CHAPTER VI
THE BOOK OF THE ARTS AND POPULAR EDUCATION. [96]
The Gothic Cathedrals, the stone books of medieval arts. St. Hugh of Lincoln. Wealth of meaning in the Cathedrals. Their power to please. Gothic architecture everywhere, but no slavish imitation. English, French, German, and Italian Gothic. Spanish Gothic. Gothic ideas in modern architecture. Beauty of details. Sculpture. Gothic Statuary, not stiff, nor ugly. Most affinity with Greek sculpture (Reinach). The Angel Choir at Lincoln. {xix} The marvellous stained glass of the period,—Lincoln, York, Chartres, Bourges. Storied windows and their teachings. Beauty and utility in the arts. Magnificent needlework, the Cope of Ascoli. The Cathedral as an educator. The Great Stone Book, which he who ran must read. Symbolism of the Cathedrals. The great abbeys, the monasteries, municipal and domestic architecture of the century. Furniture and decorations. Ruskin on Giotto's tower.