III.
Art has described the burial of our Lord with great fulness of detail, drawing largely on the imagination. It has divided it into several scenes.[2]
There is, first, the Descent from the Cross, in which, besides Joseph and Nicodemus, St. John at least, and sometimes other men, are represented as extracting the nails and lowering the body; while beneath the cross the holy women, among whom the Virgin Mary and Mary Magdalene are prominent, receive the precious burden. Many readers will recall the most famous of such pictures, that by Rubens in the Cathedral at Antwerp—an extremely impressive but too sensuous representation of the scene of busy affection—wherein the corpse is being let down by means of a great white sheet into the hands of the women, who receive it tenderly, one foot resting on the shoulder of the Magdalene.
Then there is what is called the Pieta, or the mourning of the women over the dead body. In this scene the holy mother usually holds the head of her Son in her lap, while the Magdalene clasps His feet and others clasp His hands. Next ensues the Procession to the Sepulchre; and, last of all, there is the Entombment, which is represented in a great variety of forms.
On these scenes the great painters have lavished all the resources of art; but the narrative of the Gospels is brief and unpictorial. The Virgin is not even mentioned; and, although others of the holy women are said to have been there, it is not suggested that they helped in the labour of burial, but only that they followed and marked where He was laid. Joseph and Nicodemus are the prominent actors, though it is reasonable to suppose that they were assisted by their servants; and the soldiers may have lent a hand in disentangling the body.
It was in a new sepulchre, which Joseph had had hewn out of the rock for himself, in order that after death he might lie in the sacred shadow of the city of God, that the Lord was laid. No corpse had ever been placed in it before. This was a great gift to give to an excommunicated and crucified man; and it was a most appropriate one; for it was meet that the pure and stainless One, who had come to make all things new and, though dead, was not to see corruption, should rest in an undefiled sepulchre. Similarly appropriate and suggestive was the new linen cloth, which Joseph bought expressly for the purpose of enwinding the body. Nor was Nicodemus behind in affection and sacrifice. He brought "a mixture of myrrh and aloes, about an hundred pound weight." This may appear an enormous quantity, but custom was very lavish in such gifts; at the funeral of Herod the Great, for example, the spices were carried by five hundred bearers.
The tomb was in a garden—another touch of appropriateness and beauty. The spot does not seem to have been far from the place of execution; but whether it was as near as it is represented to have been in the traditional site may well be doubted. The Church of the Holy Sepulchre includes within its precincts both the Lord's tomb and the hole in the rock in which stood His cross; and the two are only thirty yards apart.[3] But it is highly questionable whether the identification of either is possible. Still, this may be said to be the most famous bit of the entire surface of the globe. Christendom accepted the tradition, which dates from the time of Constantine, and since then pilgrims have flocked to the spot from every land. It was for the possession of this shrine that the Crusades were undertaken, and at the present day the Churches of Christendom fight for a footing in it.
We may have no sympathy with the practice of pilgrimages and little interest in the identification of holy places; but the holy sepulchre cannot but attract the believing heart. It was a practice of the piety of former days to meditate among the tombs. The piety of the present day inclines to more cheerful and, let us hope, not less healthy exercises. But every man with any depth of nature must linger sometimes beside the graves of his loved ones; every man of any seriousness must think sometimes of his own grave. And in such moments what can be so helpful as to pilgrim in spirit to the tomb of Him who said, "I am the resurrection and the life"?
In comparison with the great ones of the earth Jesus had but a humble funeral; yet in the character of those who did Him the last honours it could not have been surpassed; and it was rich in love, which can well take the place of a great deal of ceremony. So at last, stretched out in the new tomb, wherein man had never lain, enwrapped in an aromatic bed of spices and breathed round by the fragrance of flowers, with the white linen round Him and the napkin which hid the wounds of the thorns about His brow, while the great stone which formed the door stood between Him and the world, He lay down to rest. It was evening, and the Sabbath drew on; and the Sabbath of His life had come. His work was completed; persecution and hatred could not reach Him any more; He was where the wicked cease from troubling and the weary are at rest.
[1] The most beautiful thing ever said about the bodies of the dead is in the Shorter Catechism: "And their bodies, being still united to Christ, do rest in their graves till the resurrection."
[2] On these and similar details see The Life of our Lord as exemplified in Works of Art, by Mrs. Jameson (completed by Lady Eastlake).
[3] Many interesting details in Ross's Cradle of Christianity.