THE POETRY OF ARCHITECTURE;

CONTENTS.

PAGE
	[INTRODUCTION]	[1]
	[PART I.—THE COTTAGE.]
I.	THE LOWLAND COTTAGE—ENGLAND AND FRANCE	[7]
II.	THE LOWLAND COTTAGE—ITALY	[15]
III.	THE MOUNTAIN COTTAGE—SWITZERLAND	[25]
IV.	THE MOUNTAIN COTTAGE—WESTMORELAND	[35]
V.	A CHAPTER ON CHIMNEYS	[45]
VI.	THE COTTAGE—CONCLUDING REMARKS	[57]
	[PART II.—THE VILLA.]
I.	THE MOUNTAIN VILLA—LAGO DI COMO	[67]
II.	THE MOUNTAIN VILLA—LAGO DI COMO (CONTINUED)	[80]
III.	THE ITALIAN VILLA (CONCLUDED)	[94]
IV.	THE LOWLAND VILLA—ENGLAND	[104]
V.	THE ENGLISH VILLA—PRINCIPLES OF COMPOSITION	[113]
VI.	THE BRITISH VILLA.—PRINCIPLES OF COMPOSITION. (THE CULTIVATED, OR BLUE COUNTRY, AND THE WOODED, OR GREEN COUNTRY)	[126]
VII.	THE BRITISH VILLA.—PRINCIPLES OF COMPOSITION. (THE HILL, OR BROWN COUNTRY)	[145]

Facing Page
Fig.	[1.] Old Windows; from an early sketch by the Author	[13]
"	[2.] Italian Cottage Gallery, 1846	[20]
	Cottage near la Cité, Val d'Aosta, 1838	[21]
"	[3.] Swiss Cottage, 1837. (Reproduced from the Architectural Magazine)	[28]
"	[4.] Cottage near Altorf, 1835	[29]
"	[5.] Swiss Châlet Balcony, 1842	[32]
"	[6.] The Highest House in England, at Malham	[42]
"	[7.] Chimneys. (Eighteen sketches redrawn from the Architectural Magazine)	[48]
"	[8.] Coniston Hall, from the Lake near Brantwood, 1837. (Reproduced from the Architectural Magazine)	[50]
"	[9.] Chimney at Neuchatel; Dent du Midi and Mont Blanc in the distance	[20]
"	[10.] Petrarch's Villa, Arquà, 1837. (Redrawn from the Architectural Magazine)	[98]
"	[11.] Broken Curves. (Three diagrams, redrawn from the Architectural Magazine)	[101]
"	[12.] Old English Mansion, 1837. (Reproduced from the Architectural Magazine)	[116]
"	[13.] Windows. (Three designs, reproduced from the Architectural Magazine)	[122]
"	[14.] Leading Lines of Villa-Composition. (Diagram redrawn from the Architectural Magazine)	[164]