MENDELSSOHN'S TRAVELS AND WORKS
You must not think that Felix spent all his time in visits and pleasures. Indeed, his vacations came seldom and were very short. Most of his time was spent in hard work. He had learned to draw and paint nicely. He could speak French and English as well as his own language. He was fond of reading English books. He admired the works of Sir Walter Scott. As he especially liked to study Shakespeare's writings, he read his plays again and again.
When he was seventeen years old, he wrote one of his most beautiful compositions. It is called Overture to Midsummer Night's Dream. Young Mendelssohn and his sister had been studying this play of Shakespeare's. They were delighted with the fairy story. If you could hear the beautiful music of the overture, you might imagine that you were in fairyland. You might fancy that you heard the songs of the elves and woodland sprites.
Young Mendelssohn's father believed that much could be learned from travel. When Mendelssohn was about fifteen, he traveled in France and Switzerland. Soon after he was sixteen, his father took him to Paris, where he made the acquaintance of several great musicians. From these men he learned much that was of value to him.
When he was twenty years old, he decided to devote all of his time to music. He had spent considerable time in traveling. He had studied so hard that he might have entered a university, had he wished. From that time on, he was to earn his living as a musician.
One day his father said: "My son, you have decided to be a musician. In what city do you intend to carry on your work?" Mendelssohn did not know where he wished to live. His father said: "Do not decide at once. Travel in different countries of Europe. Visit the large cities, and become acquainted with the great musicians; then make up your mind where you can best do your work."
So in April, 1829, Mendelssohn went to London and stayed until November. English people were delighted with his music. At one concert the Overture to Midsummer Night's Dream was played. They thought that they had never heard such music before. They often invited Mendelssohn to play in the large churches. He played the great organ in St. Paul's Cathedral.
Before he returned to Germany, he visited Scotland, as he wished to see Sir Walter Scott. Mendelssohn was charmed with the scenery of Scotland, and made many sketches while in that country. He wrote home, "When God Himself paints the landscape, it becomes strangely beautiful."
While in Scotland, Mendelssohn visited some islands near the coast. He had a stormy voyage on the Atlantic, but at last he reached land. On one of the islands is a noted cavern called Fingal's Cave. Mendelssohn visited this wonderful spot. He had never seen anything like it before. The cave was dark and filled with echoes; the gray sea moaned among the pillars of the cavern. The wind seemed to sigh and sob as it swept through the empty passageways. Mendelssohn often spoke of his visit to Fingal's Cave.
When he returned to Berlin, his sisters asked Felix to tell them something about the noted cave. "It can not be told, only played," he replied, and straightway seated himself at the piano. The music that he played told his sisters how the waves dashed against the rocky walls. It described to them the moaning and sighing of the wind. Later the music was written down. It is called the Fingal's Cave Overture.
After several months spent in England, Mendelssohn returned to Berlin. After a little while, he went to Italy, visiting Rome, Venice, and Florence. He worked daily at his music. He visited the art galleries. He enjoyed meeting the leading musicians.
From Italy Mendelssohn journeyed to Switzerland. From there he went to Paris, where the Midsummer Night's Dream Overture was played. Leaving France, he went once more to London. While he was in the great English city, the first book of Songs without Words was printed.
"How could there be a song without words?" you ask. Just as Felix, long ago, told in music the story of his walk in the woods, so now he told other stories with other music. One of the airs in the first book of Songs without Words is called the Hunting Song. What do you suppose you could hear in that music?
Mendelssohn visited England many times. In the year 1842 he met Queen Victoria. The queen's husband, Prince Albert, invited Mendelssohn to visit the palace, for he wished him to try his organ. The great musician accepted the invitation and went to the palace.
Copyright, 1901, by Photographische Gesellschaft Carl Röhling
QUEEN VICTORIA, PRINCE ALBERT, AND MENDELSSOHN
While they were talking, the queen entered. "Goodness, what confusion!" she said. The wind had littered the room with sheets of music. She knelt down and began to pick them up, Mendelssohn and Prince Albert helping her. Then Mendelssohn began a song. Before he was through the queen and the prince joined in. The queen then sang alone one of Fanny Mendelssohn's songs. Turning to the composer, she said: "Have you written any new songs lately? I am very fond of singing your music." This pleased Mendelssohn greatly.
Soon the queen went to drive, and Mendelssohn's visit came to an end. Before he left, Prince Albert gave him a beautiful ring, saying, "This gift is from the queen. She begs you will accept it as a remembrance."
Mendelssohn played at many concerts. He never would perform a piece that he had not carefully studied. He used to say: "Whatever is worth doing at all, is worth doing well. That takes time."
Mendelssohn's greatest work is an oratorio. Now you must know that an oratorio is a composition for many voices and instruments. The words of the songs and choruses are taken from the Bible. This great oratorio, written in 1846, is called Elijah. The words are set to exquisite music. Ten years before Mendelssohn had written another oratorio, called St. Paul, which is very beautiful also. Even now these two oratorios are often sung.
Several volumes of Songs without Words were written. Some of the daintiest and most beautiful music Mendelssohn ever wrote is found among these songs. One of the loveliest and best known of them all is the Spring Song. Have you ever heard it?
Mendelssohn used music as we do words. Once a young English girl put some roses and carnations on the piano for him. The sweet flowers pleased him. He thanked the thoughtful giver in a little musical poem.
When he was in London, he received news that his sister Fanny was to be married. Mendelssohn could not go to her wedding; so he wrote her a letter. It did not express the thoughts that he had in mind. He tore the letter in pieces and composed some music, which he sent instead.
Fanny Mendelssohn had great talent as a musician. She composed some pieces of music, some of which were published. Do you remember that Queen Victoria sang one of her songs? Fanny Mendelssohn died when she was forty-two years of age. If she had lived longer, perhaps the world would know more about her music.
When Mendelssohn heard of his sister's death, he was heartbroken. He felt that his best friend was gone. He remembered how her acts of kindness had brightened his life. He recalled her words of appreciation and cheer.
Mendelssohn once had a visitor whom he entertained for a while by showing his statues and pictures. Then he said, "Now let us go to an open-air concert." He led the way to a lonely corner of the garden, where a nightingale was pouring out its soul. "He sings here every evening," said the great musician, "and I often come to listen. I sit here sometimes when I want to compose."
Mendelssohn enjoyed hearing his own music. Some young people once planned a concert for him. He was so delighted and so eager to hear it that he and his lovely young wife arrived much too early. While his songs were being sung, his whole face beamed; his eyes sparkled with pleasure. He called out after each song, "Again, again, please once more." They had to sing the Lark's Song three times.
In 1847, when he was thirty-eight years of age, Felix Mendelssohn died. His own life was a beautiful one, and he filled the lives of his friends with love and sunshine. He once wrote a little verse of poetry which shows the spirit of his life:—
"Love the beautiful,
Seek out the true,
Wish for the good,
And the best do."