ILLUSTRATIONS

PAGE
CAPE GUARDAFUI[1]
DAR ES SALAM HARBOUR[2]
NATIVE DANCE AT DAR ES SALAM[3]
STREET IN NATIVE QUARTER, DAR ES SALAM[4]
MAP OF THE MAIN CARAVAN ROAD[9]
COURTYARD AT DAR ES SALAM[10]
IN THE EUROPEAN QUARTER, DAR ES SALAM[12]
LINDI BAY[16]
THE SS. “RUFIJI”[18]
VIEW NEAR THE MOUTH OF THE LUKULEDI ABOVE LINDI[19]
LINDI ROADSTEAD[24]
ARAB DHOW[25]
CHAIN-GANG[26]
WOMEN’S DANCE AT DAR ES SALAM[27]
SELIMAN MAMBA[29]
YAO WOMEN AT MTUA[33]
GIRLS FROM LINDI[35]
RUINED TOWER, LINDI[38]
UNDER THE PALMS[40]
THE LIKWATA DANCE[45]
MAKUA WOMEN FROM THE LUKULEDI VALLEY[47]
A MAN OF THE MWERA TRIBE AND A YAO[48]
RUINS OF NYANGAO MISSION STATION[50]
A MWERA WOMAN[56]
YOUNG MAN OF THE MWERA TRIBE[56]
MWERA WOMAN WITH PIN IN LOWER LIP[57]
ROAD THROUGH THE BUSH IN THE NEIGHBOURHOOD OF CHINGULUNGULU[59]
MOUNTAINS NEAR MASASI[65]
THE INSULAR MOUNTAIN OF MASASI[67]
OUR ASCENT OF MTANDI MOUNTAIN[72]
MNYASA HUNTER WITH DOG[77]
THROUGH THE BUSH ON A COLLECTING EXCURSION[79]
READY FOR MARCHING (MASASI)[81]
CAMP AT MASASI[83]
INTERIOR OF A NATIVE HUT IN THE ROVUMA VALLEY[85]
DOVECOTE AND GRANARY[92]
RAT TRAP[96]
TRAP FOR ANTELOPES[98]
TRAP FOR GUINEA-FOWL[99]
TRAP FOR LARGE GAME[99]
MY CARAVAN ON THE MARCH[104]
YAO HOMESTEAD AT CHINGULUNGULU[105]
THE YAO CHIEF MATOLA[108]
NAKAAM, A YAO CHIEF[109]
INTERIOR OF A COMPOUND AT MWITI[110]
CAMP AT MWITI[112]
SHUTTER WITH INLAID SWASTIKA IN NAKAAM’S HOUSE AT MWITI[114]
YAO HUT[115]
ELDERLY MAKONDE WOMAN IN GALA DRESS[121]
GROUND PLAN OF ZUZA’S HUT[128]
ZUZA’S COUCH AND FIREPLACE[129]
YAO WOMEN WITH NOSE-STUDS[130]
INFANT’S GRAVE[132]
MATOLA’S COMPOUND[134]
BEER-DRINKING[136]
WATAMBWE WOMAN DECORATED WITH NUMEROUS KELOIDS[141]
MANUAL CHRONOLOGY, “THAT HAPPENED WHEN I WAS SO HIGH”[145]
OUR CAMP AT CHINGULUNGULU[149]
WATER-HOLES AT CHINGULUNGULU[151]
MAKONDE WOMEN FROM MAHUTA[153]
TWO MAKUA MOTHERS[157]
A FRIENDLY CHAT[158]
WOMAN POUNDING AT THE MORTAR[165]
MONKEYS ATTACKING A PLANTATION[168]
THE BLIND BARD SULILA OUTSIDE THE BOMA AT MASASI[171]
YAO DANCE AT CHINGULUNGULU[178]
“BUSH SCHOOL” IN THE PORI, NEAR CHINGULUNGULU[179]
A YAO DRESSED FOR THE MASEWE DANCE[181]
MASEWE DANCE OF THE YAOS AT MTUA[182]
FRESCO ON THE WALL OF A HUT AT AKUNDONDE’S[185]
HERD OF ELEPHANTS[190]
VILLAGE OF THE NGONI CHIEF MAKACHU[193]
GRAVE OF THE YAO CHIEF MALUCHIRO, AT MWITI[194]
KINDLING FIRE BY FRICTION[196]
MY COMPANION, NILS KNUDSEN[199]
FISH-DRYING ON THE ROVUMA[202]
TWO MATAMBWE MOTHERS FROM THE ROVUMA[205]
TYPICAL HUT IN THE ROVUMA VALLEY[208]
DESERTED BUILDINGS, LUISENFELDE MINE[210]
UNYAGO BOYS PLAYING ON FLUTES OUTSIDE THE NDAGALA AT AKUNDONDE’S[211]
LIKWIKWI, THE BIRD OF ILL OMEN[212]
LISAKASA IN THE FOREST NEAR AKUNDONDE’S[213]
YAO GRAVES AT AKUNDONDE’S[214]
NDAGALA (CIRCUMCISION-LODGE) IN THE FOREST NEAR AKUNDONDE’S[216]
LAUGHING BEAUTIES[220]
GIRLS’ UNYAGO AT THE MAKONDE HAMLET OF NIUCHI[221]
GIRL’S UNYAGO AT THE MATAMBWE VILLAGE OF MANGUPA. I[226]
GIRLS’ UNYAGO AT THE MATAMBWE VILLAGE OF MANGUPA. II[227]
OLD MEDULA LIGHTING HIS PIPE[228]
OUR CAMP AT NEWALA[231]
THE AUTHOR IN WINTER COSTUME AT NEWALA[232]
MAKONDE MASKS[236]
MAKONDE STILT-DANCER[237]
THE NJOROWE DANCE AT NEWALA[238]
MAKONDE WOMEN GOING TO DRAW WATER[243]
TWO NEWALA SAVANTS[245]
DANCE ON STILTS AT THE GIRLS’ UNYAGO, NIUCHI[249]
FEET MUTILATED BY THE RAVAGES OF THE “JIGGER”[251]
NATIVE PATH THROUGH THE MAKONDE BUSH, NEAR MAHUTA[256]
USUAL METHOD OF CLOSING HUT-DOOR[261]
MAKONDE LOCK AND KEY AT JUMBE CHAURO[262]
MODE OF INSERTING THE KEY[263]
THE ANCESTRESS OF THE MAKONDE[266]
BRAZIER[267]
NYASA WOMAN MAKING POTS AT MASAI[269]
MAKUA WOMAN MAKING A POT[270]
MANUFACTURE OF BARK-CLOTH AT NEWALA[275]
MAKUA WOMEN[278]
WOMAN CARRYING A BABY ON HER BACK[283]
THREE MAKUA VEGETARIANS[284]
USE OF THE THROWING STICK[286]
THROWING WITH THE SLING[287]
SPINNING A TOP[288]
IKOMA DANCE AT THE GIRLS’ UNYAGO, ACHIKOMU[289]
XYLOPHONE (MGOROMONDO)[290]
PLAYING THE NATURA[291]
NATURA (FRICTION-DRUM)[291]
USING THE NATIVE TELEPHONE[292] and [293]
NATIVE TELEPHONE[293]
MAKONDE CHILDREN[295]
MASEWE DANCE OF THE MAKUAS IN THE BOMA AT NEWALA[296]
KAKALE PROCESSION ON THE LAST DAY OF THE UNYAGO[298]
MASKED DANCE AT THE GIRLS’ UNYAGO, NIUCHI[303]
WOMAN OF THE MAKONDE TRIBE[305]
AN OFFERING TO THE SPIRITS[324]
LANDSCAPE ON THE ROVUMA[325]
TREES IN THE BURYING-GROUND AT NEWALA[327]
KNOTTED STRING SERVING AS CALENDAR[329]
MY ESCORT HALTED AT HENDERERA’S VILLAGE IN THE MAKONDE HIGHLANDS[334]
NATIVE SUFFERING FROM THE UBUBA DISEASE[337]
MAJALIWA, SAIDI, AND MAKACHU[338]
FOREST RUINED BY NATIVES NEAR NCHICHIRA, ROVUMA VALLEY[343]
MATAMBWE FISHERMAN CATCHING A TURTLE, WHICH A WATER-SNAKE IS TRYING TO SEIZE[347]
PILE-DWELLING ON THE ROVUMA, NEAR NCHICHIRA[350]
THE WALI OF MAHUTA[353]
MOTHER AND CHILD[355]
TWO-STORIED HOUSES AT NCHICHIRA ON THE ROVUMA[357]
MAKONDE GIRL WITH LIP PIERCED FOR PELELE AND ULCERATED[358]
PSEUDO-SURGERY. MAKONDE WOMAN WITH TORN LIP ARTIFICIALLY JOINED[359]
MAKONDE KELOIDS[360]
MATAMBWE AND MAKUA WOMEN WITH KELOIDS[361]
MAKUA WOMAN WITH KELOIDS ON BACK[362]
MAKUA WOMEN WITH KELOIDS[363]
MAKONDE WOMEN WITH ELABORATE KELOIDS[364]
AFRICAN ART: CARVED POWDER, SNUFF, AND CHARM-BOXES FROM THE MAKONDE HIGHLANDS[365]
MAKONDE MAN WITH KELOID PATTERNS[365]
YAO WOMEN WITH KELOIDS[366]
THE LITOTWE[367]
“BWANA PUFESA” (THE PROFESSOR)[368]
WANGONI WOMEN AT NCHICHIRA[369]
TWO NATIVES[370]
THE BUSH COUNTRY AND ITS FAUNA[372]
MAKONDE WOMAN IN HOLIDAY ATTIRE[375]
MAKONDE HAMLET NEAR MAHUTA[377]
A DIABOLO PLAYER ON THE MAKONDE PLATEAU[378]
DIABOLO[379]
ASKARI IN FATIGUE DRESS[382]
WANDUWANDU’S GRAVE[397]
GREAT NGOMA DANCE IN THE BOMA AT MAHUTA[403]
MY ESCORT CLEANING THEIR TEETH[405]
ENTERING THE RED SEA[408]
THE AUTHOR IN BUSH COSTUME[410]