THE KALEIDOSCOPE.
If this article on light and optics had gone minutely into the mathematical and purely scientific portion of the subject, we should have had frequent occasion to mention the name of Sir David Brewster, a distinguished philosopher, whose name is peculiarly identified with this interesting branch of physics. It is always pleasing to find men of such standing not only devoting themselves to arguments which college wranglers would study with pleasure, but also descending to a lower level, and inventing optical instruments that delight and amuse the non-scientific and juvenile part of the community. The names of Sir David Brewster and Professor Wheatstone have been connected during the last few years with the invention of the stereoscope, an instrument that will be noticed in another part of this book, but here we shall describe one of the most original optical instruments ever devised, and although it is now regarded as a mere toy, its merits are very great. The title of the instrument is borrowed from the Greek καλος, beautiful, ειδος, a form or appearance, σκοπεω, to see; and the public certainly endorsed the name when they purchased 200,000 of these instruments in London and Paris during the space of three months. It is said that the sensation it excited in London, throughout all ranks of the community, was astonishing, and people were everywhere seen, even at the corners of the streets, looking through the kaleidoscope. The essential parts of this instrument are two mirrors of unsilvered black parallel glass, or plate glass painted black on one side, which should be from six to ten inches in length, and from one inch to an inch and a half in breadth at the object end, while they are made narrower at the other end, to which the eye is applied. The mirrors are united at their lower edges by a strip of black calico fixed with common glue, and are left open at the upper edges, and retained at the proper angle by a bit of cork properly blackened. The angles are 36°, 30°, 25°-5/7, 22°½, 20°, 18°, which divide the circumference into 10, 12, 14, 16, 18, 20 parts, thus 36 × 10 = 360, or 18 × 20 = 360, and the strictest attention must be paid to this part of the adjustment, or the figures produced will not be symmetrical. After the mirrors are adjusted to the proper angle, the space between the two upper edges should be covered across with black velvet and the mirrors placed in a tin or brass tube, so that the broad ends shall barely project beyond the end, while the narrow end is placed so that the angle formed by the junction of the mirrors shall be a little below the middle of that end of the tube. A cover with a circular aperture in the centre is then to be fitted to the narrow end of the mirrors, which should in general be furnished with a convex lens whose focal length is an inch or two greater than the length of the mirrors. A case for holding the objects, and for communicating to them a revolving motion, is fitted to the object end of the tube. The objects best suited for producing pleasing effects are small fragments of coloured glass, wires of glass, both spun and twisted, and of different colours and shades of colours, and of various shapes, in curves, angles, circles; also, beads, bugles, fine needles, small pieces of lace, and fragments of fine sea-weed are very beautiful. M. Sturm, of Prague, has lately fixed the images of the kaleidoscope, so that they are available for the production of patterns in every branch of silk, cotton, and mixed fabrics. Photographs could be taken of the most beautiful of these accidental designs, which only occur once, and if not copied are lost.
Fig. 285.
a b. The tube containing the two mirrors, shown by dotted lines. a. is the small end where the eye is placed. b. The object end. c d. Another view of the mirrors arranged to place in the tube; the shaded portion represents the black velvet. e. Double convex lens. f. Box to contain objects, and usually fitted with ground glass outside.