MINOR ANTIQUITIES
In the preceding pages have been described the major antiquities, such as walls and those permanent objects which could not be removed from the places where they were constructed without more or less harm. There remain to be considered the minor antiquities, or the smaller objects which are movable and of a more perishable nature, especially if left in the places where they were found. It was mainly in search of such objects that much of the mutilation of Cliff Palace was done.
It was not expected that excavations would yield any considerable number of specimens, since for years Cliff Palace had been dug over in search of them, and many hundreds of objects had already been found and carried away to be sold either to museums or to individuals. Notwithstanding these unfavorable conditions, the collection of objects, now deposited in the National Museum, is sufficient to afford some idea of the culture of the Cliff Palace people.
Among the objects that may be mentioned in the category of minor antiquities are pottery, basketry, implements of stone, bone, and wood, fabrics of various kinds, ornaments, fetishes, and the like—all those objects commonly called artifacts that make up collections from cliff-dwellings generally.
The excavations at Cliff Palace have revealed no specimens strikingly different from those already described as from Spruce-tree House. We would expect some variation in the symbols on pottery from the two ruins, but the differences are not conspicuous in the few specimens that have been compared. Nor is there any peculiarity in the form of the pottery, as the ceramic objects from Cliff Palace practically duplicate those from Spruce-tree House, already described, and probably are not much unlike those still buried in Long House, Balcony House, and the House with the Square Tower.
| BUREAU OF AMERICAN ETHNOLOGY | BULLETIN 51 [PLATE 29] |
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| BASKET HOPPER—SIDE AND BOTTOM VIEWS | |
As many ceremonial objects, being highly prized, may have been removed from Cliff Palace when the place was deserted by its inhabitants, the few that remained present scant material from which to add to our knowledge of the ceremonial life of the people. The existence of so many kivas would point to many rites, although a large number of sacred rooms does not necessarily indicate more complex or elaborate rites than a smaller number: multiplicity of kivas does not necessarily mean multiplicity of ceremonies, nor few kivas a limited ritual. In no pueblo are there more complicated ceremonies than at Walpi, where there are only five of these sacred rooms; but it must be remembered that many of the religious rites of Walpi are performed in kihus, or secular rooms. The same may have been true of Cliff Palace.
The writer's belief is that in historic times, by which is meant since the advent of missionaries, altars have become more elaborate and rites more complex at Walpi than in prehistoric times, and that through the same influence the use of images or idols has also increased. This increase in the complexity of rites may be traced to the amalgamation of clans or to a substitution of the fraternities of priesthoods for simple clan ancestor worship. The elaborate character of ceremonial paraphernalia may likewise be due to acculturation,[65] which increases in complication with the lapse of time.