CHAPTER 27

City and Fort of Jodhpur.

‘without grain’: rather a misnomer for a fruit, the characteristic of which is its granulations; but this is in contradistinction to those of India, which are all grain and little pulp. The anars of the Kagli-ka-bagh, or ‘Ravens’ Garden,’ are sent to the most remote parts as presents. Their beautiful ruby tint affords an abundant resource for metaphor to the Rajput bard, who describes it as “sparkling in the ambrosial cup.”[[4]]

Reception by the Rāja.

Rāja Mān Singh.

The biography of Man Singh would afford a remarkable picture of human patience, fortitude, and constancy, never surpassed in any age or country. But in this school of adversity he also took lessons of cruelty: he learned therein to master or rather disguise his passions; and though he showed not the ferocity of the tiger, he acquired [712] the still more dangerous attribute of that animal—its cunning. At that very time, not long after he had emerged from his seclusion, while his features were modelled into an expression of complaisant self-content, indicative of a disdain of human greatness, he was weaving his web of destruction for numberless victims who were basking in the sunshine of his favour. The fate of one of them has been already related.[[5]]

Descent of the Rāthors.

But it requires neither Bhat nor bard to illustrate its nobility: a series of splendid deeds which time cannot obliterate has emblazoned the Rathor name on the historical tablet. Where all these races have gained a place in the temple of fame, it is almost invidious to select; but truth compels me to place the Rathor with the Chauhan, on the very pinnacle. The names of Chonda and Jodha are sufficient to connect Siahji, the founder, a scion of Kanauj, with his descendant, Raja Man:[[7]] the rest

Were long to tell; how many battles fought;

How many kings destroyed, and kingdoms won.

Let us, therefore, put forth our palm to receive the itr from his august hand, and the pan, acknowledged by a profound salaam, and bringing the right hand to my cocked hat, which etiquette requires we should “apply to the proper use:—’tis for the head,” even in the presence. At all the native courts the head is covered, and the en bas left bare. It would be sadly indecorous to walk in soiled boots over their [713] delicate carpets, covered with white linen, the general seat. The slippers are left at the door, and it is neither inconvenient nor degrading to sit in your socks. The Raja presented me with an elephant and horse caparisoned, an aigrette, necklace, brocades, and shawls, with a portion according to rank to the gentlemen who accompanied me.

On the 6th I paid the Raja another visit, to discuss the affairs of his government. From a protracted conversation of several hours, at which only a single confidential personal attendant of the prince was present, I received the most convincing proofs of his intelligence, and minute knowledge of the past history, not of his own country alone, but of India in general. He was remarkably well read; and at this and other visits he afforded me much instruction. He had copies made for me of the chief histories of his family, which are now deposited in the library of the Royal Asiatic Society. He entered deeply into the events of his personal history, and recounted many of the expedients he was obliged to have recourse to in order to save his life, when, in consequence of the murder of his Guru (not only his spiritual but his temporal guide, counsellor, and friend), he relinquished the reins of power, and acquiesced in their assumption by his son. The whole transaction is still involved in mystery, which the Raja alone can unravel. We must enter so far into the State secrets of the court as to disclose the motive for such an act as the destruction of the brave Surthan, and introduce to the reader another high priest of the Rajputs as a pendant for the oracle of the Apollo of Nathdwara.

The parricidal murder of Raja Ajit has been the destruction of Marwar, and even “unto the third and fourth generation” Providence would seem to have visited the act with its vengeance. The crown, which in a few years more would have been transmitted by nature’s law, was torn from the brow of this brave prince, who has redeemed his lost inheritance from Aurangzeb, by the unhallowed arm of his eldest son Abhai Singh; instigated thereto by an imperial bribe of the viceroyalty of Gujarat. His brother, Bakhta Singh, was made almost independent in Nagor by the concession of Abhai and the sanad and titles of his sovereign; and the contests between their issue have moistened the sands of Marwar with the richest blood of her children. Such is the bane of feudal dominion—the parent of the noblest deeds and the deepest crimes.

Deonāthji, the High Priest.

The murder of the high priest was but a prolongation of the drama, in which we have already represented the treacherous destruction of the chieftain of Pokaran and his kindred; and the immolation of Krishna Kunwari, the Helen of Rajasthan. The attack on the gallant Surthan, who conducted us from Jhalamand to the capital, sprung from the seed which was planted so many years back; nor was he the last sacrifice: victim after victim followed in quick succession until the Caligula of the Desert, who could “smile and stab,” had either slain or exiled all the first chieftains of his State. It would be a tedious tale to unravel all these intrigues; yet some of them must be told, in order to account for the ferocity of this man, now a subordinate ally of the British Government in the East.

Accession of Rāja Mān Singh.

Insanity of Rāja Mān Singh.

British Control of Mārwār. Restoration and Policy of Rāja Mān Singh.

In refusing the aid of a mere physical force, the Raja availed himself of another weapon; for by this artifice he threw the chiefs off their guard, who confided in his [719] assumed desire to forget the past. Intrigues for power and patronage seemed to strengthen this confidence; and Salim Singh of Pokaran, the military Maire du palais or Bhanjgarh, and Akhai Chand, retained as civil prime minister, were opposed by Jodhraj Singwi, who headed the aspirants to supplant them. The Raja complained of their interested squabbles, but neither party dreamed that they were fostered by him to cloak his deep-laid schemes. Akhai Chand had been minister throughout the son’s administration; the political and pecuniary transactions of the State were known chiefly to him; to cut him off would have been poor revenge, and Raja Man was determined not only to extract from him all the knowledge of State matters transacted during his seclusion, but to make himself master of his coffers, and neither would have been attained by simple murder. Akhai Chand was not blind to the dangers of his position; he dreaded the appui his sovereign derived from the English, and laboured to inspire the Raja with distrust of their motives. It suited his master’s views to flatter this opinion; and the minister and his adherents were lulled into a fatal security.

Maladministration of Rāja Mān Singh.

All these atrocities occurred within six months after my visit to this court, and about eighteen from the time it was received into protective alliance with the British Government. The anomalous condition of all our connexions with the Rajput States has already been described: and if illustration of those remarks be required, it is here in awful characters. We had tied up our own hands: “internal interference” had been renounced, and the sequestration of every merchant’s property, who was connected with the Mehta faction, and the exile of the nobles, had no limit but the will of a bloodthirsty and vindictive tyrant. The objects of his persecution made known everywhere the unparalleled hardships of their case, and asserted that nothing but respect for the British Government prevented their doing themselves justice. In no part of the past history of this State could such proscription of the majority of the kin and clan of the prince have taken place. The dread of our intervention, as an umpire favourable to their chief, deprived them of hope; they knew that if we were exasperated there was no saran to protect them. They had been more than twelve months in this afflicting condition when I left the country; nor have I heard that anything has been done to relieve them, or to adjust these intestine broils. It is abandoning them to that spirit of revenge which is a powerful ingredient in their nature, and held to be justifiable by any means when no other hope is left them. In all human probability, Raja Man will end his days by the same expedient which secured him from the fury of his predecessor.[[13]]

Interview with Rāja Mān Singh.

Mandor. Rāthor Cenotaphs.

These dumb recorders of a nation’s history attest the epochs of Marwar’s glory, which commenced with Maldeo, and ended with the sons of Ajit. The temple-monument of Maldeo, which yet throws into shade the still more simple shrines of Chonda, and Jodha, contrasted with the magnificent mausoleum of Raja Ajit, reads us a lesson on the advancement of luxurious pomp in this desert State. The progression is uniform, both in magnitude and elegance, from Maldeo’s who opposed on equal terms the Afghan king (whose memorable words, “I had nearly lost the throne of India for a handful of barley,”[[16]] mark at once the gallantry and the poverty of those whom he encountered), to the last great prince Ajit. Even that of Raja Gaj is plain, compared to his successor’s. These monuments are all erected of a very close-grained freestone, of a dark brown or red [723] tint, with sufficient hardness to allow the sculptor to indulge his fancy. The style of architecture, or rather the composition, is mixed, partaking both of the Saivite and the Buddhist; but the details are decidedly Jain, more especially the columns, which are of the same model as those in Kumbhalmer. I speak more especially of those of Rajas Jaswant and Ajit, drawings of which, on a large scale, executed by the Raja’s chief architect, I brought to Europe; but which it would be too expensive to have engraved. They are raised on immense terraces, faced with large blocks of well-polished freestone. That of Jaswant is somewhat ponderous and massive; but Ajit’s rises with great elegance and perfect symmetry of proportion.

On ascending the terrace you enter through a lofty vaulted porch supported by handsome columns to the sanctum, which is a pyramidal temple, four stories in height, in the Saivite style, crowned by the sikhar and kalas, elsewhere described. The sculptural ornaments are worthy of admiration, both for their design and effect; and the numerous columns on the basement, and different stages of ascent, give an air of so much majesty that one might deem these monuments more fitting sepulture for the Egyptian Cheops than a shrine—over what? not even the ashes of the desert king, which were consigned in an urn to the bosom of the Ganges. If the foundations of these necrological monuments have been equally attended to with the superstructure, they bid fair to convey to remote posterity the recollection of as conspicuous a knot of princely characters as ever followed each other in the annals of any age or country. Let us place them in juxtaposition with the worthies of Mewar and the illustrious scions of Timur, and challenge the thrones of Europe to exhibit such a contemporaneous display of warriors, statesmen, or scholars.

Mewar. Marwar. Delhi.
Rana Sanga Rao Maldeo Babur and Sher Shah.
Rao Sur Singh Humayun.
Rana Partap Raja Udai Singh Akbar.
Rana Amra I.
Rana Karan
}Raja Gaj Singh{Jahangir and
Shah Jahan.
Rana Raj Raja Jaswant Singh Aurangzeb.
Rana Jai Singh
Rana Amra II.
}Raja Ajit Singh{All the competitors for the throne after Farrukhsiyar [724].

From Maldeo to Udai le gros the first Raja (hitherto Raos) of Marwar, and the friend of Akbar, to Jaswant, the implacable foe of Aurangzeb, and Ajit, who redeemed his country from oppression, all were valiant men and patriotic princes.

“Where were the lions’ cubs,” I asked of my conductor, “the brave sons of Ajit, who erected this monument to his manes, and who added provinces to his dominions?” He pointed to two sheds, where the kriya karma[[17]] was performed; there was

No funeral urn

To mark their obsequies:

but these lowly sheds told, in more forcible, more emphatic language, the cause of this abrupt transition from grandeur to humility than pen ever wrote; and furnished the moral epilogue to the eventful drama of the lives of these kings of the desert. Abhai Singh’s parricidal hand bereft his father of life; yet though his career was one splendid tissue of success and honour, leaving his dominions more than doubled, the contentions of his issue with that of his brother Bakhta Singh, alike accessory, it is said, to the crime, have entailed endless misery upon Marwar, and left them not the power, if they had the inclination, to house his ashes. In the same line with the parricide and his brave brother is the humble monument of the great Bijai Singh, whose life till towards its close was a continued tide of action. I could not avoid an exclamation of surprise: “Shame to the country,” I said, “that has neglected to enshrine the ashes of a name equal to the proudest!” His three sons, amongst them Zalim Singh, with the sketch of whom this narrative opened, have their shrines close to his; and but a few yards removed are those of Raja Bhim, and his elder brother Guman (who died in his minority), the father of the reigning prince, Raja Man. The last, which closed the line, pertained to Chhattar Singh, who, in all probability, was saved by death from the murder of his parent. I passed it in disgust, asking who had been so foolish as to entomb his ashes better than those of some of the worthies of his race? I found that it was the act of maternal fondness.

Ancestor Worship. Sati.

In this account are enumerated the monumental relics below the fort. Upon the mountain, and beyond the walls of the fortress of Mandor, are the dewals of Rao Ranmall, Rao Ganga, and Chonda, who conquered Mandor from the Parihars. Within a hundred yards of this trio of worthies of this house is a spot set apart for the queens who die natural deaths. But this is anticipating; let me in form conduct my readers step by step from the cemetery of the Rathors to the Cyclopean city of the Parihars.

Whoever has seen Cortona, Volterra, or others of the ancient Tuscan cities can form a correct idea of the walls of Mandor, which are precisely of the same ponderous character. It is singular that the ancient races of India, as well as of Europe (and whose name of Pali is the synonym of Galati or Keltoi) should, in equal ignorance of the mechanical arts, have piled up these stupendous monuments, which might well induce their posterity to imagine “there were giants in those days.” This western region, in which I include nearly all Rajputana and Saurashtra, has been the peculiar abode of these “pastor kings,” who have left their names, their monuments, their religion and sacred character as the best records of their supremacy. The Rajpali, or ‘Royal Pastors,’ are enumerated as one of the thirty-six royal races of ancient days: the city of Palitana, ‘the abode of the Pali,’ in Saurashtra (built [726] at the foot of Mount Satrunjaya, sacred to Buddha), and Pali in Godwar, are at once evidences of their political consequence and the religion they brought with them; while the different nail-headed characters are claimed by their descendants, the sectarian Jains of the present day.[[18]] There is scarcely an ancient city in Rajputana whence I have not obtained copies of inscriptions from columns and rocks, or medals, gold, silver, and copper, bearing this antique character. All are memorials of these races, likewise termed Takshak, the Scythic conquerors of India, ancestors of many of the Rajputs, whose history the antiquary will one day become better acquainted with. The Parihara, it will be recollected, is one of the four Agnikulas: races who obtained a footing in India posterior to the Suryas and Indus. I omitted, however, to mention, in the sketch of the Pariharas, that they claim Kashmir as the country whence they migrated into India: the period is not assigned, but it was when the schismatic wars between the Saivites and Buddhists were carrying on; and it would appear that the former found proselytes and supporters in many of these Agnikulas. But of the numerical extent of the followers of this faith we have this powerful evidence, namely, that three-fourths of the mercantile classes of these regions are the descendants of the martial conquerors of India, and that seven out of the ten and a half niyats or tribes, with their innumerable branches, still profess the Jain faith, which, beyond controversy, was for ages paramount in this country.

The Walls of Mandor.

Where time hath leant his hand, but broke his scythe,

I felt the full force of the sentiment of our heart-stricken Byron:

there is a power

And magic in the ruined battlement,

For which the palace of the present hour

Must yield its pomp, and wait till ages are its dower.

Ages have rolled away since these were raised, and ages will yet roll on, and find [727] them immovable, unchanged. The immense blocks are piled upon, and closely fitted to, each other without any cement, the characteristic of all the Etruscan cities termed Cyclopean. We might indeed smuggle a section of Mandor into the pages of Micali,[[21]] amongst those of Todi or Volterra, without fear of detection. The walls, following the direction of the crest of the ridge, are irregular; and having been constructed long before artillery was thought of, the Parihar or Pali engineer was satisfied with placing the palace on the most commanding eminence, about the centre of the fortress. The bastions or towers are singularly massive, and like all the most antique, their form is square. Having both fever and ague upon me, I was incapable of tracing the direction of the walls, so as to form any correct judgement of the space they enclose; but satisfied with gaining the summit, I surveyed the ruin from the site of the palace of the Parihars. The remains, though scanty, are yet visible; but the materials have been used in the construction of the new capital Jodhpur, and in the cenotaphs described. A small range of the domestic temples of the palace, and some of the apartments, are yet distinctly to be traced; the sculptured ornaments of their portals prove them to have been the work of a Takshak or Buddhist architect. Symbolical figures are frequently seen carved on the large blocks of the walls, though probably intended merely as guides to the mason. These were chiefly Buddhist or Jain: as the quatre-feuille, the cross; though the mystic triangle, and triangle within a triangle ✡[[22]] (a sign of the Saivites, only, I believe), was also to be seen. The chief memorials of the Parihara are a gateway and magnificent Toran, or triumphal arch, placed towards the south-east angle of the castle. It is one mass of sculpture; but the pencil was wanting, and I had not leisure even to bring away a rude resemblance of this memento of some victory of the ancient lords of Mandor.

Thāna Pir.

Let us now descend by the same causeway to the glen of Panchkunda, where there is much to gratify both the lover of the picturesque and the architectural antiquary. At the foot of the causeway, terminated by a reservoir of good water, are two gateways, one conducting to the gardens and their palaces erected by the Rathors; the other, to the statues of the Paladins of the desert. Leaving both for a moment, I pursued the ‘serpentine’ rivulet to its fountain, where

Couched among fallen columns, in the shade

Of ruined walls that had survived the names

Of those who reared them,

I reposed in meditative indolence, overwhelmed with the recollections such scenes inspire. In a recess or cave is a rude altar sanctified by the name of Nahar Rao, the famed king of Mandor, who met in equal combat the chivalrous Chauhan in the pass of the Aravalli.[[24]] A Nai, or barber, performs worship to the manes of this illustrious Rajput, in whose praise Chand is most eloquent. Whence the choice of a barber as a priest I know not; but as he has the universal care of the material portion of the Rajput, being always chosen as the cook, so there may be reasons for his having had an interest in the immaterial part in olden days, the tradition of which may have been lost. There is a piece of sculpture containing nine figures, said to represent Ravana, who came from “th’utmost isle Taprobane,”[[25]] to marry the daughter of the sovereign of Mandor. There was a lengthened legend to account for the name of Nagda, or, ‘serpentine,’ being applied to the [729] rivulet, but it is too long to relate. We must therefore quit the fountain, where the gallant Prithiraj and his fair bride, the cause of strife between the Chauhans and Pariharas, may have reposed, and visit the most remarkable relic within the precincts of this singular place.

CHĀMUNDA. KANKĀLI.
Rock Sculptures at Mandor.
To face page 842.

Images of Heroes.

Then follows Pabuji,[[27]] mounted on his famous charger ‘Black Caesar’ (Kesar [730] Kali), whose exploits are the theme of the itinerant bard and showman, who annually goes his round, exhibiting in pictorial delineations, while he recites in rhyme, the deeds of this warrior to the gossiping villagers of the desert.

Next comes Ramdeo[[28]] Rathor, a name famed in Marudesa, and in whose honour altars are raised in every Rajput village in the country.

Then we have the brave Harbuji Sankhla,[[29]] to whom Jodha was indebted for protection in his exile, and for the redemption of Mandor when seized by the Rana of Chitor.

Guga,[[30]] the Chauhan, who with his forty-seven sons fell defending the passage of the Sutlej on Mahmud’s invasion. Mehaji Mangalia brings up the rear, a famous chieftain of the Guhilot race. It would be tedious to relate any of the exploits of these worthies.

Taintīs Kula Devata Ra Thān.

MALLINĀTH. NĀTHJI.
Rock Sculptures at Mandor.
To face page 844.

Palace and Gardens.—I now retired to the palace and gardens built by Raja Ajit; of which, however superb, it is impossible for the pen to give a definite idea. Suites of colonnaded halls, covered with sculpture of easy and even graceful execution, some with screens of lattice-work to secure the ladies from the public gaze, are on the lower range; while staircases lead to smaller apartments intended for repose. The gardens, though not extensive, as may be supposed, being confined within the adamantine walls reared by the hand of Nature, must be delightfully cool even in summer. Fountains, reservoirs, and water-courses, are everywhere interspersed; and though [731] the thermometer in the open air was 86°,[[32]] the cold within doors (if this be not a solecism, considering that there were no doors) was excessive. Some attention was paid to its culture; besides many indigenous shrubs, it boasted of some exotics. There was the golden champa,[[33]] whose aroma is overpowering, and if laid upon the pillow will produce headache; the pomegranate, at once “rich in flower and fruit”; the apple of Sita, or Sitaphala, which, from similitude of taste, we call the custard-apple; a delicious species of the plantain, whose broad, verdant, glossy leaf alone inspires the mind with the sensation of coolness; the mogra;[[34]] the chameli, or jessamine; and the queen of flowers, the barahmasha,[[35]] literally the ‘twelve-month,’ because it flowers throughout the year. It is a delightful spot, and I felt a peculiar interest in it. Let the reader imagine the picture of a solitary Englishman scribbling amidst the ruins of Mandor: in front a group of venerable mango-trees; a little further an enormous isolated tamarind, “planted by the hand of a juggler in the time of Nahar Rao, the last of the Pariharas, before whom he exhibited this proof of legerdemain,” and, as the legend goes, from whose branches the juggler met his death:[[36]] amidst its boughs the long-armed tribe, the allies of Rama, were skipping and chattering unmolested; while beneath, two Rathor Rajputs were stretched in sleep, their horses dozing beside them, standing as sedately as the statue of ‘Black Caesar’: a grenadier Sepoy of my escort parading by a camp-basket, containing the provender of the morning, completes the calm and quiet scene.

An Atīt Hermit.

RĀMDEO RĀTHOR. PĀBUJI, MOUNTED ON KESAR KĀLI.
Rock Sculptures at Mandor.
To face page 846.

November 13.—The Raja having invited us to a dinner at the palace, we sallied forth, belted and padded, to partake of Rajput hospitality. He had made a request which will appear somewhat strange—that we would send our cuisine, as the fare of the desert might prove unpalatable; but this I had often seen done at Sindhia’s camp, when joints of mutton, fowls, and fricassees would diversify the provender of the Mahratta. I intimated that we had no apprehension that we should not do justice to the gastronomy of Jodhpur; however, we sent our tables, and some claret to drink long life to the king of Marudes. Having paid our respects to our host, he dismissed us with the complimentary wish that appetite might wait upon us, and, preceded by a host of gold and silver sticks, we were ushered into a hall, where we found the table literally covered with curries, pillaus, and ragouts of every kind, in which was not forgotten the haria mung Mandor ra, the ‘green pulse of Mandor,’ the favourite dish, next to rabri or maize-porridge, of the simple Rathor. Here, however, we saw displayed the dishes of both the Hindu and Musulman, and nearly all were served in silver. The curries were excellent, especially those of the vegetable tribes made of the pulses, the kakris or cucumbers, and of a miniature melon not larger than an egg, which grows spontaneously in these regions, and is transported by kasids, or runners, as presents, for many hundreds of miles around. The hall was an entire new building, and scarcely finished; it is erected on the northern projection of the rock, where the escarpment is most abrupt, and looks down upon the site of the batteries of the league of 1806. It is called the Man mahall [733], and, like the hall of audience, its flat roof is supported by numerous massive hewn columns. The view from it to the east is extensive, and we were told that the pinnacle of Kumbhalmer, though eighty miles distant, has been seen, in those clear days of the monsoon when the atmosphere is purified, after heavy showers, from the sand which is held suspended. Great care was taken that our meal should be uninterrupted, and that we should not be the lions to an hour’s amusement of the court. There was but one trivial occurrence to interrupt the decorum and attention of all present, and that was so slight that we only knew it after the entertainment was over. One of the menials of the court, either from ignorance or design, was inclined to evince contumely or bad breeding. It will be considered perhaps a singular circumstance that the Hindu should place before a European the vessels from which he himself eats: but a little fire purifies any metallic vessels from all such contamination; and on this point the high-blooded Rajput is less scrupulous than the bigoted Muhammadan, whom I have seen throw on the ground with contempt a cup from which his officer had drunk water on a march. But of earthenware there can be no purification. Now there was a handsome china bowl, for which some old dowager fancier of such articles would have almost become a supplicant, which having been filled with curds to the Sudra Farangis could no longer be used by the prince, and it was brought by this menial, perhaps with those words, to my native butler. Kali Khan, or, as we familiarly called him, ‘the black lord,’ was of a temper not to be trifled with; and as the domestic held it in his hand, saying, “Take it, it is no longer of any use to us,” he gave it a tap with his hand which sent it over the battlements, and coolly resuming his work, observed, “That is the way in which all useless things should be served”; a hint which, if reported to Raja Man, he seems to have acted on: for not many months after, the minister, Akhai Chand, who dreaded lest European influence should release his master from his faction and thraldom, was treated by him in the same manner as the china bowl by Kali Khan.

The Rāja visits the Author.

GŪGA THE CHAUHĀN. HARBUJI SĀNKHLA.
Rock Sculptures at Mandor.
To face page 848.

Taking Leave of the Rāja.

Besides the usual gifts at parting, which are matter of etiquette, and remain untouched by the individual, I accepted as a personal token of his favour, a sword, dagger, and buckler, which had belonged to one of his illustrious ancestors. The weight of the sword, which had often been “the angel of death,” would convince any one that it must have been a nervous arm which carried it through a day. With mutual good wishes, and a request for a literary correspondence, which was commenced but soon closed, I bade adieu to Raja Man and the capital of Marwar [736].


[1]. [Of Jagat Singh of Jaipur and Amīr Khān.]

[2]. [Rahkala is properly the carriage on which a field-piece is mounted: then, a swivel-gun (Irvine, Army of the Indian Moghuls, 140).]

[3]. [The population of the city in 1911 was 79,756.]

[4]. Amrit ra piyala.

[5]. See p. [820].

[6]. [‘The self-existent.’]

[7]. [The Rāthor dynasty of Kanauj is a myth (Smith, EHI, 385, note 1).]

[8]. [Decline and Fall, ed. W. Smith, ii. 262.]

[9]. The date of his accession is the 5th of the month Margsir, S. 1860 [A.D. 1803].

[10]. [About 80 miles N. of Jaipur city.]

[11]. Vol. I. page [535].

[12]. Commandant of the fortress [qil’adār].

[13]. [In 1839, in consequence of the misgovernment of Mān Singh, a force was sent by the British Government and Jodhpur was occupied. He entered into a treaty securing a cessation of his tyrannical acts. He died on September 5, 1843.]

[14]. [An abstract of the Khulāsatu-t-tawārīkh of Subhān Rāe is given in Elliot-Dowson viii. 5 ff.]

[15]. [Professor E. B. Poulton kindly sends a note from Colonel J. W. Yerbury, who writes: “Although no record exists of the occurrence of Hypoderma in Hindustan, I think there is no doubt that the maggots are the larvae of either H. diaua or H. acteon. They have been found in antelopes—Antelope saiga—and dorcas brought to Italy from the East.”]

[16]. [Sher Shāh, after his victory over Rāja Māldeo in A.D. 1544, said that “for a handful of millet (juār) he had almost lost the empire of India” (Ferishta ii. 123; Manucci i. 117). The author quotes this saying twice later on.]

[17]. [Funeral rite.]

[18]. [There is no evidence that the name Pālitāna is connected with a Pāli tribe.]

[19]. [Ficus glomerata.]

[20]. [Near the cave an inscription of Kakka Parihār, probably tenth century A.D., has recently been found (Erskine iii. A. 196)[196)].]

[21]. L’Italie avant la domination des Romains.

[22]. Amongst ancient coins and medals, excavated from the ruins of Ujjain and other ancient cities, I possess a perfect series with all the symbolic emblems of the twenty-four Jain apostles. The compound equilateral triangle is amongst them: perhaps there were masons in those days amongst the Pali. It is hardly necessary to state that this Trinitarian symbol (the double triangle) occurs on our (so-called) Gothic edifices, e.g. the beautiful abbey gate of Bury St. Edmunds, Suffolk, erected about A.D. 1377. [See Count Goblet D’Alviella, The Migration of Symbols, 185 ff.]

[23]. [Erskine (iii. A. 197) calls him Tanna Pīr; the shrine was built in the time of Mahārāja Mān Singh, and is held in high estimation.]

[24]. See p. [793].

[25]. Tapu Ravana, ‘the isle of Ravana,’ wherever that may be. [Taprobane represents the river Tāmraparni, ‘the copper-coloured leaf’ (IGI, xxiii. 215).]

[26]. [Eldest son of Rāo Salkha, one of the early traditional ancestors of the Jodhpur chiefs, after whom the Mallāni district is named.]

[27]. [A Rāthor chief, who first brought the camel into use, and was noted for protecting cows.]

[28]. [A Tonwar or Tuar Rājput, of the family of Anangpāl of Delhi, now worshipped under the name of Rāmsāh Pīr.]

[29]. [A Panwār Rājput, of Bengti, near Phalodi, where his cart is still worshipped.]

[30]. [Gūgaji or Guggaji, already mentioned (p. 807 above), said to have been killed in battle with Fīroz Shāh of Delhi, at the end of the thirteenth century A.D.]

[31]. I imagine the word kula, or ‘race,’ of which, as often remarked, there are not thirty-three but thirty-six, has given rise to the assertion respecting the thirty-three crore or millions of gods of Hindustan [more probably only an indefinite number].

[32]. Thermometer 55°, 72°, 86°, 80° at daybreak, ten, two, and at sunset; on the 3rd November, the day of our arrival, the variations were 50°, 72°, 80°, and 75° at those hours.

[33]. [Michelia champaka.]

[34]. [The double jasmine, Jasminum zambak.]

[35]. [Sir D. Prain, who has kindly investigated this flower, identifies it with a species of Bauhinia. He remarks that “B. acuminata, which differs from B. purpurea and B. variegata, both in being a smaller plant and in beginning to flower when B. variegata does, goes on flowering all through the rains, and still continues to flower when B. purpurea is in blossom. It does not flower all the year round in Bengal, and I doubt if it does so in Rājputāna, though Balfour in his Cyclopaedia suggests that it does so. My idea is that the term bārah-māsha in Upper India should not be taken too literally, and that it is only a figurative way of saying that the particular Bauhinia is in flower alongside of both the others when flowering seasons are separated by half the year.”]

[36]. See the Autobiography of Jahangir, translated by that able Oriental scholar, Major Price [p. 96 f.], for the astonishing feats these jugglers perform in creating not only the tree but the fruit.

[37]. [The Atīt is a mendicant follower of Siva, and the term is usually equivalent to Sannyāsi.]

[38]. Thermometer 59°, 82°, 85°, 79°.

[39]. Thermometer 59°, 73°, 89°, 82°; at six, ten, two, and sunset.

[40]. See Vol. I. p. [228].