Verona.

In many of the Italian cities, as well as in Gaul and Britain, the amphitheatre was made of earth and wood only, the seats cut out in banks on the slope of a hill or of an agger, in districts where stone was scarce. In the Circus Maximus also the seats for the plebs on the Aventine seem to have been made in that manner, the stone galleries were on the Palatine only.

At Verona, as in many other instances, the outer wall has been almost entirely destroyed; two bays, or four arches of it only remain, but these are sufficient to shew the plan, and that it was three storeys high, the Tuscan order of columns being used throughout. The upper storey seems to have been for the passage round the seats over the corridors; the two lower ones with the seats remain nearly perfect, forming a fine double arcade on the outer side without columns, now made visible by the demolition of the outer corridor and wall. In its present state it is one of the finest buildings of its class. There seems to be no historical evidence of its date; in Murray’s Handbook it is said to be of the time of the Flavian Emperors, but no authority for this is given, and it is not probable. The measurements given by Maffei do not quite agree with those taken by Alvino[194], but the variations are not great; and as one is taken in Neapolitan palms of ten inches, the other in Veronese feet, the apparent variation probably arose only from the different mode of calculating. None of them agree with those in Murray’s Handbooks, which are taken from the Lectures of Mr. Woods. The general proportions may be judged of by the number of persons that each would contain; Publius Victor states that the Colosseum had 87,000 places, and Maffei states that this at Verona had 77,000, this would make it one-eighth less. The variations are not of much importance. The outer wall was partly destroyed by an earthquake in 1184, and the stones were then used as building material, as in other places, but this was soon stopped. The unusually perfect state of the seats arises from the care taken of them in the Middle Ages, very much to the credit of the inhabitants at that period. As early as 1228, it was agreed that each podesta (or mayor) should expend 500 lire (about £20[195]) on the repairs of this building; and in 1435 penalties were inflicted on any one who removed any of the stone. This shews that the people of Verona were more civilized than the Romans at that period. In 1545 a special officer was appointed to take charge of it. The restoration of the seats has been carefully done, and is not perceived without some examination. This restoration was begun by voluntary subscription as early as 1568, and continued as late as 1805. The arches were numbered on the exterior, as in the Colosseum; the four that remain have the numbers LXIIII to LXVII over them. The arrangement of the masts and poles for the awning are the same as in Rome, and were managed in the same manner. The plan of the vomitoria is also nearly the same. No excavations appear to have been made under the arena; a plan and section of the substructures under the galleries is given by Maffei, they are similar to those in Rome. He does not appear to have been aware that there was likely to have been anything under the arena; he mentions the conduits of aqueducts, and drains for carrying off the water, which seem to shew that naumachia were held here, but we have no information as to how they were managed.

The proportions of the three principal amphitheatres, as given in the work of Alvino[196], in Neapolitan palms[197] of ten inches are:—

Colosseum.Verona.Capua.
Length of interior639522645
Breadth of interior527417530
Length of arena298252289
Breadth of arena186149174
Height of first order352936
Entire height of interior17491169
No. of orders[198]434
Actual height of ruins1716275
No. of arches807280
Circuit170134178
Gates212
Width of arches1512½15
Breadth of pilasters86⅓8