1808.
On the first of November this year, George Dance, the Royal Academician, signed the dedication page of his first volume of portraits of eminent men drawn in pencil, with parts touched lightly with colour from life, and engraved by William Daniell, A.R.A., now a Royal Academician (he died 1837), consisting of thirty-six in number. The second volume, which also contained thirty-six in number, was published in 1814.[337]
Fuseli, when viewing several of these portraits, was heard by one of Mr. Dance’s sitters to make the following observations upon the likenesses. Of Benjamin West he said, “His eye is like a vessel in the South Sea,—I can just spy it through the telescope;” of that of Joseph Wilton the sculptor, he observed, “How simple are the thinking parts of this man’s head, and how sumptuous the manducatory;” of that of James Barry he made the following declaration, “This fellow looks like the door of his own house;” of that of Northcote he exclaimed, “By Cot, he is looking sharp for a rat;” and of that of Sir William Chambers, he observed, drawling out his words, “What a grate, heavy, humpty-dumpty, this leaden fellow is.”[338]
JAMES NORTHCOTE, R.A.
“By Cot, he is looking out sharp for a rat.”
Fuseli
In this sort of wit Fuseli had a formidable force of gunnery, and his shot seldom missed its destination; however, it cannot shatter the above work, as most of the portraits are of worthies too well known even to need it necessary to engrave their names under them.
The greater portion of these likenesses are highly valuable to the illustrators of Boswell’s Life of Johnson, and, indeed, most of the modern biographical publications.