TO STAIN WOODEN ARTICLES.
If all the work is to be left dull, give the frame or bracket, &c., a coat of Oak Spirit Stain, which dries in dull if put upon new wood, not prepared in any manner. To prepare wooden frames, &c., so that the Oak Spirit Stain shall assume a polished surface, it is necessary to size the frame well and leave it to dry; when dry, give it one or more coats of Oak Spirit Stain.
Those who prefer making the Oak Spirit Stain, can do so by referring to the receipt in this book; it is made with little trouble, and is composed principally of Australian Red Gum; a new article to most of our readers; and, although many druggists, &c., have procured it when they have received orders for it, we are sorry to say, in several instances, they have said there was no article of that description; or else have substituted a different kind of gum, perfectly worthless for this purpose; consequently, disappointment has ensued; and in order to protect the public from being imposed upon, and ourselves the disgrace of publishing anything not practicable, we are obliged, in self-defence, to state how we came to use it.
In the month of January, 1852, the publisher was applied to for a varnish stain that would dry quickly, and at the same time be the colour required: he was making experiments for this purpose, when, taking up the Times newspaper of Friday, January 23rd, he found, under the heading of Society of Arts, an epitome of Professor Edward Solly’s lecture, at the above Society on the previous Wednesday, on vegetable substances used in the Arts, &c. Allusions were made to a fine red gum from New South Wales: he procured the lecture, and then, after a little trouble, obtained samples; they were tested, and one was found to answer, and he has now in stock several tons of the proper kind for making the stain, and can supply it in any quantity.
We will now conclude by directing the student to an attentive observance of nature: we have avoided, as far as possible, technical terms; where they are used the illustrations will, in most cases, explain them. The study of this mode of decoration has often led those who had not before observed the varied beauties of the floral world to do so with the greatest pleasure and the happiest results.
SHAW’S LIQUID GLUE
Requires no preparation, sets almost immediately, will resist wet, violence, time, and climate; adheres to any surface or material; cements china, marble, wood, paper, leather, &c.; is useful to shipbuilders, carpenters, bookbinders, pianoforte, brush, and toy makers; and is so easy of application, that ladies and gentlemen may mend their own china, ornaments, toys, veneers, mouldings, parasols, book-covers, and a hundred other little articles, with the greatest ease and certainty.
Price 6d. and 1s. per Bottle.
SOLD WHOLESALE AND RETAIL BY
J. REVELL, 272, Oxford Street;
Messrs. BARCLAY & Co., Farringdon Street;
Messrs. Sutton & Co., Bow Churchyard;
AND TO BE HAD OF ALL
OILMEN, CHEMISTS, FANCY STATIONERS,
&c., &c.
LIST OF MATERIALS, &c.,
FOR THE
ORNAMENTAL
LEATHER WORK.
SOLD BY
J. REVELL, 272, OXFORD STREET.
- Basil Leather, of the first quality, at 1s. 6d. and 2s. per skin.
- Skiver Leather, of the first quality, at 1s. 6d. and 2s. per skin.
- Leather Leaves, 6d. per dozen, or 4s. per gross, assorted.
- Leather Stems and Tendrils, 2d. each.
- Passion Flowers, Roses, &c., from 6d. to 2s. 6d. each.
- Convolvulus and other less elaborate Flowers, from 2d. each.
- Holly and Ivy Berries, 6d. per bundle.
- Acorns, 1s. per dozen.
- Oak Varnish Stain, 1s. per bottle.
- Spirit Oak Stain, 1s. per bottle
- Spirit Mahogany Stain, 1s. per bottle
- Revell’s Chymical Stain, which possesses the property of staining the leather used for this work, and will not soil the finest linen, neither will it stain wood, or any other material than leather. It can be applied either cold or warm. Sold, with full directions for use accompanying each bottle, price 1s. This being the invention of the publisher, purchasers are requested to observe his name and address on each seal.
- Stephens’ Wood Stains.
- Stains and Varnishes of every description.
- Saucers for the Oak Stain, &c., 1s. per doz.
- Shaw’s Liquid Glue, without smell, 1s. per bottle.
- Shaw’s Liquid Glue, Old kind, 6d. per bottle
- Prepared Stiffening, 1s. per bottle
- Veining Tools, 1s. 6d. each.
- Cutting Tools, 1s. each
- Grape Moulds, 2s. 6d. per set.
- Bradawls, 6d. each.
- Hammers, 1s. 3d. each
- Wire of different sizes.
- Hog’s Hair Brushes, 3d. to 6d. each.
- Camel’s Hair Pencils, from 1d. each
- And a variety of Brackets, Frames, &c., for Ornamenting.
Printed by S. Odell, 18, Princes Street, Cavendish Square.
LIST OF VARIOUS ARTICLES,
SOLD BY
JAMES REVELL, 272, OXFORD STREET, LONDON.
- Oil Colours in Patent Collapsible Tubes,
- Of various sizes, and in Extra Fine Powder.
- Cremnitz White
- Flake White
- Nottingham White
- Ultramarine
- Ultramarine Ashes
- Cobalt
- Royal Smalt
- French Ultramarine
- Permanent Blue
- Antwerp Blue
- Prussian Blue
- Indigo
- Yellow Ochre
- Indian Yellow
- Chrome, 1, 2, 3
- Italian Pink
- Yellow Lake
- King’s Yellow
- Lemon Yellow, 1, 2
- Dutch Pink
- Naples Yellow
- Lake
- Purple Lake
- Indian Lake
- Crimson Lake
- Scarlet Lake
- Chinese Vermillion
- Orange Vermillion
- Red Chrome
- Carmine
- Madder Lake
- Rose Madder
- Pink Madder
- Purple Madder
- Light Red
- Venetian Red
- Indian Red, 1, 2
- Brown Red
- Raw Sienna
- Burnt Sienna
- Brown Ochre
- Burnt Brown Ochre
- Roman Ochre
- Burnt Roman Ochre
- Vandyke Brown
- Raw Umber
- Burnt Umber
- Brown Pink
- Madder Brown
- Cologne Earth
- Bone Brown
- Cappa Brown
- Asphaltum
- Bitumen
- Mummy
- Emerald Green
- Verdigris
- Terra Vert
- Chrome Green, 1, 2, 3
- Oxyde of Chromium
- Ivory Black
- Blue Black
- Lamp Black
- Sugar of Lead
- Gumption
- Magylph
- Sable Hair Pencils.
- For Oil or Water.
- Large Goose, Brown or Red
- Small Goose, Brown or Red
- Duck, Brown or Red
- Crow, Brown or Red
- Small Swan
- Large Swan
- Miniature
- Lining or Rigging
- Writing and Striping
- French Sables,
- IN TIN FOR WATER.
Red or Brown. - Nos. 1, 2, 3, 4, 5, 6.
- Sables for Oil.
- Round & Flat.
- Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.
- French Brushes.
- Flat & Round.
- Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.
- Camel Hair Pencils,
- All Sizes, Long and Short.
- Camel Hair Brushes,
- In Flat Tins.
- ½ inch
- ¾ inch
- 1 inch
- 1¼ inch
- 1½ inch
- 1¾ inch
- 2 inch
- 2½ inch
- 3 inch
- 4 inch
- Camel Hair Brushes,
- In Round Tins.
- Nos. 1, 2, 3, 4, 5, 6, 7, 8.
- Pencil Sticks.
- Cedar, Ebony, Ivory, 6, 12 & 15 in.
- Badger Softeners.
- Round & Flat.
- Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.
- Palette Knives.
- Horn and Ivory
- Steel, with Horn or Bone Handles
- Steel, with Ivory Handles
- Steel, Spatula Shape, Horn Handles
- Steel, Spatula Shape, Ivory Handles
- Port Crayons.
- Steel, Albata, and Brass.
- Brush Washers for Turpentine.
- Nos. 1, 2, 3, 4.
- Oils and Varnish.
- Spirits Turpentine
- Cold Drawn Linseed Oil
- Nut and Poppy Oil
- Drying Oil, pale or strong
- Fat Oil
- Japan Gold Size
- Mastic Varnish
- Copal Varnish
- White Hard Spirit Varnish
- Asphaltum
- Magylph
- Gumption
- Extra Fine Cake and Moist Water Colours,
- IN CAKES AND HALF CAKES.
- Permanent White
- Constant White
- Flake White
- Chinese White
- Ultramarine
- Ultramarine Ashes
- Cobalt
- Azure Blue
- Royal Smalt
- French Ultramarine
- Permanent Blue
- Antwerp Blue
- Prussian Blue
- Indigo
- Intense Blue
- French Blue
- Gamboge
- Yellow Ochre
- Indian Yellow
- Platina Yellow
- Gall Stone
- Lemon Yellow
- Chrome, 1, 2, 3
- Italian Pink
- Dutch Pink
- Yellow Lake
- Mars Yellow
- King’s Yellow
- Naples Yellow
- Patent Yellow
- Orange Orpiment
- Orange Red
- Mars Orange
- Orange Vermillion
- Lake
- Crimson Lake
- Scarlet Lake
- Dark Lake
- Indian Lake
- Vermillion
- Extract Vermillion
- Scarlet Vermillion
- Carmine
- Burnt Carmine
- Dragon’s Blood
- Madder Lake
- Rose Madder
- Pink Madder
- Pure Scarlet
- Dahlia Carmine
- Indian Red
- Light Red
- Venetian Red
- Brown Red
- Red Orpiment
- Red Chalk
- Red Chrome
- Deep Rose
- Raw Sienna
- Burnt Sienna
- Brown Ochre
- Roman Ochre
- Burnt Roman Ochre
- Vandyke Brown
- Verona Brown, 1, 2, 3
- Sepia
- Warm Sepia
- Roman Sepia
- Raw Umber
- Burnt Umber
- Brown Pink
- Madder Brown
- Cologne Earth
- Bone Brown
- Bronze
- Reuben’s Brown
- Mars Brown
- Intense Brown
- Cappa Brown
- Bistre
- Chalons Brown
- Payne’s Grey
- Neutral Tint
- Purple
- Indian Purple
- Purple Madder
- Purple Lake
- Sap Green
- Emerald Green
- Prussian Green
- Chrome Green, 1, 2, 3
- Oxyde of Chrome
- Verdigris
- Barber’s Green
- Sea Green
- Dark Green
- Hooker’s Green, 1, 2
- Olive Green
- Terra Vert
- Green Bice
- Lamp Black
- Ivory Black
- Blue Black
- British Ink
- Inlaying Black
- Gold and Silver Shells.
- Indelible, and Bright’s Landscape Crayons.
- Singly or in Sets.
- Chalks, Crayons.
- Italian Black Chalk
- Italian Red and White
- Soft French Black
- Charcoal
- Pastiles
- Black Square Conté Crayons
- Black, Round, plain Crayons
- Black, Glazed Crayons
- Velours, (very Soft and Black)
- Round and Square Red Conté
- Bistre
- Lead Pencils,
- Extra Prepared.
- H. Hard, for Sketching
- H.H. Harder, for Outlines, &c.
- H.H.H. Very Hard, for Architectural Drawing, &c.
- H.B. Hard and Black
- E.H.B. Extra Hard and Black
- B. Black for Shading
- B.B. Soft and Black
- E.B.B. Extra Soft and Black
- F. Fine for General Drawing
- Earthenware.
- Palettes and Saucers
- Cabinet Saucers in Morocco Case
- Miscellaneous.
- Drawing Pins
- Indian Ink
- Indian Rubber
- Indian Glue
- Sponge
- Ox Gall
- Lithograph Chalk
- Gilder’s Knives, Tips and Cushions
- Poonah Brushes
- Burnish Gold Size
- Oil Gold Size
- Gold Leaf
- Mezzotint Brushes
- Permanent Ink
- Velvet Scrubs
- Picture Frames
- Sealing Wax and Wafers
- Pink Saucers
- Slate Pencils
- Tracing Points
- Burnishing Stones
- Bronze
- Graining Combs and Tools
- Revell’s Permanent Brown Ink,
- FOR DRAWING UPON BASIL LEATHER.
Price 1s. per Bottle. - Pen and Ink Drawings can be made with this Ink, they have all the appearance of the so-called Poker Paintings, (viz. Drawings upon Wood, executed with one or more red hot wires.) The Ink is permanent, and will be found advantageous as an adjunct to the Ornamental Leather Work.
- Unprepared Colours of the First Quality.
- Colours of every description for House Painting, Park Fencing, &c.
Punctuation has been standardised.
The following inconsistencies were normalised:
- 3 instances of ‘color’ changed to ‘colour’
- 7 instances of ‘convolvolus’ changed to ‘convolvulus’
- 6 instances of ‘tendrill’ changed to ‘tendril’
- Illustrations were renumbered from figure No. 14 onward (some numbers were out of order/duplicates)
The following additional original typos were repaired (the first line is the original text, the second the passage as currently stands):
- [Page xii]:
being trailled round a
being trailed round a - [Page 34]:
FUSCHIA.
FUCHSIA. - [Page 35]:
put the fuschia together
put the fuchsia together - [Page 35]:
they mnst be moulded
they must be moulded - [Page 38]:
wetted and viened, then
wetted and veined, then - [Page 41]:
Fig. 8
No. 8 - [Page 50]:
make a camillia, cut
make a camilla, cut - [Page 82]:
with the tip or the
with the tip of the - [Page 88]:
The qucikest mode of
The quickest mode of - [Page 93]:
SHAW’S LIQUID CLUE
SHAW’S LIQUID GLUE