MR. RUSKIN’S WORKS.
MODERN PAINTERS.
Complete in Five Volumes, imperial 8vo. With Eighty-seven Engravings on Steel, and Two Hundred and Sixteen on Wood, chiefly from Drawings by the Author. With Index to the whole Work. £8 6s. 6d.
Each Volume may be had separately.
Vol. I. Of General Principles and of Truth. Sixth Edition. 18s. Vol. II. Of the Imaginative and Theoretic Faculties. Fourth Edition. 10s. 6d. Vol. III. Of Many Things. With Eighteen Illustrations drawn by the Author, and engraved on Steel. 38s. Vol. IV. On Mountain Beauty. With Thirty-five Illustrations engraved on Steel, and One Hundred and Sixteen Woodcuts, drawn by the Author. £2 10s. Vol. V. Of Leaf Beauty; Of Cloud Beauty; Of Ideas of Relation. With Thirty-four Engravings on Steel, and One Hundred on Wood. With Index to the Five Volumes. £2 10s.
THE STONES OF VENICE.
Complete in Three Volumes, imperial 8vo. With Fifty-three Plates and numerous Woodcuts, drawn by the Author. £5 15s. 6d.
Each Volume may be had separately.
Vol. I. The Foundations. With Twenty-one Plates. 42s. Vol. II. The Sea Stories. With Twenty Plates. 42s. Vol. III. The Fall. With Twelve Plates. 31s. 6d.
EXAMPLES OF THE ARCHITECTURE OF VENICE,
Selected and drawn to Measurement from the Edifices. In Parts, of folio imperial size, each containing Five Plates, and a short Explanatory Text. £1 1s. each. Parts I. to III. are published. Fifty India Proofs only are taken on atlas folio. £2 2s. each Part.
THE SEVEN LAMPS OF ARCHITECTURE.
With Fourteen Plates, drawn by the Author. Second Edition. Imp. 8vo. 21s.
LECTURES ON ARCHITECTURE AND PAINTING.
With Fourteen Cuts, drawn by the Author. Second Edition. Crown 8vo. 8s. 6d.
THE ELEMENTS OF DRAWING,
In Three Letters to Beginners. With Illustrations, drawn by the Author. Seventh Thousand. Crown 8vo. 7s. 6d.
THE ELEMENTS OF PERSPECTIVE.
Arranged for the Use of Schools, and Intended to be Read in connection with the First Three Books of Euclid. With Eighty Diagrams. Crown 8vo. 3s. 6d.
THE TWO PATHS:
Being Lectures on Art, and its Relation to Manufactures and Decoration. With Two Steel Engravings. Crown 8vo. 7s. 6d.
‘UNTO THIS LAST.’
Four Essays on the First Principles of Political Economy. With Preface. Fcp. 8vo. 3s. 6d.
THE POLITICAL ECONOMY OF ART.
Fcp. 8vo. limp cloth, 1s.
PRE-RAPHAELITISM.
A New Edition. Demy 8vo. 2s.
THE CROWN OF WILD OLIVE:
Three Lectures on Work, Traffic, and War. Second Edition. Fcp. 8vo. gilt edges, 5s.
THE ETHICS OF THE DUST:
Ten Lectures to Little Housewives on the Elements of Crystallisation. Crown 8vo. 5s.
SESAME AND LILIES:
Two Lectures delivered at Manchester in 1864. I. Of Kings’ Treasuries. II. Of Queens’ Gardens. Third Edition. Fcp. 8vo. cloth, gilt edges, 3s. 6d.
THE KING OF THE GOLDEN RIVER;
OR, THE BLACK BROTHERS:
A Legend of Stiria. With Twenty-two Illustrations by Richard Doyle. Fifth Edition. Square 16mo. 2s. 6d.
SELECTIONS FROM THE WRITINGS OF
JOHN RUSKIN, M.A.
With a Portrait. Post 8vo. cloth, 6s.; morocco elegant, 12s.
Small 4to. Printed on Tinted Paper, and richly bound in cloth. 21s.
THE LAKE COUNTRY.
By E. LYNN LINTON.
ILLUSTRATED BY W. J. LINTON.
Selection from Notices by the Press.
(The Times.)
‘The Lake Country, by Mrs. Linton, is the best description of that part of England ever published.’
(The Illustrated London News.)
‘Its exterior is noble, and its interior, studded with many a glorious illustration, corresponds with the outer splendour.’
(The Saturday Review.)
‘A highly attractive and thoroughly enjoyable work.’
(The Athenæum.)
‘No one can leave Mrs. Linton’s book without being informed of much that is curious as well as valuable concerning times past. To the Tourist, who knows the Lakes, this book will be welcome, not only for its text, but on account of the charming drawings with which Mr. Linton has done his best—a very happy best—to recall many lovely and famous scenes.’
(The Examiner.)
‘The Book of The Lake Country is, in every picture, visibly the work of an artist who, whether in large plates or in small sketches, endeavours to represent the soul and life of English scenery, under some of its most picturesque and attractive aspects. Mrs. Linton’s book, were it not illustrated as it is, or printed luxuriously, would indeed win attention and credit, as a careful and interesting monograph of one of the most interesting districts in the kingdom.’
(The London Review.)
‘Mrs. Linton’s literary sketches are full of true feeling for the country they portray, and in imparting the writer’s own animation to the reader, bring before his mental vision the glory and the gloom, the majesty and the beauty, the pathos and the power, the loveliness and the desolation, of the mountains, lakes, and moors of Cumberland and Westmoreland. Of Mr. Linton’s designs we cannot speak too highly. They are drawn and engraved with the hand of a master, and bring before our vision, with exquisite truth and feeling, all the rugged beauty of the land they commemorate.’
London: SMITH, ELDER, & CO., 65 Cornhill.