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| ST. PAUL’S, London. A fine Case by Grinling Gibbons, the design is exceptional for one of Father Smith’s instruments[Frontispiece]. |
| ST. LAWRENCE, Jewry, London. One of Harris’s Organs, of nearly perfect design, according to the old French rules. Since I sketched this Organ, it has been rebuilt, and the Case much enlarged in the same style | [10–11] |
| ST. MAGNUS THE MARTYR, London Bridge. A good Case of peculiar design. This instrument is remarkable as one of the earliest that had a Swell Organ introduced | [10–11] |
| ST. SEPULCHRE’S, London. A fine Case in Harris’s style | [10–11] |
| ST. WOLFRAM, Abbeville. A good specimen of a French Renaissance Organ Case | [12–17] |
| ST. ETIENNE, Beauvais. A nice French-designed Organ Case | [12–17] |
| THE CATHEDRAL, Rheims. A grand Organ Case in the French style | [12–17] |
| THE CATHEDRAL, Rouen. A very large fine Organ Case. The four similar flats in the Great Organ are a blemish | [12–17] |
| ST. MACLOU, Rouen. A very pretty French Organ | [12–17] |
| ST. OUEN, Rouen. An elaborate Organ in the French style | [12–17] |
| THE CATHEDRAL, Troyes. An excellent example of a French Organ in a western gallery | [12–17] |
| THE CATHEDRAL, Antwerp. A fine elaborate Case | [18–21] |
| ST. PAUL’S, Antwerp. A fine Case, the carved work of which is perhaps the best in Belgium | [18–21] |
| ST. BAVON, Ghent. A well designed and well carved Case | [18–21] |
| OUDE KERK, Amsterdam. A fine Case, of a thoroughly Dutch pattern | [22–24] |
| ST. JOHN’S, Gouda. A quaint Dutch Case | [22–24] |
| ST. BAVON, Haarlem. A very fine Case, the effect of which is damaged by being painted | [22–24] |
| ST. JANS KERK, Hertogenbosch. Said to be one of the finest Cases in Europe | [22–24] |
| ST. LAWRENCE, Rotterdam. A very fine Dutch Case, in a sober style | [22–24] |
| THE CATHEDRAL, Freiburg-im-Bresgau. A good example of a hanging Organ | [25–27] |