], [143], [144];
as composer, [1], [2], [13], [14], [20], [31], [35], [43], [52]-[56], [86], [90], [103], [144], [327], [377], [409]-[413];
concerts of, [34], [212], [221], [223], [224], [230], [235], [248], [288], [292], [293], [302], [305], [319];
as conductor, [2], [87], [135], [258], [377];
conducts at Aix-la-Chapelle, [135];
conducts in Berlin, [137];
conducts at Prague, [136];
conducts at Pesth, [94], [96];
conducts in Rome, [94];
conducts in Weimar, [88];
conversation of, [258], [259], [276];
court musical director (Weimar), [22], [46], [47];
creator of the symphonic poem, [26], [27], [106], [139], [140];
criticisms regarding, [2], [8], [14], [17], [21], [64], [153]-[158], [194], [360], [399];
and the Countess d'Agoult, [14]-[16], [80], [81], [85], [391];
daily mode of life, [99], [100];
death of, [1], [2], [25], [280];
dedications, [57], [100], [169], [172];
description of his ideal of romantic religious music, [193];
in England, [300]-[313];
fascinating personality of, [45], [235], [236], [241], [246], [256], [257];
feminine friendships of, [34]-[43];
fingering, [74], [187];
Freemason, [389];
friendship with Berlioz, [212];
friendship with Cardinal Prince Hohenlohe, [22];
friendship with Chopin, [14], [40];
friendship with Jean Auguste Dominique Ingres, [83], [84];
and Marguerite Gautier, [40];
generosity of, [24], [101], [257], [258];
gifts from sovereigns, [328];
greatest contribution to art, [4];
hand of, [328], [339];
illness of, [44], [135];
impressionability of, [8], [10], [11];
improvisations of, [82], [180], [181];
indebtedness to Chopin, [76];
influence of Berlioz, [17], [55], [411];
influence of Chopin, [17], [145], [411];
influence of gipsy music, [160];
influence of Meyerbeer, [145];
influence of Paganini, [17];
influence of Wagner, [191];
ingratitude of Schumann, [57];
on instruments of percussion, [170], [171];
interest in German art, [90];
interest in Tausig, [362];
interpretation, [87];
interview with, [228], [229];
intimacy with Prince Lichnowsky, [241]-[243];
intrigues against, [22];
introduces interlocking octaves, [77];
introduces the piano recital, [71], [419];
and Olga Janina, [41];
lack of appreciation of, [31], [141], [229];
and the Countess Adèle Laprunarède, [37];
letters of, [9], [35], [37], [44], [46], [92], [135], [136], [138], [143], [150], [169], [170], [171], [179], [194], [195], [197], [219], [279], [280], [289], [290], [394], [414];
literary work of, [19], [20];
in London, [300]-[313];
loss of Piano Method, Part III, [358];
love affairs of, [2], [3], [19]-[23], [36]-[41], [88];
and Lola Montez, [40], [41];
musical style of, [4], [181];
musical imagination, [8], [146];
notation, [187];
number of compositions, [56];
orchestral form, [194];
orchestral instrumentation, [157];
orchestral music of, [32], [123], [190];
as organ composer, [401], [402];
original compositions of, [412], [413];
on origin of his Tasso, [115];
on origin of his Orpheus, [121];
parents of, [12], [14], [251];
in Paris, [13], [24];
patience of, [27];
pedalling, [62], [99], [187];
pen picture of, [57];
personal appearance, [18], [82], [98], [204], [231], [255], [262], [269], [276], [296], [297];
personal characteristics, [2], [3], [17], [66], [71], [327];
pianoforte virtuoso, [1], [2], [8], [14], [16], [18], [43], [56], [73], [94], [106], [247], [251], [252], [420];
piano music of, [10], [11], [53], [66], [123], [168], [187], [409]-[413];
piano recitals, [82], [83], [179], [308]-[311], [419];
piano reform, [91];
piano of, [328], [340], [342], [343], [394];
and the Countess Louis Plater, [37];
playing of, [17], [60]-[64], [87], [99], [141], [161], [208], [214], [223], [224], [232], [233], [238]-[240], [253], [266], [277], [278], [285], [292], [314], [316], [421];
plays Weber's Sonatas, [207], [208];
plays at Berlioz's, [210];
at Bizet's, [379];
at court of Wurtemburg, [252];
at Karlsruhe, [93];
at Legouvé's, [215];
at Munkaçzy's, [25];
at Tolstoy's, [102];
at Windsor Castle, [304];
portraits of, [16], [18], [42], [261], [289], [338], [416], [417];
prediction at birth of, [12];
predominating artistic influences, [17];
prophecy of, [100];
public speaking of, [179], [213], [226], [227];
pupils of, [24], [36], [42], [51], [52], [57], [91], [98], [185], [263], [353]-[388];
alphabetical list of pupils, [353]-[358];
reading of, [14];
realism of, [67];
reformer of church music, [2];
religious fervor of, [89]-[92], [97], [98], [196];
residences in and around Rome, [343];
revolutionist, [142];
romanticism of, [11], [14], [28];
in Rome, [78]-[85], [89]-[97], [102];
in Russia, [294]-[300];
and Caroline de Saint-Criq, [36], [37];
and George Sand, [39], [40], [247];
and the Princess Sayn-Wittgenstein, [19]-[24], [43]-[51];
Schumann's indebtedness to, [56];
as song writer, [165]-[168];
started new era in Hungarian music, [160];
statues of, [13], [18], [220], [221], [332];
success of, [13], [52];
as teacher, [14], [97], [100], [209], [339], [358], [395]-[397];
technique of, [34], [62], [70], [72], [152], [313], [402], [407], [421], [437];
temperament of, [28], [29];
tempo, [164], [165], [187];
testimonials, [328];
theological studies of, [95];
theory of gipsy music, [20];
thought his career a failure, [26];
tirelessness of, [17];
tomb of, [25], [58];
the triangle, [170]-[172];
tribute by Wagner, [23];
variety of rhythms of, [31];
versatility of, [51], [88], [144];
on virtuosity, [392], [393];
Wagner's indebtedness to, [1], [3], [5], [6], [9], [31], [55], [141]-[144];
Wagner's praise, [9], [103], [142];
wanderings of, [34], [70], [81], [85], [87], [93], [94]-[96], [97];
in Weimar, [19], [23], [46], [47], [87], [88], [96], [169], [329];
writing for solo and choral voices, [190].
Liszt, Franz—Works:
Alleluja, [92].
Angelus, [195], [196].
Apparitions, The, [66].
Ave Maria, [92], [224], [294].
Ballad in B minor, [399].
Ballades, [66], [186].
Bénédiction de Dieu, [143].
Berceuse, [186].
Chöre zu Herder's Entfesselte Prometheus, [130], [131].
Chorus of Angels, [196], [197].
Concert Study, [430].
Concertos, [168]-[174], [187];
Concerto Pathétique in E minor, [66], [177], [178];
Concerto for piano and orchestra, No. 1, in E flat, [67], [168]-[172];
Concerto for piano, No. 2, in A major (Concert Symphonique), [66], [172]-[174].
Consolations, [187], [412].
Don Sancho, [14].
Elegier, The, [66].
Etudes, [66], [72], [181]-[185], [305], [408];
Etude in D flat, [99];
Etude in F minor, No. 10, [72];
Etudes de Concert (three), [72], [184];
Etudes d'execution transcendante (twelve), [72], [86], [181], [182];
Etudes en douze exercices, Op. 1, [181];
Etudes, second set of, [182];
Ab-Irato, [66], [72], [184], [185];
Au Bord d'une Source, [70], [72];
Au Lac de Wallenstadt, [72];
Danse Macabre, [84], [182], [187];
Feux-follets, [72], [184];
Gnomenreigen, [72], [92], [184], [400];
Harmonies du Soir, [72], [183], [184];
Irrlichter, [400];
Ricordanza, [72], [184], [187];
Studies of Storm and Dread, [183];
Vision, [183];
Wilde Jagd, [183];
Waldesrauschen, [72], [92], [184];
Excelsior, [143].
Evocatio in der Sixtinischen Kapelle, [90], [143].
Fantasias, [179]-[181], [401];
Années de Pèlerinage, [11], [66], [70], [86], [152], [187], [412];
Fantasia on Don Juan, [298], [407], [418], [432];
Fantasia Dramatique, [187];
Fantasia on Reminiscences of Puritani, [82];
Fantasia on Themes by Pacini, [292];
Fantaisie quasi sonata après une lecture de Dante, [86];
Il Penseroso, [84], [86];
operatic fantasias, [180], [181];
Lucia, [63], [180];
Sonnambula, [180];
Sposalizio, [84], [86];
Tre Sonetti di Petrarca, [86], [187].
Funeral March on occasion of Maximilian of Mexico's death, [96].
Galop Chromatique, [293], [298].
Glanes de Woronice, [25].
Harmonies, [412];
Harmonies Péstiques et Religieuses, [66].
Heilige Cäcelia, Die (essay), [84].
Hungarian gipsy music, book on, [19].
Hungarian March, [317].
Legends, [66], [412];
Legend of St. Elisabeth, [88], [90], [143], [191]-[193], [272], [273], [312];
St. Francis of Assisi's Hymn to the Sun, [88];
St. Francis of Assisi Preaching to the Birds, [92], [186], [412];
St. Francis de Paula Stepping on the Waves, [92], [186], [412].
Masses, [4], [54], [187]-[194];

"Graner Festmesse, [29], [30], [53], [92], [95], [188], [190], [191], [193], [342];
Hungarian Coronation Mass, [95], [96], [189], [190], [270], [271].
Mazurkas, [66], [186].
Mephisto, Waltz, [71], [178], [231].
Nocturnes, [66].
Oratorios, [4], [54];
Oratorio of Christus, [54], [90], [95], [101], [104], [193], [194], [328];
Oratorio of Petrus, [273].
Organ variations on Bach themes, [92], [93];
organ and trombone composition, [88].
Piano arrangements, [86];
Adelaide, [294], [298];
Beethoven symphonies, [87], [90];
Beethoven quartets, [93], [95];
Erlkönig, [93], [224], [294], [298].
Polonaises, [25], [70], [186].
Psalms, [13], [18], [23], [90], [92], [137], [194], [195];
Thirteenth Psalm, [92], [194], [195].
Rakoczy March, [94], [189], [198]-[200], [337].
Requiem, [97].
Rhapsodies Hongroises, [53], [65], [100], [157], [158]-[165], [178], [187], [189], [367], [407], [412];
list of, [158], [159].
Scherzo und Marsch in D minor, [186].
Serenade, [294].
Soirées de Vienne, [25].
Sonata in B minor, [29], [57], [59]-[70], [186], [187], [425].
Songs, [165]-[168].
Sonnets after Petrarch, [66].
Studies and fragments, [82].
Study of Chopin, [19].
Symphonic poems, [4], [9], [10], [26], [27], [52], [53], [54], [72], [103], [104], [106]-[158], [168], [172], [377];
La bataille des Huns, after Kaulbach (Hunnenschlacht), [84], [107], [132], [133], [143], [153];
Ce qu'on Entend sur la montagne (Berg Symphony), [107], [108]-[112], [153], [328], [415];
Fest-klänge, [107], [126]-[129], [136], [153], [328];
From the Cradle to the Grave, [132];
Hamlet, [107], [132], [153];
Héroïde funèbre, [107], [131], [153], [178];
Hungaria, [132], [153], [328];
L'Idéal, after Schiller, [107], [133]-[139], [143], [153], [367];
Mazeppa, [72], [103], [107], [123]-[126], [183], [407];
Orphée, [103], [107], [121], [122], [143], [328];
Les Préludes, after Lamartine, [107], [119]-[121], [136], [153], [367];
Prométhée, [107],122, [123], [130], [131];
Tasso, Lamento and Trionfo, [107], [113]-[118], [136], [153], [367];
Le Triomphe funèbre du Tasse (epilogue), [97], [118], [197].
Symphonies:
Dante Symphony, [11], [19], [38], [53], [94], [102], [104], [143], [146]-[155];
Faust Symphony, [22], [38], [53], [58], [141]-[146], [154], [155], [328], [415];
Revolutionary Symphony, [14], [38], [132], [142].
Todtentanz, [174]-[177], [238], [407], [435].
Transcriptions, [65], [66], [86], [90], [93], [95], [96], [97], [211], [253], [412];
Isolde's Liebestod, [96];
Paganini studies, [184], [185], [223];
Symphonie Fantastique, [211].
Valse-impromptu, [186];
Valse Oubliée, [66].
Liszt fund, [257].
"Liszt und die Frauen" (La Mara), [35], [42].
Litolff, Henri, [19], [169].
Littleton, Alfred, [311];
Augustus, [313];
Henry, [311], [312].
"Le Livre de Caliban" (Bergerat), [320].
Lohengrin (Wagner), [19], [47], [54], [137], [188], [329], [377].
Lorenzetti, Pietro and Ambrogio, [175].
Lotto, Lorenzo, [18].
Louis I, of Bavaria, [89].
Louis, Rudolf (Liszt biographer), [101].
Lytton, Lord, [133].
MacColl, D. S., tribute to music, [32], [33].
MacDowell, Edward (pupil), [24], [425].
Mackenzie, Sir A. C., [195], [312].
Macready (tragedian), notes from diary of, [252].
Madach, "The Tragedy of Mankind," [338].
Madonna del Rosario (cloister), [90].
Maeterlinck, [71].
Mahler, Gustav, [65].
Mai, Cardinal, [83].
Maiden's Lament, The (Schubert's), [167].
Makart, Hans, [338].
Malibran, [82], [204].
Manet, Edouard, [32].
Manns, August, [139].
Marcello, [84].
Margulies, Adele, [436].
Marschner, [6].
Mason, Dr. William (pupil), [19], [143], [434].
Massocia, [79].
Matisse, [28].
Maupassant, Guy de, [26].
Maximilian of Mexico, [96].
Mazurka (Chopin), [65], [186].
Meditations Poétiques (Lamartine's), [119], [204].
Mees, Arthur (conductor), [191].
Mehlig, Anna, [276].
Meistersinger, Die (Wagner), [7].
Melchers, Gari, [332].
Melena, Elpis, [42].
"Memories of a Musical Life" (William Mason), [143].
Mendelssohn, Felix, [3], [31], [53], [66], [73], [85], [105], [293], [300], [309], [400], [409], [411];
Psalm, As the Hart Pants, [293];
Songs without Words, [319].
Menter, Sofie (pupil), [24], [42], [171], [279], [280], [436], [437].
Mercadante, [86].
Merian-Genast, Emilie, [42].
Merry del Val, Mgr., [344].
Mertens-Schaaffhausen, Frau Sibylle, [89].
Méthode des Méthodes, [185].
Metternich, Prince, [244].
Metternich Princess, [243], [244].
Meyendorff, Baroness Olga de (pupil), [42].
Meyerbeer, [129], [145], [180], [236].
Mezzofanti, Cardinal, [83].
Michelangelo, [9], [28], [84].
Michetti's Beethoven Album, [225].
Mignet, François, [14].
Mildner, [212].
Milnes, Monckton (Lord Houghton), [252].
Milozzi, [350].
Minasi, account of conversation with Liszt, [250]-[252].
Minghetti, Princess, [100].
Mischka (Liszt's servant), [101].
Mock, Camille. (See [Madame Pleyel].)
Monday Review, The (Vienna), [390].
Montauban, [84].
Monte Mario, Dominican cloister of, [50], [90], [91], [93], [94], [100], [197], [265], [274], [342].
Montez, Lola, [19], [40], [226];
extracts from "Wits and Women of Paris," [246], [247].
Montigny-Remaury, Madame, [433], [436].
Moore, George, [26], [29].
Mori, [302].
Morning Post (Manchester), [301]-[303], [316].
Morris, William, [327].
Moscheles, [185], [221], [317], [385];
extracts from diary of, [223]-[228].
Mosenthal, comments on Liszt, [222].
Mouchanoff-Kalergis, Marie von, [42], [363].
Mozart, [10], [31], [32], [62], [84], [105], [142], [282], [304], [409], [432];
his piano, [262].
Müllerlieder (Schubert's), [167].
Munch, Edward, [28].
Munkaczy, [25], [44], [280], [417];
portrait of Liszt, [338].
Murphy, Lady Blanche, account of Liszt's sojourn at Monte Mario in 1862, [265]-[267].
Musenalmanach, The, [133].
Musical Journal (London), [307];
Standard, The, [378];
Times (London), [300];
World (London), [308]-[310].
Musset, Alfred de, [5], [398].
"My Literary Life" (Madame Edmond Adam), [39].
Nachtigall (director), [242].
Natalucci, [381].
Neate, [302].
"Nélida" (by Countess d'Agoult), [41], [259].
Neo-German school, [53].
Nerenz, [89].
Neue Zeitschrift für Musik, [92].
Neupert, Edmund, [425].
Newmarch, Rose, on Liszt in Russia, [293]-[300].
New museum, Berlin, [132].
Newman, Ernest, [7], [10].
Nicholas I, Emperor, [295].
Niecks, Dr. Frederick, [40], [73], [74], [77], [134], [313], [409], [414].
Nietzsche, Friedrich, [21], [38], [144], [327], [329], [331], [333]-[335], [360];
Elisabeth Foerster, [329], [333], [334].
Nohant, [81].
Norma (Thalberg's), [63]
Normanby, Lord, [252].
Novello, Clara, [377], [378].
Obermann, [9].
Odescalchi, Princess, [49].
Olde, Professor Hans, [331].
Ollivier, Emile, [15];
Madame Emile. (See [Blandine Liszt].)
Onslow, [201].
Orcagna, Andrea, [28], [84], [175].
Order of the Golden Spur, [296].
Orpheus (Gluck's), [121].
Overbeck, [80], [83].
"Oxford History of Music," [187].
Pacini, [292].
Paderewski, [16], [17], [418], [419], [423], [425]-[428], [432], [436].
Paer, [80].
Paganini, [2], [17], [73], [76], [282]-[284], [292], [378], [402], [403], [411];
caprices, [185].
Paganini Studies (Schumann's), [73].
Paisiello, [80].
Palestrina, [84].
Palibin, Madame, [297], [298].
Paroles d'un Croyant (Lamenais), [14].
Parry, John, [309], [310].
Parsons, Albert Ross, [421].
Passini, [89].
Paur, [144];
Madame, [436].
Pavlovna, Grand Duchess Maria, [3], [42], [46], [47], [128].
Pavlovna, Princess Maria, [22].
Petersen, Dory, [436].
Petrarca, [165].
Philharmonic Society, London, [171], [223], [224], [307].
Pianoforte music, notation of, [186], [187].
Piano-playing, [60]-[66], [423].
Picasso, [28].
Piccini, [80].
Pick, Mgr., [345].
Pietagrua, Angela, [36].
Pisa, Giovanni da, [84].
Pius IX, [45], [48], [50], [91], [92], [101], [342], [349], [390];
Pius X, [50];
an audience with, [345]-[352].
Pixis, [82], [308].
Pixis-Göhringer, Francilla, [82].
Plaidy, [385].
Planché, Gustave, [39].
Planté, [433].
Plater, Countess Louis (Gräfin Brzostowska), witticism of, [35], [37].
Pleyel, [286];
piano, [282];
Marie Camille, [17], [42], [201], [436].
Podoska, M. Calm, [49];
Pauline (mother of the Princess Sayn-Wittgenstein), [45].
Pohl, Carl Ferdinand, [300];
Richard (pupil), [126], [127], [130], [149], [151].
Polonaise (Chopin), [70], [75],

[186], [430].
Porges, Heinrich (pupil), [92].
Potter, Cipriani, [302].
Prätorius, Michael, [172].
Préludes (Chopin), [75].
Programme music, [106], [115], [156], [186].
Prückner, Dionys (pupil), [19], [171].
Pückler, Prince (pupil), [242].
Pugna, [425], [433].
Punch (London), [312].
Quarterly Musical Magazine and Review (London), [301].
Raab, Toni, [24].
Raff Joachim (pupil), [19], [27], [67], [260].
Raiding (or Reiding), Liszt's birthplace, [13], [60], [66], [339].
Rakoczy, Prince Franz, [198], [200].
Ramaciotti, [382].
Ramann, Lina (pupil and biographer), [49], [50], [74]-[76], [128], [168], [171], [191], [200].
Raphael, [9], [28], [80], [84], [233].
Rauzan, Duchesse de, [319].
Ravel, [10].
Realism, [61], [62].
Récamier, Madame de, [43].
"Records of Later Life" (Kemble), [244].
Reeves, Henry, extract from his biography, [319], [320].
Reger, [10], [30].
Reichstadt, Duc de, [11].
Reisenauer, Alfred (pupil), [24], [425].
Rembrandt, [28].
Remenyi, Edward (pupil), [19], [358].
Reminiscences of Liszt:
Andersen, Hans Christian, [230]-[234].
Anonymous German Admirer, [252]-[258].
Anonymous Lady Admirer, [262]-[265].
B. W. H., [275]-[280].
Bauer, Caroline, [241]-[244].
Beringer, Oscar, [376], [377].
Berlioz, [210]-[217].
Commettant, Oscar, [219], [220].
De Bury, Blaze, [218], [219].
D'Ortigue, [217], [218].
Dwight, [228], [229].
Eliot, George, [258]-[262].
Ellet, Mrs., [248], [249].
Escudier, Leon, [220]-[222].
Grieg, Eduard, [313]-[316].
Heine, [234]-[241].
Hoffman, Richard, [316]-[318].
Kemble, Fanny, [244], [245].
Kirkenbuhl, Karl, [267]-[275].
Legouvé, Ernest, [281]-[291].
Macready, [252].
Minasi, [250]-[252].
Montez, Lola, [246], [247].
Moscheles, [223]-[228].
Mosenthal, [222], [223].
Murphy, Lady Blanche, [265]-[267].
Novello, Clara, [377], [378].
Reeves, Henry, [319]-[320].
Rosenthal, [366]-[368].
Schumann, Robert, [291]-[294].
Von Lenz, [201]-[210].
Weingartner, [400], [401].
Renan, Henrietta, [334].
Requiem (Berlioz), [193].
Reulke, Julius (pupil), [401].
Reviczy, Countess, [100].
Revolutionary Study (Chopin's), [6].
Revue des Deux Mondes, [218];
Européenne, [211];
du Monde Catholique, [88];
de Paris, [391].
Richter, [385];
Jean Paul, [134].
Riedel, Karl (pupil), [89].
Riedle Society, The, [363].
Ries, [302].
Rietschl, [261].
Righini, [80].
Rimsky-Korsakoff (pupil), [27], [414]-[416].
Ring, Nibelungen (Wagner), [7], [142]-[144], [188], [245], [363].
Rivé-King, Julia, [436].
Robert (Meyerbeer's), [231]
Rodin, Auguste, [331], [338].
Roger-Miclos, Madame, [436].
Roman New Musical Society, [382].
Romantic school, [5], [28], [63].
Romeo and Juliet (Berlioz), [212].
"Römischen Tagebüchern" (Gregorovius), [88].
Roquette, Otto, [191].
Rosa, Carl, [385]; Salvator, [28].
Rosenthal, Moriz (pupil), [24], [57], [366], [367], [424], [425], [427]-[429], [431].
Rospigliosi, Fanny, Princess, [42].
Rossetti, Christina, [437].
Rossini, [63], [80], [84], [86], [101], [204], [300], [377], [411], [412].
Rougon-Macquart series, [26].
Rousseau, J. J., [11].
Royal Amateur Orchestral Society (London), [312];
Society of Musicians (London), [301].
Rubini, [237], [252].
Rubinstein, [17], [19], [24], [63], [145], [156], [171], [222], [223], [262], [374], [382], [386]-[388], [402], [420]-[423], [427], [433], [435];
Nicolas (pupil), [421].
Rückert, [165].
Rummel, Franz, [174], [425].
Runciman, John F., [21].
Russlane, [298].
Ruzsitska, [199].
Sacchini, [80].
Sainte-Beuve, [9], [11].
Saint-Criq, Comtesse Caroline de (pupil), [36], [37].
St. Matthew's Passion (Bach), [195].
Saint-Saëns, Camille (pupil), [24], [27], [54], [64], [65], [67], [104], [176], [177], [181], [369], [382], [386], [425], [426], [433].
Saint-Simon, [14].
Salaman, Charles, [304], [308].
Salieri, [13].
Salviati, [347].
Samaroff, Olga, [436].
Sand, George, [15], [16], [19], [39], [40], [43], [81], [204], [246], [247], [391], [436].
Santa Francesca Romana, cloister, [95].
Sarasate, [432].
Sarti, [80].
Sauer, Emil (pupil), [24], [57], [425].
Sauerma, Countess, Rosalie (pupil), [42].
Sayn-Wittgenstein, Princess, [8], [19], [20], [22]-[24], [39], [42]-[45], [47]-[50], [53], [56], [99], [100], [127], [128], [135]-[138], [146], [260], [328], [362].
Scarlatti, [423].
Schade, Dr., [260].
Schadow, [28].
Schakovskoy, Princess Nadine. (See [Helbig].)
Scheffer, Ary, [16], [28], [260], [261], [289].
Scherzo (Chopin), [75], [76], [428].
Schiller, [47], [165], [167], [223], [279], [328]-[330];
Madeleine, [436].
Schindler, [13].
Schlaf, Johannes, [332].
Schlesinger's Gazette Musicale, [203], [287].
Schlözer, Kurt von, [89], [94].
Schmidt, Dr. Leopold, [190].
Schoenberg, Arnold, [419].
Scholl (band master), [200].
Schopenhauer, Arthur, [328];
Madame Johanna, [89], [328].
Schorn, Adelheid von (pupil), [44].
Schubert, [66], [105], [160], [166], [167], [293], [411], [420].
Schule der Geläufigkeit, (Czerny), [182].
Schumann, Robert, [5], [19], [53], [56], [57], [60], [62], [66], [73], [105], [172], [182], [183], [185], [375], [381], [397], [398], [405], [408], [409], [418], [420], [421], [432];
on Liszt's playing, [201]-[294];
Clara, [53], [56], [57], [436], [437].
Schwanthaler, [261].
Schwarz, Frau von, [89].
Schweinfurt, [89].
Schwindt, Moritz v., [191].
Scriabine, [435].
Scribe, [217].
Scudo, [17].
Segantini, [338].
Segnitz, Eugene, [49], [79], [84], [85], [89], [92].
Seidl, Anton, [359].
Sembrich, Marcella, [431].
Serassi, Pier Antonio, [197].
Serov, [296], [298], [299].
Servais, Franz (pupil), [359].
Sgambati, Giovanni (pupil), [91], [314], [342], [381]-[384].
Sherwood, William H. (pupil), [425].
Siloti, Alexander (pupil), [24], [174], [415].
Simpson, Palgrave, [252].
Sinding, Otto, [338].
Slivinski, [425].
Smart, Sir G., [302], [303].
Smetana, Frederick (pupil), [414].
Society of Music Friends, [139].
Solfanelli, Abbé, [96].
Sonata (Beethoven), [6], [38], [59], [214], [215], [319], [428].
Sonata (Wagner), [142].
Sonata (Weber), [207]-[210].
"Songs and Song Writers" (H. T. Finck), [165].
Sonntag, [82], [204].
Sophie, Princess, of Holland, [46].
"Souvenirs d'une Cosaque" (Olga Janina), [41].
Sowinski, [75].
Spanuth, August (analysis of the Hungarian Rhapsodies), [160]-[165], [425].
Speyeras, W. C., [389].
Spohr, [42], [226], [300].
Spontini, [258], [259].
Stahr, Ad., [79].
Stahr, Fräuleins, [397].
Stassor (Russian critic), [296]-[298].
Stavenhagen, Bernhard (pupil), [24], [98], [312], [425].
Steinway & Sons, [394].
Stella, [417].
Stendhal, [4], [5], [11], [34], [35], [64], [141].
Stern, Daniel (pen name of the Countess d'Agoult), [16].
Sternberg, von, [425].
Stimson, [385].
Stojowski, [425], [435].
Stradal, August (pupil), [98]-[100].
Strauss, Richard, [8], [27], [29], [31], [52], [54], [145], [146], [168], [331], [419].
Streicher, Nanette, [436].
Strobl, [417].
Studies (Chopin), [75], [437].
Sullivan, [385].
Symphony (Beethoven), [105], [171], [292], [382].
Symphony (Berlioz), [106].
Symphony (Haydn), [172].
Symphony (Herold), [106].
Symphony (Schubert), [293].
Symphony (Schumann), [172].
"Symphony Since Beethoven" (Weingartner), [153].
Szalit, Paula, [436].
Székely, [338].
Szumowska, Antoinette, [436].
Szymanowska, Madame de, [436].
Tadema, Alma, [100].
Taffanel, [281].
Tageblatt, The, [190].
Tagel (Wurtemburg counsellor of court), [254], [255].
Taglioni, Marie, [204].
Taine, [343].
Taj Mahal, [29].
Tancredi, Tournament duet in, [204].
Tannhäuser (Wagner), [181], [188], [377].
Tasso, [100].
"Tasso" (Byron's), [115].
"Tasso" (Goethe's), [113], [115].
Tausig, Alois, [362];
Karl (pupil), [17], [19], [58], [62], [63], [73], [95], [138], [359]-[366], [374], [376], [402], [420], [421], [423], [424], [431], [432], [434].
Taylor, Franklin, [385].
Thackeray, W. M., [11], [28], [47].
Thalberg, [16], [17], [60], [63],

[81], [211], [221], [247], [250], [251], [282]-[285], [287], [288], [308], [359], [378], [399], [411], [420], [430].
Théâtre des Italiens (Paris), [104], [223], [285], [288].
Theatre Royal (Manchester), [303].
Theiner, Pater, [91].
Thiers, [104].
Thode, Professor Henry, [280].
Thomas, Theodore, [132], [133].
Thorwaldsen, [78], [80].
Tilgner, [417].
Tintoretto, [28].
Tisza, [200].
Titian, [28], [84].
Tolstoy, Countess, [98].
Torhilon-Buell, Marie, [436].
Trémont, Baron, [201].
Tristan and Isolde (Wagner), [6], [7], [25], [55], [143], [280], [363].
Triumph of Death (fresco), [175].
Tschaikowsky, [27], [145], [146], [367], [419], [422].
Turgenev, [388].
Uhland, [165].
Ungarische Tänze (Brahms'), [190].
Unger-Sabatier, Caroline, [42].
Urspruch, Anton (pupil), [24].
Vaczek, Carl, [198], [199].
Valle dell' Inferno, [100].
Vallet, Michael, [390], [391].
Valse-impromptu (Chopin), [186].
Van der Stucken (pupil), [24], [358].
Vasari, [347].
Vatican, The, [49], [79], [83], [92], [93], [94], [342], [352].
Veit, [83].
Velde, Professor van de, [332].
Verdi, [96], [180], [300], [412].
Verlaine, Paul, [10], [62], [63], [375].
Vernet, Horace, [124].
Veronese, [28].
Vesque, [226].
Viardot-Garcia, Pauline, [42].
Victoria, Queen, [24], [312].
Viennese pianos, [62], [182].
Villa d'Este, [9], [96], [341].
Villa Medici, [83].
Vimercati, [302].
Vivier, [227].
Vogrich, Max, [332], [425];
Opera Buddha, [332].
Voltaire, [124].
Volterra, Daniele da, [347].
Wagner, Richard, [1], [2], [5]-[10], [18]-[21], [23], [27], [29]-[32], [38], [43], [45], [47], [53]-[55], [57], [58], [63], [65], [67], [96], [101], [103], [108], [119], [140]-[144], [146], [147], [150], [151], [157], [158], [167], [171], [180], [186], [188], [189], [191], [280], [300], [333], [362], [363], [382], [411], [412], [419], [420], [422];
Madame Richard (see [Cosima von Bülow Wagner]);
Siegfried, [26].
"Wagnerfrage" (Raff), [260].
Wales, Prince and Princess of, [312].
Walker, Bettina, [383];
"My Musical Experiences," [383].
Ward, Andrew, [304], [317], [319].
Wartburg festival, [96], [272].
Watteau, [120].
Weber, [6], [105], [205]-[207], [215], [282], [283], [300], [368].
Wehrstaedt, [206], [207].
Weimar, Duchess of, (see [Pavlovna]);
Ernst, Grand Duke, [330];
Grand Duke Carl Alexander of, [3], [42], [44], [46].
Weingartner, Felix (pupil), [153], [400], [401];
on Liszt's symphonic works, [153]-[156].
Wesendonck, Mathilde, [20], [43].
Wesley, Samuel Sebastian, [301].
Wieland, [328].
Wiertz, [28].
Wild, Jonathan, [79].
Wildenbruch, Ernst von, [331].
William Tell, Overture to, [82], [298].
Winckelmann, [78], [275].
Winding, [314].
Windsor Express (London), [304].
Winterberger, Alex. (pupil), [359].
Wiseman, Cardinal, [79].
Wittgenstein, Princess, (see [Sayn-Wittgenstein]);
Prince Nikolaus, [46], [47], [50].
Wohl, Janka, (pupil), [56], [417].
Wolff, Dr., [226], [227].
Wolffenbüttel, [172].
Wolkenstein, Countess, [42].
Wolkof, [417].
Wolzogen, Von, [57].
Worcester festival, [191].
Woronice (estate of Princess Sayn-Wittgenstein), [45]-[47].
Wortley, Stuart, [252].
Wurtemburg, King of, [252], [254], [255].
Yeats, [327].
Zampa, Overture to, [181].
Zeisler, Fannie Bloomfield, [431], [436], [437].
Zichy, Geza (pupil), [24];
Michael, [338].
Zingarelli, [381].
Zoellner, [196].
Zucchari, [347].

---