The Lake of Lucerne

by Joseph E. Morris

IV

Looking eastward from the quays or the lake at Lucerne across the shining expanses of water to the great background of snow-clad Alps—visualizing those Alps in memory as we sit later on at home, by the side of a winter fire—most of us have probably an impression only of a very lovely, and very magnificent, but also very vague and inchoate, huddle of confused and indefinite hills. The highest peak seen at Lucerne from the Schweizerhof Quay is apparently the Tödi (11,887 feet), supreme at the point, or very nearly at the point, where Uri, Glarus, and the Grisons meet, and next to this in actual dignity is perhaps the snowy Titlis (10,627 feet), which rises above Engelberg, and also belongs, like the Tödi, to a bunch of three converging cantons—in this case Uri, Unterwalden, and Berne. Yet these two giants, with their groups of attendant satellites, are so remote from the margin of the lake itself, and so lost amidst the company of their hardly less magnificent peers, that they strike one on the whole with less impress of overwhelming individuality—associate themselves on the whole less easily with our necessarily blurred and imperfect recollections of the Vierwaldstättersee when the lake itself is no longer seen—than two other striking hills of far less elevation, and in one case of far less noble outline, that yet rear themselves more immediately from the exact levels of the lake, and that stand more or less aloof, in conspicuous isolation, not merely from one another, but from the general confraternity of hills. Wordsworth reminds us in an admirable sonnet how

"Pelion and Ossa flourished side by side,
Together in immortal books enrolled"—

yet surely not Pelion and Ossa (I have never seen them) dominate Thessaly more insistently, or confront one another with more marked and divergent character across the intervening valley, than Swiss Rigi and Pilatus confront one another across the blue spaces of the Lake of the Four Forest Cantons, or dominate its waters from the exact margin of its shores!

OLD HOUSES AND BRIDGE AT LUCERNE

Of these mountain twins of central Switzerland, Pilatus is by far the more imposing, not merely in point of elevation—the Rigi is less by a thousand feet—and immeasurably in grace of peaked and rocky outline, but also in wealth of legendary lore, and even of actual historical significance. Of legend, because Pontius Pilate, according to one account, smitten with remorse after the crucifixion of Our Saviour, ascended these lonely summits in the course of his miserable wanderings, and drowned himself here in the little pool (which is now dried up) on the Bründlen Alp, which lies on the less well-known slopes of the hill descending from the highest peak, or Tomlishorn (6,995 feet), in the direction of the Rumligbach. According, however, to another version, which first appears in the pages of Eusebius, Pontius Pilate committed suicide at Rome; and it was only after a series of strange vicissitudes and wanderings, recalling, though less hallowed than, those of the body of St. Cuthbert, that his corpse was flung at last, like so much carrion, into this little mountain tarn. First it was thrown into the Tiber, but the evil spirit could not rest, and storms and floods that fell upon Rome necessitated its removal to Vienne, near Lyons, where again it found watery burial in the Rhone. Vienne, however, was now visited in turn by commotions like those at Rome; the Lake of Geneva, the next place of interment, proved equally infelicitous; and it was only finally in untrodden solitudes, beneath the grey limestone peaks of the Frackmünd (or Fractus Mons), that the hateful body, which earth refused to receive in peace, was suffered at last to hide itself in uneasy but permanent sepulchre. For "even here the wicked spirit could not rest from evil-doing. Storm and rain enveloped the mountain, the lake burst its banks, Alps were ruined, and herds swept away. At last a travelling scholar confronted the ghost, and by his magic forced him to accept a pact by which, on condition of one day's freedom, he was to remain at rest for the remainder of the year. The bargain was kept. The land was at peace, but yearly on Good Friday any shepherd who approached the haunted tarn saw, seated on a throne of rock above the water, a terrible figure clad in the red robes of magistracy." One would hasten to suppose that the story had been invented in explanation of the name; but the name Pilatus (perhaps from pileatus, the capped mountain, from its well-known cloud-compelling qualities) is said to date only from the eighteenth century, whilst the story is at least as old as the fourteenth.

THE SEVEN TOWERS, LOOKING OVER LUCERNE FROM THE GUTSCH.

So far the realm of legend. The realm of actual history is scarcely less astonishing, and attaches itself to legend by imperceptible ties. It is history that the city of Lucerne in the Middle Ages did actually prohibit the ascent of the mysterious hill: it is history that six priests in 1307 were condemned to several months of imprisonment for daring to visit the forbidden lake. The legend of the pact with the travelling scholar had at least one important variant, for it was believed that by throwing a stone into the pool the spirit could be at any time provoked, and his evil influence set free to work havoc on lake and fell. It was to avert this constant menace at the hands of audacity, or scepticism, that the city fathers promulgated the law by which access to the hill was prohibited. It was only with the Renaissance, and with the birth of the new spirit of rationalism, that the old beliefs became untenable, and that the old terrors were rendered empty—as Gareth cleaves the helm of the silent terror that

"Names himself the Night and oftener Death,"

and reveals inside "the bright face of a blooming boy." The terrors were already grown more than a little threadbare when Conrad Gesner, the naturalist, ascended the mountain in 1555; they must nearly have vanished altogether in another thirty years, when the Curé of Lucerne, "before a crowd of witnesses, flung stones and rubbish into the lake without raising anything more than a ripple." At the bottom, however, of all these wild stories there is a substratum of truth, for Pilatus is really a great brewer of storms, and the peasants of the neighbourhood still prognosticate the weather from the disposition of the clouds upon its summit. Thus Roseberry Topping, in Cleveland, or what greedy iron-masters have left of it, was supposed as long ago as the time of Camden to foretell the coming storm:

"If Roseberry Topping wears a cap
Let Cleveland then beware of a clap."

Roseberry and Pilatus are in other respects curiously analogous; each is of a typically peaked appearance; and each is situated on the extreme edge of the hill group to which it belongs. Pilatus, it may be noted, is now ascended by a railway, and thus heaps of "unappreciative trippers" are now lightly conveyed every fine summer day to the once weirdly mysterious summit, to which the medieval climber won only surreptitiously, and perhaps in awe and terror. It is surely the anti-climax of unromantic common sense.

The Rigi, which confronts Pilatus across the lake in such startling dissimilarity, is perhaps the most popular hill in Europe, and is certainly in a sense the most vulgar. It is bad enough that a hill should be desecrated by a single mountain railway: it is intolerable that it should be degraded by three! How many people ascend to the Rigi Kulm on a day of tolerable weather in August from either Vitznau or Arth-Goldau one would hardly dare to guess; how many are housed at night in one or other of the monster hotels—at Rigi Kulm, at Rigi Kaltbad, at Rigi Staffel, at Rigi Scheidegg—that oppress and burden its weary summits is a matter not to be dwelt on. This is not the place to attempt a dissertation on the quæstio vexata of mountain railways. To the writer (who is prejudiced) the thing seems axiomatic: all that goes to make up mountain grandeur, all that is of the spirit,

"Of eye and ear—both what they half create,
And what perceive"—

all that renders a mountain a mountain, as opposed to a mere elevated mass of matter—

"Of stratified rock
Inclined at an angle of xty degrees"—

is gone in a moment when you thus strip a hill of its proper attributes—of its mystery, of its remoteness, of its difficulty of access; and there remains nothing save bulk, which you get in the Great Pyramid; and prospect, which you get from the Eiffel Tower; and a clever bit of engineering (diabolically clever), which is just as well got in the Great Wheel at Kensington. Yet frankly it must be confessed that if something had to be sacrificed to gratify the sensation-mongers, and the lazy, and the impotent, the Rigi might best be immolated. Just this one hill, perhaps, might be spared: but was it necessary to bind to the horns of the altar every other hill of medium size in Switzerland—the Niesen, and the Brienzer, Rothhorn, and the Schynige Platte, and the Beatenberg; to say nothing, on the shores of Lake Lucerne itself, in addition to the Rigi, of the Burgenstock, and Pilatus, and the Stanserhorn; and elsewhere in Switzerland of the deeper crime of the Jungfrau, and in Savoy of the crowning infamy of Mont Blanc?

The Rigi, in fact, owing to its peculiar configuration and structure, is less hurt by this eruption of mountain railways than any other mountain in the Alps. The hill is really a whole agglomeration of hills—of which the Rigi Kulm (5,905 feet) is merely the culminating summit—which occupy very roughly the rectangular area that lies between the lakes of Lucerne, Zug, and Lowerz, and are formed largely of horizontal layers of red conglomerate, or pudding-stone, rock. The hill is thus distinctly of the lumpy type of mountain, as opposed to its rival, Pilatus, which belongs to the vertical, or peaked; and owes what beauty it possesses to its long bands of ruddy precipice, down which dangle short spouts of more or less exiguous cascade, and to the solemn masses of dark wood that gird its middle flanks. The towering crags of Pilatus, like tongues of shivering flame, have here no rival in these long, parallel belts of forest, rock, and open lawn, that rise above the lake in stately tier above tier, and are hardly wilder at their summits than along the margin of the lake:

"And as the ranks ascend
Shade above shade, a woody theatre
Of stateliest view."

It is not difficult among glades like these for a mountain railway to worm its way obscurely, and to hide its ugly presence beneath the garment of thick woods.

LOOKING ACROSS THE LAKE.

It is the fashion to spend the night on the Rigi, and to witness the sunrise next day. The writer has done it once, but the experience was disappointing: it was already broad daylight, and the whole landscape was already coldly visible, when the little group of shivering penitents was marshalled on the summit to watch the up-burst of a sun that itself seemed cold and grey. It may be better worth the trouble if one rises for actual daybreak, or when the sun issues forth more royally from his chamber in the east. On the whole, perhaps, it is better to avoid the Rigi in its stereotyped sensational aspects, and to investigate its secret—for secret to yield it assuredly has—unconventionally, and out of the season. I have crossed its saddle from Goldau to Weggis, between the Rigi Rotstock and the Schild, during the later days of March, when the track by which I climbed was still white with virgin snow. This was, in fact, the old pilgrim path by which devotees once ascended—may possibly still ascend—to worship at the little upland chapel (rebuilt in 1715–21) of Our Lady of the Snow ("Maria zum Schnee"). This shrine is the centre of a little colony, the oldest and quaintest of all that have developed on the Rigi; and just because it lies in a hollow of the summit peaks, and commands no distant views, has escaped the bitter ravages of modern exploitation. The spot is called Rigi Klösterli, because inhabited all the year round by a little group of Capuchin friars from the community at Arth, who dwell in the little hospice and serve the little chapel. This was an old centre for goat-whey cure, and the inns are delightfully old-fashioned of aspect; the whole appearance of the spot, indeed, is full of local character, whereas most other settlements on the Rigi are cosmopolitan and commonplace. The salvation of the place is its utter lack of view: you must scramble up steep grass slopes, towards the south, to the summit of the saddle, to enlarge your horizon in a few steps from a barrier of green hill-side to a prospect so vast that you seem suddenly to have before you all the kingdoms of the earth and the glory thereof. I do not know, indeed, that the actual range of view is greater than that commanded in France from the top of the Puy-de Dôme—

"Si Dôme était sur Dôme
On verra les portes de Rome"—

and certainly it is not so majestic as many more restricted views of particular groups of Alps, seen—as mountain views are almost always seen to best advantage—from the slopes, or from the summits, of lesser hills. But except from the marble roofs of Milan Cathedral there is perhaps no other generally recognized and easily accessible point of view from which it is possible, merely by turning the head, to command so long a line of crowding Alpine summits, extending from the Sentis, in the extreme east, to Pilatus in the west, for a distance of roughly one hundred and twenty miles—

"Hill peers o'er hill, and Alps o'er Alps arise."

Yet here, when we stand on the crest in unaccustomed solitude in the first stirrings of the spring, when the giant hotels are still mostly shut and empty, and when the high-level railway between the Kaltbad and the Scheidegg is happily obscured beneath icicle and snowdrift, there is yet no intimate revelation of the true inward spirit of Alpine scenery:

"The difficult air of the iced mountain's top,
Where the birds dare not build nor insect's wing
Flit o'er the herbless granite."

The Land of Promise lies fair before us; but here, on the saddle of the Rigi, we still linger on the threshold, though the biting morning breeze come, pine-scented, through the forest, and though the musical cow-bells tinkle for ever on the "high mountain pastures, where day first appears."