V. Catalogue Of Bach's Compositions At Leipzig, 1735-50, from his fifty-first year to his death.

Vocal:—

Ascension Oratorio (Cantata 11) (c. 1735).
Schemelli's Hymn-book (1736).
Easter Oratorio (c. 1736).
Four Masses, in P major, A major (c. 1739), G minor, G major (c. 1739).
Secular Cantata: Angenehmes Wiederau (1737).
Do. Willkommen, ihr herrschenden Götter der Erden (1738) (music lost).
Do. Mer hahn en neue Oberkeet (Peasant Cantata) (1742).
Do. O holder Tag (?1749), or, O angenehme Melodei.
Italian Cantata: Amore traditore.
Do. Andro dall' colle al prato (lost).
Do. Non sa che sia dolore.

Clavier:—

Clavierübung, Part II. containing the Italian Concerto (bk. 207) and Partita in B minor (bk. 208) (1735).
Fantasia and Fugue in C minor (bk. 207 p. 50 and bk. 212 p. 88) (c. 1738).
Clavierübung, Part III. containing the four Duetti (bk. 208) (1739).
Clavierübung, Part IV. containing the Goldberg Variations (bk. 209) (c. 1742).
The Well-tempered Clavier, Part II. (bk. Ib or 2790b) (1744).

Chamber:—

Sonata for Violin, Flute, and Clavier, in C minor (in the “Musical Offering”) (bk. 237 p. 3) (1747).
Three Partitas for the Lute (?1740).[345]

Organ:—

The Catechism Choral Preludes (in Clavierübung, Part III.) (bk. 16) (1739).
Fugue in D minor (in ditto) (bk. 16 p. 49) (1739).
Prelude and Fugue in E flat major (in ditto) (bk. 6 p. 28) (1739).
Do. do. the “Great,” in C major (bk. 9 p. 156).
Do. do. the “Great,” in B minor (bk. 7 p. 52) (1727-36).
Do. do. the “Great,” in E minor (bk. 8 p. 98).
Canonic Variations on “Vom Himmel hoch” (bk. 19) (1746).
The Schübler Choral Preludes (bk. 16) (c. 1747-50).
The Eighteen Choral Preludes (bk. 17) (c. 1747-50).
The Musical Offering (P. bk. 219) (1747).
The Art of Fugue (P. bk. 218) (1749).