PRELIMINARIES.
10.—Presuming that the student is for the first time undertaking the work of cataloguing a library, he will require to provide himself with a supply of cards or slips of paper cut uniform in size. Almost any size will do, but the most convenient and more commonly used measures 5 inches by 3 inches. If the catalogue is to be written for the use of readers, then cards are necessary as they are more convenient for turning over than the paper slips which serve well enough for “copy” for a printed catalogue. If the cards or slips are to be written upon with a pen they should be ruled “feint” across and have marginal rulings to mark the “indent.” These rulings are only upon one side, as in no case should an entry be continued to the other side. If an entry is so long that it cannot be put on one card then it must be continued on the face of a second, with the author or other heading repeated. For the cataloguer’s own use or as printer’s copy, the card or slip may be lengthened as required by pasting to it a strip of paper of the same width, and folding it up within the compass of the size of the card, but exposing the heading. This cannot be done when the cards are held in place by a rod running through them. It need hardly be pointed out that for a card catalogue meant for the use of many persons the quality of the cards is of great importance, as those of a cheap, inferior material will not bear much turning over without tearing. Card catalogues are not invariably appreciated by the public, as some persons seem to experience difficulty in turning over the cards. For this reason some librarians prefer the sheaf form because it maintains the book shape, which everyone understands, and it has the same advantages as the card catalogue in allowing the insertion of additions in proper order at any time, and permits unlimited expansion, besides taking up less room.
Upon each card or slip a separate entry of each book is made, and by “book” is meant a work that may be in a single volume or in many volumes. Two works even by the same author, appearing under his name, should be entered on separate cards, as, if written together, it is usually found that another book will later have to be inserted between them.
11.—Printers are acknowledged, as a class, to be the most exact and patient of men, but to those beginners who have not any large experience of their ways it is well to say “be careful to write boldly and plainly,” remembering always that it is a much more difficult work for a compositor to set a catalogue than probably any other form of book, because the matter does not “run on” and various types and languages commonly enter into it. Apart from the mistakes easily made when the “copy,” as the manuscript is called, is not clear and distinct, there is the risk incurred of an extra charge for “author’s corrections”—a well-known item in all printers’ bills. To write clearly is of even more importance if the catalogue is to remain in manuscript for use by readers. A handy little brochure upon this subject is “Library Handwriting,” issued by the New York State Library School, April 1898, and the style of handwriting therein shown should be studied and imitated. The specimen on the next page is taken from it.
12.—It is in the preparation of “copy” and in writing card catalogues for public use that the great value of the typewriter is experienced, as clearness and uniformity are insured by its use as well as economy of space. While it is hardly within the scope of this Manual to say anything by way of recommendation of any particular make of typewriter, yet experience shows that it would be a mistake to overlook the “Hammond” when considering the merits of different machines. In cataloguing it is found useful because a variety of types of a distinctive character, including the accented letters most commonly required, can be used upon a single machine.