CHAPTER XIV.
SEASON OF '70-'71.
The theatre did not reopen until August the 27th when the season of '70 and '71 was ushered in with a "Benefit" to Miss Colebrook. This was really the first summer the theatre had remained closed and given the company a needed rest. The stock company played one week only when the veteran tragedian, T. A. Lyne, began an engagement which ran from September the 3rd to the 20th. This was Lyne's fourth engagement since the opening of the theatre, and it proved what a remarkable hold he had upon our theatre goers when he repeated his well known and well worn repertoire to splendid business. As there was no other star in the dramatic firmament when Lyne's engagement expired, the stock company was put on its own resources once again and continued successfully up to the 10th of December, when the monotony was in some measure broken by the accession to the company of Mr. and Mrs. John S. Langrishe, and the following week C. W. Couldock and his daughter, Eliza, floated the stellar flag for the third time, repeating a portion of their old repertoire. They played from the 26th to the 31st. Mr. Couldock went East, leaving Eliza (who was in poor health) here to recuperate. They were succeeded by George W. Thompson and Sallie Hinckley, who played a week's engagement, presenting "Man and Wife" and the "Persecuted Dutchman," filling dates January 2nd to the 7th, of 1871. The stock company then played along again until February 13th, when McKee Rankin, Kitty Blanchard and W. H. Power opened a stellar engagement, playing two weeks to February 25th. Everywhere else the Rankins were playing "The Danites," but owing to the odious light in which that play presented the Mormon leaders, they did not dare to produce it at the Salt Lake Theatre. Of course the managers would not consent, and the great wonder is that Rankin could secure dates at all at Brigham Young's theatre while he was starring through the country in a play so well calculated to stir up prejudice against the Mormons. "The Danites" had to be eliminated while the Rankins fell back onto some old plays in which the stock company was up in. "Rip Van Winkle," "Little Barefoot," and "Colleen Bawn" were given.
It may be of interest to note the fact here that "The Danites" has never been played in Salt Lake or anywhere in Utah.
About this time George B. Waldron turned up again in Salt Lake, and was installed as leading man to strengthen the company and ease somewhat the labors of David McKenzie.
Rose Evans, a lady who was enamoured of "Hamlet," and made a specialty of playing it, was introduced to Salt Lake soon after Waldron's accession to the company, and we had during her engagement which ran through the April conference, "Hamlet," "Twixt Axe and Crown," "Ingomar;" Miss Evans as "Parthenia" and Waldron as "Ingomar;" "Lady Audrey's Secret," "Romeo and Juliet;" Waldron as "Romeo." Rose Evans established herself very strongly in the favor of the Salt Lake theatre goers. Her "Hamlet" was liked, and she played it intelligently and perhaps as well as a woman could play it, but no woman can ever play "Hamlet" satisfactorily to the critical mind; and very few men out of the thousands of actors ever reach and handle it satisfactorily. Her "Juliet" was very acceptable, but Waldron's voice was' too basso profundo for "Romeo." It was hard to imagine him as the youthful love-distraught Romeo with his deep set vocal organ.
Miss Evans closed on April 8th and was closely followed by Mlle. Marie Ravel, who opened on the 10th, supported by Waldron and the stock company and played an engagement of twenty nights. On May 4th Herr Daniel E. Bandmann and his wife (his first one) opened an engagement of five nights, presenting "Macbeth," "Hamlet," "Merchant of Venice," "Narcisse," and "Richard III." Bandmann, at this time, was a very popular tragedian. He had played as early as '65 in San Francisco a very successful engagement. He was now returning from his second visit to San Francisco. He spoke with a decided German accent, which was, however, not disagreeable to the ear, his voice being musical and his reading very artistic and finished. Bandmann bought a ranch near Missoula, Montana, some ten or twelve years ago and went into semi-retirement. He had a curious advertisement in the Dramatic Mirror, about as follows: "Daniel E. Bandmann, Tragedian and breeder of fine horses and cattle." He also bred a large family of children on that same ranch. When he went into retirement he took with him his latest "leading lady," Mary Kelly, as his wife, and they have a number of heirs to succeed to the tragedy and breeding business. His first wife, Millie Palmer, still figures in London theatricals, and she has a son who is conspicuous in theatrical management. Herr Bandmann still makes spasmodic incursions into the surrounding country with an improvised dramatic company and plays his favorite characters.
The next star to shine in our firmament was J. K. Emmett. "Joe," as he was familiarly called, was just at the zenith of his fame about this time, and he filled the theatre from pit to dome. The character of "Fritz" appealed strongly to nearly all theatre goers, and "Joe" Emmett with his bewitching voice and catchy lullabies, had an easy road to fame and fortune. Emmett played from the 10th to the 13th.
The Couldocks, father and daughter, now played a return engagement, covering two weeks, from May 22nd to June 5th, repeating mostly old repertoire. They were followed closely by Mr. and Mrs. Ida Hernandez, a Polish couple, who came to this country with Madam Modjeska, and were now working their way to the East. They were clever performers, but being unknown, they did not draw heavy houses. June 8th to the 11th.
The Lingards followed Hernandez in a brief engagement of three nights, June 12th to 14th. The following week was filled in by the Hernandez and the Carter-Cogswell contingent of the Salt Lake stock company. J. M. Carter and his wife, Carrie Carter (nee Lyne-Cogswell) had recently arrived from Denver and had been added to the stock company, which had been weakened materially by the loss of several of its prominent members. Hardie had gone to the Virginia City theatre; Lindsay had gone on a visit to England and had withdrawn from the company for a time; Miss Alexander had also drifted away to the East, so that when the Carters arrived and sought engagement, the managers readily availed themselves of their services. They played here for a few weeks and at the close of the season went on to California.
On July 3rd, Edwin Adams made his first appearance at this theatre. He opened in the character of "Rover" in "Wild Oats" and played in addition, "Extremes," "Enoch Arden," and "William" in "Black Eyed Susan." Mr. Adams filled out a week with great satisfaction to our theatre goers, the managers, and the company, and with very satisfactory financial results to himself. He was a gratification to both eyes and ears a brilliant actor with a melodious voice, and in appearance the ideal actor.
The following week John McCullough, who had with him Helen Tracy as a leading female support, played a notable engagement, rendered more so by the fact that Edwin Adams was retained to appear in conjunction with Mr. McCullough. They gave "Damon and Pythias," with McCullough as "Damon" and Adams as "Pythias," and notwithstanding McCullough made an excellent "Damon," so convincing was Adams as "Pythias," that the critical Salt Lakers declared it was "Pythias" and "Damon" on that occasion, putting the brilliant Adams ahead of McCullough in their admiration. Adams played "Iago" to McCullough's "Othello" and even strengthened the favorable opinion of him. For their closing performance together, "Hamlet" was given with Adams as the Prince and McCullough as the King. Miss Helen Tracy lent some lustre to the triple alliance and this engagement is remembered as one of the most notable ever given in the now historic theatre.
Just how it chanced that McCullough and Adams got dates so close together, the one immediately succeeding the other, I have forgotten, but as Adams was going to the Pacific coast and McCullough and Miss Tracy were going East, I presume that their meeting here was purely accidental.
They were very glad to see each other, "John" and "Ned," and decided to have a good time while they were together; to that end Adams, who was in no great hurry to get to San Francisco, decided to stay over during McCullough's engagement and play in some of his pieces with him, which he did as stated above. The combination was a strong one, and no doubt helped McCullough's engagement, as this was his second visit; but the primary object of the combination was evidently to have a good time. We had an actors' club here at that early day which must not be forgotten.
On January 16th preceding, Milton Nobles played the "Marble Heart," appearing as Raphael. Nobles was then a young actor, comparatively unknown. He was on his way to the East, where some years later he became widely known through his plays of "The Phoenix," "From Sire to Son," etc.
There was at this time residing in Salt Lake a gentleman by the name of Bentham Fabian. Fabian was widely and favorably known for certain peculiarities. He was extremely fond of the theatre, and every actor was his friend. He was one of those versatile fellows that could turn his hand to many things. He organized a public library here, which he called "The Salt Lake Exchange and Reading Rooms," and he was the librarian. It was while Milton Nobles was here that Fabian worked up a "benefit" for this library, at which Governor Vaughn, (then Governor of Utah), recited Poe's "Bells," and Nobles and the writer gave the third act of "Othello" (in evening dress), Nobles reading "Iago," and the writer "Othello." There were several other numbers by Fabian and others, and music by the Military band from Fort Douglas. One of Fabian's strong peculiarities was that he loved his pipe and glass and occasionally his courtly bearing and Chesterfieldian manners would get a little lopsided and obscure. This benefit, being a sort of royal occasion with Bentham, he had a fresh keg of beer in his den behind the library, and after the entertainment was over he invited all the performers (except the "band") to go and help drink it.
Governor Vaughn having a prior engagement, declined, but the rest of us adjourned to the library. Fabian, eager to treat "the boys," made haste to tap the keg, but there was a decided uncertainty about his manipulation of the mallet and tap, which plainly indicated that he had already been tapping something. So Cyrus Hawley (Judge Hawley's son) rather impatiently and dramatically exclaimed, "Give me the daggers!" (the mallet and tap), and taking them from Fabian with the air of an expert tapster, he proceeded to drive the tap; he made a misslick, and in an instant he was covered from head to foot in foamy beer. His nice clothes were apparently ruined, and he was roundly sworn at for wasting so much good beer. After stopping the flood, there proved to be sufficient left to make all hands merry and happy.
About this time Fabian, who was a great projector of schemes, succeeded in organizing an actors' club, to which he made us all pay tribute, not only the actors, but a number of other professional men and good fellows were made members, and when the transient "stars" came along, we generally contrived to give them a good time, although our quarters were not so pretentious as those of the Alta or Comcial clubs of today. During the Adams-McCullough engagements these actors were the guests of "the club," and dear old Fabian was in his glory. Fabian was the president of the club, and he certainly wined and dined McCullough and Adams to their hearts' content. On their closing night we had a great carousal, even Miss Tracy did not escape. It was a memorable night truly. Everybody present seemed determined to give "John" McCullough and "Ned" Adams a royal time, and they had it.
"Care mad to see a man sae happy;
E'en drowned himsel among the nappy.
Kings may be blest, but Tam was glorious,
O'er all the ills of life victorious."
Burns' "Tam O'Shanter".
The stock company played one week, even after this brilliant triumvirate had united its course, with Mr. and Mrs. Carter doing leads. That they could hold the interest of the public after such a combination of talent as Adams, McCullough and Tracy dropped away from them was not to be expected. In looking back at it from this distance, the wise thing for the managers to have done would have been to close the season with that extraordinary engagement, but the Carters were here and had a play or two to exploit, and struggled through a week when the management were glad to close the season, with the Pioneer holiday, July 24th. Here was another case of playing all summer, for the theatre only remained closed about ten nights, opening on the 10th of August. The advent of the Carters into Salt Lake and their engagement at the Salt Lake theatre was not devoid of interest. It was well-known to many that Mrs. Carter (Carrie Cogswell) had been the wife of the veteran tragedian, Mr. T. A. Lyne, who was very much perturbed at their presence here. He declared that she had come here expressly to annoy him, and nothing could convince him to the contrary, so when after a short stay here, Mr. and Mrs. Carter and their son, Lincoln J., now the celebrated Chicago playbuilder and manager, took their departure for California, Lyne's heart was joyful. There were two children, a boy and a girl, the offspring of the Lyne-Cogswell marriage. The court, in giving Lyne the deliverance which he sought on the grounds of desertion, gave him the custody of the two children, and he had them in Salt Lake attending school, and he was very apprehensive that the mother might kidnap them. So when she had departed without any signs of having molested the children the veteran was happy, for he never dreamed they would return, but alas! for the contrariness of human nature, in this he was doomed to disappointment. Lyne had been for the second time a widower when he met Miss Carrie Cogswell. She was about sixteen and he about fifty. Lyne at this age was an active, fine-looking man with hair as dark as a raven's wing and a very commanding presence. Miss Cogswell was enamored of the stage and soon became not only Mrs. Lyne, but "leading lady" for Lyne. After some years of married life, and two children had been born to them, there came a cloud in their sky. In the same company chanced a young man by the name of Carter, whose father, Jared Carter, had been a leading light in the Mormon Church in the Nauvoo days. Disparity in age and incompatibility of temperament between Mr. and Mrs. Lyne gradually brought about a separation and divorce. By this time both had sought and found new matrimonial alliances. Mrs. Lyne had some years now been Mrs. Carter and Mr. Lyne had found consolation in a French widow whose Christian name was Madeline. Such was the situation at the time when the Carters made their first visit to Salt Lake, and the veteran tragedian having settled down in Salt Lake to end his days, was in mortal dread of the Carters fixing their future home here too.