CHAPTER LXV.
THE COUNTESS WIELOPOLSKA.
"You really think that he will come, Matuschka?" asked the Countess Wielopolska of her waiting-woman, who, standing behind the chair, was fastening a string of pearls in her lady's dusky hair.
"I know he will come, your ladyship," replied Matuschka.
"And you have seen the emperor and spoken to him!" exclaimed the countess, pressing her delicate white hands upon her heart, as though she strove to imprison its wild emotions.
"Indeed I have, my lady."
"Oh, tell me of it again, Matuschka; tell me, that I may not fancy it a dream!" cried the countess, eagerly.
"Well, then, my lady, I took your note to the palace, where the emperor has given positive orders that every one who wishes it shall be admitted to his presence. The guard before the door let me pass into the antechamber. One of the lords in waiting told me that the emperor would be there before a quarter of an hour. I had not waited so long when the door opened and a handsome young man in a plain white uniform walked in. I should never have taken him for the emperor, except that the lord stood up so straight when he saw him. Then I knelt down and gave the letter. The emperor took it and said: 'Tell your lady that I am not prepared to receive ladies in my palace; but since she wishes to see me, I will go to her. If she will be at home this evening, I will find time to call upon her myself.'"
"Ah!" cried the countess, "he will soon be here. I shall see him—speak to him—pour out the longings of my bursting heart! Oh, Matuschka, as the moment approaches, I feel as if I could fly away and plunge into the wild waters of the Vistula that bear my husband's corpse, or sink lifeless upon the battle-field that is reddened with the blood of my brothers."
"Do not think of these dreadful things, dear lady," said Matuschka, trying to keep back her tears; "it is twilight, and the emperor will soon be here. Look cheerful—for you are as beautiful as an angel when you smile, and the emperor will be much more apt to be moved by your smiles than by your tears."
"You are right, Matuschka," cried the countess, rising hastily from her seat. "I will not weep, for I must try to find favor in the emperor's eyes."
She crossed the room and stood before a Psyche, where for some time she scrutinized her own features; not with the self-complacency of a vain woman, but with the critical acuteness of an artist who contemplates a fine picture. Gradually her eyes grew soft and her mouth rippled with a smile. Like a mourning Juno she stood in the long black velvet dress that sharply defined the outlines of her faultless bust and fell in graceful folds around her stately figure. Her bodice was clasped by an agrafe of richest pearls; and the white throat and the jewel lay together, pearl beside pearl, each rivalling the snowy lustre of the other. Had it not been for those starry eyes that looked out so full of mournful splendor, her face might have seemed too statuesque in its beauty; but from their dark depths all the enthusiasm of a nature that had concentrated its every emotion into one master-passion, lit up her face with flashes that came and went like summer lightning.
"Yes, I am beautiful," whispered she, while a sad smile played around her exquisite month. "My beauty is the last weapon left me wherewith to battle for Poland. I must take advantage of it. Life and honor, wealth and blood, every thing for my country!"
She turned to her waiting-woman as a queen would have done who was dismissing her subjects.
"Go, Matuschka," said she, "and take some rest. You have been laboring for me all day, and I cannot bear to think that the only friend left me in this world should be overtasked for me. Sometimes you look at me as my mother once did; and then I dream that I feel her hand laid lovingly upon my head, and hear her dear voice exhorting me to pray that God would bless me with strength to do my duty to my bleeding country." Matuschka fell upon her knees and kissed the hem of her mistress's robe.
"Do not give way," sobbed she, "do not grieve now."
The countess did not hear. She had thrown back her head and was gazing absently above. "Oh, yes, I am mindful of my duty," murmured she. "I have not forgotten the vow I made to my mother and sealed upon her dying lips with my last kiss! I have been a faithful daughter of my fatherland. I have given every thing—there remains nothing but myself, and oh, how gladly would I give my life for Poland! But God has forsaken us; His eyes are turned away!"
"Accuse not the Lord, dear lady," prayed Matuschka. "Put your trust in
Him, and take courage."
"It is true. I have no right to accuse my Maker," sighed the countess. "When the last drop of Polish blood is spent and the last Polish heart is crushed beneath the tramp of the enemy's hosts, then it will be time to cry to Heaven! Rise, Matuschka, and weep no more. All is not yet lost. Let us hope, and labor that hope may become reality, and Poland may be free!"
She reached her hand to Matuschka and passed into an adjoining room. It was the state apartment of the inn, and was always reserved for distinguished guests. It had been richly furnished, but the teeth of time had nibbled many a rent in the old-fashioned furniture, the faded curtains, and the well-worn carpet. Matuschka, however, had given an air of some elegance to the place. On the carved oak table in the centre stood a vase of flowers; and, that her dear mistress might have something to remind her of home, Matuschka had procured a piano, to which the countess, when weary of her thoughts, might confide the hopes and fears that were surging in her storm-tossed heart.
The piano was open, and a sheet of music lay on the desk. As the countess perceived it, she walked rapidly toward the instrument and sat down before it.
"I will sing," said she. "The emperor loves music, above all things the music of Gluck."
She turned over the leaves, and then said, softly:
"`Orpheus and Eurydice!' La, Bernasconi told me that this was his favorite opera. Oh, that I knew which aria he loved the best?"
She struck a few chords, and in a low voice began to sing. Gradually her beautiful features lost their sadness, she seemed to forget herself and her sorrows, and to yield up her soul to the influence of Gluck's heavenly music. And now, with all the power, the melody, the pathos of her matchless voice, she sang, "Che faro senza Eurydice!"
The more she sang, the brighter grew her lovely face. Forgetful of all things around, she gave herself wholly up to the inspiration of the hour, and from its fountains of harmony she drew sweetest draughts of consolation and of hope.
The door had opened, and she had not beard it. On the threshold stood the emperor, followed by Matuschka, while the countess, all unmindful, filled the air with strains so divine, that they might have been the marriage-hymns of Love wedded to Song.
The emperor had stopped for a moment to listen. His face, which at first had worn an expression of smiling flippancy, now changed its aspect. He recognized the music, and felt his heart heat wildly. With a commanding gesture, he motioned Matuschka to withdraw, and noiselessly closed the door.