To Let

by John Galsworthy

PART II

I

MOTHER AND SON

To say that Jon Forsyte accompanied his mother to Spain unwillingly would scarcely have been adequate. He went as a well-natured dog goes for a walk with its mistress, leaving a choice mutton-bone on the lawn. He went looking back at it. Forsytes deprived of their mutton-bones are wont to sulk. But Jon had little sulkiness in his composition. He adored his mother, and it was his first travel. Spain had become Italy by his simply saying: "I'd rather go to Spain, Mum; you've been to Italy so many times; I'd like it new to both of us."

The fellow was subtle besides being naif. He never forgot that he was going to shorten the proposed two months into six weeks, and must therefore show no sign of wishing to do so. For one with so enticing a mutton-bone and so fixed an idea, he made a good enough travelling companion, indifferent to where or when he arrived, superior to food, and thoroughly appreciative of a country strange to the most travelled Englishman. Fleur's wisdom in refusing to write to him was profound, for he reached each new place entirely without hope or fever, and could concentrate immediate attention on the donkeys and tumbling bells, the priests, patios, beggars, children, crowing cocks, sombreros, cactus hedges, old high white villages, goats, olive-trees, greening plains, singing birds in tiny cages, water-sellers, sunsets, melons, mules, great churches, pictures, and swimming grey-brown mountains of a fascinating land.

It was already hot, and they enjoyed an absence of their compatriots. Jon, who, so far as he knew, had blood in him which was not English, was often innately unhappy in the presence of his own countrymen. He felt they had no nonsense about them, and took a more practical view of things than himself. He confided to his mother that he must be an unsociable beast—it was jolly to be away from everybody who could talk about the things people did talk about. To which Irene had replied simply: "Yes, Jon, I know."

In this isolation he had unparalleled opportunities of appreciating what few sons can apprehend, the whole-heartedness of a mother's love. Knowledge of something kept from her made him, no doubt, unduly sensitive; and a Southern people stimulated his admiration for her type of beauty, which he had been accustomed to hear called Spanish, but which he now perceived to be no such thing. Her beauty was neither English, French, Spanish, nor Italian—it was special! He appreciated, too, as never before, his mother's subtlety of instinct. He could not tell, for instance, whether she had noticed his absorption in that Goya picture, "La Vendimia," or whether she knew that he had slipped back there after lunch and again next morning, to stand before it full half an hour, a second and third time. It was not Fleur, of course, but like enough to give him heartache—so dear to lovers—remembering her standing at the foot of his bed with her hand held above her head. To keep a postcard reproduction of this picture in his pocket and slip it out to look at became for Jon one of those bad habits which soon or late disclose themselves to eyes sharpened by love, fear, or jealousy. And his mother's were sharpened by all three. In Granada he was fairly caught, sitting on a sun-warmed stone bench in a little battlemented garden on the Alhambra hill, whence he ought to have been looking at the view. His mother, he had thought, was examining the potted stocks between the polled acacias, when her voice said:

"Is that your favourite Goya, Jon?"

He checked, too late, a movement such as he might have made at school to conceal some surreptitious document, and answered: "Yes."

"It certainly is most charming; but I think I prefer the 'Quitasol.' Your father would go crazy about Goya; I don't believe he saw them when he was in Spain in '92."

In '92—nine years before he had been born! What had been the previous existences of his father and his mother? If they had a right to share in his future, surely he had a right to share in their pasts. He looked up at her. But something in her face—a look of life hard-lived, the mysterious impress of emotions, experience, and suffering—seemed with its incalculable depth, its purchased sanctity, to make curiosity impertinent. His mother must have had a wonderfully interesting life; she was so beautiful, and so—so—but he could not frame what he felt about her. He got up, and stood gazing down at the town, at the plain all green with crops, and the ring of mountains glamorous in sinking sunlight. Her life was like the past of this old Moorish city, full, deep, remote—his own life as yet such a baby of a thing, hopelessly ignorant and innocent! They said that in those mountains to the west, which rose sheer from the blue-green plain, as if out of a sea, Phoenicians had dwelt—a dark, strange, secret race, above the land! His mother's life was as unknown to him, as secret, as that Phoenician past was to the town down there, whose cocks crowed and whose children played and clamoured so gaily, day in, day out. He felt aggrieved that she should know all about him and he nothing about her except that she loved him and his father, and was beautiful. His callow ignorance—he had not even had the advantage of the war, like nearly everybody else!—made him small in his own eyes.

That night, from the balcony of his bedroom, he gazed down on the roof of the town—as if inlaid with honey-comb of jet, ivory, and gold; and, long after, he lay awake, listening to the cry of the sentry as the hours struck, and forming in his head these lines:

"Voice in the night crying, down in the old sleeping
Spanish city darkened under her white stars!
What says the voice—its clear—lingering anguish?

Just the watchman, telling his dateless tale of safety?
Just a roadman, flinging to the moon his song?
No! 'Tis one deprived, whose lover's heart is weeping.
Just his cry: 'How long?'"

The word "deprived" seemed to him cold and unsatisfactory, but bereaved was too final, and no other word of two syllables short-long came to him, which would enable him to keep "whose lover's heart is weeping." It was past two by the time he had finished it, and past three before he went to sleep, having said it over to himself at least twenty-four times. Next day he wrote it out and enclosed it in one of those letters to Fleur, which he always finished before he went down, so as to have his mind free and companionable.

About noon that same day, on the tiled terrace of their hotel, he felt a sudden dull pain in the back of his head, a queer sensation in the eyes, and sickness. The sun had touched him too affectionately. The next three days were passed in semi-darkness, and a dulled, aching indifference to all except the feel of ice on his forehead and his mother's smile. She never moved from his room, never relaxed her noiseless vigilance, which seemed to Jon angelic. But there were moments when he was extremely sorry for himself, and wished terribly that Fleur could see him. Several times he took a poignant imaginary leave of her and of the earth, tears oozing out of his eyes. He even prepared the message he would send to her by his mother—who would regret to her dying day that she had ever sought to separate them—his poor mother! He was not slow, however, in perceiving that he had now his excuse for going home.

Towards half past six each evening came a "gasgacha" of bells—a cascade of tumbling chimes, mounting from the city below and falling back chime on chime. After listening to them on the fourth day he said suddenly:

"I'd like to be back in England, Mum, the sun's too hot."

"Very well, darling. As soon as you're fit to travel." And at once he felt better, and—meaner.

They had been out five weeks when they turned towards home. Jon's head was restored to its pristine clarity, but he was confined to a hat lined by his mother with many layers of orange and green silk, and he still walked from choice in the shade. As the long struggle of discretion between them drew to its close, he wondered more and more whether she could see his eagerness to get back to that which she had brought him away from. Condemned by Spanish Providence to spend a day in Madrid between their trains, it was but natural to go again to the Prado. Jon was elaborately casual this time before his Goya girl. Now that he was going back to her, he could afford a lesser scrutiny. It was his mother who lingered before the picture, saying:

"The face and figure of the girl are exquisite."

Jon heard her uneasily. Did she understand? But he felt once more that he was no match for her in self-control and subtlety. She could, in some supersensitive way, of which he had not the secret, feel the pulse of his thoughts; she knew by instinct what he hoped and feared and wished. It made him terribly uncomfortable and guilty, having, beyond most boys, a conscience. He wished she would be frank with him; he almost hoped for an open struggle. But none came, and steadily, silently, they travelled north. Thus did he first learn how much better than men women play a waiting game. In Paris they had again to pause for a day. Jon was grieved because it lasted two, owing to certain matters in connection with a dressmaker; as if his mother, who looked beautiful in anything, had any need of dresses! The happiest moment of his travel was that when he stepped on to the Folkestone boat.

Standing by the bulwark rail, with her arm in his, she said:

"I'm afraid you haven't enjoyed it much, Jon. But you've been very sweet to me."

Jon squeezed her arm.

"Oh! yes, I've enjoyed it awfully—except for my head lately."

And now that the end had come, he really had, feeling a sort of glamour over the past weeks—a kind of painful pleasure, such as he had tried to screw into those lines about the voice in the night crying; a feeling such as he had known as a small boy listening avidly to Chopin, yet wanting to cry. And he wondered why it was that he couldn't say to her quite simply what she had said to him:

"You were very sweet to me." Odd—one never could be nice and natural like that! He substituted the words: "I expect we shall be sick."

They were, and reached London somewhat attenuated, having been away six weeks and two days, without a single allusion to the subject which had hardly ever ceased to occupy their minds.

II

FATHERS AND DAUGHTERS

Deprived of his wife and son by the Spanish adventure, Jolyon found the solitude at Robin Hill intolerable. A philosopher when he has all that he wants is different from a philosopher when he has not. Accustomed, however, to the idea, if not to the reality of resignation, he would perhaps have faced it out but for his daughter June. He was a "lame duck" now, and on her conscience. Having achieved—momentarily—the rescue of an etcher in low circumstances, which she happened to have in hand, she appeared at Robin Hill a fortnight after Irene and Jon had gone. The little lady was living now in a tiny house with a big studio at Chiswick. A Forsyte of the best period, so far as the lack of responsibility was concerned, she had overcome the difficulty of a reduced income in a manner satisfactory to herself and her father. The rent of the Gallery off Cork Street which he had bought for her, and her increased income tax happening to balance, it had been quite simple—she no longer paid him the rent. The Gallery might be expected now at any time, after eighteen years of barren usufruct, to pay its way, so that she was sure her father would not feel it. Through this device she still had twelve hundred a year, and by reducing what she ate, and, in place of two Belgians in a poor way, employing one Austrian in a poorer, practically the same surplus for the relief of genius. After three days at Robin Hill she carried her father back with her to Town. In those three days she had stumbled on the secret he had kept for two years, and had instantly decided to cure him. She knew, in fact, the very man. He had done wonders with Paul Post—that painter a little in advance of Futurism; and she was impatient with her father because his eyebrows would go up, and because he had heard of neither. Of course, if he hadn't "faith" he would never get well! It was absurd not to have faith in the man who had healed Paul Post so that he had only just relapsed, from having overworked, or overlived, himself again. The great thing about this healer was that he relied on Nature. He had made a special study of the symptoms of Nature—when his patient failed in any natural symptom he supplied the poison which caused it—and there you were! She was extremely hopeful. Her father had clearly not been living a natural life at Robin Hill, and she intended to provide the symptoms. He was—she felt—out of touch with the times, which was not natural; his heart wanted stimulating. In the little Chiswick house she and the Austrian—a grateful soul, so devoted to June for rescuing her that she was in danger of decease from overwork—stimulated Jolyon in all sorts of ways, preparing him for his cure. But they could not keep his eyebrows down; as—for example—when the Austrian woke him at eight o'clock just as he was going to sleep or June took The Times away from him, because it was unnatural to read "that stuff" when he ought to be taking an interest in "life." He never failed, indeed, to be astonished at her resource, especially in the evenings. For his benefit, as she declared, though he suspected that she also got something out of it, she assembled the Age so far as it was satellite to genius; and with some solemnity it would move up and down the studio before him in the Fox-trot, and that more mental form of dancing—the One-step—which so pulled against the music, that Jolyon's eyebrows would be almost lost in his hair from wonder at the strain it must impose on the dancers' will-power. Aware that, hung on the line in the Water Colour Society, he was a back number to those with any pretension to be called artists, he would sit in the darkest corner he could find, and wonder about rhythm, on which so long ago he had been raised. And when June brought some girl or young man up to him, he would rise humbly to their level so far as that was possible, and think: 'Dear me! This is very dull for them!' Having his father's perennial sympathy with Youth, he used to get very tired from entering into their points of view. But it was all stimulating, and he never failed in admiration of his daughter's indomitable spirit. Even genius itself attended these gatherings now and then, with its nose on one side; and June always introduced it to her father. This, she felt, was exceptionally good for him, for genius was a natural symptom he had never had—fond as she was of him.

Certain as a man can be that she was his own daughter, he often wondered whence she got herself—her red-gold hair, now greyed into a special colour; her direct, spirited face, so different from his own rather folded and subtilised countenance, her little light figure, when he and most of the Forsytes were tall. And he would dwell on the origin of species, and debate whether she might be Danish or Celtic. Celtic, he thought, from her pugnacity, and her taste in fillets and djibbahs. It was not too much to say that he preferred her to the Age with which she was surrounded, youthful though, for the greater part, it was. She took, however, too much interest in his teeth, for he still had some of those natural symptoms. Her dentist at once found "staphylococcus aureus present in pure culture" (which might cause boils, of course) and wanted to take out all the teeth he had and supply him with two complete sets of unnatural symptoms. Jolyon's native tenacity was roused, and in the studio that evening he developed his objections. He had never had any boils, and his own teeth would last his time. Of course—June admitted—they would last his time if he didn't have them out! But if he had more teeth he would have a better heart and his time would be longer. His recalcitrance—she said—was a symptom of his whole attitude; he was taking it lying down. He ought to be fighting. When was he going to see the man who had cured Paul Post? Jolyon was very sorry, but the fact was he was not going to see him. June chafed. Pondridge—she said—the healer, was such a fine man, and he had such difficulty in making two ends meet and getting his theories recognised. It was just such indifference and prejudice as her father manifested which was keeping him back. It would be so splendid for both of them!

"I perceive," said Jolyon, "that you are trying to kill two birds with one stone."

"To cure, you mean!" cried June.

"My dear, it's the same thing."

June protested. It was unfair to say that without a trial.

Jolyon thought he might not have the chance of saying it after.

"Dad!" cried June, "you're hopeless."

"That," said Jolyon, "is a fact, but I wish to remain hopeless as long as possible. I shall let sleeping dogs lie, my child. They are quiet at present."

"That's not giving science a chance," cried June. "You've no idea how devoted Pondridge is. He puts his science before everything."

"Just," replied Jolyon, puffing the mild cigarette to which he was reduced, "as Mr. Paul Post puts his art, eh? Art for Art's sake—Science for the sake of Science. I know those enthusiastic egomaniac gentry. They vivisect you without blinking. I'm enough of a Forsyte to give them the go-by, June."

"Dad," said June, "if you only knew how old-fashioned that sounds! Nobody can afford to be half-hearted nowadays."

"I'm afraid," murmured Jolyon, with his smile, "that's the only natural symptom with which Mr. Pondridge need not supply me. We are born to be extreme or to be moderate, my dear; though if you'll forgive my saying so, half the people nowadays who believe they're extreme are really very moderate. I'm getting on as well as I can expect, and I must leave it at that."

June was silent, having experienced in her time the inexorable character of her father's amiable obstinacy so far as his own freedom of action was concerned.

How he came to let her know why Irene had taken Jon to Spain puzzled Jolyon, for he had little confidence in her discretion. After she had brooded on the news, it brought a rather sharp discussion, during which he perceived to the full the fundamental opposition between her active temperament and his wife's passivity. He even gathered that a little soreness still remained from that generation-old struggle between them over the body of Philip Bosinney, in which the passive had so signally triumphed over the active principle.

According to June, it was foolish and even cowardly to hide the past from Jon. Sheer opportunism, she called it.

"Which," Jolyon put in mildly, "is the working principle of real life, my dear."

"Oh!" cried June, "YOU don't really defend her for not telling Jon, Dad. If it were left to you, you would."

"I might, but simply because I know he must find out, which will be worse than if we told him."

"Then why DON'T you tell him? It's just sleeping dogs again."

"My dear," said Jolyon, "I wouldn't for the world go against Irene's instinct. He's her boy."

"Yours too," cried June.

"What is a man's instinct compared with a mother's?"

"Well, I think it's very weak of you."

"I dare say," said Jolyon, "I dare say."

And that was all she got from him; but the matter rankled in her brain. She could not bear sleeping dogs. And there stirred in her a tortuous impulse to push the matter towards decision. Jon ought to be told, so that either his feeling might be nipped in the bud, or, flowering in spite of the past, come to fruition. And she determined to see Fleur, and judge for herself. When June determined on anything, delicacy became a somewhat minor consideration. After all, she was Soames' cousin, and they were both interested in pictures. She would go and tell him that he ought to buy a Paul Post, or perhaps a piece of sculpture by Boris Strumolowski, and of course she would say nothing to her father. She went on the following Sunday, looking so determined that she had some difficulty in getting a cab at Reading station. The river country was lovely in those days of her own month, and June ached at its loveliness. She who had passed through this life without knowing what union was had a love of natural beauty which was almost madness. And when she came to that choice spot where Soames had pitched his tent, she dismissed her cab, because, business over, she wanted to revel in the bright water and the woods. She appeared at his front door, therefore, as a mere pedestrian, and sent in her card. It was in June's character to know that when her nerves were fluttering she was doing something worth while. If one's nerves did not flutter, she was taking the line of least resistance, and knew that nobleness was not obliging her. She was conducted to a drawing-room, which, though not in her style, showed every mark of fastidious elegance. Thinking: 'Too much taste—too many knick-knacks,' she saw in an old lacquer-framed mirror the figure of a girl coming in from the verandah. Clothed in white, and holding some white roses in her hand, she had, reflected in that silvery-grey pool of glass, a vision-like appearance, as if a pretty ghost had come out of the green garden.

"How do you do?" said June, turning round. "I'm a cousin of your father's."

"Oh, yes; I saw you in that confectioner's."

"With my young stepbrother. Is your father in?"

"He will be directly. He's only gone for a little walk."

June slightly narrowed her blue eyes, and lifted her decided chin.

"Your name's Fleur, isn't it? I've heard of you from Holly. What do you think of Jon?"

The girl lifted the roses in her hand, looked at them, and answered calmly:

"He's quite a nice boy."

"Not a bit like Holly or me, is he?"

"Not a bit."

'She's cool,' thought June.

And suddenly the girl said: "I wish you'd tell me why our families don't get on?"

Confronted with the question she had advised her father to answer, June was silent; either because this girl was trying to get something out of her, or simply because what one would do theoretically is not always what one will do when it comes to the point.

"You know," said the girl, "the surest way to make people find out the worst is to keep them ignorant. My father's told me it was a quarrel about property. But I don't believe it; we've both got heaps. They wouldn't have been so bourgeois as all that."

June flushed. The word applied to her grandfather and father offended her.

"My grandfather," she said, "was very generous, and my father is, too; neither of them was in the least bourgeois."

"Well, what was it then?" repeated the girl. Conscious that this young Forsyte meant having what she wanted, June at once determined to prevent her, and to get something for herself instead.

"Why do you want to know?"

The girl smelled at her roses. "I only want to know because they won't tell me."

"Well, it WAS about property, but there's more than one kind."

"That makes it worse. Now I really MUST know."

June's small and resolute face quivered. She was wearing a round cap, and her hair had fluffed out under it. She looked quite young at that moment, rejuvenated by encounter.

"You know," she said, "I saw you drop your handkerchief. Is there anything between you and Jon? Because, if so, you'd better drop that too."

The girl grew paler, but she smiled.

"If there were, that isn't the way to make me."

At the gallantry of that reply June held out her hand.

"I like you; but I don't like your father; I never have. We may as well be frank."

"Did you come down to tell him that?"

June laughed. "No; I came down to see YOU."

"How delightful of you!"

This girl could fence.

"I'm two-and-a-half times your age," said June, "but I quite sympathise. It's horrid not to have one's own way."

The girl smiled again. "I really think you MIGHT tell me."

How the child stuck to her point!

"It's not my secret. But I'll see what I can do, because I think both you and Jon OUGHT to be told. And now I'll say good-bye."

"Won't you wait and see Father?"

June shook her head. "How can I get over to the other side?"

"I'll row you across."

"Look!" said June impulsively, "next time you're in London, come and see me. This is where I live. I generally have young people in the evening. But I shouldn't tell your father that you're coming."

The girl nodded.

Watching her scull the skiff across, June thought: 'She's awfully pretty and well made. I never thought Soames would have a daughter as pretty as this. She and Jon would make a lovely couple.'

The instinct to couple, starved within herself, was always at work in June. She stood watching Fleur row back; the girl took her hand off a scull to wave farewell; and June walked languidly on between the meadows and the river, with an ache in her heart. Youth to youth, like the dragon-flies chasing each other, and love like the sun warming them through and through. Her youth! So long ago—when Phil and she—! And since? Nothing—no one had been quite what she had wanted. And so she had missed it all. But what a coil was round those two young things, if they really were in love, as Holly would have it—as her father, and Irene, and Soames himself seemed to dread. What a coil, and what a barrier! And the itch for the future, the contempt, as it were, for what was overpast, which forms the active principle, moved in the heart of one who ever believed that what one wanted was more important than what other people did not want. From the bank, awhile, in the warm summer stillness, she watched the water-lily plants and willow leaves, the fishes rising; sniffed the scent of grass and meadow-sweet, wondering how she could force everybody to be happy. Jon and Fleur! Two little lame ducks—charming callow yellow little ducks! A great pity! Surely something could be done! One must not take such situations lying down. She walked on, and reached a station, hot and cross.

That evening, faithful to the impulse towards direct action, which made many people avoid her, she said to her father:

"Dad, I've been down to see young Fleur. I think she's very attractive. It's no good hiding our heads under our wings, is it?"

The startled Jolyon set down his barley water, and began crumbling his bread.

"It's what you appear to be doing," he said: "Do you realise whose daughter she is?"

"Can't the dead past bury its dead?"

Jolyon rose.

"Certain things can never be buried."

"I disagree," said June. "It's that which stands in the way of all happiness and progress. You don't understand the Age, Dad. It's got no use for outgrown things. Why do you think it matters so terribly that Jon should know about his mother? Who pays any attention to that sort of thing now? The marriage laws are just as they were when Soames and Irene couldn't get a divorce, and you had to come in. We've moved, and they haven't. So nobody cares. Marriage without a decent chance of relief is only a sort of slave-owning; people oughtn't to own each other. Everybody sees that now. If Irene broke such laws, what does it matter?"

"It's not for me to disagree there," said Jolyon; "but that's all quite beside the mark. This is a matter of human feeling."

"Of course, it is," cried June, "the human feeling of those two young things."

"My dear," said Jolyon with gentle exasperation, "you're talking nonsense."

"I'm not. If they prove to be really fond of each other, why should they be made unhappy because of the past?"

"YOU haven't lived that past. I have—through the feelings of my wife; through my own nerves and my imagination, as only one who is devoted can."

June, too, rose, and began to wander restlessly.

"If," she said suddenly, "she were the daughter of Phil Bosinney, I could understand you better. Irene loved him, she never loved Soames."

Jolyon uttered a deep sound—the sort of noise an Italian peasant woman utters to her mule. His heart had begun beating furiously, but he paid no attention to it, quite carried away by his feelings.

"That shows how little you understand. Neither I nor Jon, if I know him, would mind a love-past. It's the brutality of a union without love. This girl is the daughter of the man who once owned Jon's mother as a negro-slave was owned. You can't lay that ghost; don't try to, June! It's asking us to see Jon joined to the flesh and blood of the man who possessed Jon's mother against her will. It's no good mincing words; I want it clear once for all. And now I mustn't talk any more, or I shall have to sit up with this all night." And, putting his hand over his heart, Jolyon turned his back on his daughter and stood looking at the river Thames.

June, who by nature never saw a hornets' nest until she had put her head into it, was seriously alarmed. She came and slipped her arm through his. Not convinced that he was right, and she herself wrong, because that was not natural to her, she was yet profoundly impressed by the obvious fact that the subject was very bad for him. She rubbed her cheek against his shoulder, and said nothing.

After taking her elderly cousin across, Fleur did not land at once, but pulled in among the reeds, into the sunshine. The peaceful beauty of the afternoon seduced for a little one not much given to the vague and poetic. In the field beyond the bank where her skiff lay up, a machine drawn by a grey horse was turning an early field of hay. She watched the grass cascading over and behind the light wheels with fascination—it looked so green and fresh. The click and swish blended with the rustle of the willows and the poplars, and the cooing of a wood-pigeon, in a true river song. Alongside, in the grey-green water, weeds like yellow snakes were writhing and nosing with the current; pied cattle on the farther side stood in the shade lazily swishing their tails. It was an afternoon to dream. And she took out Jon's letters—not flowery effusions, but haunted in their recital of things seen and done by a longing very agreeable to her, and all ending "Your devoted J." Fleur was not sentimental, her desires were ever concrete and concentrated, but what poetry there was in the daughter of Soames and Annette had certainly in those weeks of waiting gathered round her memories of Jon. They all belonged to grass and blossom, flowers and running water. She enjoyed him in the scents absorbed by her crinkling nose. The stars could persuade her that she was standing beside him in the centre of the map of Spain; and of an early morning the dewy cobwebs, the hazy sparkle and promise of the day down in the garden, were Jon personified to her.

Two white swans came majestically by, while she was reading his letters, followed by their brood of six young swans in a line, with just so much space between each tail and head, a flotilla of grey destroyers. Fleur thrust her letters back, got out her sculls, and pulled up to the landing-stage. Crossing the lawn, she wondered whether she should tell her father of June's visit. If he learned of it from the butler, he might think it odd if she did not. It gave her, too, another chance to startle out of him the reason of the feud. She went, therefore, up the road to meet him.

Soames had gone to look at a patch of ground on which the Local Authorities were proposing to erect a Sanatorium for people with weak lungs. Faithful to his native individualism, he took no part in local affairs, content to pay the rates which were always going up. He could not, however, remain indifferent to this new and dangerous scheme. The site was not half a mile from his own house. He was quite of opinion that the country should stamp out tuberculosis; but this was not the place. It should be done farther away. He took, indeed, an attitude common to all true Forsytes, that disability of any sort in other people was not his affair, and the State should do its business without prejudicing in any way the natural advantages which he had acquired or inherited. Francie, the most free-spirited Forsyte of his generation (except perhaps that fellow Jolyon) had once asked him in her malicious way: "Did you ever see the name Forsyte in a subscription list, Soames?" That was as it might be, but a Sanatorium would depreciate the neighbourhood, and he should certainly sign the petition which was being got up against it. Returning with this decision fresh within him, he saw Fleur coming.

She was showing him more affection of late, and the quiet time down here with her in this summer weather had been making him feel quite young; Annette was always running up to Town for one thing or another, so that he had Fleur to himself almost as much as he could wish. To be sure, young Mont had formed a habit of appearing on his motor-cycle almost every other day. Thank goodness, the young fellow had shaved off his half-toothbrushes, and no longer looked like a mountebank! With a girl friend of Fleur's who was staying in the house, and a neighbouring youth or so, they made two couples after dinner, in the hall, to the music of the electric pianola which performed Fox-trots unassisted, with a surprised shine on its expressive surface. Annette, even, now and then passed gracefully up and down in the arms of one or other of the young men. And Soames, coming to the drawing-room door, would lift his nose a little sideways, and watch them, waiting to catch a smile from Fleur; then move back to his chair by the drawing-room hearth, to peruse The Times or some other collector's price-list. To his ever-anxious eyes Fleur showed no sign of remembering that caprice of hers.

When she reached him on the dusty road, he slipped his hand within her arm.

"Who, do you think, has been to see you, Dad? She couldn't wait! Guess!"

"I never guess," said Soames uneasily. "Who?"

"Your cousin, June Forsyte."

Quite unconsciously Soames gripped her arm. "What did SHE want?"

"I don't know. But it was rather breaking through the feud, wasn't it?"

"Feud? What feud?"

"The one that exists in your imagination, dear."

Soames dropped her arm. Was she mocking, or trying to draw him on?

"I suppose she wanted me to buy a picture," he said at last.

"I don't think so. Perhaps it was just family affection."

"She's only a first cousin once removed," muttered Soames.

"And the daughter of your enemy."

"What d'you mean by that?"

"I beg your pardon, dear; I thought he was."

"Enemy!" repeated Soames. "It's ancient history. I don't know where you get your notions."

"From June Forsyte."

It had come to her as an inspiration that if he thought she knew, or were on the edge of knowledge, he would tell her.

Soames was startled, but she had underrated his caution and tenacity.

"If you know," he said coldly, "why do you plague me?"

Fleur saw that she had overreached herself.

"I don't want to plague you, darling. As you say, why want to know more? Why want to know anything of that 'small' mystery—Je m'en fiche, as Profond says."

"That chap!" said Soames profoundly.

That chap, indeed, played a considerable, if invisible, part this summer—for he had not turned up again. Ever since the Sunday when Fleur had drawn attention to him prowling on the lawn, Soames had thought of him a good deal, and always in connection with Annette, for no reason, except that she was looking handsomer than for some time past. His possessive instinct, subtler, less formal, more elastic since the war, kept all misgiving underground. As one looks on some American river, quiet and pleasant, knowing that an alligator perhaps is lying in the mud with his snout just raised and indistinguishable from a snag of wood—so Soames looked on the river of his own existence, subconscious of Monsieur Profond, refusing to see more than the suspicion of his snout. He had at this epoch in his life practically all he wanted, and was as nearly happy as his nature would permit. His senses were at rest; his affections found all the vent they needed in his daughter; his collection was well known, his money well invested; his health excellent, save for a touch of liver now and again; he had not yet begun to worry seriously about what would happen after death, inclining to think that nothing would happen. He resembled one of his own gilt-edged securities, and to knock the gilt off by seeing anything he could avoid seeing, would be, he felt instinctively, perverse and retrogressive. Those two crumpled rose-leaves, Fleur's caprice and Monsieur Profond's snout, would level away if he lay on them industriously.

That evening Chance, which visits the lives of even the best-invested Forsytes, put a clue into Fleur's hands. Her father came down to dinner without a handkerchief, and had occasion to blow his nose.

"I'll get you one, dear," she had said, and run upstairs. In the sachet where she sought for it—an old sachet of very faded silk—there were two compartments: one held handkerchiefs; the other was buttoned, and contained something flat and hard. By some childish impulse Fleur unbuttoned it. There was a frame and in it a photograph of herself as a little girl. She gazed at it, fascinated, as one is by one's own presentment. It slipped under her fidgeting thumb, and she saw that another photograph was behind. She pressed her own down further, and perceived a face, which she seemed to know, of a young woman, very good-looking, in a very old style of evening dress. Slipping her own photograph up over it again, she took out a handkerchief and went down. Only on the stairs did she identify that face. Surely—surely Jon's mother! The conviction came as a shock. And she stood still in a flurry of thought. Why, of course! Jon's father had married the woman her father had wanted to marry, had cheated him out of her, perhaps. Then, afraid of showing by her manner that she had lighted on his secret, she refused to think further, and, shaking out the silk handkerchief, entered the dining-room.

"I chose the softest, Father."

"H'm!" said Soames; "I only use those after a cold. Never mind!"

That evening passed for Fleur in putting two and two together; recalling the look on her father's face in the confectioner's shop—a look strange, and coldly intimate, a queer look. He must have loved that woman very much to have kept her photograph all this time, in spite of having lost her. Unsparing and matter-of-fact, her mind darted to his relations with her own mother. Had he ever really loved HER? She thought not. Jon was the son of the woman he had really loved. Surely, then, he ought not to mind his daughter loving him; it only wanted getting used to. And a sigh of sheer relief was caught in the folds of her nightgown slipping over her head.

III

MEETINGS

Youth only recognises Age by fits and starts. Jon, for one, had never really seen his father's age till he came back from Spain. The face of the fourth Jolyon, worn by waiting, gave him quite a shock—it looked so wan and old. His father's mask had been forced awry by the emotion of the meeting, so that the boy suddenly realised how much he must have felt their absence. He summoned to his aid the thought: 'Well, I didn't want to go!' It was out of date for Youth to defer to Age. But Jon was by no means typically modern. His father had always been "so jolly" to him, and to feel that one meant to begin again at once the conduct which his father had suffered six weeks' loneliness to cure, was not agreeable.

At the question, "Well, old man, how did the great Goya strike you?" his conscience pricked him badly. The great Goya only existed because he had created a face which resembled Fleur's.

On the night of their return he went to bed full of compunction; but awoke full of anticipation. It was only the fifth of July, and no meeting was fixed with Fleur until the ninth. He was to have three days at home before going back to farm. Somehow he must contrive to see her!

In the lives of men an inexorable rhythm, caused by the need for trousers, not even the fondest parents can deny. On the second day, therefore, Jon went to Town, and having satisfied his conscience by ordering what was indispensable in Conduit Street, turned his face towards Piccadilly. Stratton Street, where her Club was, adjoined Devonshire House. It would be the merest chance that she should be at her Club. But he dawdled down Bond Street with a beating heart, noticing the superiority of all other young men to himself. They wore their clothes with such an air; they had assurance; they were OLD. He was suddenly overwhelmed by the conviction that Fleur must have forgotten him. Absorbed in his own feeling for her all these weeks, he had mislaid that possibility. The corners of his mouth drooped, his hands felt clammy. Fleur with the pick of youth at the beck of her smile—Fleur incomparable! It was an evil moment. Jon, however, had a great idea that one must be able to face anything. And he braced himself with that dour reflection in front of a bric-a-brac shop. At this high-water mark of what was once the London season, there was nothing to mark it out from any other except a grey top hat or two, and the sun. Jon moved on, and turning the corner into Piccadilly, ran into Val Dartie moving towards the Iseeum Club, to which he had just been elected.

"Hallo! young man! Where are you off to?"

Jon flushed. "I've just been to my tailor's."

Val looked him up and down. "That's good! I'm going in here to order some cigarettes, then come and have some lunch."

Jon thanked him. He might get news of HER from Val. The condition of England, that nightmare of its Press and Public men, was seen in different perspective within the tobacconist's which they now entered.

"Yes, sir; precisely the cigarette I used to supply your father with. Bless me! Mr. Montague Dartie was a customer here from—let me see—the year Melton won the Derby. One of my very best customers he was." And a faint smile illumined the tobacconist's face. "Many's the tip he's given me, to be sure! I suppose he took a couple of hundred of these every week, year in, year out, and never changed his cigarette. Very affable gentleman, brought me a lot of custom. I was sorry he met with that accident. One misses an old customer like him."

Val smiled. His father's decease had closed an account which had been running longer, probably, than any other; and in a ring of smoke puffed out from that time-honoured cigarette he seemed to see again his father's face, dark, good-looking, moustachioed, a little puffy, in the only halo it had earned. His father had his fame here, anyway—a man who smoked two hundred cigarettes a week, who could give tips, and run accounts for ever! To his tobacconist a hero! Even that was some distinction to inherit!

"I pay cash," he said; "how much?"

"To HIS son, sir, and cash—ten and six. I shall never forget Mr. Montague Dartie. I've known him stand talkin' to me half an hour. We don't get many like him now, with everybody in such a hurry. The war was bad for manners, sir—it was bad for manners. You were in it, I see."

"No," said Val, tapping his knee, "I got this in the war before. Saved my life, I expect. Do you want any cigarettes, Jon?"

Rather ashamed, Jon murmured: "I don't smoke, you know," and saw the tobacconist's lips twisted, as if uncertain whether to say "Good God!" or "Now's your chance, sir!"

"That's right," said Val; "keep off it while you can. You'll want it when you take a knock. This is really the same tobacco, then?"

"Identical, sir; a little dearer, that's all. Wonderful staying power—the British Empire, I always say."

"Send me down a hundred a week to this address, and invoice it monthly. Come on, Jon."

Jon entered the Iseeum with curiosity. Except to lunch now and then at the Hotch-potch with his father, he had never been in a London Club. The Iseeum, comfortable and unpretentious, did not move, could not, so long as George Forsyte sat on its Committee, where his culinary acumen was almost the controlling force. The Club had made a stand against the newly rich, and it had taken all George Forsyte's prestige, and praise of him as a "good sportsman," to bring in Prosper Profond.

The two were lunching together when the half-brothers-in-law entered the dining-room, and attracted by George's forefinger, sat down at their table, Val with his shrewd eyes and charming smile, Jon with solemn lips and an attractive shyness in his glance. There was an air of privilege around that corner table, as though past masters were eating there. Jon was fascinated by the hypnotic atmosphere. The waiter, lean in the chaps, pervaded with such freemasonical deference. He seemed to hang on George Forsyte's lips, to watch the gloat in his eye with a kind of sympathy, to follow the movements of the heavy club-marked silver fondly. His liveried arm and confidential voice alarmed Jon, they came so secretly over one's shoulder.

Except for George's: "Your grandfather tipped me once; he was a deuced good judge of a cigar!" neither he nor the other past master took any notice of him, and he was grateful for this. The talk was all about the breeding, points, and prices of horses, and he listened to it vaguely at first, wondering how it was possible to retain so much knowledge in a head. He could not take his eyes off the dark past master—what he said was so deliberate and discouraging—such heavy, queer, smiled-out words. Jon was thinking of butterflies, when he heard him say:

"I want to see Mr. Soames Forsyde take an interest in 'orses."

"Old Soames! He's too dry a file!"

With all his might Jon tried not to grow red, while the dark past master went on.

"His daughter's an attractive small girl. Mr. Soames Forsyde is a bit old-fashioned. I want to see him have a pleasure some day."

George Forsyte grinned. "Don't you worry; he's not so miserable as he looks. He'll never show he's enjoying anything—they might try and take it from him. Old Soames! Once bit, twice shy!"

"Well, Jon," said Val hastily, "if you've finished, we'll go and have coffee."

"Who were those?" Jon asked on the stairs: "I didn't quite—"

"Old George Forsyte is a first cousin of your father's, and of my uncle Soames. He's always been here. The other chap, Profond, is a queer fish. I think he's hanging round Soames' wife, if you ask me!"

Jon looked at him, startled. "But that's awful," he said: "I mean—for Fleur."

"Don't suppose Fleur cares very much; she's very up-to-date."

"Her mother!"

"You're very green, Jon."

Jon grew red. "Mothers," he stammered angrily, "are different."

"You're right," said Val suddenly; "but things aren't what they were when I was your age. There's a 'Tomorrow we die' feeling. That's what old George meant about my uncle Soames. HE doesn't mean to die tomorrow."

Jon said quickly: "What's the matter between him and my father?"

"Stable secret, Jon. Take my advice, and bottle up. You'll do no good by knowing. Have a liqueur?"

Jon shook his head.

"I hate the way people keep things from one," he muttered, "and then sneer at one for being green."

"Well, you can ask Holly. If SHE won't tell you, you'll believe it's for your own good, I suppose."

Jon got up. "I must go now; thanks awfully for the lunch."

Val smiled up at him, half-sorry and yet amused. The boy looked so upset.

"All right! See you on Friday."

"I don't know," murmured Jon.

And he did not. This conspiracy of silence made him desperate. It was humiliating to be treated like a child. He retraced his moody steps to Stratton Street. But he would go to her Club now, and find out the worst. To his inquiry the reply was that Miss Forsyte was not in the Club. She might be in perhaps later. She was often in on Monday—they could not say. Jon said he would call again, and, crossing into the Green Park, flung himself down under a tree. The sun was bright, and a breeze fluttered the leaves of the young lime-tree beneath which he lay; but his heart ached. Such darkness seemed gathered round his happiness. He heard Big Ben chime "Three" above the traffic. The sound moved something in him, and taking out a piece of paper, he began to scribble on it with a pencil. He had jotted a stanza, and was searching the grass for another verse, when something hard touched his shoulder—a green parasol. There above him stood Fleur!

"They told me you'd been, and were coming back. So I thought you might be out here; and you are—it's rather wonderful!"

"Oh, Fleur! I thought you'd have forgotten me."

"When I told you that I shouldn't!"

Jon seized her arm.

"It's too much luck! Let's get away from this side."

He almost dragged her on through that too thoughtfully regulated Park, to find some cover where they could sit and hold each other's hands.

"Hasn't anybody cut in?" he said, gazing round at her lashes, in suspense above her cheeks.

"There IS a young idiot, but he doesn't count."

Jon felt a twitch of compassion for the—young idiot.

"You know I've had sunstroke, I didn't tell you."

"Really! Was it interesting?"

"No. Mother was an angel. Has anything happened to YOU?"

"Nothing. Except that I think I've found out what's wrong between our families, Jon."

His heart began beating very fast.

"I believe my father wanted to marry your mother, and your father got her instead."

"Oh!"

"I came on a photo of her; it was in a frame behind a photo of me. Of course, if he was very fond of her, that would have made him pretty mad, wouldn't it?"

Jon thought for a minute. "Not if she loved my father best."

"But suppose they were engaged?"

"If we were engaged, and you found you loved somebody better, I might go cracked, but I shouldn't grudge it you."

"I should. You mustn't ever do that with me, Jon."

"My God! Not much!"

"I don't believe that he's ever really cared for my mother."

Jon was silent. Val's words, the two past masters in the Club!

"You see, we don't know," went on Fleur; "it may have been a great shock. She may have behaved badly to him. People do."

"My mother wouldn't."

Fleur shrugged her shoulders. "I don't think we know much about our fathers and mothers. We just see them in the light of the way they treat US; but they've treated other people, you know, before we were born—plenty, I expect. You see, they're both old. Look at your father, with three separate families!"

"Isn't there any place," cried Jon, "in all this beastly London where we can be alone?"

"Only a taxi."

"Let's get one, then."

When they were installed, Fleur asked suddenly: "Are you going back to Robin Hill? I should like to see where you live, Jon. I'm staying with my aunt for the night, but I could get back in time for dinner. I wouldn't come to the house, of course."

Jon gazed at her enraptured.

"Splendid! I can show it you from the copse, we shan't meet anybody. There's a train at four."

The god of property and his Forsytes great and small, leisured, official, commercial, or professional, unlike the working classes, still worked their seven hours a day, so that those two of the fourth generation travelled down to Robin Hill in an empty first-class carriage, dusty and sun-warmed, of that too early train. They travelled in blissful silence, holding each other's hands.

At the station they saw no one except porters, and a villager or two unknown to Jon, and walked out up the lane, which smelled of dust and honeysuckle.

For Jon—sure of her now, and without separation before him—it was a miraculous dawdle, more wonderful than those on the Downs, or along the river Thames. It was love-in-a-mist—one of those illumined pages of Life, where every word and smile, and every light touch they gave each other were as little gold and red and blue butterflies and flowers and birds scrolled in among the text—a happy communing, without afterthought, which lasted twenty-seven minutes. They reached the coppice at the milking-hour. Jon would not take her as far as the farmyard; only to where she could see the field leading up to the gardens, and the house beyond. They turned in among the larches, and suddenly, at the winding of the path, came on Irene, sitting on an old log seat.

There are various kinds of shocks: to the vertebrae; to the nerves; to moral sensibility; and, more potent and permanent, to personal dignity. This last was the shock Jon received, coming thus on his mother. He became suddenly conscious that he was doing an indelicate thing. To have brought Fleur down openly—yes! But to sneak her in like this! Consumed with shame, he put on a front as brazen as his nature would permit.

Fleur was smiling a little defiantly; his mother's startled face was changing quickly to the impersonal and gracious. It was she who uttered the first words:

"I'm very glad to see you. It was nice of Jon to think of bringing you down to us."

"We weren't coming to the house," Jon blurted out. "I just wanted Fleur to see where I lived."

His mother said quietly: "Won't you come up and have tea?"

Feeling that he had but aggravated his breach of breeding, he heard Fleur answer: "Thanks very much; I have to get back to dinner. I met Jon by accident, and we thought it would be rather jolly just to see his home."

How self-possessed she was!

"Of course; but you MUST have tea. We'll send you down to the station. My husband will enjoy seeing you."

The expression of his mother's eyes, resting on him for a moment, cast Jon down level with the ground—a true worm. Then she led on, and Fleur followed her. He felt like a child, trailing after those two, who were talking so easily about Spain and Wansdon, and the house up there beyond the trees and the grassy slope. He watched the fencing of their eyes, taking each other in—the two beings he loved most in the world.

He could see his father sitting under the oak-tree; and suffered in advance all the loss of caste he must go through in the eyes of that tranquil figure, with his knees crossed, thin, old, and elegant; already he could feel the faint irony which would come into his voice and smile.

"This is Fleur Forsyte, Jolyon; Jon brought her down to see the house. Let's have tea at once—she has to catch a train. Jon, tell them, dear, and telephone to the Dragon for a car."

To leave her alone with them was strange, and yet, as no doubt his mother had foreseen, the least of evils at the moment; so he ran up into the house. Now he would not see Fleur alone again—not for a minute, and they had arranged no further meeting! When he returned under cover of the maids and teapots, there was not a trace of awkwardness beneath the tree; it was all within himself, but not the less for that. They were talking of the Gallery off Cork Street.

"We back-numbers," his father was saying, "are awfully anxious to find out why we can't appreciate the new stuff; you and Jon must tell us."

"It's supposed to be satiric, isn't it?" said Fleur.

He saw his father's smile.

"Satiric? Oh! I think it's more than that. What do you say, Jon?"

"I don't know at all," stammered Jon. His father's face had a sudden grimness.

"The young are tired of us, our gods and our ideals. Off with their heads, they say—smash their idols! And let's get back to—nothing! And, by Jove, they've done it! Jon's a poet. He'll be going in, too, and stamping on what's left of us. Property, beauty, sentiment—all smoke. We mustn't own anything nowadays, not even our feelings. They stand in the way of—Nothing."

Jon listened, bewildered, almost outraged by his father's words, behind which he felt a meaning that he could not reach. He didn't want to stamp on anything!

"Nothing's the god of to-day," continued Jolyon; "we're back where the Russians were sixty years ago, when they started Nihilism."

"No, Dad," cried Jon suddenly; "we only want to LIVE, and we don't know how, because of the Past—that's all!"

"By George!" said Jolyon, "that's profound, Jon. Is it your own? The Past! Old ownerships, old passions, and their aftermath. Let's have cigarettes."

Conscious that his mother had lifted her hand to her lips, quickly, as if to hush something, Jon handed the cigarettes. He lighted his father's and Fleur's, then one for himself. Had he taken the knock that Val had spoken of? The smoke was blue when he had not puffed, grey when he had; he liked the sensation in his nose, and the sense of equality it gave him. He was glad no one said: "So you've begun!" He felt less young.

Fleur looked at her watch, and rose. His mother went with her into the house. Jon stayed with his father, puffing at the cigarette.

"See her into the car, old man," said Jolyon; "and when she's gone, ask your mother to come back to me."

Jon went. He waited in the hall. He saw her into the car. There was no chance for any word; hardly for a pressure of the hand. He waited all that evening for something to be said to him. Nothing was said. Nothing might have happened. He went up to bed; and in the mirror on his dressing-table met himself. He did not speak, nor did the image; but both looked as if they thought the more.

IV

IN GREEN STREET

Uncertain, whether the impression that Prosper Profond was dangerous should be traced to his attempt to give Val the Mayfly filly; to the remark of Fleur's: "Isn't he a great cat? Prowling!" to his preposterous inquiry of Jack Cardigan: "What's the use of keepin' fit?" or, more simply, to the fact that he was a foreigner, or alien as it was now called. Certain that Annette was looking particularly handsome, and that Soames had sold him a Gauguin and then torn up the cheque, so that Monsieur Profond himself had said: "I didn't get that small picture I bought from Mr. Forsyde."

However suspiciously regarded, he still frequented Winifred's evergreen little house in Green Street, with a good-natured obtuseness which no one mistook for naivete; a word hardly applicable to Monsieur Prosper Profond. Winifred still found him "amusing," and would write him little notes saying: "Come and have a 'jolly' with us"—it was breath of life to her to keep up with the phrases of the day.

The mystery, with which all felt him to be surrounded, was due to his having done, seen, heard, and known everything, and found nothing in it—which was unnatural. The English type of disillusionment was familiar enough to Winifred, who had always moved in fashionable circles. It gave a certain cachet or distinction, so that one got something out of it. But to see nothing in anything, not as a pose, but because there WAS nothing in anything, was not English; and that which was not English one could not help secretly feeling dangerous, if not precisely bad form. It was like having the mood which the war had left, seated—dark, heavy, smiling, indifferent—in your Empire chair; it was like listening to that mood talking through thick pink lips above a little diabolic beard. It was, as Jack Cardigan expressed it—for the English character at large—"a bit too thick"—for if nothing was really worth getting excited about, there were always games, and one could make it so! Even Winifred, ever a Forsyte at heart, felt that there was nothing to be had out of a mood of disillusionment; it really ought not to be there. Monsieur Profond, in fact, made the mood too plain, in a country which decently veiled such realities.

When Fleur, after her hurried return from Robin Hill, came down to dinner that evening, the mood was standing at the window of Winifred's little drawing-room, looking out into Green Street, with an air of seeing nothing in it. And Fleur gazed promptly into the fireplace with an air of seeing a fire which was not there.

Monsieur Profond came from the window. He was in full fig, with a white waistcoat and a white flower in his buttonhole.

"Well, Miss Forsyde," he said, "I'm awful pleased to see you. Mr. Forsyde well? I was sayin' to-day I want to see him have some pleasure. He worries."

"You think so?" said Fleur shortly.

"Worries," repeated Monsieur Profond, burring the r's.

Fleur spun round. "Shall I tell you," she said, "what would give him pleasure?" But the words: "To hear that you had cleared out" died at the expression on his face. All his fine white teeth were showing.

"I was hearin' at the Club to-day, about his old trouble."

"What do you mean?"

Monsieur Profond moved his sleek head as if to minimise his statement.

"Before you were born," he said; "that small business."

Though conscious that he had cleverly diverted her from his own share in her father's worry, Fleur could not withstand a rush of nervous curiosity. "What did you hear?"

"Why!" murmured Monsieur Profond, "you know all that."

"I expect I do. But I should like to know that you haven't heard it all wrong."

"His first wife," murmured Monsieur Profond.

Choking back the words: "He was never married before"; she said: "Well, what about her?"

"Mr. George Forsyde was tellin' me about your father's first wife marryin' his cousin Jolyon afterwards. It was a small bit unpleasant, I should think. I saw their boy—nice boy!"

Fleur looked up. Monsieur Profond was swimming, heavily diabolical, before her. That—the reason! With the most heroic effort of her life so far, she managed to arrest that swimming figure. She could not tell whether he had noticed. And just then Winifred came in.

"Oh! here you both are already! Imogen and I have had the most amusing afternoon at the Babies' bazaar."

"What babies?" said Fleur mechanically.

"The 'Save the Babies.' I got such a bargain, my dear. A piece of old Armenian work—from before the flood. I want your opinion on it, Prosper."

"Auntie," whispered Fleur suddenly.

At the tone in the girl's voice Winifred closed in on her.

"What's the matter? Aren't you well?"

Monsieur Profond had withdrawn into the window, where he was practically out of hearing.

"Auntie, he told me that father has been married before. Is it true that he divorced her, and she married Jon Forsyte's father?"

Never in all the life of the mother of four little Darties had Winifred felt more seriously embarrassed. Her niece's face was so pale, her eyes so dark, her voice so whispery and strained.

"Your Father didn't wish you to hear," she said, with all the aplomb she could muster. "These things will happen. I've often told him he ought to let you know."

"Oh!" said Fleur, and that was all, but it made Winifred pat her shoulder—a firm little shoulder, nice and white! She never could help an appraising eye and touch in the matter of her niece, who would have to be married, of course—though not to that boy Jon.

"We've forgotten all about it years and years ago," she said comfortably. "Come and have dinner!"

"No, Auntie. I don't feel very well. May I go upstairs?"

"My dear!" murmured Winifred, concerned; "you're not taking this to heart? Why, you haven't properly come out yet! That boy's a child!"

"What boy? I've only got a headache. But I can't stand that man to-night."

"Well, well," said Winifred; "go and lie down. I'll send you some bromide, and I shall talk to Prosper Profond. What business had he to gossip? Though I must say I think it's much better you should know."

Fleur smiled. "Yes," she said, and slipped from the room.

She went up with her head whirling, a dry sensation in her throat, a fluttered, frightened feeling in her breast. Never in her life as yet had she suffered from even momentary fear that she would not get what she had set her heart on. The sensations of the afternoon had been full, and poignant, and this gruesome discovery coming on the top of them had really made her head ache. No wonder her father had hidden that photograph so secretly behind her own—ashamed of having kept it! But could he hate Jon's mother and yet keep her photograph? She pressed her hands over her forehead, trying to see things clearly. Had they told Jon—had her visit to Robin Hill forced them to tell him? Everything now turned on that! She knew, they all knew, except—perhaps—Jon!

She walked up and down, biting her lip and thinking desperately hard. Jon loved his mother. If they had told him, what would he do? She could not tell. But if they had not told him, should she not—could she not get him for herself—get married to him, before he knew? She searched her memories of Robin Hill. His mother's face so passive—with its dark eyes and as if powdered hair, its reserve, its smile—baffled her; and his father's—kindly, sunken, ironic. Instinctively she felt they would shrink from telling Jon, even now, shrink from hurting him—for of course it would hurt him awfully to know!

Her aunt must be made not to tell her father that she knew. So long as neither she herself nor Jon were supposed to know, there was still a chance—freedom to cover one's tracks, and get what her heart was set on. But she was almost overwhelmed by her isolation. Every one's hand was against her—every one's! It was as Jon had said—he and she just wanted to live and the past was in their way, a past they hadn't shared in, and didn't understand! Oh! What a shame! And suddenly she thought of June. Would she help them? For somehow June had left on her the impression that she would be sympathetic with their love, impatient of obstacle. Then, instinctively, she thought: 'I won't give anything away, though, even to her. I daren't! I mean to have Jon; in spite of them all.'

Soup was brought up to her, and one of Winifred's pet headache cachets. She swallowed both. Then Winifred herself appeared. Fleur opened her campaign with the words:

"You know, Auntie, I do wish people wouldn't think I'm in love with that boy. Why, I've hardly seen him!"

Winifred, though experienced, was not 'fine'. She accepted the remark with considerable relief. Of course, it was not pleasant for the girl to hear of the family scandal, and she set herself to minimise the matter, a task for which she was eminently qualified, raised fashionably under a comfortable mother and a father whose nerves might not be shaken, and for many years the wife of Montague Dartie. Her description was a masterpiece of understatement. Fleur's father's first wife had been very foolish. There had been a young man who had got run over, and she had left Fleur's father. Then, years after, when it might all have come right again, she had taken up with their cousin Jolyon; and, of course, her father had been obliged to have a divorce. Nobody remembered anything of it now, except just the family. And, perhaps, it had all turned out for the best; her father had Fleur; and Jolyon and Irene had been quite happy, they said, and their boy was a nice boy. "Val having Holly, too, is a sort of plaster, don't you know?" With these soothing words, Winifred patted her niece's shoulder, thought: "She's a nice, plump little thing!" and went back to Prosper Profond, who, in spite of his indiscretion, was very "amusing" this evening.

For some minutes after her aunt had gone Fleur remained under influence of bromide material and spiritual. But then reality came back. Her aunt had left out all that mattered—all the feeling, the hate, the love, the unforgivingness of passionate hearts. She, who knew so little of life, and had touched only the fringe of love, was yet aware by instinct that words have as little relation to fact and feeling as coin to the bread it buys. 'Poor Father!' she thought. 'Poor me! Poor Jon! But I don't care, I mean to have him!' From the window of her darkened room she saw "that man" issue from the door below and "prowl" away. If he and her mother—how would that affect her chance? Surely it must make her father cling to her more closely, so that he would consent in the end to anything she wanted, or become reconciled the sooner to what she did without his knowledge.

She took some earth from the flower-box in the window, and with all her might flung it after that disappearing figure. It fell short, but the action did her good.

And a little puff of air came up from Green Street, smelling of petrol, not sweet.

V

PURELY FORSYTE AFFAIRS

Soames, coming up to the City, with the intention of calling in at Green Street at the end of his day and taking Fleur back home with him, suffered from rumination. Sleeping partner that he was, he seldom visited the City now, but he still had a room of his own at Cuthcott Kingson & Forsyte's, and one special clerk and a half assigned to the management of purely Forsyte affairs. They were somewhat in flux just now—an auspicious moment for the disposal of house property. And Soames was unloading the estates of his father and uncle Roger, and to some extent of his uncle Nicholas. His shrewd and matter-of-course probity in all money concerns had made him something of an autocrat in connection with these trusts. If Soames thought this or thought that, one had better save oneself the bother of thinking too. He guaranteed, as it were, irresponsibility to numerous Forsytes of the third and fourth generations. His fellow trustees, such as his cousins Roger or Nicholas, his cousins-in-law Tweetyman and Spender, or his sister Cicely's husband all trusted him; he signed first, and where he signed first they signed after, and nobody was a penny the worse. Just now they were all a good many pennies the better, and Soames was beginning to see the close of certain trusts, except for distribution of the income from securities as gilt-edged as was compatible with the period.

Passing the more feverish parts of the City towards the most perfect backwater in London, he ruminated. Money was extraordinarily tight; and morality extraordinarily loose! The War had done it. Banks were not lending; people breaking contracts all over the place. There was a feeling in the air and a look on faces that he did not like. The country seemed in for a spell of gambling and bankruptcies. There was satisfaction in the thought that neither he nor his trusts had an investment which could be affected by anything less maniacal than national repudiation or a levy on capital. If Soames had faith, it was in what he called "English common sense"—or the power to have things, if not one way then another. He might—like his father James before him—say he didn't know what things were coming to, but he never in his heart believed they were. If it rested with him, they wouldn't—and, after all, he was only an Englishman like any other, so quietly tenacious of what he had that he knew he would never really part with it without something more or less equivalent in exchange. Take his own case, for example! He was well off. Did that do anybody harm? He did not eat ten meals a day; he ate no more than, perhaps not so much as, a poor man. He spent no money on vice; breathed no more air, used no more water to speak of than the mechanic or the porter. He certainly had pretty things about him, but they had given employment in the making, and somebody must use them. He bought pictures, but Art must be encouraged. He was, in fact, an accidental channel through which money flowed, employing labour. What was there objectionable in that? In his charge money was in quicker and more useful flux than it would be in charge of the State and a lot of slow-fly money-sucking officials. And as to what he saved each year—it was just as much in flux as what he didn't save, going into Water Board or Council Stocks, or something sound and useful. The State paid him no salary for being trustee of his own or other people's money—HE DID ALL THAT FOR NOTHING. Therein lay the whole case against nationalisation—owners of private property were unpaid, and yet had every incentive to quicken up the flux. Under nationalisation—just the opposite! In a country smarting from officialism he felt that he had a strong case.

It particularly annoyed him, entering that backwater of perfect peace, to think that a lot of unscrupulous Trusts and Combinations had been cornering the market in goods of all kinds, and keeping prices at an artificial height. Such abusers of the individualistic system were the ruffians who caused all the trouble, and it was some satisfaction to see them getting into a stew at last lest the whole thing might come down with a run-and land in the soup.

The offices of Cuthcott Kingson & Forsyte occupied the ground and first floors of a house on the right-hand side; and, ascending to his room, Soames thought: 'Time we had a coat of paint.'

His old clerk Gradman was seated, where he always was, at a huge bureau with countless pigeonholes. Half-the-clerk stood beside him, with a broker's note recording investment of the proceeds from sale of the Bryanston Square house, in Roger Forsyte's estate. Soames took it, and said:

"Vancouver City Stock. H'm! It's down to-day!"

With a sort of grating ingratiation old Gradman answered him:

"Ye-es; but everything's down, Mr. Soames." And half-the-clerk withdrew.

Soames skewered the document onto a number of other papers and hung up his hat.

"I want to look at my Will and Marriage Settlement, Gradman."

Old Gradman, moving to the limit of his swivel chair, drew out two drafts from the bottom left-hand drawer. Recovering his body, he raised his grizzle-haired face, very red from stooping.

"Copies, sir."

Soames took them. It struck him suddenly how like Gradman was to the stout brindled yard dog they had been wont to keep on his chain at 'The Shelter,' till one day Fleur had come and insisted it should be let loose, so that it had at once bitten the cook and been destroyed. If you let Gradman off his chair, would he bite the cook?

Checking this frivolous fancy, Soames unfolded his Marriage Settlement. He had not looked at it for over eighteen years, not since he remade his Will when his father died and Fleur was born. He wanted to see whether the words "during coverture" were in. Yes, they were—odd expression, when you thought of it, and derived perhaps from horse-breeding! Interest on fifteen thousand pounds (which he paid her without deducting income tax) so long as she remained his wife, and afterwards during widowhood "dum casta"—old-fashioned and rather pointed words, put in to insure the conduct of Fleur's mother. His Will made it up to an annuity of a thousand under the same conditions. All right! He returned the copies to Gradman, who took them without looking up, swung the chair, restored the papers to their drawer, and went on casting up.

"Gradman! I don't like the condition of the country; there are a lot of people about without any common sense. I want to find a way by which I can safeguard Miss Fleur against anything which might arise."

Gradman wrote the figure "2" on his blotting-paper.

"Ye-es," he said; "there's a nahsty spirit."

"The ordinary restraint against anticipation doesn't meet the case."

"Nao," said Gradman.

"Suppose those Labour fellows come in, or worse! It's these people with fixed ideas who are the danger. Look at Ireland!"

"Ah!" said Gradman.

"Suppose I were to make a settlement on her at once with myself as beneficiary for life, they couldn't take anything but the interest from me, unless of course they alter the law."

Gradman moved his head and smiled.

"Aoh!" he said, "they wouldn't do tha-at!"

"I don't know," muttered Soames; "I don't trust them."

"It'll take two years, sir, to be valid against death duties."

Soames sniffed. Two years! He was only sixty-five!

"That's not the point. Draw a form of settlement that passes all my property to Miss Fleur's children in equal shares, with antecedent life-interests first to myself and then to her without power of anticipation, and add a clause that in the event of anything happening to divert her life-interest, that interest passes to the trustees, to apply for her benefit, in their absolute discretion."

Gradman grated: "Rather extreme at your age, sir; you lose control."

"That's my business," said Soames sharply.

Gradman wrote on a piece of paper. "Life-interest—anticipation—divert interest—absolute discretion..." and said:

"What trustees? There's young Mr. Kingson, he's a nice steady young fellow."

"Yes, he might do for one. I must have three. There isn't a Forsyte now who appeals to me."

"Not young Mr. Nicholas? He's at the Bar. We've given 'im briefs."

"He'll never set the Thames on fire," said Soames.

A smile oozed out on Gradman's face, greasy with countless mutton-chops, the smile of a man who sits all day.

"You can't expect it, at his age, Mr. Soames."

"Why? What is he? Forty?"

"Ye-es, quite a young fellow."

"Well, put him in; but I want somebody who'll take a personal interest. There's no one that I can see."

"What about Mr. Valerius, now he's come home?"

"Val Dartie? With that father?"

"We-ell," murmured Gradman, "he's been dead seven years—the Statute runs against him."

"No," said Soames. "I don't like the connection."

He rose. Gradman said suddenly:

"If they were makin' a levy on capital, they could come on the trustees, sir. So there you'd be just the same. I'd think it over, if I were you."

"That's true," said Soames, "I will. What have you done about that dilapidation notice in Vere Street?"

"I 'aven't served it yet. The party's very old. She won't want to go out at her age."

"I don't know. This spirit of unrest touches every one."

"Still, I'm lookin' at things broadly, sir. She's eighty-one."

"Better serve it," said Soames, "and see what she says. Oh! and Mr. Timothy? Is everything in order in case of accidents."

"I've got the inventory of his estate all ready; had the furniture and pictures valued so that we know what reserves to put on. I shall be sorry when he goes, though. Dear me! It is a time since I first saw Mr. Timothy!"

"We can't live for ever," said Soames, taking down his hat.

"Nao," said Gradman; "but it'll be a pity—the last of the old family! Shall I take up the matter of that nuisance in Old Compton Street? Those organs—they're nahsty things."

"Do. I must call for Miss Fleur and catch the four o'clock. Good-day, Gradman."

"Good-day, Mr. Soames. I hope Miss Fleur—"

"Well enough, but gads about too much."

"Ye-es," grated Gradman; "she's young."

Soames went out, musing: "Old Gradman! If he were younger I'd put him in the trust. There's nobody I can depend on to take a real interest."

Leaving the bilious and mathematical exactitude, the preposterous peace of that backwater, he thought suddenly: 'During coverture! Why can't they exclude fellows like Profond, instead of a lot of hard-working Germans?' and was surprised at the depth of uneasiness which could provoke so unpatriotic a thought. But there it was! One never got a moment of real peace. Always something at the back of everything! And he made his way towards Green Street.

Two hours later by his watch, Thomas Gradman, stirring in his swivel chair, closed the last drawer of his bureau, and putting into his waistcoat pocket a bunch of keys so fat that they gave him a protuberance on the liver side, brushed his old top hat round with his sleeve, took his umbrella, and descended. Thick, short, and buttoned closely into his old frock coat, he walked towards Covent Garden market. He never missed that daily promenade to the Tube for Highgate, and seldom some critical transaction on the way in connection with vegetables and fruit. Generations might be born, and hats might change, wars be fought, and Forsytes fade away, but Thomas Gradman, faithful and grey, would take his daily walk and buy his daily vegetable. Times were not what they were, and his son had lost a leg, and they never gave him those nice little plaited baskets to carry the stuff in now, and these Tubes were convenient things—still he mustn't complain; his health was good considering his time of life, and after fifty-four years in the Law he was getting a round eight hundred a year and a little worried of late, because it was mostly collector's commission on the rents, and with all this conversion of Forsyte property going on, it looked like drying up, and the price of living still so high; but it was no good worrying—"The good God made us all"—as he was in the habit of saying; still, house property in London—he didn't know what Mr. Roger or Mr. James would say if they could see it being sold like this—seemed to show a lack of faith; but Mr. Soames—he worried. Life and lives in being and twenty-one years after—beyond that you couldn't go; still, he kept his health wonderfully—and Miss Fleur was a pretty little thing—she was; she'd marry; but lots of people had no children nowadays—he had had his first child at twenty-two; and Mr. Jolyon, married while he was at Cambridge, had his child the same year—gracious Peter! That was back in '70, a long time before old Mr. Jolyon—fine judge of property—had taken his Will away from Mr. James—dear, yes! Those were the days when they were buyin' property right and left, and none of this khaki and fallin' over one another to get out of things; and cucumbers at twopence; and a melon—the old melons, that made your mouth water! Fifty years since he went into Mr. James' office, and Mr. James had said to him: "Now, Gradman, you're only a shaver—you pay attention, and you'll make your five hundred a year before you've done." And he had, and feared God, and served the Forsytes, and kept a vegetable diet at night. And, buying a copy of John Bull—not that he approved of it, an extravagant affair—he entered the Tube elevator with his mere brown-paper parcel, and was borne down into the bowels of the earth.

VI

SOAMES' PRIVATE LIFE

On his way to Green Street it occurred to Soames that he ought to go into Dumetrius' in Suffolk Street about the possibility of the Bolderby Old Crome. Almost worth while to have fought the War to have the Bolderby Old Crome, as it were, in flux! Old Bolderby had died, his son and grandson had been killed—a cousin was coming into the estate, who meant to sell it, some said because of the condition of England, others said because he had asthma.

If Dumetrius once got hold of it the price would become prohibitive; it was necessary for Soames to find out whether Dumetrius had got it, before he tried to get it himself. He therefore confined himself to discussing with Dumetrius whether Monticellis would come again now that it was the fashion for a picture to be anything except a picture; and the future of Johns, with a side-slip into Buxton Knights. It was only when leaving that he added: "So they're not selling the Bolderby Old Crome, after all?" In sheer pride of racial superiority, as he had calculated would be the case, Dumetrius replied:

"Oh! I shall get it, Mr. Forsyte, sir."

The flutter of his eyelid fortified Soames in a resolution to write direct to the new Bolderby, suggesting that the only dignified way of dealing with an Old Crome was to avoid dealers. He therefore said: "Well, good-day!" and went, leaving Dumetrius the wiser.

At Green Street he found that Fleur was out and would be all the evening; she was staying one more night in London. He cabbed on dejectedly, and caught his train.

He reached his house about six o'clock. The air was heavy, midges biting, thunder about. Taking his letters he went up to his dressing-room to cleanse himself of London.

An uninteresting post. A receipt, a bill for purchases on behalf of Fleur. A circular about an exhibition of etchings. A letter beginning:

"SIR,

"I feel it my duty—"

That would be an appeal or something unpleasant. He looked at once for the signature. There was none! Incredulously he turned the page over and examined each corner. Not being a public man, Soames had never yet had an anonymous letter, and his first impulse was to tear it up, as a dangerous thing; his second to read it, as a thing still more dangerous.

"SIR,

"I feel it my duty to inform you that having no interest in the matter your lady is carrying on with a foreigner—"

Reaching that word Soames stopped mechanically and examined the post-mark. So far as he could pierce the impenetrable disguise in which the Post Office had wrapped it, there was something with a "sea" at the end and a "t" in it. Chelsea? No! Battersea? Perhaps! He read on.

"These foreigners are all the same. Sack the lot! This one meets your lady twice a week. I know it of my own knowledge—and to see an Englishman put on goes against the grain. You watch it and see if what I say isn't true. I shouldn't meddle if it wasn't a dirty foreigner that's in it. Yours obedient."

The sensation with which Soames dropped the letter was similar to that he would have had entering his bedroom and finding it full of black-beetles. The meanness of anonymity gave a shuddering obscenity to the moment. And the worst of it was that this shadow had been at the back of his mind ever since the Sunday evening when Fleur had pointed down at Prosper Profond strolling on the lawn, and said: "Prowling cat!" Had he not in connection therewith, this very day, perused his Will and Marriage Settlement? And now this anonymous ruffian, with nothing to gain, apparently, save the venting of his spite against foreigners, had wrenched it out of the obscurity in which he had hoped and wished it would remain. To have such knowledge forced on him, at his time of life, about Fleur's mother! He picked the letter up from the carpet, tore it across, and then, when it hung together by just the fold at the back, stopped tearing, and re-read it. He was taking at that moment one of the decisive resolutions of his life. He would NOT be forced into another scandal. No! However he decided to deal with this matter—and it required the most far-sighted and careful consideration—he would do nothing that might injure Fleur. That resolution taken, his mind answered the helm again, and he made his ablutions. His hands trembled as he dried them. Scandal he would not have, but something must be done to stop this sort of thing! He went into his wife's room and stood looking round him. The idea of searching for anything which would incriminate, and entitle him to hold a menace over her, did not even come to him. There would be nothing—she was much too practical. The idea of having her watched had been dismissed before it came—too well he remembered his previous experience of that. No! He had nothing but this torn-up letter from some anonymous ruffian, whose impudent intrusion into his private life he so violently resented. It was repugnant to him to make use of it, but he might have to. What a mercy Fleur was not at home to-night! A tap on the door broke up his painful cogitations.

"Mr. Michael Mont, sir, is in the drawing-room. Will you see him?"

"No," said Soames; "yes. I'll come down."

Anything that would take his mind off for a few minutes!

Michael Mont in flannels stood on the verandah, smoking a cigarette. He threw it away as Soames came up, and ran his hand through his hair.

Soames' feeling towards this young man was singular. He was no doubt a rackety, irresponsible young fellow according to old standards, yet somehow likeable, with his extraordinarily cheerful way of blurting out his opinions.

"Come in," he said; "have you had tea?"

Mont came in.

"I thought Fleur would have been back, sir; but I'm glad she isn't. The fact is, I—I'm fearfully gone on her; so fearfully gone that I thought you'd better know. It's old-fashioned, of course, coming to fathers first, but I thought you'd forgive that. I went to my own dad, and he says if I settle down he'll see me through. He rather cottons to the idea, in fact. I told him about your Goya."

"Oh!" said Soames, inexpressibly dry. "He rather cottons?"

"Yes, sir; do you?"

Soames smiled faintly. "You see," resumed Mont, twiddling his straw hat, while his hair, ears, eyebrows, all seemed to stand up from excitement, "when you've been through the War you can't help being in a hurry."

"To get married; and unmarried afterwards," said Soames slowly.

"Not from Fleur, sir. Imagine, if you were me!"

Soames cleared his throat. That way of putting it was forcible enough.

"Fleur's too young," he said.

"Oh! no, sir. We're awfully old nowadays. My dad seems to me a perfect babe; his thinking apparatus hasn't turned a hair. But he's a Baronight, of course; that keeps him back."

"Baronight," repeated Soames; "what may that be?"

"Bart, sir. I shall be a Bart some day. But I shall live it down, you know."

"Go away and live this down," said Soames.

Young Mont said imploringly: "Oh! no, sir. I simply must hang round, or I shouldn't have a dog's chance. You'll let Fleur do what she likes, I suppose, anyway. Madame passes me."

"Indeed!" said Soames frigidly.

"You don't really bar me, do you?" and the young man looked so doleful that Soames smiled.

"You may think you're very old," he said; "but you strike me as extremely young. To rattle ahead of everything is not a proof of maturity."

"All right, sir; I give you our age. But to show you I mean business—I've got a job."

"Glad to hear it."

"Joined a publisher; my governor is putting up the stakes."

Soames put his hand over his mouth—he had so very nearly said: "God help the publisher." His grey eyes scrutinised the agitated young man.

"I don't dislike you, Mr. Mont, but Fleur is everything to me. Everything—do you understand?"

"Yes, sir, I know; but so she is to me."

"That's as may be. I'm glad you've told me, however. And now I think there's nothing more to be said."

"I know it rests with her, sir."

"It will rest with her a long time, I hope."

"You aren't cheering," said Mont suddenly.

"No," said Soames; "my experience of life has not made me anxious to couple people in a hurry. Good-night, Mr. Mont. I shan't tell Fleur what you've said."

"Oh!" murmured Mont blankly; "I really could knock my brains out for want of her. She knows that perfectly well."

"I dare say," and Soames held out his hand. A distracted squeeze, a heavy sigh, and, soon after, sounds from the young man's motor-cycle called up visions of flying dust and broken bones.

'The younger generation!' he thought heavily, and went out on to the lawn. The gardeners had been mowing, and there was still the smell of fresh-cut grass—the thundery air kept all scents close to earth. The sky was of a purplish hue—the poplars black. Two or three boats passed on the river, scuttling, as it were, for shelter before the storm. 'Three days fine weather,' thought Soames, 'and then a storm!' Where was Annette? With that chap, for all he knew—she was a young woman! Impressed with the queer charity of that thought, he entered the summer-house and sat down. The fact was—and he admitted it—Fleur was so much to him that his wife was very little—very little; French—had hardly been more than a mistress, and he was getting indifferent to that side of things! It was odd how, with all his ingrained care for moderation and secure investment, Soames ever put his emotional eggs into one basket. First Irene—now Fleur. He was just conscious of it, sitting there, conscious of its odd dangerousness. It had brought him to wreck and scandal once, but now—now it should save him! He cared so much for Fleur that he would have no further scandal. If only he could get at that anonymous letter writer, he would teach the fellow not to meddle and stir up mud at the bottom of water which he wished should remain stagnant!... A distant flash, a low rumble, and large drops of rain spattered on the thatch above him. He remained indifferent, tracing a pattern with his finger on the dusty surface of a little rustic table. Fleur's future! 'I want fair sailing for her,' he thought. 'Nothing else matters at my time of life.' A lonely business—life! What you had you never could keep to yourself! As you warned one off, you let another in. One could make sure of nothing! He reached up and pulled a red rambler rose from a cluster which blocked the window. Flowers grew and dropped—you couldn't keep them! The thunder rumbled and crashed, travelling east along the river, the paling flashes flicked his eyes; the poplar tops showed sharp and dense against the sky, a heavy shower rustled and rattled and veiled in the little house wherein he sat, indifferent, thinking.

When the storm was over, he left his retreat and went down the wet path to the river bank.

Two swans had come, sheltering in among the reeds. He knew the birds well, and stood watching the dignity in the curve of those white necks and formidable snake-like heads. 'Not dignified—what I have to do!' he thought. And yet it must be tackled, lest worse befell. Annette must be back by now from wherever she had gone, for it was nearly dinner-time, and as the moment for seeing her approached, the difficulty of knowing what to say and how to say it had increased. A new and scaring thought occurred to him. Suppose she wanted her liberty to marry this fellow! Well, if she did, she couldn't have it. He had not married her for that. The image of Prosper Profond dawdled before him reassuringly. Not a marrying man! No, no! Anger replaced that momentary scare. 'He had better not come my way,' he thought. The mongrel represented—! Ah! what did Prosper Profond represent? Nothing that mattered surely. And yet something real enough in the world—unmorality let off its chain, disillusionment on the prowl! That expression Annette had caught from him: "Je m'en fiche!" A fatalistic chap! A Continental—a cosmopolitan—a product of the age! If there were condemnation more complete, Soames felt that he did not know it.

The swans had turned their heads, and were looking past him into some distance of their own. One of them uttered a little hiss, wagged its tail, turned as if answering to a rudder, and swam away. The other followed. Their white bodies, their stately necks, passed out of his sight, and he went towards the house.

Annette was in the drawing-room, dressed for dinner, and he thought as he went up-stairs: 'Handsome is as handsome does.' Handsome! Except for remarks about the curtains in the drawing-room, and the storm, there was practically no conversation during a meal distinguished by exactitude of quantity and perfection of quality. Soames drank nothing. He followed her into the drawing-room afterwards, and found her smoking a cigarette on the sofa between the two French windows. She was leaning back, almost upright, in a low black frock, with her knees crossed and her blue eyes half closed; grey-blue smoke issued from her red, rather full lips, a fillet bound her chestnut hair, she wore the thinnest silk stockings, and shoes with very high heels showing off her instep. A fine piece in any room! Soames, who held that torn letter in a hand thrust deep into the side-pocket of his dinner-jacket, said:

"I'm going to shut the window; the damp's lifting in."

He did so, and stood looking at a David Cox adorning the cream-panelled wall close by.

What was she thinking of? He had never understood a woman in his life—except Fleur—and Fleur not always! His heart beat fast. But if he meant to do it, now was the moment. Turning from the David Cox, he took out the torn letter.

"I've had this."

Her eyes widened, stared at him, and hardened.

Soames handed her the letter.

"It's torn, but you can read it." And he turned back to the David Cox—a seapiece, of good tone but without movement enough. 'I wonder what that chap's doing at this moment?' he thought. 'I'll astonish him yet.' Out of the corner of his eye he saw Annette holding the letter rigidly; her eyes moved from side to side under her darkened lashes and frowning darkened eyebrows. She dropped the letter, gave a little shiver, smiled, and said:

"Dirrty!"

"I quite agree," said Soames; "degrading. Is it true?"

A tooth fastened on her red lower lip. "And what if it were?"

She was brazen!

"Is that all you have to say?"

"No."

"Well, speak out!"

"What is the good of talking?"

Soames said icily: "So you admit it?"

"I admit nothing. You are a fool to ask. A man like you should not ask. It is dangerous."

Soames made a tour of the room, to subdue his rising anger.

"Do you remember," he said, halting in front of her, "what you were when I married you? Working at accounts in a restaurant."

"Do you remember that I was not half your age?"

Soames broke off the hard encounter of their eyes, and went back to the David Cox.

"I am not going to bandy words. I require you to give up this—friendship. I think of the matter entirely as it affects Fleur."

"Ah!—Fleur!"

"Yes," said Soames stubbornly; "Fleur. She is your child as well as mine."

"It is kind to admit that!"

"Are you going to do what I say?"

"I refuse to tell you."

"Then I must make you."

Annette smiled.

"No, Soames," she said. "You are helpless. Do not say things that you will regret."

Anger swelled the veins on his forehead. He opened his mouth to vent that emotion, and—could not. Annette went on:

"There shall be no more such letters, I promise you. That is enough."

Soames writhed. He had a sense of being treated like a child by this woman who had deserved he did not know what.

"When two people have married, and lived like us, Soames, they had better be quiet about each other. There are things one does not drag up into the light for people to laugh at. You will be quiet, then; not for my sake—for your own. You are getting old; I am not, yet. You have made me ver-ry practical." Soames, who had passed through all the sensations of being choked, repeated dully:

"I require you to give up this friendship."

"And if I do not?"

"Then—then I will cut you out of my Will."

Somehow it did not seem to meet the case. Annette laughed.

"You will live a long time, Soames."

"You—you are a bad woman," said Soames suddenly.

Annette shrugged her shoulders.

"I do not think so. Living with you has killed things in me, it is true; but I am not a bad woman. I am sensible—that is all. And so will you be when you have thought it over."

"I shall see this man," said Soames sullenly, "and warn him off."

"Mon cher, you are funny. You do not want me, you have as much of me as you want; and you wish the rest of me to be dead. I admit nothing, but I am not going to be dead, Soames, at my age; so you had better be quiet, I tell you. I myself will make no scandal; none. Now, I am not saying any more, whatever you do."

She reached out, took a French novel off a little table, and opened it. Soames watched her, silenced by the tumult of his feelings. The thought of that man was almost making him want her, and this was a revelation of their relationship, startling to one little given to introspective philosophy. Without saying another word he went out and up to the picture-gallery. This came of marrying a Frenchwoman! And yet, without her there would have been no Fleur! She had served her purpose.

'She's right,' he thought; 'I can do nothing. I don't even KNOW that there's anything in it.' The instinct of self-preservation warned him to batten down his hatches, to smother the fire with want of air. Unless one believed there was something in a thing, there wasn't.

That night he went into her room. She received him in the most matter-of-fact way, as if there had been no scene between them. And he returned to his own room with a curious sense of peace. If one didn't choose to see, one needn't. And he did not choose—in future he did not choose. There was nothing to be gained by it—nothing! Opening the drawer he took from the sachet a handkerchief, and the framed photograph of Fleur. When he had looked at it a little he slipped it down, and there was that other one—that old one of Irene. An owl hooted while he stood in his window gazing at it. The owl hooted, the red climbing roses seemed to deepen in colour, there came a scent of lime-blossom. God! That had been a different thing! Passion—Memory! Dust!

VII

JUNE TAKES A HAND

One who was a sculptor, a Slav, a sometime resident in New York, an egoist, and impecunious, was to be found of an evening in June Forsyte's studio on the bank of the Thames at Chiswick. On the evening of July 6, Boris Strumolowski—several of whose works were on show there because they were as yet too advanced to be on show anywhere else—had begun well, with that aloof and rather Christlike silence which admirably suited his youthful, round, broad-cheekboned countenance framed in bright hair banged like a girl's. June had known him three weeks, and he still seemed to her the principal embodiment of genius, and hope of the future; a sort of Star of the East which had strayed into an unappreciative West. Until that evening he had conversationally confined himself to recording his impressions of the United States, whose dust he had just shaken from off his feet—a country, in his opinion, so barbarous in every way that he had sold practically nothing there, and become an object of suspicion to the police; a country, as he said, without a race of its own, without liberty, equality, or fraternity, without principles, traditions, taste, without—in a word—a soul. He had left it for his own good, and come to the only other country where he could live well. June had dwelt unhappily on him in her lonely moments, standing before his creations—frightening, but powerful and symbolic once they had been explained! That he, haloed by bright hair like an early Italian painting, and absorbed in his genius to the exclusion of all else—the only sign of course by which real genius could be told—should still be a "lame duck" agitated her warm heart almost to the exclusion of Paul Post. And she had begun to take steps to clear her Gallery, in order to fill it with Strumolowski masterpieces. She had at once encountered trouble. Paul Post had kicked; Vospovitch had stung. With all the emphasis of a genius which she did not as yet deny them, they had demanded another six weeks at least of her Gallery. The American stream, still flowing in, would soon be flowing out. The American stream was their right, their only hope, their salvation—since nobody in this "beastly" country cared for Art. June had yielded to the demonstration. After all Boris would not mind their having the full benefit of an American stream, which he himself so violently despised.

This evening she had put that to Boris with nobody else present, except Hannah Hobdey, the mediaeval black-and-whitist, and Jimmy Portugal, editor of the Neo-Artist. She had put it to him with that sudden confidence which continual contact with the neo-artistic world had never been able to dry up in her warm and generous nature. He had not broken his Christlike silence, however, for more than two minutes before she began to move her blue eyes from side to side, as a cat moves its tail. This—he said—was characteristic of England, the most selfish country in the world; the country which sucked the blood of other countries; destroyed the brains and hearts of Irishmen, Hindus, Egyptians, Boers, and Burmese, all the finest races in the world; bullying, hypocritical England! This was what he had expected, coming to such a country, where the climate was all fog, and the people all tradesmen perfectly blind to Art, and sunk in profiteering and the grossest materialism. Conscious that Hannah Hobdey was murmuring: "Hear, hear!" and Jimmy Portugal sniggering, June grew crimson, and suddenly rapped out:

"Then why did you ever come? We didn't ask you." The remark was so singularly at variance with all that she had led him to expect from her, that Strumolowski stretched out his hand and took a cigarette.

"England never wants an idealist," he said.

But in June something primitively English was thoroughly upset; old Jolyon's sense of justice had risen, as it were, from bed. "You come and sponge on us," she said, "and then abuse us. If you think that's playing the game, I don't."

She now discovered that which others had discovered before her—the thickness of hide beneath which the sensibility of genius is sometimes veiled. Strumolowski's young and ingenuous face became the incarnation of a sneer.

"Sponge, one does not sponge, one takes what is owing—a tenth part of what is owing. You will repent to say that, Miss Forsyte."

"Oh, no," said June, "I shan't."

"Ah! We know very well, we artists—you take us to get what you can out of us. I want nothing from you"—and he blew out a cloud of June's smoke.

Decision rose in an icy puff from the turmoil of insulted shame within her. "Very well, then, you can take your things away."

And, almost in the same moment, she thought: 'Poor boy! He's only got a garret, and probably not a taxi fare. In front of these people, too; it's positively disgusting!'

Young Strumolowski shook his head violently; his hair, thick, smooth, close as a golden plate, did not fall off.

"I can live on nothing," he said shrilly; "I have often had to for the sake of my Art. It is you bourgeois who force us to spend money."

The words hit June like a pebble, in the ribs. After all she had done for Art, all her identification with its troubles and lame ducks. She was struggling for adequate words when the door was opened, and her Austrian murmured:

"A young lady, gnadiges fraulein."

"Where?"

"In the little meal-room."

With a glance at Boris Strumolowski, at Hannah Hobdey, at Jimmy Portugal, June said nothing, and went out, devoid of equanimity. Entering the "little meal-room," she perceived the young lady to be Fleur—looking very pretty, if pale. At this disenchanted moment a lame duck of her own breed was welcome to June, so homoeopathic by instinct.

The girl must have come, of course, because of Jon; or, if not, at least to get something out of her. And June felt just then that to assist somebody was the only bearable thing.

"So you've remembered to come," she said.

"Yes. What a jolly little duck of a house! But please don't let me bother you, if you've got people."

"Not at all," said June. "I want to let them stew in their own juice for a bit. Have you come about Jon?"

"You said you thought we ought to be told. Well, I've found out."

"Oh!" said June blankly. "Not nice, is it?"

They were standing one on each side of the little bare table at which June took her meals. A vase on it was full of Iceland poppies; the girl raised her hand and touched them with a gloved finger. To her new-fangled dress, frilly about the hips and tight below the knees, June took a sudden liking—a charming colour, flax-blue.

'She makes a picture,' thought June. Her little room, with its whitewashed walls, its floor and hearth of old pink brick, its black paint, and latticed window athwart which the last of the sunlight was shining, had never looked so charming, set off by this young figure, with the creamy, slightly frowning face. She remembered with sudden vividness how nice she herself had looked in those old days when HER heart was set on Philip Bosinney, that dead lover, who had broken from her to destroy for ever Irene's allegiance to this girl's father. Did Fleur know of that, too?

"Well," she said, "what are you going to do?"

It was some seconds before Fleur answered.

"I don't want Jon to suffer. I must see him once more to put an end to it."

"You're going to put an end to it!"

"What else is there to do?"

The girl seemed to June, suddenly, intolerably spiritless.

"I suppose you're right," she muttered. "I know my father thinks so; but—I should never have done it myself. I can't take things lying down."

How poised and watchful that girl looked; how unemotional her voice sounded!

"People WILL assume that I'm in love."

"Well, aren't you?"

Fleur shrugged her shoulders. 'I might have known it,' thought June; 'she's Soames' daughter—fish! And yet—he!'

"Well, what do you want ME to do?" she said with a sort of disgust.

"Could I see Jon here to-morrow on his way down to Holly's? He'd come if you sent him a line to-night, and perhaps afterwards you'd let them know quietly at Robin Hill that it's all over, and that they needn't tell Jon about his mother."

"All right!" said June abruptly. "I'll write now, and you can post it. Half-past two to-morrow. I shan't be in, myself."

She sat down at the tiny bureau which filled one corner. When she looked round with the finished note Fleur was still touching the poppies with her gloved finger.

June licked a stamp. "Well, here it is. If you're not in love, of course, there's no more to be said. Jon's lucky."

Fleur took the note. "Thanks awfully!"

'Cold-blooded little baggage!' thought June. Jon, son of her father, to love, and not to be loved by the daughter of—Soames! It was humiliating!

"Is that all?"

Fleur nodded; her frills shook and trembled as she swayed towards the door.

"Good-bye!"

"Good-bye! ... Little piece of fashion!" muttered June, closing the door. "That family!" And she marched back towards her studio. Boris Strumolowski had regained his Christlike silence, and Jimmy Portugal was damning everybody, except the group in whose behalf he ran the Neo-Artist. Among the condemned were Eric Cobbley, and several other "lame-duck" genii who at one time or another had held first place in the repertoire of June's aid and adoration. She experienced a sense of futility and disgust, and went to the window to let the river-wind blow those squeaky words away.

But when at length Jimmy Portugal had finished, and gone with Hannah Hobdey, she sat down and mothered young Strumolowski for half an hour, promising him a month, at least, of the American stream; so that he went away with his halo in perfect order. 'In spite of all,' June thought, 'Boris IS wonderful.'

VIII

THE BIT BETWEEN THE TEETH

To know that your hand is against every one's is—for some natures—to experience a sense of moral release. Fleur felt no remorse when she left June's house. Reading condemnatory resentment in her little kinswoman's blue eyes—she was glad that she had fooled her, despising June because that elderly idealist had not seen what she was after.

End it, forsooth! She would soon show them all that she was only just beginning. And she smiled to herself on the top of the 'bus which carried her back to Mayfair. But the smile died, squeezed out by spasms of anticipation and anxiety. Would she be able to manage Jon? She had taken the bit between her teeth, but could she make him take it too? She knew the truth and the real danger of delay—he knew neither; therein lay all the difference in the world.

'Suppose I tell him,' she thought; 'wouldn't it really be safer?' This hideous luck had no right to spoil their love; he must see that! They could not let it! People always accepted an accomplished fact, in time! From that piece of philosophy—profound enough at her age—she passed to another consideration less philosophic. If she persuaded Jon to a quick and secret marriage, and he found out afterwards that she had known the truth! What then? Jon hated subterfuge. Again, then, would it not be better to tell him? But the memory of his mother's face kept intruding on that impulse. Fleur was afraid. His mother had power over him; more power perhaps than she herself. Who could tell? It was too great a risk. Deep-sunk in these instinctive calculations she was carried on past Green Street as far as the Ritz Hotel. She got down there, and walked back on the Green Park side. The storm had washed every tree; they still dripped. Heavy drops fell on to her frills, and to avoid them she crossed over under the eyes of the Iseeum Club. Chancing to look up she saw Monsieur Profond with a tall stout man in the bay window. Turning into Green Street she heard her name called, and saw "that prowler" coming up. He took off his hat—a glossy "bowler" such as she particularly detested:

"Good-evenin'! Miss Forsyde. Isn't there a small thing I can do for you?"

"Yes, pass by on the other side."

"I say! Why do you dislike me?"

"It looks like it."

"Well, then, because you make me feel life isn't worth living."

Monsieur Profond smiled.

"Look here, Miss Forsyde, don't worry. It'll be all right. Nothing lasts."

"Things do last," cried Fleur; "with me anyhow—especially likes and dislikes."

"Well, that makes me a bit un'appy."

"I should have thought nothing could ever make you happy or unhappy."

"I don't like to annoy other people. I'm goin' on my yacht."

Fleur looked at him, startled.

"Where?"

"Small voyage to the South Seas or somewhere," said Monsieur Profond.

Fleur suffered relief and a sense of insult. Clearly he meant to convey that he was breaking with her mother. How dared he have anything to break, and yet how dared he break it?

"Good-night, Miss Forsyde! Remember me to Mrs. Dartie. I'm not so bad, really. Good-night!" Fleur left him standing there with his hat raised. Stealing a look round, she saw him stroll—immaculate and heavy—back towards his Club.

'He can't even love with conviction,' she thought. 'What will Mother do?'

Her dreams that night were endless and uneasy; she rose heavy and unrested, and went at once to the study of Whitaker's Almanac. A Forsyte is instinctively aware that facts are the real crux of any situation. She might conquer Jon's prejudice, but without exact machinery to complete their desperate resolve, nothing would happen. From the invaluable tome she learned that they must each be twenty-one; or some one's consent would be necessary, which of course was unobtainable; then she became lost in directions concerning licenses, certificates, notices, districts, coming finally to the word "perjury." But that was nonsense! Who would really mind their giving wrong ages in order to be married for love! She ate hardly any breakfast, and went back to Whitaker. The more she studied the less sure she became; till, idly turning the pages, she came to Scotland. People could be married there without any of this nonsense. She had only to go and stay there twenty-one days, then Jon could come, and in front of two people they could declare themselves married. And what was more—they would be! It was far the best way; and at once she ran over her school-fellows. There was Mary Lambe who lived in Edinburgh and was "quite a sport!" She had a brother too. She could stay with Mary Lambe, who with her brother would serve for witnesses. She well knew that some girls would think all this unnecessary, and that all she and Jon need do was to go away together for a week-end and then say to their people: "We are married by Nature, we must now be married by Law." But Fleur was Forsyte enough to feel such a proceeding dubious, and to dread her father's face when he heard of it. Besides, she did not believe that Jon would do it; he had an opinion of her such as she could not bear to diminish. No! Mary Lambe was preferable, and it was just the time of year to go to Scotland. More at ease now, she packed, avoided her aunt, and took a 'bus to Chiswick. She was too early and went on to Kew Gardens. She found no peace among its flower-beds, labelled trees, and broad green spaces, and having lunched off anchovy-paste sandwiches and coffee, returned to Chiswick and rang June's bell. The Austrian admitted her to the "little meal-room." Now that she knew what she and Jon were up against, her longing for him had increased tenfold, as if he were a toy with sharp edges or dangerous paint such as they had tried to take from her as a child. If she could not have her way, and get Jon for good and all, she felt like dying of privation. By hook or crook she must and would get him! A round dim mirror of very old glass hung over the pink brick hearth. She stood looking at herself reflected in it, pale, and rather dark under the eyes; little shudders kept passing through her nerves. Then she heard the bell ring, and, stealing to the window, saw him standing on, the doorstep smoothing his hair and lips, as if he too were trying to subdue the fluttering of his nerves.

She was sitting on one of the two rush-seated chairs, with her back to the door, when he came in, and she said at once:

"Sit down, Jon, I want to talk seriously."

Jon sat on the table by her side, and without looking at him she went on:

"If you don't want to lose me, we must get married."

Jon gasped.

"Why? Is there anything new?"

"No, but I felt it at Robin Hill, and among my people."

"But—" stammered Jon, "at Robin Hill—it was all smooth—and they've said nothing to me."

"But they mean to stop us. Your mother's face was enough. And my father's."

"Have you seen him since?"

Fleur nodded. What mattered a few supplementary lies?

"But," said Jon eagerly, "I can't see how they can feel like that after all these years."

Fleur looked up at him.

"Perhaps you don't love me enough."

"Not love you enough! Why-I—"

"Then make sure of me"

"Without telling them?"

"Not till after."

Jon was silent. How much older he looked than on that day, barely two months ago, when she first saw him—quite two years older!

"It would hurt Mother awfully," he said.

Fleur drew her hand away.

"You've got to choose."

Jon slid off the table onto his knees.

"But why not tell them? They can't really stop us, Fleur!"

"They can! I tell you, they can."

"How?"

"We're utterly dependent—by putting money pressure, and all sorts of other pressure. I'm not patient, Jon."

"But it's deceiving them."

Fleur got up.

"You can't really love me, or you wouldn't hesitate. 'He either fears his fate too much—!'"

Lifting his hands to her waist, Jon forced her to sit down again. She hurried on:

"I've planned it all out. We've only to go to Scotland. When we're married they'll soon come round. People always come round to facts. Don't you SEE, Jon?"

"But to hurt them so awfully!"

So he would rather hurt her than those people of his!

"All right, then; let me go!"

Jon got up and put his back against the door. "I expect you're right," he said slowly; "but I want to think it over."

She could see that he was seething with feelings he wanted to express; but she did not mean to help him. She hated herself at this moment, and almost hated him.

Why had she to do all the work to secure their love? It wasn't fair. And then she saw his eyes, adoring and distressed.

"Don't look like that! I only don't want to lose you, Jon."

"You can't lose me so long as you want me."

"Oh, yes, I can."

Jon put his hands on her shoulders.

"Fleur, do you know anything you haven't told me?"

It was the point-blank question she had dreaded. She looked straight at him, and answered: "No." She had burnt her boats; but what did it matter, if she got him? He would forgive her. And throwing her arms round his neck, she kissed him on the lips. She was winning! She felt it in the beating of his heart against her, in the closing of his eyes. "I want to make sure! I want to make sure!" she whispered. "Promise!"

Jon did not answer. His face had the stillness of extreme trouble. At last he said:

"It's like hitting them. I must think a little, Fleur. I really must."

Fleur slipped out of his arms.

"Oh! Very well!" And suddenly she burst into tears of disappointment, shame, and overstrain. Followed five minutes of acute misery. Jon's remorse and tenderness knew no bounds; but he did not promise. Despite her will to cry: "Very well, then, if you don't love me enough—good-bye!" she dared not. From birth accustomed to her own way, this check from one so young, so tender, so devoted, baffled and surprised her. She wanted to push him away from her, to try what anger and coldness would do, and again she dared not. The knowledge that she was scheming to rush him blindfold into the irrevocable weakened everything—weakened the sincerity of pique, and the sincerity of passion; even her kisses had not the lure she wished for them. That stormy little meeting ended inconclusively.

"Will you some tea, gnadiges Fraulein?"

Pushing Jon from her, she cried out:

"No—no, thank you! I'm just going."

And before he could prevent her she was gone.

She went stealthily, mopping her flushed, stained cheeks, frightened, angry, very miserable. She had stirred Jon up so fearfully, yet nothing definite was promised or arranged! But the more uncertain and hazardous the future, the more "the will to have" worked its tentacles into the flesh of her heart—like some burrowing tick!

No one was at Green Street. Winifred had gone with Imogen to see a play which some said was allegorical, and others "very exciting, don't you know?" It was because of what others said that Winifred and Imogen had gone. Fleur went on to Paddington. Through the carriage the air from the brick-kilns of West Drayton and the late hay-fields fanned her still-flushed cheeks. Flowers had seemed to be had for the picking; now they were all thorned and prickled. But the golden flower within the crown of spikes seemed to her tenacious spirit all the fairer and more desirable.

IX

FAT IN THE FIRE

On reaching home Fleur found an atmosphere so peculiar that it penetrated even the perplexed aura of her own private life. Her mother was in blue stockingette and a brown study; her father in a white felt hat and the vinery. Neither of them had a word to throw to a dog. 'Is it because of me?' thought Fleur. 'Or because of Profond?' To her mother she said:

"What's the matter with Father?"

Her mother answered with a shrug of her shoulders.

To her father:

"What's the matter with Mother?"

Her father answered:

"Matter? What should be the matter?" and gave her a sharp look.

"By the way," murmured Fleur, "Monsieur Profond is going a 'small' voyage on his yacht, to the South Seas."

Soames examined a branch on which no grapes were growing.

"This vine's a failure," he said. "I've had young Mont here. He asked me something about you."

"Oh! How do you like him, Father?"

"He—he's a product—like all these young people."

"What were you at his age, dear?"

Soames smiled grimly.

"We went to work, and didn't play about—flying and motoring, and making love."

"Didn't you ever make love?"

She avoided looking at him while she said that, but she saw him well enough. His pale face had reddened, his eyebrows, where darkness was still mingled with the grey, had come close together.

"I had no time or inclination to philander."

"Perhaps you had a grand passion."

Soames looked at her intently.

"Yes—if you want to know—and much good it did me." He moved away, along by the hot-water pipes. Fleur tiptoed silently after him.

"Tell me about it, Father!"

Soames became very still.

"What should you want to know about such things, at your age?"

"Is she alive?"

He nodded.

"And married?"

"Yes."

"It's Jon Forsyte's mother, isn't it? And she was your wife first."

It was said in a flash of intuition. Surely his opposition came from his anxiety that she should not know of that old wound to his pride. But she was startled. To see some one so old and calm wince as if struck, to hear so sharp a note of pain in his voice!

"Who told you that? If your aunt—! I can't bear the affair talked of."

"But, darling," said Fleur, softly, "it's so long ago."

"Long ago or not, I—"

Fleur stood stroking his arm.

"I've tried to forget," he said suddenly; "I don't wish to be reminded." And then, as if venting some long and secret irritation, he added: "In these days people don't understand. Grand passion, indeed! No one knows what it is."

"I do," said Fleur, almost in a whisper.

Soames, who had turned his back on her, spun round.

"What are you talking of—a child like you!"

"Perhaps I've inherited it, Father."

"What?"

"For her son, you see."

He was pale as a sheet, and she knew that she was as bad. They stood staring at each other in the steamy heat, redolent of the mushy scent of earth, of potted geranium, and of vines coming along fast.

"This is crazy," said Soames at last, between dry lips.

Scarcely moving her own, she murmured:

"Don't be angry, Father. I can't help it."

But she could see he wasn't angry; only scared, deeply scared.

"I thought that foolishness," he stammered, "was all forgotten."

"Oh, no! It's ten times what it was."

Soames kicked at the hot-water pipe. The hapless movement touched her, who had no fear of her father—none.

"Dearest!" she said: "What must be, must, you know."

"Must!" repeated Soames. "You don't know what you're talking of. Has that boy been told?"

The blood rushed into her cheeks.

"Not yet."

He had turned from her again, and, with one shoulder a little raised, stood staring fixedly at a joint in the pipes.

"It's most distasteful to me," he said suddenly; "nothing could be more so. Son of that fellow—It's—it's—perverse!"

She had noted, almost unconsciously, that he did not say "son of that woman," and again her intuition began working.

Did the ghost of that grand passion linger in some corner of his heart?

She slipped her hand under his arm.

"Jon's father is quite ill and old; I saw him."

"You—?"

"Yes, I went there with Jon; I saw them both."

"Well, and what did they say to you?"

"Nothing. They were very polite."

"They would be." He resumed his contemplation of the pipe-joint, and then said suddenly: "I must think this over—I'll speak to you again to-night."

She knew this was final for the moment, and stole away, leaving him still looking at the pipe-joint. She wandered into the fruit-garden, among the raspberry and currant bushes, without impetus to pick and eat. Two months ago—she was light-hearted! Even two days ago—light-hearted, before Prosper Profond told her. Now she felt tangled in a web—of passions, vested rights, oppressions and revolts, the ties of love and hate. At this dark moment of discouragement there seemed, even to her hold-fast nature, no way out. How deal with it—how sway and bend things to her will, and get her heart's desire? And, suddenly, round the corner of the high box hedge, she came plump on her mother, walking swiftly, with an open letter in her hand. Her bosom was heaving, her eyes dilated, her cheeks flushed. Instantly Fleur thought: "The yacht! Poor Mother!"

Annette gave her a wide startled look, and said:

"J'ai la migraine."

"I'm awfully sorry, Mother."

"Oh; yes! you and your father—sorry!"

"But, Mother—I am. I know what it feels like."

Annette's startled eyes grew wide, till the whites showed above them. "You innocent!" she said.

Her mother—so self-possessed, and commonsensical—to look and speak like this! It was all frightening! Her father, her mother, herself! And only two months back they had seemed to have everything they wanted in this world.

Annette crumpled the letter in her hand. Fleur knew that she must ignore the sight.

"Can't I do anything for your head, Mother?"

Annette shook that head and walked on, swaying her hips.

'It's cruel,' thought Fleur, 'and I was glad! That man! What do men come prowling for, disturbing everything! I suppose he's tired of her. What business has he to be tired of my mother? What business!' And at that thought, so natural and so peculiar, she uttered a little choked laugh.

She ought, of course, to be delighted, but what was there to be delighted at? Her father didn't really care! Her mother did, perhaps? She entered the orchard, and sat down under a cherry-tree. A breeze sighed in the higher boughs; the sky seen through their green was very blue and very white in cloud—those heavy white clouds almost always present in river landscape. Bees, sheltering out of the wind, hummed softly, and over the lush grass fell the thick shade from those fruit-trees planted by her father five-and-twenty years ago. Birds were almost silent, the cuckoos had ceased to sing, but wood-pigeons were cooing. The breath and drone and cooing of high summer were not for long a sedative to her excited nerves. Crouched over her knees she began to scheme. Her father must be made to back her up. Why should he mind so long as she was happy? She had not lived for nearly nineteen years without knowing that her future was all he really cared about. She had, then, only to convince him that her future could not be happy without Jon. He thought it a mad fancy. How foolish the old were, thinking they could tell what the young felt! Had not he confessed that he—when young—had loved with a grand passion! He ought to understand. 'He piles up his money for me,' she thought; 'but what's the use, if I'm not going to be happy?' Money, and all it bought, did not bring happiness. Love only brought that. The ox-eyed daisies in this orchard, which gave it such a moony look sometimes, grew wild and happy, and had their hour. 'They oughtn't to have called me Fleur,' she mused, 'if they didn't mean me to have my hour, and be happy while it lasts.' Nothing real stood in the way, like poverty, or disease—sentiment only, a ghost from the unhappy past! Jon was right. They wouldn't let you live, these old people! They made mistakes, committed crimes, and wanted their children to go on paying! The breeze died away; midges began to bite. She got up, plucked a piece of honeysuckle, and went in.

It was hot that night. Both she and her mother had put on thin, pale low frocks. The dinner flowers were pale. Fleur was struck with the pale look of everything: her father's face, her mother's shoulders; the pale panelled walls, the pale-grey velvety carpet, the lamp-shade, even the soup was pale. There was not one spot of colour in the room, not even wine in the pale glasses, for no one drank it. What was not pale was black—her father's clothes, the butler's clothes, her retriever stretched out exhausted in the window, the curtains black with a cream pattern. A moth came in, and that was pale. And silent was that half-mourning dinner in the heat.

Her father called her back as she was following her mother out.

She sat down beside him at the table, and, unpinning the pale honeysuckle, put it to her nose.

"I've been thinking," he said.

"Yes, dear?"

"It's extremely painful for me to talk, but there's no help for it. I don't know if you understand how much you are to me—I've never spoken of it, I didn't think it necessary; but—but you're everything. Your mother—" he paused, staring at his finger-bowl of Venetian glass.

"Yes?"

"I've only you to look to. I've never had—never wanted anything else, since you were born."

"I know," Fleur murmured.

Soames moistened his lips.

"You may think this a matter I can smooth over and arrange for you. You're mistaken. I—I'm helpless."

Fleur did not speak.

"Quite apart from my own feelings," went on Soames with more resolution, "those two are not amenable to anything I can say. They—they hate me, as people always hate those whom they have injured."

"But he—Jon—"

"He's their flesh and blood, her only child. Probably he means to her what you mean to me. It's a deadlock."

"No," cried Fleur, "no, Father!"

Soames leaned back, the image of pale patience, as if resolved on the betrayal of no emotion.

"Listen!" he said. "You're putting the feelings of two months—two months—against the feelings of thirty-five years! What chance do you think you have? Two months—your very first love-affair, a matter of half a dozen meetings, a few walks and talks, a few kisses—against, against what you can't imagine, what no one could who hasn't been through it. Come, be reasonable, Fleur! It's midsummer madness!"

Fleur tore the honeysuckle into little, slow bits. "The madness is in letting the past spoil it all. What do we care about the past? It's our lives, not yours."

Soames raised his hand to his forehead, where suddenly she saw moisture shining.

"Whose child are you?" he said. "Whose child is he? The present is linked with the past, the future with both. There's no getting away from that."

She had never heard philosophy pass those lips before. Impressed even in her agitation, she leaned her elbows on the table, her chin on her hands.

"But, Father, consider it practically. We want each other. There's ever so much money, and nothing whatever in the way but sentiment. Let's bury the past, Father."

Soames shook his head. "Impossible!"

"Besides," said Fleur gently, "you can't prevent us."

"I don't suppose," said Soames, "that if left to myself I should try to prevent you; I must put up with things, I know, to keep your affection. But it's not I who control this matter. That's what I want you to realise before it's too late. If you go on thinking you can get your way, and encourage this feeling, the blow will be much heavier when you find you can't."

"Oh!" cried Fleur, "help me, Father; you CAN help me, you know."

Soames made a startled movement of negation.

"I?" he said bitterly. "Help? I am the impediment—the just cause and impediment—isn't that the jargon? You have my blood in your veins."

He rose.

"Well, the fat's in the fire. If you persist in your wilfulness you'll have yourself to blame. Come! Don't be foolish, my child—my only child!"

Fleur laid her forehead against his shoulder.

All was in such turmoil within her. But no good to show it! No good at all! She broke away from him, and went out into the twilight, distraught, but unconvinced. All was indeterminate and vague within her, like the shapes and shadows in the garden, except—her will to have. A poplar pierced up into the dark-blue sky and touched a white star there. The dew wetted her shoes, and chilled her bare shoulders. She went down to the river bank, and stood gazing at a moonstreak on the darkening water. Suddenly she smelled tobacco smoke, and a white figure emerged as if created by the moon. It was young Mont in flannels, standing in his boat. She heard the tiny hiss of his cigarette extinguished in the water.

"Fleur," came his voice, "don't be hard on a poor devil! I've been waiting hours."

"For what?"

"Come in my boat!"

"Not I."

"Why not?"

"I'm not a water-nymph."

"Haven't you ANY romance in you? Don't be modern, Fleur!"

He appeared on the path within a yard of her.

"Go away!"

"Fleur, I love you. Fleur!"

Fleur uttered a short laugh.

"Come again," she said, "when I haven't got my wish."

"What is your wish?"

"Ask another."

"Fleur," said Mont, and his voice sounded strange, "don't mock me! Even vivisected dogs are worth decent treatment before they're cut up for good."

Fleur shook her head; but her lips were trembling.

"Well, you shouldn't make me jump. Give me a cigarette."

Mont gave her one, lighted it, and another for himself.

"I don't want to talk rot," he said, "but please imagine all the rot that all the lovers that ever were have talked, and all my special rot thrown in."

"Thank you, I have imagined it. Good-night!"

They stood for a moment facing each other in the shadow of an acacia-tree with very moonlit blossoms, and the smoke from their cigarettes mingled in the air between them.

"Also ran: 'Michael Mont'?" he said. Fleur turned abruptly towards the house. On the lawn she stopped to look back. Michael Mont was whirling his arms above him; she could see them dashing at his head, then waving at the moonlit blossoms of the acacia. His voice just reached her. "Jolly—jolly!" Fleur shook herself. She couldn't help him, she had too much trouble of her own! On the verandah she stopped very suddenly again. Her mother was sitting in the drawing-room at her writing bureau, quite alone. There was nothing remarkable in the expression of her face except its utter immobility. But she looked desolate! Fleur went up-stairs. At the door of her room she paused. She could hear her father walking up and down, up and down the picture-gallery.

'Yes,' she thought, jolly! Oh, Jon!'

X

DECISION

When Fleur left him Jon stared at the Austrian. She was a thin woman with a dark face and the concerned expression of one who has watched every little good that life once had slip from her, one by one.

"No tea?" she said.

Susceptible to the disappointment in her voice, Jon murmured:

"No, really; thanks."

"A lil cup—it ready. A lil cup and cigarette."

Fleur was gone! Hours of remorse and indecision lay before him! And with a heavy sense of disproportion he smiled, and said:

"Well—thank you!"

She brought in a little pot of tea with two cups, and a silver box of cigarettes on a little tray.

"Sugar? Miss Forsyte has much sugar—she buy my sugar, my friend's sugar also. Miss Forsyte is a veree kind lady. I am happy to serve her. You her brother?"

"Yes," said Jon, beginning to puff the second cigarette of his life.

"Very young brother," said the Austrian, with a little anxious smile, which reminded him of the wag of a dog's tail.

"May I give you some?" he said. "And won't you sit down?"

The Austrian shook her head.

"Your father a very nice man—the most nice old man I ever see. Miss Forsyte tell me all about him. Is he better?"

Her words fell on Jon like a reproach. "Oh! I think he's all right."

"I like to see him again," said the Austrian, putting a hand on her heart; "he have veree kind heart."

"Yes," said Jon. And again her words seemed to him a reproach.

"He never give no trouble to no one, and smile so gentle."

"Yes! doesn't he?"

"He look at Miss Forsyte so funny sometimes. I tell him all my story; he so sympatisch. Your mother—she nice and well?"

"Very."

"He have her photograph on his dressing-table. Veree beautiful."

Jon gulped down his tea. This woman, with her concerned face and her reminding words, was like the first and second murderers.

"Thank you," he said; "I must go now. May—may I leave this with you?"

He put a ten-shilling note on the tray with a doubting hand and gained the door. He heard the Austrian gasp, and hurried out. He had just time to catch his train, and all the way to Victoria looked at every face that passed, as lovers will, hoping against hope. On reaching Worthing he put his luggage into the local train, and set out across the Downs for Wansdon, trying to walk off his aching irresolution. So long as he went full bat, he could enjoy the beauty of those green slopes, stopping now and again to sprawl on the grass, admire the perfection of a wild rose, or listen to a lark's song. But the war of motives within him was but postponed—the longing for Fleur, and the hatred of deception. He came to the old chalk-pit above Wansdon with his mind no more made up than when he started. To see both sides of a question vigorously was at once Jon's strength and weakness. He tramped in, just as the first dinner-bell rang. His things had already been brought up. He had a hurried bath and came down to find Holly alone—Val had gone to Town and would not be back till the last train.

Since Val's advice to him to ask his sister what was the matter between the two families, so much had happened—Fleur's disclosure in the Green Park, her visit to Robin Hill, to-day's meeting—that there seemed nothing to ask. He talked of Spain, his sunstroke, Val's horses, their father's health. Holly startled him by saying that she thought their father not at all well. She had been twice to Robin Hill for the week-end. He had seemed fearfully languid, sometimes even in pain, but had always refused to talk about himself.

"He's awfully dear and unselfish—don't you think, Jon?"

Feeling far from dear and unselfish himself, Jon answered: "Rather!"

"I think, he's been a simply perfect father, so long as I can remember."

"Yes," answered Jon, very subdued.

"He's never interfered, and he's always seemed to understand. I've not forgotten how he let me go out to South Africa in the Boer War when I was in love with Val."

"That was before he married Mother, wasn't it?" said Jon suddenly.

"Yes. Why?"

"Oh! nothing. Only, wasn't she engaged to Fleur's father first?"

Holly put down the spoon she was using, and raised her eyes. Her stare was circumspect. What did the boy know? Enough to make it better to tell him? She could not decide. He looked strained and worried, altogether older, but that might be the sunstroke.

"There WAS something," she said. "Of course we were out there, and got no news of anything." She could not take the risk. It was not her secret. Besides, she was in the dark about his feelings now. Before Spain she had made sure he was in love; but boys were boys; that was seven weeks ago, and all Spain between.

She saw that he knew she was putting him off, and added:

"Have you heard anything of Fleur?"

"Yes."

His face told her more than the most elaborate explanations. He had not forgotten!

She said very quietly: "Fleur is awfully attractive, Jon, but you know—Val and I don't really like her very much."

"Why?"

"We think she's got rather a 'having' nature."

"'Having?' I don't know what you mean. She—she—" he pushed his dessert plate away, got up, and went to the window.

Holly, too, got up, and put her arm round his waist.

"Don't be angry, Jon dear. We can't all see people in the same light, can we? I believe each of us only has about one or two people who can see the best that's in us, and bring it out. For you I think it's your mother. I once saw her looking at a letter of yours; it was wonderful to see her face. I think she's the most beautiful woman I ever saw—Age doesn't seem to touch her."

Jon's face softened, then again became tense. He recognised the intention of those words. Everybody was against him and Fleur! It all strengthened her appeal:

"Make sure of me—marry me, Jon!"

Here, where he had passed that wonderful week with her—the tug of her enchantment, the ache in his heart increased with every minute that she was not there to make the room, the garden, the very air magical. Would he ever be able to live down here, not seeing her? And he closed up utterly, going early to bed. It would not make him healthy, wealthy, and wise, but it closeted him with memory of Fleur in her fancy frock. He heard Val's arrival—the Ford discharging cargo, then the stillness of the summer night stole back—with only the bleating of very distant sheep, and a night-jar's harsh purring. He leaned far out. Cold moon—warm air—the Downs like silver! Small wings, a stream bubbling, the rambler roses! God-how empty all of it without her! In the Bible it was written: Thou shalt leave father and mother and cleave to—Fleur!

Let him have pluck, and go and tell them! They couldn't stop him marrying her—they wouldn't want to stop him when they knew how he felt. Yes! He would go! Bold and open—Fleur was wrong!

The night-jar ceased, the sheep were silent; the only sound in the darkness was the bubbling of the stream. And Jon in his bed slept, freed from the worst of life's evils—indecision.

XI

TIMOTHY PROPHESIES

On the day of the cancelled meeting at the National Gallery, began the second anniversary of the resurrection of England's pride and glory—or, more shortly, the top hat. "Lord's"—that festival which the war had driven from the field—raised its light and dark blue flags for the second time, displaying almost every feature of a glorious past. Here, in the luncheon interval, were all species of female and one species of male hat, protecting the multiple types of face associated with "the classes" The observing Forsyte might discern in the free or unconsidered seats a certain number of the squash-hatted, but they hardly ventured on the grass; the old school—or schools—could still rejoice that the proletariat was not yet paying the necessary half-crown. Here was still a close borough, the only one left on a large scale—for the papers were about to estimate the attendance at ten thousand. And the ten thousand, all animated by one hope, were asking each other one question: "Where are you lunching?" Something wonderfully uplifting and reassuring in that query and the sight of so many people like themselves voicing it! What reserve power in the British realm—enough pigeons, lobsters, lamb, salmon mayonnaise, strawberries, and bottles of champagne, to feed the lot! No miracle in prospect—no case of seven loaves and a few fishes—faith rested on surer foundations. Six thousand top hats, four thousand parasols would be doffed and furled, ten thousand mouths all speaking the same English would be filled. There was life in the old dog yet! Tradition! And again Tradition! How strong and how elastic! Wars might rage, taxation prey, Trades Unions take toll, and Europe perish of starvation; but the ten thousand would be fed; and, within their ring fence, stroll upon green turf, wear their top hats, and meet—themselves. The heart was sound, the pulse still regular. E-ton! E-ton! Har-r-o-o-o-w!

Among the many Forsytes present, on a hunting-ground theirs, by personal prescriptive right, or proxy, was Soames, with his wife and daughter. He had not been at either school, he took no interest in cricket, but he wanted Fleur to show her frock, and he wanted to wear his top hat—parade it again in peace and plenty among his peers. He walked sedately with Fleur between him and Annette. No women equalled them, so far as he could see. They could walk, and hold themselves up; there was substance in their good looks; the modern woman had no build, no chest, no anything! He remembered suddenly with what intoxication of pride he had walked round with Irene in the first years of his first marriage. And how they used to lunch on the drag which his mother WOULD make his father have, because it was so "chic"—all drags and carriages in those days, not these lumbering great Stands! And how consistently Montague Dartie had drunk too much. He supposed that people drank too much still, but there was not the scope for it there used to be. He remembered George Forsyte—whose brothers Roger and Eustace had been at Harrow and Eton—towering up on the top of the drag waving a light-blue flag with one hand and a dark-blue flag with the other, and shouting: "Etroow—Harrton!" just when everybody was silent, like the buffoon he had always been; and Eustace got up to the nines below, too dandified to wear any colour or take any notice. H'm! Old days, and Irene in grey silk shot with palest green. He looked, sideways, at Fleur's face. Rather colourless—no light, no eagerness! That love affair was preying on her—a bad business! He looked beyond, at his wife's face, rather more touched up than usual, a little disdainful—not that she had any business to disdain, so far as he could see. She was taking Profond's defection with curious quietude; or was his "small" voyage just a blind? If so, he should refuse to see it! After promenading round the pitch and in front of the pavilion, they sought Winifred's table in the Bedouin Club tent. This Club—a new "cock and hen"—had been founded in the interests of travel, and of a gentleman with an old Scottish name, whose father had somewhat strangely been called Levi. Winifred had joined, not because she had travelled, but because instinct told her that a Club with such a name and such a founder was bound to go far; if one didn't join at once one might never have the chance. Its tent, with a text from the Koran on an orange ground, and a small green camel embroidered over the entrance, was the most striking on the ground. Outside it they found Jack Cardigan in a dark-blue tie (he had once played for Harrow), batting with a Malacca cane to show how that fellow ought to have hit that ball. He piloted them in. Assembled in Winifred's corner were Imogen, Benedict with his young wife, Val Dartie without Holly, Maud and her husband, and, after Soames and his two were seated, one empty place.

"I'm expecting Prosper," said Winifred, "but he's so busy with his yacht."

Soames stole a glance. No movement in his wife's face! Whether that fellow were coming or not, she evidently knew all about it. It did not escape him that Fleur, too, looked at her mother. If Annette didn't respect his feelings, she might think of Fleur! The conversation, very desultory, was syncopated by Jack Cardigan talking about "mid-off." He cited all the "great mid-offs" from the beginning of time, as if they had been a definite racial entity in the composition of the British people. Soames had finished his lobster, and was beginning on pigeon-pie, when he heard the words: "I'm a small bit late, Mrs. Dartie," and saw that there was no longer any empty place. THAT FELLOW was sitting between Annette and Imogen. Soames ate steadily on, with an occasional word to Maud and Winifred. Conversation buzzed around him. He heard the voice of Profond say:

"I think you're mistaken, Mrs. Forsyde I'll—I'll bet Miss Forsyde agrees with me."

"In what?" came Fleur's clear tones across the table.

"I was sayin', young gurls are much the same as they always were—there's very small difference."

"Do you know so much about them?"

That sharp reply caught the ears of all, and Soames moved uneasily on his thin green chair.

"Well, I don't know, I think they want their own small way, and I think they always did."

"Indeed!"

"Oh, but—Prosper," Winifred interjected comfortably, "the girls in the streets—the girls who've been in munitions, the little flappers in the shops; their manners now really quite hit you in the eye."

At the word "hit" Jack Cardigan stopped his disquisition; and in the silence Monsieur Profond said:

"It was inside before, now it's outside; that's all."

"But their morals!" cried Imogen.

"Just as moral as they ever were, Mrs. Cardigan, but they've got more opportunity."

The saying, so cryptically cynical, received a little laugh from Imogen, a slight opening of Jack Cardigan's mouth, and another creak from Soames' chair.

Winifred said: "That's too bad, Prosper."

"What do you say, Mrs. Forsyde; don't you think human nature's always the same?"

Soames subdued a sudden longing to get up and kick the fellow. He heard his wife reply:

"Human nature is not the same in England as anywhere else." That was her confounded mockery!

"Well, I don't know much about this small country"—'No, thank God!' thought Soames—"but I should say the pot was boilin' under the lid everywhere. We all want pleasure, and we always did."

Damn the fellow! His cynicism was outrageous!

When lunch was over they broke up into couples for the digestive promenade. Too proud to notice, Soames knew perfectly that Annette and that fellow had gone prowling round together. Fleur was with Val; she had chosen him, no doubt, because he knew that boy. He himself had Winifred for partner. They walked in the bright, circling stream, a little flushed and sated, till Winifred sighed:

"I wish we were back forty years, old boy!"

Before the eyes of her spirit an interminable procession of her own "Lord's" frocks was passing, paid for with the money of her father, to save a recurrent crisis. "It's been very amusing, after all. Sometimes I even wish Monty was back. What do you think of people nowadays, Soames?"

"Precious little style. The thing began to go to pieces with bicycles and motor-cars; the war has finished it."

"I wonder what's coming?" said Winifred in a voice dreamy from pigeon-pie. "I'm not at all sure we shan't go back to crinolines and pegtops. Look at that dress!" Soames shook his head.

"There's money, but no faith in things. We don't lay by for the future. These youngsters—it's all a short life and a merry one with them."

"There's a hat!" said Winifred. "I don't know—when you come to think of the people killed and all that in the war, it's rather wonderful, I think. There's no other country—Prosper says the rest are all bankrupt, except America; and of course her men always took their style in dress from us."

"Is that chap," said Soames, "really going to the South Seas?"

"Oh, one never knows where Prosper's going!"

"HE'S a sign of the times," muttered Soames, "if you like."

Winifred's hand gripped his arm.

"Don't turn your head," she said in a low voice, "but look to your right in the front row of the Stand."

Soames looked as best he could under that limitation. A man in a grey top hat, grey-bearded, with thin brown, folded cheeks, and a certain elegance of posture, sat there with a woman in a lawn-coloured frock, whose dark eyes were fixed on himself. Soames looked quickly at his feet. How funnily feet moved, one after the other like that! Winifred's voice said in his ear:

"Jolyon looks very ill, but he always had style. SHE doesn't change—except her hair."

"Why did you tell Fleur about that business?"

"I didn't; she picked it up. I always knew she would."

"Well, it's a mess. She's set her heart upon their boy."

"The little wretch," murmured Winifred. "She tried to take me in about that. What shall you do, Soames?"

"Be guided by events."

They moved on, silent, in the almost solid crowd.

"Really," said Winifred suddenly; "it almost seems like Fate. Only that's so old-fashioned. Look! There are George and Eustace!"

George Forsyte's lofty bulk had halted before them.

"Hallo, Soames!" he said. "Just met Profond and your wife. You'll catch 'em if you put on steam. Did you ever go to see old Timothy?"

Soames nodded, and the streams forced them apart.

"I always liked old George," said Winifred. "He's so droll."

"I never did," said Soames. "Where's your seat? I shall go to mine. Fleur may be back there."

Having seen Winifred to her seat, he regained his own, conscious of small, white, distant figures running, the click of the bat, the cheers and counter-cheers. No Fleur, and no Annette! You could expect nothing of women nowadays! They had the vote. They were "emancipated," and much good it was doing them. So Winifred would go back, would she, and put up with Dartie all over again? To have the past once more—to be sitting here as he had sat in '83 and '84, before he was certain that his marriage with Irene had gone all wrong, before her antagonism had become so glaring that with the best will in the world he could not overlook it. The sight of her with that fellow had brought all memory back. Even now he could not understand why she had been so impracticable. She could love other men; she had it in her! To himself, the one person she ought to have loved, she had chosen to refuse her heart. It seemed to him, fantastically, as he looked back, that all this modern relaxation of marriage—though its forms and laws were the same as when he married her—that all this modern looseness had come out of her revolt; it seemed to him, fantastically, that she had started it, till all decent ownership of anything had gone, or was on the point of going. All came from her! And now—a pretty state of things! Homes! How could you have them without mutual ownership? Not that he had ever had a real home! But had that been his fault? He had done his best. And his reward—those two sitting in that Stand! And this affair of Fleur's!

And overcome by loneliness he thought: 'Shan't wait any longer! They must find their own way back to the hotel—if they mean to come!' Hailing a cab outside the ground, he said:

"Drive me to the Bayswater Road." His old aunts had never failed him. To them he had meant an everwelcome visitor. Though they were gone, there, still, was Timothy!

Smither was standing in the open doorway.

"Mr. Soames! I was just taking the air. Cook will be so pleased."

"How is Mr. Timothy?"

"Not himself at all these last few days, sir; he's been talking a great deal. Only this morning he was saying: 'My brother James, he's getting old.' His mind wanders, Mr. Soames, and then he will talk of them. He troubles about their investments. The other day he said: 'There's my brother Jolyon won't look at Consols'—he seemed quite down about it. Come in, Mr. Soames, come in! It's such a pleasant change!"

"Well," said Soames, "just for a few minutes."

"No," murmured Smither in the hall, where the air had the singular freshness of the outside day, "we haven't been very satisfied with him, not all this week. He's always been one to leave a titbit to the end; but ever since Monday he's been eating it first. If you notice a dog, Mr. Soames, at its dinner, it eats the meat first. We've always thought it such a good sign of Mr. Timothy at his age to leave it to the last, but now he seems to have lost all his self-control; and, of course, it makes him leave the rest. The doctor doesn't make anything of it, but"—Smither shook her head—"he seems to think he's got to eat it first, in case he shouldn't get to it. That and his talking makes us anxious."

"Has he said anything important?"

"I shouldn't like to say that, Mr. Soames; but he's turned against his Will. He gets quite pettish—and after having had it out every morning for years, it does seem funny. He said the other day: 'They want my money.' It gave me such a turn, because, as I said to him, nobody wants his money, I'm sure. And it does seem a pity he should be thinking about money at his time of life. I took my courage in my 'ands. 'You know, Mr. Timothy,' I said, 'my dear mistress'—that's Miss Forsyte, Mr. Soames, Miss Ann that trained me—'SHE never thought about money,' I said, 'it was all CHARACTER with her.' He looked at me, I can't tell you how funny, and he said quite dry: 'Nobody wants my character.' Think of his saying a thing like that! But sometimes he'll say something as sharp and sensible as anything."

Soames, who had been staring at an old print by the hat-rack, thinking, 'That's got value!' murmured: "I'll go up and see him, Smither."

"Cook's with him," answered Smither above her corsets; "she will be pleased to see you."

He mounted slowly, with the thought: 'Shan't care to live to be that age.'

On the second floor, he paused, and tapped. The door was opened, and he saw the round homely face of a woman about sixty.

"Mr. Soames!" she said: "Why! Mr. Soames!"

Soames nodded. "All right, Cook!" and entered.

Timothy was propped up in bed, with his hands joined before his chest, and his eyes fixed on the ceiling, where a fly was standing upside down. Soames stood at the foot of the bed, facing him.

"Uncle Timothy," he said, raising his voice; "Uncle Timothy!"

Timothy's eyes left the fly, and levelled themselves on his visitor. Soames could see his pale tongue passing over his darkish lips.

"Uncle Timothy," he said again, "is there anything I can do for you? Is there anything you'd like to say?"

"Ha!" said Timothy.

"I've come to look you up and see that everything's all right."

Timothy nodded. He seemed trying to get used to the apparition before him.

"Have you got everything you want?"

"No," said Timothy.

"Can I get you anything?"

"No," said Timothy.

"I'm Soames, you know; your nephew, Soames Forsyte. Your brother James' son."

Timothy nodded.

"I shall be delighted to do anything I can for you."

Timothy beckoned. Soames went close to him.

"You—" said Timothy in a voice which seemed to have outlived tone, "you tell them all from me—you tell them all—" and his finger tapped on Soames' arm, "to hold on—hold on—Consols are goin' up," and he nodded thrice.

"All right!" said Soames; "I will."

"Yes," said Timothy, and, fixing his eyes again on the ceiling, he added: "That fly!"

Strangely moved, Soames looked at the Cook's pleasant fattish face, all little puckers from staring at fires.

"That'll do him a world of good, sir," she said.

A mutter came from Timothy, but he was clearly speaking to himself, and Soames went out with the cook.

"I wish I could make you a pink cream, Mr. Soames, like in old days; you did so relish them. Good-bye, sir; it HAS been a pleasure."

"Take care of him, Cook, he is old."

And, shaking her crumpled hand, he went down-stairs. Smither was still taking the air in the doorway.

"What do you think of him, Mr. Soames?"

"H'm!" Soames murmured: "He's lost touch."

"Yes," said Smither, "I was afraid you'd think that, coming fresh out of the world to see him like."

"Smither," said Soames, "we're all indebted to you."

"Oh, no, Mr. Soames, don't say that! It's a pleasure—he's such a wonderful man."

"Well, good-bye!" said Soames, and got into his taxi.

'Going up!' he thought; 'going up!'

Reaching the hotel at Knightsbridge he went to their sitting-room, and rang for tea. Neither of them were in. And again that sense of loneliness came over him. These hotels! What monstrous great places they were now! He could remember when there was nothing bigger than Long's or Brown's, Morley's or the Tavistock, and the heads that were shaken over the Langham and the Grand. Hotels and Clubs—Clubs and Hotels; no end to them now! And Soames, who had just been watching at Lord's a miracle of tradition and continuity, fell into reverie over the changes in that London where he had been born five-and-sixty years before. Whether Consols were going up or not, London had become a terrific property. No such property in the world, unless it were New York! There was a lot of hysteria in the papers nowadays; but any one who, like himself, could remember London sixty years ago, and see it now, realised the fecundity and elasticity of wealth. They had only to keep their heads, and go at it steadily. Why! he remembered cobble-stones, and stinking straw on the floor of your cab. And old Timothy—what could HE not tell them, if he had kept his memory! Things were unsettled, people in a funk or in a hurry, but here were London and the Thames, and out there the British Empire, and the ends of the earth. "Consols are goin' up!" He shouldn't be a bit surprised. It was the breed that counted. And all that was bull-dogged in Soames stared for a moment out of his grey eyes, till diverted by the print of a Victorian picture on the walls. The hotel had bought three dozen of that little lot! The old hunting or "Rake's Progress" prints in the old inns were worth looking at—but this sentimental stuff—well, Victorianism had gone! "Tell them to hold on!" old Timothy had said. But to what were they to hold on in this modern welter of the "democratic principle"? Why, even privacy was threatened! And at the thought that privacy might perish, Soames pushed back his teacup and went to the window. Fancy owning no more of Nature than the crowd out there owned of the flowers and trees and waters of Hyde Park! No, no! Private possession underlay everything worth having. The world had slipped its sanity a bit, as dogs now and again at full moon slipped theirs and went off for a night's rabbiting; but the world, like the dog, knew where its bread was buttered and its bed warm, and would come back sure enough to the only home worth having—to private ownership. The world was in its second childhood for the moment, like old Timothy—eating its titbit first!

He heard a sound behind him, and saw that his wife and daughter had come in.

"So you're back!" he said.

Fleur did not answer; she stood for a moment looking at him and her mother, then passed into her bedroom. Annette poured herself out a cup of tea.

"I am going to Paris, to my mother, Soames."

"Oh! To your mother?"

"Yes."

"For how long?"

"I do not know."

"And when are you going?"

"On Monday."

Was she really going to her mother? Odd, how indifferent he felt! Odd, how clearly she had perceived the indifference he would feel so long as there was no scandal. And suddenly between her and himself he saw distinctly the face he had seen that afternoon—Irene's.

"Will you want money?"

"Thank you; I have enough."

"Very well. Let us know when you are coming back."

Annette put down the cake she was fingering, and, looking up through darkened lashes, said:

"Shall I give Maman any message?"

"My regards."

Annette stretched herself, her hands on her waist, and said in French:

"What luck that you have never loved me, Soames!" Then rising, she too left the room. Soames was glad she had spoken it in French—it seemed to require no dealing with. Again that other face—pale, dark-eyed, beautiful still! And there stirred far down within him the ghost of warmth, as from sparks lingering beneath a mound of flaky ash. And Fleur infatuated with her boy! Queer chance! Yet, was there such a thing as chance? A man went down a street, a brick fell on his head. Ah! that was chance, no doubt. But this! "Inherited," his girl had said. She—she was "holding on!"