THE RIDER ON THE WHITE HORSE

And I saw, and behold, a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.—REV. vi. 2.

The Book of Revelation is full of word-pictures of the wonderful things which its writer saw in vision. And it is natural that great artists should try to turn some of these word-pictures into real pictures for the eye. Mr. Watts has done this for the first part of the sixth chapter, which tells us about the four different horses, white, red, black, and pale, and about their four riders. He has made these horses and riders the subjects of four different paintings, and it is the first of them—the Rider on the White Horse—which is before us now. As we look at the picture we are helped to imagine what the vision was like, and helped perhaps also to understand the truth it was meant to teach.

The Horse and the Rider are, of course, the principal figures. The Horse is a splendid milk-white charger. Its breast is broad and powerful. Its neck is arched proudly. It has a small but graceful head, beautiful eyes, widely opened nostrils, and a mouth that seems to be impatiently champing the bit. The front portion of its mane is parted on its brow and streams back round the ears on either side. The rest of the mane is erect on its neck. The Rider is a towering and terrible figure. He wears a loose flowing cloak which swells around and behind him in the wind. His left arm, strong and bare, is firmly stretched out, and his left hand holds a thick bow in its iron grasp. His right arm is out of sight, and only the right hand is seen, drawing back the bowstring to his breast. At his left side there hangs a quiver, full of arrows with feathered shafts. On his head he wears a stately winged helmet, and above it a crown. His face wears a look of commanding strength, and in the eyes beneath the shadow of the helmet there is an awful gleam of fixed and pitiless resolve.

These two principal figures are closely surrounded by others. Three of these on the left of the Horse first attract our attention. The foremost, a dusky form, with head bent forward, and breast and shoulders bare, leads the Horse with his right hand by the bridle rein. Behind him, the fair face of a woman appears, framed in the folds of the mantle that is gathered closely around her neck; and behind this still another face is seen in the background. These three are all marching alongside of the Horse and his Rider. Just in front of the figure who leads the Horse there is a figure lying backwards with closed eyes, as if in death; and on the further side of the Horse two other lifeless faces come into view. In the lower left hand corner of the picture, just in front of the Horse we see the bowed head and stooping shoulders of one more dark form. All these figures, the dead as well as the living, have bright stars on their foreheads, though the star on the brow of the one furthest back is partly hidden by the bow. The Rider and his companions move forward under a gloomy sky, with angry streaks of light showing here and there between the clouds. A wind seems to be blowing in their faces. And high up behind them great eagles, with spreading wings, are hovering in the air.

Now, what shall we say is the meaning of the Bible vision which this picture brings afresh before our eyes? The four Horses with their Riders represent four kinds of judgment which God sends at times upon the world. They are Conquest, Slaughter, Famine, and Death. The Rider on the White Horse stands for the first of these. The picture shows us the way in which strong nations and their rulers subdue the world, and build up great Empires by force. The Rider's stately figure, and resolute face, and stern, unpitying eyes remind us of famous conquerors like Alexander the Great and Napoleon. The bow and quiver make it clear that it is by the weapons of war that their successes have been won. The proud war-horse, forcing its way among the thronging forms around it, suggests the resistless power with which Conquest goes on its triumphant way. The crown on the Rider's head is an emblem of the glory and dominion which conquerors win. In the other figures with the starry brows we may see the different nations, or the kings and queens, who have been touched and influenced by the spirit of War for Empire's sake. The leader of the Horse, and the other two forms behind him, may represent nations that are marching along on the path of Conquest. The prostrate, lifeless figures may be nations that have perished in the strife. And the bowed head in front of the Horse's breast may stand for one of the nations that are subdued, and brought under the power of those that are stronger than themselves. The dark, angry sky makes us feel that the Conqueror's progress is full of dread; and the eagles give us a hint of the horrors that he leaves behind him, of the dead bodies that lie in the track of the White Horse and his terrible Rider, of the other three Riders, more terrible still, who follow in his train.

As we look at this picture we learn that War and Conquest have two sides. At first sight we are attracted by the power and majesty of the Horse and his Rider, and we cannot help admiring them. There is something grand and noble in the might of a great nation, in the strong will and fearless courage of a great conqueror. We are stirred and thrilled when we see the march of great armies, and hear the tidings of great victories. There is a feeling of pride in belonging to a great Empire which has proved itself able to subdue the world. It seems a glorious thing to lead, or even to take part, in such a conquest. But the more closely we look at the picture, the more we feel that it is not altogether a pleasant and satisfying sight. The kind of conquest which the Rider on the White Horse represents is, after all, not a blessing, but a judgment which God sends on the world. It is the victory of strength over weakness. If it brings glory to some nations, it brings destruction to others, and humiliation to others still. It means the loss of countless lives, and the wrecking of numberless homes. It is followed by unspeakable sufferings and bitter sorrows. It knows nothing of pity or mercy. Its garlands of triumph are stained with blood and tears.

And so we gladly turn away from this picture to think of another Conqueror of whom the Bible tells us, and who is described in these words: Behold, thy King cometh unto thee: He is just, and having salvation; lowly, and riding upon an ass.... And the battle-bow shall be cut off: and He shall speak peace unto the nations: and His dominion shall be from sea to sea, and from the river to the ends of the earth.[[1]] This conquering King is the Lord Jesus Christ. He took these words of the prophet to Himself when He rode into Jerusalem to die. His conquest is of a far nobler kind than that of war and force. It is the victory of right over wrong. Its motive is not ambition, but love. He is not stern and pitiless, but tender and gracious. He rides in majesty because of truth, and meekness, and righteousness.[[2]] He is the Prince of Peace. His triumphs bring no sorrow or hurt or death in their train. He blesses those whom He overcomes. His Empire is the only one that we can be truly proud to belong to, the only one that will conquer the whole world and last for ever.

Jesus shall reign where'er the sun
Does his successive journeys run;
His kingdom stretch from shore to shore,
Till moons shall wax and wane no more.

Blessings abound where'er He reigns:
The prisoner leaps to lose his chains;
The weary find eternal rest;
And all the sons of want are blest.

[[1]] Zech. ix. 9, 10.

[[2]] Ps. xlv. 4.