THE CROW DANCE
Within the last few years the southern Arapaho and Cheyenne have developed an auxiliary dance called the “crow dance,” which is performed in the afternoon as a preliminary to the regular Ghost dance at night. As it is no part of the original Ghost dance and is confined to these two tribes, it deserves no extended notice in this connection. Although claimed by its inventors as a direct inspiration from the other world, where they saw it performed by “crows,” or spirits of departed friends, it is really only a modification of the picturesque Omaha dance of the prairie tribes, with the addition of religious features borrowed from the new doctrine. The men participating are stripped to the breechcloth, with their whole bodies painted as in the Omaha dance, and wear elaborate pendants of varicolored feathers hanging down behind from the waist. An immense drum is an important feature. Men and women take part, and the songs refer to the general subject of the crow and the messiah, but are set to a variety of dance steps and evolutions performed by the dancers. As the leaders, who are chiefly young men, are constantly studying new features, the crow dance has become one of the most attractive ceremonies among the prairie tribes. Hypnotism and trances form an essential feature of this as of the Ghost dance proper. (See [plate cxix].)