FOOTNOTES:

[1] Birmingham and the Midland Hardware District, pages 211, 221.

[2] Autobiography of Alexander Carlyle, D.D.

[3] Hutton’s History of Birmingham (1783), page 90.

[4] Gough’s British Topography (1780), volume ii, page 306.

[5] Hutton’s History of Birmingham, page 90.

[6] Frivolous.

[7] Testy.

[8] Mark Noble, who was born in Birmingham in 1754. His father sold beads, knives, toys, etc., to the slave traders. In 1781 he was presented to two “starvation livings,” as he called them, in Warwickshire. He divided his interests then among his congregation, his books, and his farm. His writings were those of an imperfectly educated, vulgar-minded man. His ignorance of English grammar and composition rendered his books hard to read and occasionally unintelligible, while the moral reflections with which they abounded were puerile. (Dictionary of National Biography.)

[9] Chambers’s Biographical Illustrations.

[10] Edward Rowe Mores was a crusty, crabbed clergyman, who collected different founts of types, and obtained much information upon the subject of type-founding. He printed eighty copies of the book quoted above, and Nichols bought the whole of them. See Nichols’s Literary Anecdotes, volume v, page 389.

[11] The Bookhunter (1885), page 67.

[12] Reed’s Old English Letter Foundries, pages 269, 271, 277, 279.

[13] Dent and Straus, John Baskerville, page 64.

[14] Autobiography of Alexander Carlyle, D.D.

[15] Straus, Robert Dodsley, page 272.

[16] Dictionary of National Biography.

[17] Straus, Robert Dodsley, pages 219, 273.

[18] Lettres inédites de Voltaire (1857), page 254.

[19] Reed’s Old English Letter Foundries (1882).

[20] Hansard’s Typographia (1825), page 311.

[21] Hansard’s Typographia, page 723.

[22] Ibid., page 717.

[23] Reed’s Old English Letter Foundries, page 276.

[24] Macaulay’s History of England, volume ii.

[25] Harwood’s Classics, page 172.

[26] Hansard’s Typographia, page 311.

[27] Dibdin’s Library Companion, page 716.

[28] Dibdin’s Library Companion (1825), page 47.

[29] Dibdin’s Library Companion, page 613.

[30] Straus, Robert Dodsley, pages 289-292.

[31] Baskerville’s work was greatly admired on the Continent, especially in France. He was paid several very handsome compliments in Pierre Didot’s “Épître sur les Progrès de l’Imprimerie,” published in Paris in 1784; and in the notes to the poem attention is given to his method of printing and to his glossy paper,—“qui fatigue la vue.” To make such paper, says Didot rather loftily, “is not a secret, and if it ever becomes one, will not be worth finding out.” This opinion did not, however, prevent the Didots from attempting to imitate it.

[32] Dibdin’s Greek and Latin Classics (1827), vol. ii, pages 555 et seq.

[33] Harwood’s Classics, page 176. See also Dibdin’s Classics, volume ii, page 111.

[34] Dibdin’s Library Companion, page 766.

[35] Hansard’s Typographia, page 311.

[36] Horne’s An Introduction to the Study of Bibliography, vol. i, page 253.

[37] Bibliography of Printing, page 37.

[38] Fitzgerald’s The Book Fancier, page 77.

[39] Reed’s Old English Letter Foundries, pages 286, 287.

[40] Ibid., page 332.

[41] Theodore Low De Vinne’s Title-Pages as seen by a Printer (1901), pages 154, 155.

[42] Reed’s Old English Letter Foundries, pages 134, 136.

[43] Secular Review, September 8, 1877.

FINIS

BASKERVILLE EDITIONS

IN THE COLLECTION OF J. H. BENTON

COLLECTION
OF J. H. BENTON, U. S. A.

[Numbers refer to Straus and Dent’s Bibliography]

BASKERVILLE EDITIONS

No.DateTitle
7. 1757.Virgil. Opera. Royal 4to. Plates by Hollar. Map inserted.
8. 1757. Virgil. Opera. Royal 4to. Extra illustrated.
15. 1758. Milton. Paradise Lost. Imperial 8vo.
17. 1758. Milton. Paradise Regain’d, Imperial 8vo.
20. 1758. [Huckell.] Avon. 4to. Sig. K2 printed 2K.
22. 1759. Milton. Paradise Lost. 4to.
23. 1759. Milton. Paradise Regain’d. 4to.
31. 1760. Book of Common Prayer. [Long lines without borders.] Imperial 8vo. Finely executed painting on the fore-edge. Price erased.
32. 1760. Book of Common Prayer. [Long lines with borders.] Imperial 8vo.
38. 1760. [Mallet.] Edwin and Emma. Royal 4to.
40. 1761. Book of Common Prayer. [Double column without borders.] Imperial 8vo.
43. 1761. Book of Common Prayer. [Long lines with borders.] Imperial 8vo.
44. 1761. Æsop. Fables. 8vo.
45. 1761. Juvenal and Persius. Satyrae. Royal 4to. Two copies, 2d copy has plates by Hollar inserted.
46. 1761. Congreve. Works. 3 vols. Imperial 8vo.
48. 1761. Addison. Works. 4 vols. Royal 4to. Two copies, one not trimmed and in original boards.
52. 1762. Book of Common Prayer. [Long lines without borders.] Imperial 8vo.
54. 1762. Book of Common Prayer. [Double column without borders.] 12mo. Two copies, each with Psalms bound in. See Nos. 55, 56.
55. 1762. Sternhold and Hopkins. Psalms in Metre. 12mo. Bound at end of larger copy of No. 54.
56. 1762. Tate and Brady. Psalms. 12mo. Bound at end of smaller copy of No. 54.
59. 1762. Horace. Opera. 12mo.
65. 1763. Holy Bible. Cambridge. Imperial folio.
69. 1764. Jennings. On Medals. 8vo.
71. 1765. Barclay. Apology. Royal 4to.
75. 1766. Virgil. Works. By R. Andrews. In English. Imperial 8vo.
78. 1766. Virgil. Opera. 8vo. No frontispiece.
86. 1770. Horace. Opera. Royal 4to. Manuscript errata inserted.
90. 1772. Lucretius. De rerum natura. Royal 4to.
91. 1772. Catullus. Opera. Royal 4to.
92. 1772. Catullus. Opera. 12mo.
93. 1772. Terence. Comoediae. Royal 4to.
94. 1772. Terence. Comoediae. 12mo.
98. 1773. Ariosto. Orlando Furioso. 4 vols. Imperial 8vo. Errata in vol. 4.
99. 1773. Ariosto. Orlando Furioso. 4 vols. Imperial 8vo. Corrections in text.
102. 1773. Shaftesbury. Characteristics. 3 vols. Imperial 8vo.
104. 1773. Lucretius. De rerum natura. 12mo. Two copies.
105. 1773. Sallustius. Opera. Royal 4to.
109. 1774. Sallustius. Opera. 12mo.

UNIVERSITY PRESS, OXFORD

113.1763. New Testament, Greek. Imperial 8vo. 676 pages.

SARAH BASKERVILLE

116. 1777. Horace. Opera. 12mo. No dedication.

ROBERT MARTIN

117. 1767. Somervile. The Chase. Imperial 8vo. This copy reads “chace” on page 43.

INDEX

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

R

S

T

U

V

W

Y

Z