CHAPTER LXXXVI.
HEART-STRUGGLES.
The week of delay which the empress had granted to the Countess Margaret had passed away, and the eve of her bridal had dawned. During those eight eventful days the countess had been more fitful than ever, and her uncle's household had suffered accordingly.
"She will take her life," whispered the servants among themselves, as each day, like a pale spectre, she glided through the house, to mount her wild Arabian. The two footmen who accompanied her on these occasions, told how she galloped so madly that they could scarcely keep pace with her; and then suddenly checked her horse, and with her head bent over its neck, remained motionless and wept.
Once the emperor had surprised her in tears, and when she became aware of his presence, she started off on a mad run and left him far behind. This occurred twice; but the third time the emperor came upon her so quickly, that before she had time to fly, he had grasped her rein. The footmen declared that they had never heard such a cry as she gave; and they thought that the emperor would be highly offended. But he only laughed, and said:
"Now, countess, you are my prisoner; and I shall not allow my beautiful
Amazon to go, until she has told me why we never see her at court."
The countess turned so pale that her servants thought she would fall from her horse, and the emperor cried out: "Good Heaven! what is the matter with you?"
She broke into a loud laugh, and striking her horse with the whip, tried to gallop off again. But the emperor put spurs to his horse, and the two dashed on together. Neck and neck they ran; the countess lashing her Arabian until he made wild leaps into the air, the emperor urging his Barb with whip and spur, until his flanks were white with foam. At last he came so near, that he made a grasp at her rein and caught it, exclaiming, with a merry laugh:
"Caught again!"
The countess turned around with eyes that darted lightning.
"Why do you laugh so immoderately?" said she.
"Because we are enacting such a delightfully comic scene. But do not look so angry; your bright eyes are on fire, and they make a man's heart boil over. Answer my question, and I restore you to freedom. Why do you shun me, and why do you never come to court?"
Now the pale cheeks flushed, and the voice was subdued until its tones were like plaintive music. "Sire, I do not visit the court, because I am a poor, unhappy creature, unfitted for society, and because no one misses me there."
"And why do you fly from me as if I were Lucifer, the son of the morning?"
"Ah, your majesty, grief flies from the light of day, and seeks the cover of friendly night! And now, free my horse, if you would not have me fall dead at your feet!"
Again she turned pale, and trembled from head to foot. When the emperor saw this, he loosed her rein, and bowing to her saddle bow, galloped away—out of sight. The countess turned her horse's head, and went slowly home.
All this Count Starhemberg learned from the footmen, for never a word had his niece spoken to him since the unhappy day of Count Esterhazy's visit. To say the truth, the old man was not sorry that her sorrow had taken the shape of taciturnity; for her pale cheeks and glaring eyes affrighted him; and he hugged himself close in his short-lived security, as each day she declined to appear at table, and was served in the solitude of her own room. She was served; but her food returned untouched. Neither did she seem to sleep; for at all times of the night she could be heard pacing her room. Then she would sit for hours before her piano; and, although her playing and singing had been equally renowned, her uncle had never suspected the genius that had lain concealed in the touch of her hands and the sound of her voice. It was no longer the "fierce countess," whose dashing execution had distanced all gentler rivals; it was a timid maiden, whose first love was finding utterance in entrancing melody. On the night following her last encounter with the emperor, the music became more passionate in its character. It was less tender, but far more sad; and often it ceased, because the musician stopped to weep.
Her uncle heard her sob, and following the impulse of his affection and compassion, he opened the room, and came softly in. He called her, and she raised her head. The light from the wax-candles that stood on the harpsichord fell directly upon her face, which was bedewed with tears. Her uncle's entrance seemed neither to have surprised nor irritated her. With an expression of indescribable woe she merely murmured
"See, uncle, to what the empress has reduced me."
Her uncle took her in his arms, and, like a weary child, she leaned her head upon his shoulder. Suddenly she started, and disengaging herself, she stood before him, and took his hands in hers.
"Oh, is it inevitable? Must I bow my head like a slave to this marriage, while my heart proclaims an eternal NO!"
The old count wiped his eyes. "I fear there is no hope, my child. I have done all that I could."
"What have you done?"
"I first appealed to Count Esterhazy; but he declared himself to be too intoxicated by your beauty to resign you. I then tried to interest some of our friends at court; but no one dared to intercede for my darling. The empress has received a severe blow in the expulsion of the Jesuits, and no one has the courage to come between her and her mania for match-making. I then appealed to her majesty myself; but in vain. Her only answer was this: 'You were to marry the count, or go into a convent.' She added, that to-morrow every thing would be prepared in the court chapel for your marriage; that she, herself, would honor you by giving you away; and that, if you did not come punctually, when the imperial state coach was sent for you, she would have you taken instead to a convent."
"Is that all?" asked she, with a painful blush.
"No, Margaret. I saw the emperor also."
"What said he?" asked the countess, in a hoarse voice, pressing so heavily upon the old man's shoulder, that he could scarcely stand under the weight of her hands. "Word for word, tell me what he said."
"I will tell you. The emperor said: 'Dear count, no one would serve you sooner than I. But as regards her mania for marrying people, the empress is inflexible. And, indeed, it seems to me that she has chosen admirably for your beautiful niece. Count Esterhazy is young, handsome, immensely rich, and a favorite at court. You will see, dear count, that she will end by making him an affectionate and obedient wife; for a young girl's hate is very often nothing but concealed love. Those were the emperor's words, my dear. I protested against his interpretation of your dislike to Count Esterhazy—but in vain."
To this, Margaret replied not a word. Her hands had gradually fallen from her uncle's shoulders, until they hung listless at her side. Her graceful head was bowed down by the sharp stroke of the humiliation which had just stricken her, and her whole attitude was that of hopeless disconsolation.
After a few moments she threw back her head with wild defiance. "He will find that he is a false prophet," exclaimed she, with a laugh of scorn. "I promise him that."
"But, my dear girl—" began Count Starhemberg. "Will you, too, insult me with prophecies of my future obedience to this fine young man? Do you, too, wish to prove to me that I am a fortunate—"
"My child, I wish nothing of the sort."
"Then what means the 'but'? Does it mean that I am to be consoled by the splendor that is to attend this—execution? Does it mean that my maidenly blushes—the blushes that betray my secret love—are to be hidden by a veil of priceless lace? Does it mean that the chains, with which your peerless empress will fetter my arms, are to be of gold, secured with diamonds? Have you taken care to provide the myrtle-wreath, the emblem of love, wherewith to deck the bride's bow? O God! O God! May some imperial daughter of this woman suffer worse than death for this!"
The count shuddered, and left the room. He had not dared to say that, in truth, her bridal-dress was all that she had described. It had all been chosen. The rich robe, the costly veil, the golden bracelets, the glittering diamonds, even the myrtle-wreath, the emblem of the humble as well as the high-born bride—all were there, awaiting the morrow.