92. JOHN GALSWORTHY. THE COUNTRY HOUSE. THE MAN OF PROPERTY. FRATERNITY.
John Galsworthy is almost alone among modern writers in the possession of a genius, which in the most exact sense of that admirable word, can only be described as the genius of a gentleman. It is a style singularly sensitive, a little vibrant perhaps sometimes, and so tense as to become attenuated, but of a most rare and wistful beauty. His humor which is his weakest point is a thing of almost feminine perceptions but quaintly pliable, as the sense of humor in women often is, to an odd strain of peevish extravagance.
The chivalrous nobility of Mr. Galsworthy's habitual mood is at once the cause of certain fragilities and betrayals in the mass and weight of his art and the cause of the indignant pity which evokes some of his finest touches.
It seems to irritate his nerves almost to frenzy to contemplate the shackles and fetters with which, whether in the domestic or social or legal world, the free spirits of men and women are bound down and imprisoned.
The touching figure of Mrs. Pendyce in the "Country House"—the tragic figure of Irene Soames Forsyte in the "Man of Property"—the pitiful figure of the little Model in "Fraternity"—have all something of the same quality.