RESPIRATION AND THE VOICE.

The Organs of Respiration and the Voice are the larynx, the trachea, and the lungs.

DESCRIPTION OF THE ORGANS OF THE VOICE.—l. The Larynx.—In the neck, is a prominence sometimes called Adam's apple. It is the front of the larynx. This is a small triangular, cartilaginous box, placed just below the root of the tongue, and at the top of the windpipe. The opening into it from the throat is called the glottis; and the cover, the epiglottis (epi, upon; glotta, the tongue). The latter is a spoon-shaped lid, which opens when we breathe, but, by a nice arrangement, shuts when we try to swallow, and so lets our food slip over it into the sophagus (e-sof'-a-gus), the tube leading from the pharynx to the stomach (Fig. 27).

If we laugh or talk when we swallow, our food is apt to "go the wrong way," i. e., little particles pass into the larynx, and the tickling sensation which they produce forces us to cough in order to expel the intruders.

2. The Vocal Cords.—On each side of the glottis are the so- called vocal cords. They are not really cords, but merely elastic membranes projecting from the sides of the box across the opening. [Footnote: The cartilages and vocal cords may be readily seen in the larynx of an ox or sheep. If the flesh be cut off, the cartilages will dry, and will keep for years.] When not in use, they spread apart and leave a V-shaped orifice (Fig. 28), through which the air passes to and from the lungs. If the cords are tightened, the edges approach sometimes within 1/100 of an inch of each other, and, being thrown into vibration, cause corresponding vibrations in the current of air. Thus sound is produced in the same manner as by the vibrations of the tongues of an accordion, or the strings of a violin, only in this case the strings are scarcely an inch long.

FIG. 27.

[Illustration: Passage to the sophagus and Windpipe. c, the tongue; d, the soft palate, ending in g, the uvula; h, the epiglottis; i, the glottis; I, the sophagus; f, the pharynx.]

DIFFERENT TONES OF THE VOICE.—The higher tones of the voice are produced when the cords are short, tight, and closely in contact; the lower, by the opposite conditions. Loudness is regulated by the quantity of air and force of expulsion. A falsetto voice is thought to be the result of a peculiarity in the pharynx (Fig. 27) at the back part of the nose; it is more probably produced by some muscular maneuver not yet fully understood. When boys are about fourteen years of age, the larynx enlarges, and the cords grow proportionately longer and coarser; hence, the voice becomes deeper, or, as we say, "changes." The peculiar harshness of the voice at this time seems to be due to a congestion of the mucous membrane of the cords. The change may occur very suddenly, the voice breaking in a single night.

FIG. 28.

[Illustration: e, e, the vocal cords; d, the epiglottis.]

Speech is voice modulated by the lips, tongue, [Footnote: The tongue is styled the "unruly member," and held responsible for all the tattling of the world; but when the tongue is removed, the adjacent organs in some way largely supply the deficiency, so that speech is still possible. Huxley describes the conversation of a man who had two and one half inches of his tongue preserved in spirits, and yet could converse intelligibly. Only the two letters t and d were beyond his power; the articulation of these involves the employment of the tip of the tongue; hence, "tin" he converted into "fin," and "dog" into "thog.">[ palate, and teeth. [Footnote: An artificial larynx may be made by using elastic bands to represent the vocal cords, and by placing above them chambers which by their resonance will produce the same effect as the cavities lying above the larynx. An artificial speaking machine was constructed by Kempelen, which could pronounce such sentences as, "I love you with all my heart," in different languages, by simply touching the proper keys.] Speech and voice are commonly associated, but speech may exist without the voice, for when we whisper we articulate the words, although there is no vocalization, i. e., no action of the larynx. [Footnote: We can observe this by placing the hand on the throat, and noticing the absence of vibrations when we whisper, and their presence when we talk. The difference between vocalization and non-vocalization is seen in a sigh and a groan, the latter being the former vocalized. Whistling is a pure mouth sound, and does not depend on the voice. Laughter is vocal, being the aspirated vowels, a, e, or o, convulsively repeated.] (See p. 297.)

FIG. 29.

[Illustration: The Lungs, showing the Larynx. A, the windpipe; B, the bronchial tubes.]

FORMATION OF VOCAL SOUNDS.—The method of modulating voice into speech may be seen by producing the pure vowel sounds a, e, etc., from one expiration, the mouth being kept open while the form of the aperture is changed for each vowel by the tongue and the lips. H is only an explosion, or forcible throwing of a vowel sound from the mouth. [Footnote: When, in sounding a vowel, the sound coincides with a sudden change in the position of the vocal cords from one of divergence to one of approximation, the vowel is pronounced with the spiritus asper. When the vocal cords are brought together before the blast of air begins, the vowel is pronounced with the spiritus lenis.—FOSTER.]

The consonants, or short sounds, may also be made without interrupting the current of air, by various modifications of the vocal organs. In sounding singly any one of the letters, we can detect its peculiar requirements. Thus m and n can be made only by blocking the air in the mouth and sending it through the nose; l lets the air escape at the sides of the tongue; r needs a vibratory movement of the tongue; b and p stop the breath at the lips; k and g (hard), at the back of the palate. Consonants like b and d are abrupt, or, like l and s, continuous. Those made by the lips are termed labials; those by pressing the tongue against the teeth, dentals; those by the tongue, linguals.

The child gains speech slowly, first learning to pronounce the vowel a, the consonants b, m, and p, and then their unions —ba, ma, pa.

DESCRIPTION OF THE ORGANS OF RESPIRATION.—Beneath the larynx is the windpipe, or trachea (see Fig. 29), so called because of its roughness. It is strengthened by C-shaped cartilages with the openings behind, where they are attached to the sophagus. At the lower end, the trachea divides into two branches, called the right and left bronchi. These subdivide in the small bronchial tubes, which ramify through the lungs like the branches of a tree, the tiny twigs of which at last end in clusters of cells so small that there are six hundred million in all. This cellular structure renders the lungs exceedingly soft, elastic, and sponge-like. [Footnote: The lungs of slaughtered animals are vulgarly called "lights," probably on account of their lightness. They are similar in structure to those of man. They will float on water, and if a small piece be forcibly squeezed between the fingers (notice the creaking sound it gives), it will retain sufficient air to make it buoyant.]

FIG. 30.

[Illustration: Bronchial Tubes, with clusters of cells.]

The stiff, cartilaginous rings, so noticeable in the rough surface of the trachea and the bronchi, disappear as we reach the smaller bronchial tubes, so that while the former are kept constantly open for the free admission of air, the latter are provided with elastic fibers by which they may be almost closed.

WRAPPING OF THE LUNGS.—The lungs are invested with a double covering—the pleura—one layer being attached to the lungs and the other to the walls of the chest. It secretes a fluid which lubricates it, so that the layers glide upon each other with perfect ease. [Footnote: These pleural sacs are distinct and closed; hence, when the ribs are raised, a partial vacuum being formed in the sacs, air rushes in, and distends the pulmonary lobules.] The lungs are lined with mucous membrane, exceedingly delicate and sensitive to the presence of anything except pure air. We have all noticed this when we have breathed any thing offensive.

FIG. 31.

[Illustration: A, the heart; B, the lungs drawn aside to show the internal organs; C, the diaphragm; D, the liver; E, the gall cyst; F, the stomach; G, the small intestines; H, the transverse colon.]

THE CILIA.—Along the air passages are minute filaments (cilia, Fig. 32), which are in constant motion, like a field of grain stirred by a gentle breeze. They serve to fan the air in the lungs, and produce an outward current, which is useful in catching dust and fine particles swept inward with the breath.

HOW WE BREATHE.—Respiration consists of two acts—taking in the air, or inspiration, and expelling the air, or expiration.

FIG. 32.

[Illustration: B, a section of the mucous membrane, showing the cilia rising from the peculiar epithelial cells on the outside of the mucous membrane lining the tubes; A, a single cell more highly magnified.]

1. Inspiration.—When we draw in a full breath, we straighten the spine and throw the head and shoulders back, so as to give the greatest advantage to the muscles. [Footnote: If we examine the bony cage of the thorax or chest in Fig. 8, we shall see that the position of the ribs may alter its capacity in two ways.

1. As they run obliquely downward from the spine, if the sternum or breastbone be lifted in front, the diameter of the chest will be increased.

2. The ribs are fastened by elastic cartilages, which stretch as the muscles that lift the ribs contract, and so increase the breadth of the chest.]

At the same time, the diaphragm [Footnote: The diaphragm is the muscular partition between the chest and the abdomen. It is always convex toward the former, and concave toward the latter (Fig. 31). Long muscular fibers extend from its center toward the ribs in front and the spine at the back. When these contract, they depress and flatten the diaphragm; when they relax, it becomes convex again. In the former case, the bowels are pressed downward and the abdomen pushed outward; in the latter, the bowels spring upward, and the abdomen is drawn inward.] descends and presses the walls of the abdomen outward. Both these processes increase the size of the chest. Thereupon, the elastic lungs expand to occupy the extra space, while the air, rushing in through the windpipe, pours along the bronchial tubes and crowds into every cell. [Footnote: It is said that in drawing a full breath, the muscles exert a force equal to raising a weight of seven hundred and fifty pounds. When we are about to make a great effort, as in striking a heavy blow, we naturally take a deep inspiration, and shut the glottis. The confined air makes the chest tense and firm, and enables us to exert a greater force. As we let slip the blow, the glottis opens and the air escapes, often with a curious aspirated sound as is noticeable in workmen. To make a good shot with a rifle, we should take aim with a full chest and tight breath, since then the arms will have a steadier support.]

2. Expiration.—When we forcibly expel the air from our lungs, the operation is reversed. We bend forward, draw in the walls of the abdomen, and press the diaphragm upward, while the ribs are pulled downward,—all together diminishing the size of the chest, and forcing the air outward.

Ordinary, quiet breathing is performed mainly by the diaphragm,—one breath to every four beats of the heart, or eighteen per minute. (See p. 299.)

MODIFICATIONS OF THE BREATH.—Sighing is merely a prolonged inspiration followed by an audible expiration. Coughing is a violent expiration in which the air is driven through the mouth. Sneezing differs from coughing, the air being forced through the nose. Snoring is produced by the passage of the breath through the pharynx when the tongue and soft palate are in certain positions. [Footnote: The soft palate must have fallen back in such a manner as nearly or quite to close the entrance to the nasal cavity from the throat, and the tongue must also be thrown back so far as to leave only a narrow opening between it and the soft palate. The noise is produced by the air being forced either inward or outward through this opening. A snore results also when, with a closed mouth, the air is forced between the soft palate and the back wall of the pharynx into the nasal cavity. With deep breathing, perhaps accompanied by a variation in the position of the soft palate, a rattling noise may be heard in addition to the snoring, which is due to a vibration of the soft palate.—F. A. FERNALD, in "How we Sneeze, Laugh, Stammer, and Sigh."—Popular Science Monthly, Feb., 1884.] Laughing and crying are very much alike. The expression of the face is necessary to distinguish between them. The sounds are produced by short, rapid contractions of the diaphragm. Hiccough is confined to inspiration. It is caused by a contraction of the diaphragm and a constriction of the glottis; the current of air just entering, as it strikes the closed glottis, gives rise to the well-known sound. Yawning, or gaping, is like sighing. [Footnote: The usefulness of a yawn lies in bringing up the arrears, as it were, of respiration, when it has fallen behindhand, either through fatigue or close attention to other occupation. The stretching of the jaws and limbs may also serve to equalize the nervous influence, certain muscles having become uneasy on account of being stretched or contracted for a long time.] It is distinguished by a wide opening of the mouth and a deep, profound inspiration. Both processes furnish additional air, and therefore probably meet a demand of the system for more oxygen. Frequently, however, they are like laughing, sobbing, etc., merely a sort of contagion, which runs through an audience, and seems almost irresistible.

THE CAPACITY OF THE LUNGS.—If we take a deep inspiration, and then forcibly exhale all the air we can expel from the lungs, this amount, which is termed the breathing capacity, will bear a very close correspondence to our stature. For a man of medium height (five feet eight inches) it will be about two hundred and thirty cubic inches, [Footnote: Of this amount, one hundred cubic inches can be forced in only by an extra effort, and is available for emergencies, or for purposes of training, as in singing, climbing, etc. It is of great importance, since, if the capacity of the lungs only equaled our daily wants, the least obstruction would prove fatal.] or a gallon, and for each inch of height between five and six feet there will be an increase of eight cubic inches. In addition, it is found that the lungs contain about one hundred cubic inches which can not be expelled, thus making their entire contents about three hundred and thirty cubic inches, or eleven pints. The extra amount always on hand in the lungs is of great value, since thereby the action of the air goes on continuously, even during a violent expiration. In ordinary breathing, only about twenty or thirty cubic inches (less than a pint) of air pass in and out.

THE NEED OF AIR.—The body needs food, clothing, sunshine, bathing, and. drink; but none of these wants is so pressing as that for air. The other demands may be met by occasional supplies, but air must be furnished every moment or we die. Now the vital element of the atmosphere is oxygen gas. [Footnote: See "Steele's Popular Chemistry," p. 30. The atmosphere consists of one fifth oxygen and four fifths nitrogen. The former is the active element; and the latter, the passive. Oxygen alone would be too stimulating, and must be restrained by the neutral nitrogen. Separately, either element of the air would kill us.] This is a stimulating, life- giving principle. No tonic will so invigorate as a few full, deep breaths of cold, pure air. Every organ will glow with the energy of the fiery oxygen.

ACTION OF THE AIR IN THE LUNGS.—In the delicate cells of the lungs, the air gives up its oxygen to the blood, and receives in turn carbonic-acid [Footnote: More properly Carbon dioxide.] gas and water, foul with waste matter which the blood has picked up in its circulation through the body. The blood, thus purified and laden with the inspiring oxygen, goes bounding through the system, while the air we exhale carries off the impurities. In this process, the blood changes from purple to red. If we examine our breath, we can readily see what it has removed from the blood.

TESTS OF THE BREATH.—1. Breathe into a jar, and on lowering into it a lighted candle, the flame will be instantly extinguished; thus indicating the presence of carbonic-acid gas. 2. Breathe upon a mirror, and a film of moisture will show the vapor. [Footnote: There is a close relation between the functions of the skin, the lungs, and the kidneys—the scavengers of the body. They all carry off water from the blood, and when the function of one of the three is, in this respect, interfered with, the others are called upon to perform its functions. When the function of perspiration is deranged, the lungs and kidneys are required to perform heavier duty, and this may lead to disease (see p. 62).] 3. If breath be confined in a bottle, the animal matter will decompose and give off an offensive odor.

ANALYSIS OF THE EXPIRED AIR shows that it has lost about twenty-five per cent of its oxygen, and gained an equal amount of carbonic-acid gas, besides moisture, and organic impurities. Our breath, then, is air robbed of its vitality, and containing in its place a gas as fatal to life [Footnote: Carbonic-acid gas can not be breathed when undiluted, as the glottis closes and forbids its passage into the lungs. Air containing only three or four per cent acts as a narcotic poison (MILLER), and a much smaller proportion will have an injurious effect. The great danger, however, lies in the organic particles constantly exhaled from the lungs and the skin, which, it is believed, are often direct and active poisons.] as it is to a flame, and effete matter which is disagreeable to the smell, injurious to the health, and which may contain the germs of serious disease.

THE EVIL EFFECT OF REBREATHING the air can not be overestimated. We take back into our bodies that which has just been rejected. The blood thereupon leaves the lungs, bearing, not the invigorating oxygen, but refuse matter to obstruct the whole system. We soon feel the effect. The muscles become inactive. The blood stagnates. The heart acts slowly. The food is undigested. The brain is clogged. The head aches. Instances of fatal results are only too frequent. [Footnote: During the English war in India, in the eighteenth century, one hundred and forty-six prisoners were shut up in a room scarcely large enough to hold them. The air could enter only by two narrow windows. At the end of eight hours, but twenty-three persons remained alive, and these were in a most deplorable condition. This prison is well called "The Black Hole of Calcutta."—Percy relates that after the battle of Austerlitz, three hundred Russian prisoners were confined in a cavern, where two hundred and sixty of them perished in a few hours.—The stupid captain of the ship Londonderry, during a storm at sea, shut the hatches. There were only seven cubic feet of space left for each person, and in six hours ninety of the passengers were dead.] The constant breathing of even the slightly impure air of our houses can not but tend to undermine the health. The blood is not purified, and is thus in a condition to receive the seeds of disease at any time. The system uninspired by the energizing oxygen is sensitive to cold. The pale cheek, the lusterless eye, the languid step, speak but too plainly of oxygen starvation. In such a soil, catarrh, scrofula, and kindred diseases run riot. [Footnote: One not very strong, or unable powerfully to resist conditions unfavorable to health, and with a predisposition to lung disease, will be sure, sooner or later, by partial lung starvation and blood poisoning, to develop pulmonary consumption. The lack of what is so abundant and so cheap—good, pure air—is unquestionably the one great cause of this terrible disease.—BLACK'S Ten Laws of Health.]

CONCERNING THE NEED FOR VENTILATION.—The foul air which passes off from the lungs and through the pores of the skin does not fall to the floor, but diffuses itself through the surrounding atmosphere. A single breath will to a trifling but certain extent taint the air of a whole room. [Footnote: This grows out of a well-known philosophical principle called the Diffusion of Gases, whereby two gases tend to mix in exact proportions, no matter what may be the quantity of each.—STEELE'S Popular Chemistry, p. 86, and Popular Physics, p. 52.] A light will vitiate as much air as a dozen persons. Many breaths and lights therefore rapidly unfit the air for our use.

The perfection of ventilation is reached when the air of a room is as pure as that out of doors. To accomplish this result, it is necessary to allow for each person six hundred cubic feet of space, while ventilation is still going on in the best manner known.

In spite of these well-known facts, scarcely any pains are taken to supply fresh air, while the doors and windows where the life-giving oxygen might creep in are hermetically stopped.

How often is this true of the sick room. Yet here the danger of bad air is intensified. The expired breath of the patient is peculiarly threatening to himself as well as to others. Nature is seeking to throw off the poison of the disease. The scavengers of the body are all at work. The breath and the insensible perspiration are loaded with impurities. [Footnote: The floating dust in the air, revealed to us by the sunbeam shining through a crack in the blinds, shows the abundance of these impurities, and also the presence of germs which, lodging in the lungs, may implant disease, unless thrown off by a vigorous constitution. "On uncovering a scarlet fever patient, a cloud of fine dust is seen to rise from the body—contagious dust, that for days will retain its poisonous properties."—YOUMANS. (See p. 300.)] The odor is oftentimes exceedingly offensive. Sick and well alike need an abundance of fresh air. But, too often, it is the only want not supplied.

Our sitting rooms, heated by furnaces or red-hot stoves, generally have no means of ventilation, or, if provided, they are seldom used. A window is occasionally dropped to give a little relief, as if pure air were a rarity, and must be doled out to the suffering lungs in morsels, instead of full and constant draughts. The inmates are starved by scanty lung food, and stupefied by foul air. The process goes on year by year. The weakened and poisoned body at last succumbs to disease, while we, in our blindness and ignorance, talk of the mysterious Providence which thus untimely cuts down the brightest intellects. The truth is, death is often simply the penalty for violating nature's laws. Bad air begets disease; disease begets death.

In our churches, the foul air left by the congregation on Sunday is shut up during the week, and heated for the next Lord's day, when the people assemble to rebreathe the polluted atmosphere. They are thus forced, with every breath they take, to violate the physical laws of Him whom they meet to worship,—laws written not three thousand years ago upon Mount Sinai on tables of stone, but to-day engraved in the constitution of their own living, breathing bodies. On brains benumbed and starving for oxygen, the purest truth and the highest eloquence fall with little force.

We sleep in a small bedroom from which every breath of fresh air is excluded, because we believe night air to be unhealthy, [Footnote: There is a singular prejudice against the night air. Yet, as Florence Nightingale aptly says, what other air can we breathe at night? We then have the choice between foul air within and pure air without. For, in large cities especially, the night air is far more wholesome than that of the daytime. To secure fresh air at night, we must open the windows of our bedroom.] and so we breathe its dozen hogsheads of air over and over again, and then wonder why we awaken in the morning so dull and unrefreshed! Return to our room after inhaling the fresh, morning air, and the fetid odor we meet on opening the door, is convincing proof how we have poisoned our lungs during the night.

Each room should be supplied with two thousand feet of fresh air per hour for every person it contains. Our ingenuity ought to find some way of doing this advantageously and pleasantly. A moiety of the care we devote to delicate articles of food, drink, and dress would abundantly meet this prime necessity of our bodies.

Open the windows a little at the top and the bottom. Put on plenty of clothing to keep warm by day and by night, and then let the inspiring oxygen come in as freely as God has given it. Pure air is the cheapest necessity and luxury of life. Let it not be the rarest!

SCHOOLROOM VENTILATION.—Who, on going from the open air of a clear, bracing winter's day, into a crowded schoolroom, late in the session, has not noticed the disagreeable odor, and been for a moment nauseated and half stifled by the oppressive atmosphere! It is not strange. See how many causes here combine to pollute the air. If the room is heated by a stove, quantities of carbonic-oxide and carbonic-acid gases, as well as other products of combustion, driven by downward drafts in the flue, escape through seams and cracks and the occasionally opened door of the stove. In the case of a furnace, the same effect is too often experienced, and the odor of coal gas is a common one, especially when the fire is replenished. The insensible perspiration is more active in children than in adults; they, moreover, rush in with their clothing saturated with the perspiration induced by their sports; so that, on the average, each pupil, during school hours, loads the air with about half a pint of aqueous vapor. The children come, oftentimes, from homes that are close, ill- ventilated, and uncleanly; and frequently from sick rooms, bringing in their clothing the germs of disease. (See p. 304.) Some of the pupils may even bear traces of illness, or have unsound organs, and so their breath and exhalations be poisonous.

In addition to all this, the air is filled with dust brought in and kept astir by many busy feet; with ashes floating from the stove or furnace; and especially with chalk dust. The modern method of teaching requires a large amount of blackboard work, and the air of the schoolroom is thus loaded with chalk particles. These collect in the nasal passages, and the upper part of the larynx, and irritate the membrane, perhaps laying the foundation of catarrh.

The usual schoolroom atmosphere bears in the pupils the natural fruit of frequent headaches, inattention, weariness, and stupor; but in the teacher its frightful influence is most apparent. His labor is severe, his worry of mind is constant, and, when he finishes his day's work, he is generally too tired to take proper physical exercise. He consequently labors on with impaired health, or is forced to abandon his profession.

Instead of six hundred feet of space being allowed for each pupil, as perfect ventilation demands—the lowest estimate being two hundred and fifty feet—often not over one hundred feet are afforded. Instead of two thousand cubic feet of fresh air being supplied every hour for each person, and as much foul air removed, which, all physiologists assert, is needed for perfect health, perhaps no means of ventilation at all are provided, and none is secured except what an occasionally opened door, or the benevolent cracks and chinks in the building furnish the suffering lungs. [Footnote: Imagine fifty pupils put into a class room thirty feet long, twenty-five feet wide, and ten feet high. This would generally be considered a very liberal provision. Such a room contains seven thousand five hundred cubic feet of air. But it furnishes only one hundred and fifty feet of space for each pupil. Allowing ten cubic feet of air per pupil each minute, in fifteen minutes after assembling, the entire atmosphere of the room is tainted, and unfit to be rebreathed. The demand of health is that at least one thousand five hundred cubic feet of pure air should be admitted into this room every minute, and as much be removed.]

HOW SHALL WE VENTILATE?—The usual method of ventilation depends upon the fact that hot air is lighter than cold air, and so the cold air tends, by the force of gravity, to fall and compel the warm air to rise. Thus, if we open the door of a heated room, and hold a lighted candle first at the top, and then at the bottom, we can see, by the deflection of the flame, that there is a current of air setting outward at the top, and another setting inward at the bottom of the opening. A handkerchief held loosely, or the smoke of a smoldering match, in front of a fireplace will show a current of air passing up the chimney; this is caused by the difference of temperature between the air in the room and the outside atmosphere. Upon this difference of temperature, all ordinary ventilation is based. [Footnote: Public buildings are sometimes ventilated by mechanical means, i. e., immense fans which are turned by machinery, and thus set the air in motion. Such methods are, however, expensive, and rarely adopted, except where power is also used for other purposes.] A proper treatment of this subject and its practical applications, would require a book by itself. There is room here for only a few general statements and suggestions.

1. Two openings are always necessary to produce a thorough change of air. (See "Popular Chemistry," p. 70.) Put a lighted candle in a bottle. The flame will soon be extinguished. The oxygen of the little air in the bottle is burned out, and carbonic acid has taken its place. Now place over the mouth of the bottle a lamp chimney, and insert in the chimney a strip of cardboard, thus dividing the passage. On relighting the candle, it will burn freely. The smoke of a bit of smoldering paper will show that two opposite currents of air are established, one setting into the bottle, the other outward.

2. In the winter, when our schoolrooms, churches, public halls, etc., are heated artificially, ventilation is comparatively easy if properly arranged. [Footnote: For the escape of bad air, Dr. Bell suggests that an efficient foul-air shaft may be fitted to the commonest of stoves by simply inclosing the stovepipe in a jacket—that is, in a pipe two or three inches greater in diameter. This should be braced round the stovepipe and left open at the end next the stove. At its entrance into the chimney, a perforated collar should separate it from the stovepipe.] The required difference of temperature is kept up with little difficulty. The fresh air admitted to the room should then be heated [Footnote: Ventilation is change of air, and, unless scientifically arranged, and especially unless the incoming volume of air be warmed in cold weather, such change of atmosphere means cold currents, with their attendant train of catarrhs, bronchitis, neuralgia, rheumatism, and all the evils that spring from these diseases. The raw, damp, frosty air of our ever-changing winter temperature ought not to have uncontrolled and constant ingress to our dwellings. Air out of doors is suited to out of door habits. It is healthy and bracing when the body is coated and wrapped, and prepared to meet it, and when exercise can be taken to keep up the circulation; but to live under cover is to live artificially, and such essential conditions must be observed as suit an abnormal state. All the evils attaching to ventilation, as it is generally effected, spring from the neglect of this consistency.—Westminster Review.] either by a furnace, or by passing over a stove, or through a coil of steam pipes. This cold air should always be taken directly from out of doors, and not from a cellar, or from under a piazza, where contamination is possible.

3. In order to remove the impure air, there should be ventilators provided at or near the floor, opening into air shafts, or pipes leading upward through the roof, with proper orifices at the top. These ventilating pipes should be heated artificially so as to produce a draught. They may form one of the flues of a chimney in which there is a constant fire; or be carried upward in a large flue through the center of which runs the smoke pipe of the furnace or stove; [Footnote: This plan has been adopted in the newer school buildings of Elmira, N. Y. The older buildings were provided with ventilating pipes, not heated artificially, and hence of no service. These pipes are rendered effective, however, by conducting them into a small room in the garret, heated by a coal stove. From this room, a large exit pipe leads to the roof, where it terminates in an Emerson's ventilator. So strong a draught is thus established that throughout the building air is taken from the floors, and consequently the cooler portion of the rooms, at a velocity of three to five feet per second or one hundred and eighty to three hundred cubic feet per minute for each square foot of flue opening. In perpendicular flues, heated throughout with a smoke flue from the furnace, ten feet per second is attained.] or the ventilating pipe be itself conveyed through the center of the larger chimney flue. If the register for hot air be on the floor at one side of the room, two or more ventilators may be placed near the floor on the opposite side. The warm air will thus make the complete circuit of the room, and thoroughly warm it before passing out.

If the ventilating shaft be not heated artificially; the ventilator must be placed at the top of the room in order that the hot air may escape through it, thus producing an upward draught. But the objection to this method is that it allows the warmer air to escape, while economy requires that the cooler air at the bottom of the room should be removed and the warm air be made to descend, thus securing uniformity of temperature.

4. In the summer, ventilation may be commonly provided for by opening windows at the top and the bottom, on the sheltered side of the building, so as to avoid draughts of air injurious to the occupants. On a dull, still, hot day, when there is little difference of temperature between the inner and the outer air, ventilation can be secured only by having a fire provided in the ventilating shaft; this, by exhausting the air from the room, will cause a fresh current to pour in through the open windows. At recess, all the children should, if the weather permit, be sent out of doors, to allow their clothing to be exposed to the purifying influence of the open air; meantime, the windows should be thrown wide open, that the room may be thoroughly ventilated during their absence. In bad weather, rapid marching or calisthenic exercises will furnish exercise, and also permit the airing of the room.

5. The school and the church are the centers for spreading contagious diseases. The former offers especially dangerous facilities for scattering disease germs. Great pains, therefore, should be taken to exclude pupils attacked by or recovering from diphtheria, scarlet fever, whooping cough, etc., and even those who live in houses where such sickness exists.

6. In our houses [Footnote: The air of our homes is often contaminated by decaying vegetables and other filth in the cellar; by bad air drawn up from the soil into the cellar, by the powerful draughts that our fires create; by defective gas and waste pipes that let the foul air from cesspool or sewer spread through the house; and by piles of refuse, or puddles of slops emptied at the back door. Too often, also, the water in our wells, or in the streams that supply our towns and cities, receives the drainage from outhouses and barnyards, and so introduces into our systems, in the liquid—and thus easily assimilated—form, the most dangerous poisons. The question of sanitary precautions is one that presses upon every observant mind, and demands constant and thoughtful attention. (See p. 305.)] open fireplaces are efficient ventilators, and they should never be closed for any cause. Fresh air admitted by a hot-air register and impure air passed out by a chimney, form a simple and thorough system. Our sleeping apartments demand especial care. As soon as the occupants leave the room, the bedclothes should be removed, and laid on the backs of chairs to air; the bed be shaken up; and the windows thrown open. In the summer, the windows may be closed before the sun is high; the house is then left filled with the cool morning air. In damp and cold weather, a fire should be lighted in sleeping apartments, particularly if used by children [Footnote: In winter, children should always be given a moderately warm, well-ventilated bedroom, with light, fleecy bed coverings. Says a recent English writer: "The loving care which prescribes for children a cold bedroom and a hot, sweltering bed is of the nature that kills. Buried in blankets, their delicate skins become overheated and relaxed, while they are irritated by perspiration; at the same time, the most delicate tissues of all, in the lungs, are dealing with air abnormally frigid. The poor little victims of combined ignorance and kindness thus toss and dream, feverish and troubled, under a mass of bedclothes, while the well-meaning mother, soothed by a bedroom fire, slumbers peacefully through this working out of the sad process of the 'survival of the fittest.'">[ or delicate persons, to dry the bedclothing, and also to prevent a chill on the part of the occupants. It is not necessary to go shivering to bed in order to harden one's constitution.

WONDERS OF RESPIRATION.—The perfection of the organs of respiration challenges our admiration. So delicate are they that the least pressure would cause exquisite pain, yet tons of air surge to and fro through their intricate passages, and bathe their innermost cells. We yearly perform at least seven million acts of breathing, inhaling one hundred thousand cubic feet of air, and purifying over three thousand five hundred tons of blood. This gigantic process goes on constantly, never wearies or worries us, and we wonder at it only when science reveals to us its magnitude. In addition, by a wise economy, the process of respiration is made to subserve a second use no less important, and the air we exhale, passing through the organs of voice, is transformed into prayers of faith, songs of hope, and words of social cheer.

FIG. 33.

[Illustration: A, the natural position of the internal organs. B when deformed by tight lacing Marshall says that the liver and the stomach have, in this way, been forced downward almost as low as the pelvis.]

DISEASES, ETC.—1. Constriction of the Lungs is produced by tight clothing. The ribs are thus forced inward, the size of the chest is diminished, and the amount of inhaled air decreased. Stiff clothing, and especially a garment that will not admit of a full breath without inconvenience, will prevent that free movement of the ribs so essential to health. Any infraction of the laws of respiration, even though it be fashionable, will result in diminished vitality and vigor, and will be fearfully punished by sickness and weakness through the whole life.

2. Bronchitis (bron-ki'-tis) is an inflammation (see Inflammation) of the mucous membrane of the bronchial tubes. It is accompanied by an increased secretion of mucus, and consequent coughing.

3. Pleurisy is an inflammation of the pleura. It is sometimes caused by an injury to the ribs, and results in a secretion of water within the membrane.

4. Pneumonia (pneuma, breath) is an inflammation of the lungs, affecting chiefly the air cells.

5. Consumption is a disease which destroys the substance of the lungs. Like other lung difficulties, it is caused largely by a want of pure air, a liberal supply of which is the best treatment that can be prescribed for it. [Footnote: If I were seriously ill of consumption, I would live outdoors day and night, except in rainy weather or midwinter; then I would sleep in an unplastered log house. Physic has no nutriment, gaspings for air can not cure you, monkey capers in a gymnasium can not cure you, stimulants can not cure you. What consumptives want is pure air, not physic, plenty of meat and plenty of bread.—DR. MARSHALL HALL.]

6. Asphyxia (as-fix'-i-a).—When a person is drowned, strangled, or choked in any way, what is called asphyxia occurs. The face turns black; the veins become turgid; insensibility and often convulsions ensue. If relief is not secured within a few minutes, death will be inevitable. [Footnote: The lack of oxygen, and the presence of carbonic-acid gas, are the combined causes. Oxygen starvation and carbonic-acid poisoning, each fatal in itself, work together to destroy life.] (See p. 264.)

7. Diphtheria (diphthera, a membrane) is characterized by fever, debility, and a peculiar sore throat, in which exuding fibrinous matter forms a grayish white membrane, which afterward decomposes with a fetid odor. Its sudden and insidious approach, contagious character, and frequent fatality, render it an exceedingly dreaded disease. A diphtheritic patient should be quarantined, and everything connected with the sick room thoroughly disinfected.

8. Croup, which often attacks young children, is an inflammation of the mucous membrane of the larynx and trachea. It is commonly preceded by a cold. The child sneezes, coughs, and is hoarse, but the attack frequently comes on suddenly, and usually in the night. It is accompanied by a peculiar "brassy," ringing cough, which, once heard, can never be mistaken. It may prove fatal within a few hours. (See p. 260.)

9. Stammering depends, not on defects of the muscles, but on a want of due control of the mind. When a stammerer is not too conscious of his lack, and tries to form his words slowly, he speaks plainly, and may sing well, for then his words must follow one another in rhythmic time. Many persons who stammer in common conversation can talk with fluency when making a speech. The stammerer should seek to discover the cause of his difficulty, and to overcome it by vocal and respiratory exercise, especially by speaking only after a full inspiration, and during a long, slow expiration.

PRACTICAL QUESTIONS.

1. What is the philosophy of "the change of voice" in a boy?

2. Why can we see our breath on a frosty morning?

3. When a law of health and a law of fashion conflict, which should we obey?

4. If we use a "bunk" bed, should we pack away the clothes when we first rise in the morning?

5. Why should a clothespress be well ventilated?

6. Should the weight of our clothing hang from the waist, or the shoulder?

7. Describe the effects of living in an overheated room.

8. What habits impair the power of the lungs?

9. For full, easy breathing in singing, should we use the diaphragm and lower ribs, or the upper ribs alone?

10. Why is it better to breathe through the nose than the mouth?

11. Why should not a speaker talk while returning home on a cold night after a lecture?

12. What part of the body needs the loosest clothing?

13. What part needs the warmest?

14. Why is a "spare bed" generally unhealthful?

15. Is there any good in sighing?

16. Should a hat be thoroughly ventilated? How?

17. Why do the lungs of people who live in cities become of a gray color?

18. How would you convince a person that a bedroom should be aired? [Footnote: "If the condensed breath collected on the cool windowpanes of a room where a number of persons have been assembled, be burned, a smell as of singed hair will show the presence of organic matter; and if the condensed breath be allowed to remain on the windows for a few days, it will be found, on examination by the microscope, that it is alive with animalculæ.">[

19. What persons are most liable to catarrhs, consumption, etc.?

20. If a person is plunged under water, will it enter his lungs?

21. Are bed curtains healthful?

22. Why do some people take "short breaths" after a meal?

23 What is the special value of public parks?

24. Can a person become used to bad air, so that it will not injure him?

25. Why do we gape when we are sleepy?

26. Is a fashionable waist a model of art in sculpture or painting?

27. Should a fireplace be closed? [Footnote: Thousands of lives would be saved if all fireplaces were kept open. If you are so fortunate as to have a fireplace in your room, paint it when not in use, put a bouquet of fresh flowers in it every morning, if you please, or do anything to make it attractive, but never close it; better use the fireboards for kindling wood. It would be scarcely more absurd to take a piece of elegantly-tinted court-plaster and stop up the nose, trusting to the accidental opening and shutting of the mouth for fresh air, because you thought it spoiled the looks of your face to have two such great, ugly holes in it, than to stop your fireplace with elegantly-tinted paper, or a Japanese fan, because it looks better.—Leeds.]

28. Why does embarrassment or fright cause a stammerer to stutter still more painfully?

29. In the organs of voice, what parts have somewhat the same effect as the case of a violin and the sounding-board of a piano?

30. Why should we be careful not to "take the breath of a sick person"?

31. What special care should be taken with regard to keeping a cellar clean?

32. How is the air strained as it passes into the lungs?

33. Can one really "draw the air into his lungs"?

34. How often do we breathe?

35. Describe some approved method of ventilation.

36. What is at once the floor of the chest and the roof of the abdomen?

37. What would you do in a case of apparent death by drowning, or by coal gas? (See p. 264.)

38. What would you do in a case of croup, while the doctor was coming? (See p. 260.)

39. How would you treat a severe burn? (See p. 257.)

40. Describe the various ways in which the water in a well is liable to become unwholesome.

FIG. 34.

[Illustration]