1. CYCLE.
On a fine spring evening, the young Spanish Count Cesara came, with his companions, Schoppe and Dian, to Sesto, in order the next morning to cross over to the Borromæan island, Isola Bella, in Lago Maggiore. The proudly blooming youth glowed with the excitement of travelling, and with thoughts of the coming morrow, when he should see the isle, that gayly decorated throne of Spring, and on it a man who had been promised him for twenty years. This twofold glow exalted my picturesque hero to the form of an angry god of the Muses. His beauty made a more triumphal entry into Italian eyes than into the narrow Northern ones from the midst of which he had come; in Milan many had wished he were of marble, and stood with elder gods of stone, either in the Farnese Palace or in the Clementine Museum, or in the Villa of Albani; nay, had not the Bishop of Novara, with his sword at his side, a few hours before, asked Schoppe (riding behind) who he was? And had not the latter, with a droll squaring of the wrinkle-circle round his lips, made this copious answer (by way of enlightening his spiritual lordship): "It's my Telemachus, and I am the Mentor. I am the milling-machine and the die which coins him,—the wolf's tooth and flattening mill which polishes him down,—the man, in short, that regulates him"?
The glowing form of the youthful Cesara was still more ennobled by the earnestness of an eye always buried in the future, and of a firmly shut, manly mouth, and by the daring decision of young, fresh faculties; he seemed as yet to be a burning-glass in the moonlight, or a dark precious stone of too much color, which the world, as in the case of other jewels, can brighten and improve only by cutting hollow.
As he drew nearer and nearer, the island attracted him, as one world does another, more and more intensely. His internal restlessness rose as the outward tranquillity deepened. Beside all this, Dian, a Greek by birth and an artist, who had often circumnavigated and sketched Isola Bella and Isola Madre, brought these obelisks of Nature still nearer to his soul in glowing pictures; and Schoppe often spoke of the great man whom the youth was to see to-morrow for the first time. As the people were carrying by, down below in the street, an old man fast asleep, into whose strongly marked face the setting sun cast fire and life, and who was, in short, a corpse borne uncovered, after the Italian custom, suddenly, in a wild and hurried tone, he asked his friends, "Does my father look thus?"
But what impels him with such intense emotions towards the island is this: He had, on Isola Bella, with his sister, who afterward went to Spain, and by the side of his mother, who had since passed to the shadowy land, sweetly toyed and dreamed away the first three years of his life, lying in the bosom of the high flowers of Nature; the island had been, to the morning slumber of life, to his childhood's hours, a Raphael's painted sleeping-chamber. But he had retained nothing of it all in his head and heart, save in the one a deep, sadly sweet emotion at the name, and in the other the squirrel, which, as the family scutcheon of the Borromæans, stands on the upper terrace of the island.
After the death of his mother his father transplanted him from the garden-mould of Italy—some of which, however, still adhered to the tap-roots—into the royal forest of Germany; namely, to Blumenbühl, in the principality of Hohenfliess, which is as good as unknown to the Germans; there he had him educated in the house of a worthy nobleman, or, to speak more meaningly and allegorically, he caused the pedagogical professional gardeners to run round him with their water-pots, grafting-knives, and pruning-shears, till the tall, slender palm-tree, full of sago-pith and protecting thorns, outgrew them, and could no longer be reached by their pots and shears.
And now, when he shall have returned from the island, he is to pass from the field-bed of the country to the tanvat and hot-bed of the city, and to the trellises of the court garden; in a word, to Pestitz, the university and chief city of Hohenfliess, even the sight of which, until this time, his father had strictly forbidden him.
And to-morrow he sees that father for the first time! He must have burned with desire, since his whole life had been one preparation for this meeting, and his foster-parents and teachers had been a sort of chalcographic company, who had engraved in copper a portrait of the author of his life-book so magnificently opposite the title-page. His father, Gaspard de Cesara, Knight of the Golden Fleece (whether Spanish or Austrian I should be glad to be precisely informed myself), a spirit naturally three-edged, sharp, and brightly polished, had in his youth wild energies, for whose play only a battle-field or a kingdom would have been roomy enough, and which in high life had as little power of motion as a sea-monster in a harbor. He satisfied them by playing star-parts with all ranks in comedies and tragedies, by the prosecution of all sciences, and by an eternal tour: he was intimate and often involved with great and small men and courts, yet always marched along as a stream with its own waves through the sea of the world. And now, after having completed his travels by land and sea round the whole circumference of life, round its joys and capacities and systems, he still continues (especially since the Present, that ape of the Past, is always running after him) to pursue his studies and geographical journeyings; but always for scientific purposes, just as he visits now the European battle-fields. As for the rest, he is not at all gloomy, still less gay, but composed and calm; he does not even hate and love, blame and praise other men any more than he does himself, but values every one in his kind, the dove in hers and the tiger in his. What often seems vengeance is merely the determined, soldier-like tread wherewith a man, who can never flee and fear, but only knows how to advance and stand his ground, tramples down larks'-eggs and ears of corn.
I think that the corner which I have thus snipped off from the Whistonian chart of this comet, for the benefit of mankind, is broad enough. I will, before I discourse further, reserve the privilege to myself, of sometimes calling Don Gaspard the Knight, without appending to him the Golden Fleece; and, secondly, of not being obliged by courtesy towards the short memory of readers to steal from his son Cesara (under which designation the old man will never appear) his Christian name, which, to be sure, is Albano.
As Don Gaspard was about leaving Italy for Spain, he had, through Schoppe, caused our Albano, or Cesara, to be brought hither without any one's knowing why he did it at so late a period. Was it his pleasure, perhaps, to gaze into the full spring-time of the young twigs? Did he wish to unfold to the youth some rules for rustics in the century-almanac of court life? Would he imitate the old Gauls, or the modern inhabitants of the Cape, who never suffered their sons in their presence till they were grown up and capable of bearing arms? Was nothing less than that his idea? This much only I comprehend, that I should be a very good-natured fool if I were, in the very fore-court of the work, to suffer myself to be burdened with the task of drawing and dotting out from the few data that I now have, in the case of a man so remarkable, and whose magnetic needle declines so many degrees,—a Wilkes's magnetic table of inclinations;—he, not I, is the father of his son, to be sure, and he knows of course why he did not send for him till his beard was grown.
When it struck twenty-three o'clock (the hour before sundown), and Albano would have counted up the tedious strokes, he was so excited that he was not in a condition to ascend the long tone-ladder;[2] he must away to the shore of the Lago, in which the up-towering islands rise like sceptred sea-gods. Here stood the noble youth, his inspired countenance full of the evening glow, with exalted emotions of heart, sighing for his veiled father, who, hitherto, with an influence like that of the sun behind a bank of clouds, had made the day of his life warm and light. This longing was not filial love,—that belonged to his foster-parents, for childlike love can only spring up toward a heart whereon we have long reposed, and which has protected us, as it were, with the first heart's-leaves against cold nights and hot days,—his love was higher or rarer. Across his soul had been cast a gigantic shadow of his father's image, which lost nothing by Gaspard's coldness. Dian compared it to the repose on the sublime countenance of the Juno Ludovici; and the enthusiastic son likened it to another sudden chill which often comes into the heart in company with too great warmth from another's heart, as burning-glasses burn feeblest precisely in the hottest days. He even hoped he might perchance melt off by his love this father's heart, so painfully frozen to the glaciers of life: the youth comprehended not how possible it was to resist a true, warm heart, at least his.
Our hero, reared in the Carthusian monastery of rural life, and more in past ages than his own, applied to every subject antediluvian gigantic standards of measurement; the invisibility of the Knight constituted a part of his greatness, and the Moses'-veil doubled the glory which it concealed. Our youth had, in general, a singular leaning toward extraordinary men, of whom others stand in dread. He read the eulogies of every great man with as much delight as if they were meant for him; and if the mass of people consider uncommon spirits as, for that very reason, bad,—just as they take all strange petrifactions to be Devil's bones,—in him the reverse was the case: in him love dwelt a neighbor to wonder, and his breast was always at the same time wide and warm. To be sure, every young man and every great man who looks upon another as great, considers him for that very reason as too great. But in every noble heart burns a perpetual thirst for a nobler, in the fair, for a fairer; it wishes to behold its ideal out of itself, in bodily presence, with glorified or adopted form, in order the more easily to attain to it, because the lofty man can ripen only by a lofty one, as diamond can be polished only by diamond. On the other hand, does a litterateur, a cit, a newspaper carrier or contributor wish to get a glimpse of a great head,—and is he as greedy for a great head as for an abortion with three heads,—or a Pope with as many caps,—or a stuffed shark,—or a speaking-machine or a butter-machine,—it is not because his inner man is burdened and beset by the soul-inspiring ideal of a great man, pope, shark, three-headed monster, or butter-model, but it is because he thinks, in the morning, "I can't help wondering how the creature looks," and because, in the evening, he means to tell how he looks, over a glass of beer.
Albano looked from the shore with increasing restlessness across the shining water toward the holy dwelling-place of his past childhood, his departed mother, his absent sister. The songs of gladness thrilled through him as they came floating along on the distant boats; every running wave—the foaming surge—raised a higher in his bosom; the giant statue of St. Borromæus,[3] looking away over the cities, embodied the exalted one (his father) who stood erect in his heart, and the blooming pyramid, the island, was the paternal throne; the sparkling chain of the mountains and glaciers wound itself fast around his spirit, and lifted him up to lofty beings and lofty thoughts.
The first journey, especially when Nature casts over the long road nothing but white radiance and orange-blossoms and chestnut-shadows, imparts to the youth what the last journey often takes away from the man,—a dreaming heart, wings for the ice-chasms of life, and wide-open arms for every human breast.
He went back, and with his commanding eye begged his friends to set sail this very evening, although Don Gaspard was not to come to the island till to-morrow morning. Often, what he wanted to do in a week, he proposed to himself for the next day, and at last did it at once. Dian tapped the impetuous Boreas on the head lovingly, and said: "Impatient being, thou hast here the wings of a Mercury, and down there too (pointing to his feet)! But just cool off! In the pleasant after-midnight we embark, and when the dawn reddens in the sky we land." Dian had not merely an artistic eye to his well-formed darling, but also a tender interest in him, because he had often, in Blumenbühl, where he had business as public architect, been the friend and guide of his childhood and youth, and because now on the island he must tear himself from his arms for some time and be absent at Rome. Since he (the public architect) considered the same extravagance which he would rebuke in an old man to be no extravagance in a youth,—an inundation to be no inundation in Egypt, though it would be in Holland,—and since he assumed a different average temperature for every individual, age, and people, and in holy human nature found no string to be cut off, but only at most to be tuned, surely Cesara must have cherished toward the cheerful and indulgent teacher, on whose two tables of laws stood only, Joy and moderation! a right hearty attachment, even more hearty than for the laws themselves.
The images of the present and of the near future and of his father had so filled the breast of the Count with greatness and immortality, that he could not comprehend how any one could let himself be buried without having achieved both, and that as often as the landlord brought in anything, he pitied the man, particularly as he was always singing, and, like the Neapolitans and Russians, in the minor key, because he was never to be anything, certainly not immortal. The latter is a mistake; for he gets his immortality here, and I take pleasure in giving place and life to his name, Pippo (abbreviated from Philippo). When, at last, they paid and were about to go, and Pippo kissed a Kremnitz ducat, saying, "Praised be the holy Virgin with the child on her right arm," Albano was pleased that the father took after his pious little daughter, who had been all the evening rocking and feeding an image of the child Jesus. To be sure, Schoppe remarked, she would carry the child more lightly on her left arm;[4] but the error of the good youth is a merit in him as well as the truth.
Beneath the splendor of a full moon they went on board the bark, and glided away over the gleaming waters. Schoppe shipped some wines with them, "not so much," said he, "that there is nothing to be had on the island, as for this reason, that if the vessel should leak, then there would be no need of pumping out anything but the flagons,[5] and she would float again."
Cesara sank, silently, deeper and deeper into the glimmering beauties of the shore and of the night. The nightingales warbled as if inspired on the triumphal gate of spring. His heart grew in his breast like a melon under its glass-bell, and his breast heaved higher and higher over the swelling fruit. All at once he reflected that he should in this way see the tulip-tree of the sparkling morn and the garlands of the island put together only like an artificial, Italian silk-flower, stamen by stamen, leaf by leaf; then was he seized with his old thirst for one single draining draught from Nature's horn of plenty; he shut his eyes, not to open them again, till he should stand upon the highest terrace of the island before the morning sun. Schoppe thought he was asleep; but the Greek smilingly guessed the epicurism of this artificial blindness, and bound, himself, before those great insatiable eyes the broad, black taffeta-ribbon, which, like a woman's ribbon or lace mask, contrasted singularly and sweetly with his blooming but manly face.
Now the two began to tease and tantalize him in a friendly way with oral night-pictures of the magnificent adornments of the shores between which they passed. "How proudly," said Dian to Schoppe, "rises yonder the castle of Lizanza, and its mountain, like a Hercules, with twelvefold girdles of vine-clusters!" "The Count," said Schoppe in a lower tone to Dian, "loses a vast deal by this bandaging of his eyes. See you not, architect, to speak poetically, the glimmer of the city of Arona? How beautifully she lays on Luna's blanc d'Espagne, and seems to be setting herself out and prinking up for to-morrow in the powder-mantle of moonshine which is flung around her! But that is nothing; still better looks St. Borromæus yonder, who has the moon on his head like a freshly-washed night-cap; stands not the giant there like the Micromegas of the German body politic, just as high, just as stiff and stark?"
The happy youth was silent, and returned for answer a hand-pressure of love;—he only dreamed of the present, and signified he could wait and deny himself. With the heart of a child from whom the curtains and the after-midnight hide the approaching Christmas present of the morrow, he was borne along in the pleasure-boat, with tightly bandaged eyes, toward the approaching, heavenly kingdom. Dian drew, as well as the double light of the moonshine and the aurora permitted, a sketch of the veiled dreamer in his scrap-book. I wish I had it here, and could see in it how my darling, with the optic nerves tied up, strains at once the eye of dream directed toward the inner world, and the ear of attention so sharply set toward the outer. How beautiful is such a thing, painted,—how much more beautiful realized in life!
The mantle of night grew thinner and cooler,—the morning air fanned livingly against the breast,—the larks mingled with the nightingales and with the singing boatmen,—and he heard, beneath his bandage, which was growing lighter and lighter, the joyful discoveries of his friends, who saw in the open cities along the shore the reviving stir of human life, and on the waterfalls of the mountains the alternate reflections of clouds and ruddy sky. At last the breaking splendors of morn hung like a festoon of Hesperides-apples around the distant tops of the chestnut-trees; and now they disembarked upon Isola Bella.
The veiled dreamer heard, as they ascended with him the ten terraces of the garden, the deep-drawn sigh and shudder of joy close beside him, and all the quick entreaties of astonishment; but he held the bandage fast, and went blindfold from terrace to terrace, thrilled with orange-fragrance, refreshed by higher, freer breezes, fanned by laurel-foliage,—and when they had gained at last the highest terrace, and looked down upon the lake, heaving its green waters sixty ells below, then Schoppe cried, "Now! now!" But Cesara said, "No! the sun first!" and at that moment the morning wind flung up the sunlight gleaming through the dark twigs, and it flamed free on the summits,—and Dian snatched off the bandage, and said, "Look round!" "O God!" cried he with a shriek of ecstasy, as all the gates of the new heaven flew open, and the Olympus of nature, with its thousand reposing gods, stood around him. What a world! There stood the Alps, like brother giants of the Old World, linked together, far away in the past, holding high up over against the sun the shining shields of the glaciers. The giants wore blue girdles of forest, and at their feet lay hills and vineyards, and through the aisles and arches of grape-clusters the morning winds played with cascades as with watered-silk ribbons, and the liquid brimming mirror of the lake hung down by the ribbons from the mountains, and they fluttered down into the mirror, and a carved work of chestnut woods formed its frame.... Albano turned slowly round and round, looked into the heights, into the depths, into the sun, into the blossoms; and on all summits burned the alarm-fires of mighty Nature, and in all depths their reflections,—a creative earthquake beat like a heart under the earth and sent forth mountains and seas.... O then, when he saw on the bosom of the infinite mother the little swarming children, as they darted by under every wave and under every cloud,—and when the morning breeze drove distant ships in between the Alps,—and when Isola Madre towered up opposite to him, with her seven gardens, and tempted him to lean upon the air and be wafted over on level sweep from his summit to her own,—and when he saw the pheasants darting down from the Madre into the waves,—then did he seem to stand like a storm-bird with ruffled plumage on his blooming nest, his arms were lifted like wings by the morning wind, and he longed to cast himself over the terrace after the pheasants, and cool his heart in the tide of Nature.
Ashamed, he took, without looking round him, the hands of his friends and pressed them in mute fervor, that he might not be obliged to speak. The magnificent universe had painfully expanded, and then blissfully overflowed his great breast; and now, when he opened his eyes, like an eagle, wide and full upon the sun, and when the blinding brightness hid the earth, and he began to be lonely, and the earth became smoke and the sun a soft, white world, which gleamed only around the margin,—then did his whole, full soul, like a thunder-cloud, burst asunder and burn and weep, and from the pure, white sun his mother looked upon him, and in the fire and smoke of the earth his father and his life stood veiled.
Silently he went down the terraces, often passing his hand across his moist eyes to wipe away the dazzling shadow which danced on all the summits and all the steps.
Exalted Nature! when we see and love thee, we love our fellow-men more warmly; and when we must pity or forget them, thou still remainest with us, reposing before the moist eye like a verdant chain of mountains in the evening red. Ah, before the soul in whose sight the morning dew of its ideals has faded to a cold, gray drizzle,—and before the heart, which, in the subterranean passages of this life, meets no longer men, but only dry, crooked-up mummies on crutches in catacombs,—and before the eye which is impoverished and forsaken, and which no human creature will any longer gladden,—and before the proud son of the gods whom his unbelief and his lonely bosom, emptied of humanity, rivet down to an eternal, unchangeable anguish,—before all these thou remainest, quickening Nature, with thy flowers and mountains and cataracts, a faithful comforter; and the bleeding son of the gods, cold and speechless, dashes the drop of anguish from his eyes, that they may rest, far and clear, on thy volcanoes, and on thy Springs, and on thy suns!