BIRTH. SCHOOL DAYS. SHOWS.
"One touch of Nature makes the whole world kin."
William Shakspere was born on the 23d of April, 1564, at the town of Stratford, on the river Avon, Warwickshire County, England; and died in the same town on the 23d of April, 1616, exactly fifty-two years of age, the date of his birth being the date of his death, a remarkable coincidence of spiritual assimilation.
For several centuries, his ancestors served their king and crown in war and peace; and were noted in their day and age as country "gentlemen," a term much more significant then than now, when even dressed up "dandy" frauds may lay claim to this much-abused title.
The grandfather of Shakspere fought on Bosworth Field with King Henry the Seventh, and was rewarded for his military service, leaving to his son John, the father of the "Divine" William, influence enough to secure the position of a country squire and made him bailiff and mayor of the town of Stratford.
John Shakspere, in addition to his judicial duties, dabbled in trade as a wool dealer and glove maker, and when he lost influence and office he resorted to the business of a butcher to secure bread, meat and shelter for his large family.
He married the youngest daughter of Robert Arden, a very beautiful girl of Wilmcote, a small village three miles from Stratford. When Arden died, Mary, his favorite daughter, was bequeathed thirty-six dollars, and a small farm of fifty acres, near the town of Snitterfield. Good inheritance for that age.
The Arden family were strict Roman Catholics; and Edward Arden, high sheriff of Warwickshire, was executed in 1583, for plotting against her majesty, Queen Elizabeth. Those were lively days, when the followers of the Pope and King Henry the Eighth, banished, burned and hung presumptive heretics for opinion's sake! The lechery and greed of King Hal was the primary cause of his separation from papal authority, augmenting the Reformation by licentious royalty.
John Shakspere and Mary, his good wife, did not seem to have much of an education, for in signing deeds of conveyance, they only made their mark like thousands of the yeomanry of England.
Shakspere was a very common name in Warwickshire and the surrounding counties, and while the "Divine" William glorified the whole race, there were others of his name who fought for king and crown.
John Shakspere had ten children, with the affectionate assistance of Mary Arden. Seven daughters and three boys, William being the third child and the most active and robust. Several of the flock died, thereby reducing the trials and expenses of the household; the "old man" seeming to be one of those ancient "Mulberry Sellers," that was forever making "millions" in his mind, and chasing gold bags at the west end of rainbows!
For many years he persistently applied to the College of Heralds for a "coat of arms;" and finally in the year of 1599, a picture of a "shield" with a "spear" and "falcon," rampant, was awarded to the Shakspere family, all through the growing influence of the actor and author William, who had become famous and wealthy. John Shakspere did not enjoy the glory of his "coat of arms" very long, for we find that he died in September, 1601, and was buried on the 8th of that month, at the old church in Stratford, and his brave old wife, the mother of William Shakspere, followed him to the tomb on the 9th of September, 1608.
I first met Will Shakspere on the 23d of April, 1571, at the old log and board schoolhouse at the head of Henley street, Stratford, on the river Avon. It was a bright, sunny day, and Mr. Walter Roche, the Latin master, was the autocrat of the scholastic institution, afterwards succeeded by Thomas Hunt.
Will Shakspere and myself happened to be born on the same day, and our first entrance at the temple of knowledge marked exactly the seventh milestone of our fleeting years.
Will was a very lusty, rollicking boy and was as full of innocent mischief as a pomegranate is of seeds. He was handsome and bright, wearing a thick suit of auburn curls, that rippled over his shoulders like a waterfall in the sunshine. His eyes were very large, a light hazel hue, that glinted into blue when his soul was stirred by passion. His forehead was broad and high, even as a boy, rounding off into that "dome of thought" that in later years, when a six-foot specimen of splendid manhood caused him to conjure up such a universal group of immortal characters.
His nose was long and high, but symmetrical, and his distended nostrils, when excited at play, would remind you of a Kentucky racehorse in motion. His voice was sonorous and musical, and when stirred by passion or pleasure it rose and fell like the sound of waves upon a stormy or summer sea. His lips were red and full, marked by Nature, with the "bow of beauty," and when his luminous countenance was flushed with celestial light, he shot the arrows of love-lit glances around the schoolroom and fairly magnetized the boys, and particularly the girls, with the radiant influence of his unconscious genius.
Will was a constant source of anxiety and wonder to the teacher, who often marked him as the scapegoat to carry off the surface sins of sneaking and cowardly pupils. Corporal punishment was part of school discipline, and William and myself got our share of the rule and rod.
Through all the centuries, in youth and age, private and public, the scapegoat has been the real hero in all troubles and misfortunes. He seems to be a necessary mortal, but while persecution relentlessly pursues him, he almost invariably triumphs over his enemies, and when even devoted to the prison, the stake or the scaffold, as a martyr, he triumphs over the grave and is monumented in the memory of mankind for his bravery and silent self-sacrifice!
For seven school years Will and myself were daily companions. Spring, with its cowslips and primroses, and hawthorn blossoms, found us rambling through the woods and fields, and angling for the finny tribe disporting in the purling waters of the crystal Avon.
Summer brought its grain and fruits, with boys and girls scrambling over hedges, fences, stiles and brooks, in search of berries and ripe apples; autumn with its nuts, birds and hares, invited us to hunting grounds, along the rolling ridges and the dense forest of Arden, even poaching on the domain of Sir Thomas Lucy and the royal reaches of Warwick Castle, and old winter with his snowy locks and whistling airs brought the roses to our young cheeks, skipping and sporting through his fantastic realm like the snow birds whirling in clumps of clouds across the withered world.
Looking back over the fields, forests and waters of the past through the variegated realms of celestial imagination, I behold after the lapse of more than three centuries of human wrecks, the brilliant boys and glorious girls I played with in childhood years—still shining as bright and fresh as the flowers and fruits of yesterday!
"For we are the same our fathers have been,
We see the same sights our fathers have seen,
We drink the same streams and view the same sun,
And run the same course our fathers have run!"
I remember well the first time Will and myself attended a theatrical performance. It was on the first of April, 1573, when we were about nine years of age.
A strolling band of comic, and Punch and Judy players had made a sudden invasion of Stratford and established themselves in the big barn of the old Bear Tavern on Bridge street.
The town was alive with expectation and the school children were wild to behold the great play of "The Scolding Wife," which was advertised through the streets, in the daytime, by a cartload of bedizened harlequins, belaboring each other with words and gestures, the wife with bare arms, short dress and a bundle of rods, standing rampant over the prostrate form of a drunken husband.
Fifes, drums and timbrels kept up a frantic noise, filling the bylanes and streets of Stratford with astonished country louts and tradesmen, until the fantastic parade ended in the wagon yard of the tavern.
The old barn had been rigged up as a rustic playhouse, the stage covering one end, elevated about three feet from the threshing floor. Curtains with daub pictures were strung across the stage, separated in the center and shifted backward and forward, as the varying scenes of the family play were presented for the hisses or cheers of the variegated audience.
The play consisted of three acts, showing the progress of courtship and marriage at the altar, country and town life with growing children, work, poverty, and final windup of the husband driven from home by the scolding wife, bruised in an alehouse, dead and followed to the graveyard by the Beadle, undertaker and a brindle dog.
The climax scene of the play exhibited the wife with a bundle of rods, surrounded by ragged children, driving out into a midnight storm the husband of her bosom, while peals of thunder and flashes of lightning brought goose pimples and shivers to the frightened audience.
The impression made upon the mind of William and myself did not give us a very hopeful view of married life, and while the haphazard working, drinking habits of the husband seemed to deserve all the punishment he received, the modesty, benevolence and beauty of woman was shattered in our young souls.
On our way home from the country-tragedy performance we were gladdened by the thought, that although the rude, vulgar, criminal passions of mankind were portrayed and enacted day by day all over the globe, we could look up into the star-lit heavens and see those glittering lamps of night shining with reflected light on the murmuring bosom of the Avon, as it flowed in peaceful ripples to the Severn and from the Severn to the sea. Nature soothed our young hearts, and soon, in the mysterious realms of sleep, we forgot the sorrows and poverty of earth, tripping away with angelic companions through the golden fields of celestial dreams.
"There are more things in heaven and earth, Horatio,
Than are dreamt of in our philosophy."
I shall never forget the great shows and pageants that took place in Warwickshire County, in July, 1575. All England was alive to the grand entrance of Queen Elizabeth to Kenilworth Castle, as the royal guest of her favorite, Robert Dudley, Earl of Leicester. Proclamation had gone forth that all work be suspended, while yeoman, trader, merchant, doctor, lawyer, minister, lords and earls should pay a pilgrimage to Kenilworth and pay tribute to the Virgin Queen.
Stratford and the surrounding villages were aflame with enthusiasm, and as John Shakspere, the alderman and mayor, took great interest in theatricals and particularly those festivities inaugurated for the entertainment of royalty, he led a great concourse of devoted patriots through the forests of Arden, blooming parks of Warwick Castle on to the grand surroundings of Kenilworth, where the people en masse camped, sang, danced, took part in country plays, feasted and went wild for eighteen days, over the illustrious daughter of Henry the Eighth.
William and myself were among the enthusiastic revelers, and for boys of twelve years of age, we felt more cheer than any of the lads and lasses from Stratford, because our parents furnished us with milk white ponies, to pay tribute, and typify the virtue and chastity of the "Virgin Queen!" We did not particularly care about virtue or virginity, so we shared in the cakes and ale that were lavished in profusion to the rural multitude.
A high grand throne made out of evergreens and wild flowers was erected in the central park of Kenilworth, rimmed in by lofty elms, oaks and sycamores.
There, through the fleeting days and nights, the Queen and her royal suite of a thousand purpled cavaliers and bejeweled maids of honor, held court and viewed the ever-changing, living panorama evolved for their entertainment. The Queen looked like a wilderness of lace and variegated velvet, irrigated with a shower of diamonds.
On the 9th of July Queen "Bess" and her illuminated suite entered the Castle of Kenilworth, and the hands of the clock in the great tower pointed to the hour of two, where they remained until her departure, as invitation to a continual banquet.
The Earl expended a thousand pounds a day for the fluid and food entertainment of his guests, while woodland bowers and innumerable tents were scattered through the royal domain generously donated to man and maid by night and day. We boys and girls seldom went to bed.
Companies of circus performers, and theatrical artists, from London and other towns were brought down to the heart of Old Albion to swell the pleasure of the reigning Queen. Continual plays were going on, while horn, fife, bugle and drum lent music to the kaleidoscopic revel.
Dancing, hunting, hawking and archery parties, through the day, lent their antics to the scene, and when night came with bright Luna showing her mystic face, forest fires, rockets and illuminated balloons filled the air with celestial wonder, vieing with the stars in an effort to do universal honor to the "Virgin Queen!" That's what they called "Bess."
William and myself took part in several of the joint circus and theatrical performances, and at the conclusion of one of the plays—"Virtue Victorious," Queen Elizabeth called up William and a purple page named Francis Bacon, patted them on the head with her royal digits, and said they would soon be great men!
I must acknowledge that I felt a little envious at the encomium, not so much to William, as to the proud peacock, Bacon, who came in the train of the Queen.
At sunrise of the 27th of July, 1575, the festivities closed, and the royal cavalcade with a following of ten thousand loyal subjects, accompanied the ruling monarch to the borders of Warwickshire, with universal shouts and ovations on her triumphal march to London.
"I would applaud thee to the very echo,
That should applaud again."
"All that glitters is not gold,
Often you have heard that told;
Many a man his life hath sold
But my outside to behold!"