1826.

The term busby, now sometimes used when a large bushy wig is spoken of, most probably originated from the wig denominated a buzz, frizzled and bushy. At all events, we are not satisfied that the term busby could have arisen, as many persons believe, from Dr. Busby, Master of Westminster School, as all his portraits either represent him with a close cap, or with a cap and hat.[391]

During a most minute investigation of a regular series of English portraits, which I was led into by a friend, in order, if possible, to clear up this point, I was induced to look for the origin of wigs in England, and their various sorts and successions, by commencing at the time of William the Conqueror. In this search I was not able to find any representation of wigs earlier than those worn by King Charles II.[392] upon his Restoration, in proof of which I refer the reader to Faithorne’s numerous portraits of that monarch, and he will find that that sort of wig continued to be worn, with very little deviation, by succeeding kings till George II.’s time, with whom it ended. The Merry Monarch, it has been stated, followed the fashion of wearing a wig from Louis XIV.,[393] with whom that custom commenced with the kings of France. The Duke of Burgundy wore a wig.

King George III. commenced his reign with wearing his own hair dressed and powdered in the style of Woollett’s beautiful engraving of his Majesty,[394] after a picture painted by Ramsey. King George III. wore a wig, in the latter part of his reign, made from one of those worn by Mr. Duvall, one of the masons of the Board of Works, with which shape his Majesty was much pleased.

The line in Pope,

“Eternal buckle takes in Parian stone,”

alludes to the wig carved on the monument of Sir Cloudesley Shovel in Westminster Abbey.[395]

This sort of wig, which received the appellation of “A Brown George,” was also worn by several persons of rank, particularly the late Earl of Cremorne.[396] Townsend, a Bow-street officer, condescendingly noticed by the King, thought proper to wear a wig of this kind, in which he appeared at the morning service in Westminster Abbey.

It is worthy of observation, that in the reign of King Charles II. the Lord Mayors of London followed his Majesty’s example, by wearing wigs precisely of the same make, and equal to those worn by the Royal Family, the highest courtiers, and persons of the first eminence in official capacities. Nay indeed, Sir Edmund Berry Godfrey, a wood and coal-monger, wore wigs of this shape, perhaps because he was a Justice of the Peace within the King’s Court. The same kind of wig, equally deep, but with curls rather looser and more tastefully flowing, was also worn by the following high literary characters in the reigns of Charles II., James II., William III., and Queen Anne:—Waller, Dryden, Addison, Steele, Congreve, Vanbrugh, Butler, Rowe, Prior, Wycherley, etc.[397] Of these, perhaps the two last-mentioned were the most foppish in their wigs, particularly Wycherley, from whom the sets of large and beautifully engraven combs of the finest tortoise-shell are named. With these combs (which were carried in cases in their pockets) the wearers of wigs adjusted their curls, ruffled and entangled by the wind. These combs are held as curiosities by many of our old families. The last I saw was in the possession of the friendly Dr. Meyrick, author of The History of Armour. I have somewhere read that Wycherley, who was esteemed one of the handsomest men of his day, was frequently seen standing in the pit of the theatre combing and adjusting the curls of his wig, whilst in lolling conversation with the first ladies of fashion in the boxes.[398] Most of Sir Godfrey Kneller’s portraits were painted in this flowing wig, particularly that celebrated series entitled Queen Anne’s Admirals.[399] These pictures were lately moved by command of King George IV. from Hampton Court Palace to the Nautical Gallery in Greenwich Hospital, where they are placed to the highest advantage among numerous other portraits of England’s naval victors.

The actors at this time wore immense wigs, particularly Bullock, Penkethman, etc.; Cibber’s was in moderation. It must here be observed, that I now allude to their private wigs; their state wigs were, as they are now, purposely caricatured to please the galleries.[400] I believe that the first wig worn by an English divine was that of John Wallis,[401] engraved by Burghers, and published at Oxford in the year 1699; it was profusely curled, but not so deep over the shoulders as those of statesmen.

There were many singular, and, indeed, learned characters whose wigs were peculiarly shaped, such, for instance, as that of Bubb Doddington, Lord Chesterfield, and the Duke of Newcastle. MacArdell’s print of Lord Anson, after a picture by Sir Joshua Reynolds, was, I have every reason to think, the first of the shape erroneously called the Busby. This sort, Dr. Samuel Johnson, Armstrong, Hunter, the Rev. George Whitfield, Lord Monboddo, etc., wore in their latter years.

DR. OLIVER GOLDSMITH

“The fellow took me for a tailor.”

The earliest engraved portraits of Dr. Johnson exhibit a wig with five rows of curls, commonly called “a story wig.”[402] Among the old dandies of this description of wig we may class Mr. Saunders Welch, Mr. Nollekens’ father-in-law—he had nine storeys. So was that worn by Mr. Nathaniel Hillier,[403] an extensive print-collector, as is represented in an engraved portrait of that gentleman. Dr. Goldsmith’s wig was small and remarkably slovenly, as may be seen by Bretherton’s etching. Sir Joshua’s portrait of him is without a wig. Mr. Garrick’s wigs (I mean his private ones) were three in number,—the first is engraved by Wood, published in the year 1745; the second is by Sherwin, engraved for Tom Davies; the last is from a private plate by Mrs. Solly, after a drawing by Dance. I will leave off here with the wig, and give a few instances of the tails. These perhaps originated with the Chinese, but the first specimen of a tail, which I have hitherto been able to procure, to which a date can be given, is in Sherwin’s print of Frederick, King of Prussia.[404]