The Swan.
The ancient fable so dear, even to modern poets, that Swans sing before they die—was not altogether believed even in classical times, as saith Pliny:—“It is stated that
at the moment of the swan’s death, it gives utterance to a mournful song; but this is an error, in my opinion; at least, I have tested the truth of the story on several occasions.” That some swans have a kind of voice, and can change a note or two, no one who has met with a flock or two of “hoopers,” or wild swans, can deny.
Olaus Magnus relates the fable—and quotes Plato, that the swan sings at its death, not from sorrow, but out of joy, at finishing its life. He also gives us a graphic illustration of how swans may be caught by playing to them on a lute or other stringed instrument, and also that they were to be caught by men (playing music) with stalking-horses, in the shape of oxen, or horses; and, in another page, he says, that not far from London, the Metropolis of England, on the River Thames, may be found more than a thousand domesticated swans.